But what I was most vexed with him for was that he could not bring himself to call on the Drozdovs, as he should have done on their arrival, to renew the acquaintance of which, so we heard they were themselves desirous, since they kept asking about him. It was a source of daily distress to him. He talked of Lizaveta Nikolaevna with an ecstasy which I was at a loss to understand. No doubt he remembered in her the child whom he had once loved. But besides that, he imagined for some unknown reason that he would at once find in her company a solace for his present misery, and even the solution of his more serious doubts. He expected to meet in Lizaveta Nikolaevna an extraordinary being. And yet he did not go to see her though he meant to do so every day. The worst of it was that I was desperately anxious to be presented to her and to make her acquaintance, and I could look to no one but Stepan Trofimovitch to effect this. I was frequently meeting her, in the street of course, when she was out riding, wearing a riding-habit and mounted on a fine horse, and accompanied by her cousin, so-called, a handsome officer, the nephew of the late General Drozdov — and these meetings made an extraordinary impression on me at the time. My infatuation lasted only a moment, and I very soon afterwards recognised the impossibility of my dreams myself — but though it was a fleeting impression it was a very real one, and so it may well be imagined how indignant I was at the time with my poor friend for keeping so obstinately secluded.
All the members of our circle had been officially informed from the beginning that Stepan Trofimovitch would see nobody for a time, and begged them to leave him quite alone. He insisted on sending round a circular notice to this effect, though I tried to dissuade him. I went round to every one at his request and told everybody that Varvara Petrovna had given “our old man” (as we all used to call Stepan Trofimovitch among ourselves) a special job, to arrange in order some correspondence lasting over many years; that he had shut himself up to do it and I was helping him. Liputin was the only one I did not have time to visit, and I kept putting it off — to tell the real truth I was afraid to go to him. I knew beforehand that he would not believe one word of my story, that he would certainly imagine that there was some secret at the bottom of it, which they were trying to hide from him alone, and as soon as I left him he would set to work to make inquiries and gossip all over the town. While I was picturing all this to myself I happened to run across him in the street. It turned out that he had heard all about it from our friends, whom I had only just informed. But, strange to say, instead of being inquisitive and asking questions about Stepan Trofimovitch, he interrupted me, when I began apologising for not having come to him before, and at once passed to other subjects. It is true that he had a great deal stored up to tell me. He was in a state of great excitement, and was delighted to have got hold of me for a listener. He began talking of the news of the town, of the arrival of the governor's wife, “with new! topics of conversation,” of an opposition party already formed in the club, of how they were all in a hubbub over the new ideas, and how charmingly this suited him, and so on. He talked for a quarter of an hour and so amusingly that I could not tear myself away. Though I could not endure him, yet I must admit he had the gift of making one listen to him, especially when he was very angry at something. This man was, in my opinion, a regular spy from his very nature. At every moment he knew the very latest gossip and all the trifling incidents of our town, especially the unpleasant ones, and it was surprising to me how he took things to heart that were sometimes absolutely no concern of his. It always seemed to me that the leading feature of his character was envy. When I told Stepan Trofimovitch the same evening of my meeting Liputin that morning and our conversation, the latter to my amazement became greatly agitated, and asked me the wild question: “Does Liputin know or not?”
I began trying to prove that there was no possibility of his finding it out so soon, and that there was nobody from whom he could hear it. But Stepan Trofimovitch was not to be shaken. “Well, you may believe it or not,” he concluded unexpectedly at last, “but I'm convinced that he not only knows every detail of 'our' position, but that he knows something else besides, something neither you nor I know yet, and perhaps never shall, or shall only know when it's too late, when there's no turning back! . . .”
I said nothing, but these words suggested a great deal. For five whole days after that we did not say one word about Liputin; it was clear to me that Stepan Trofimovitch greatly regretted having let his tongue run away with him, and having revealed such suspicions before me.
II
One morning, on the seventh or eighth day after Stepan Trofimovitch had consented to become “engaged,” about eleven o'clock, when I was hurrying as usual to my afflicted friend, I had an adventure on the way.
I met Karmazinov, “the great writer,” as Liputin called him. I had read Karmazinov from a child. His novels and tales were well known to the past and even to the present generation. I revelled in them; they were the great enjoyment of my childhood and youth. Afterwards I grew rather less enthusiastic over his work. I did not care so much for the novels with a purpose which he had been writing of late as for his first, early works, which were so full of spontaneous poetry, and his latest publications I had not . liked at all. Speaking generally, if I may venture to express my opinion on so delicate a subject, all these talented gentlemen of the middling sort who are sometimes in their lifetime accepted almost as geniuses, pass out of memory quite suddenly and without a trace when they die, and what's more, it often happens that even during their lifetime, as soon as a new generation grows up and takes the place of the one in which they have flourished, they are forgotten and neglected by every one in an incredibly short time. This somehow happens among us quite suddenly, like the shifting of the scenes on the stage. Oh, it's not at all the same as with Pushkin, Gogol, Moliere, Voltaire, all those great men who really had a new original word to say! It's true, too, that these talented gentlemen of the middling sort in the decline of their venerable years usually write themselves out in the most pitiful way, though they don't observe the fact themselves. It happens not infrequently that a writer who has been for a long time credited with extraordinary profundity and expected to exercise a great and serious influence on the progress of society, betrays in the end such poverty, such insipidity in his fundamental ideas that no one regrets that he succeeded in writing himself out so soon. But the old grey-beards don't notice this, and are angry. Their vanity sometimes, especially towards the end of their career, reaches proportions that may well provoke wonder. God knows what they begin to take themselves for — for gods at least! People used to say about Karmazinov that his connections with aristocratic society and powerful personages were dearer to him than his own soul, people used to say that on meeting you he would be cordial, that he would fascinate and enchant you with his open-heartedness, especially if you were of use to him in some way, and if you came to him with some preliminary recommendation. But that before any stray prince, any stray countess, anyone that he was afraid of, he would regard it as his sacred duty to forget your existence with the most insulting carelessness, like a chip of wood, like a fly, before you had even time to get out of his sight; he seriously considered this the best and most aristocratic style. In spite of the best of breeding and perfect knowledge of good manners he is, they say, vain to such an hysterical pitch that he cannot conceal his irritability as an author even in. those circles of society where little interest is taken in literature. If anyone were to surprise him by being indifferent, he would be morbidly chagrined, and try to revenge himself.
A year before, I had read an article of his in a review, written with an immense affectation of naive poetry, and psychology too. He described the wreck of some steamer on the English coast, of which he had been the witness, and how he had seen the drowning people saved, and the dead bodies brought ashore. All this rather long and verbose article was written solely with the object of self-display. One seemed to read between the lines: “Concentrate yourselves on me. Behold what I was like at those
moments. What are the sea, the storm, the rocks, the splinters of wrecked ships to you? I have described all that sufficiently to you with my mighty pen. Why look at that drowned woman with the dead child in her dead arms? Look rather at me, see how I was unable to bear that sight and turned away from it. Here I stood with my back to it; here I was horrified and could not bring myself to look; I blinked my eyes — isn't that interesting?” When I told Stepan Trofimovitch my opinion of Karmazinov's article he quite agreed with me.
When rumours had reached us of late that Karmazinov was coming to the neighbourhood I was, of course, very eager to see him, and, if possible, to make his acquaintance. I knew that this might be done through Stepan Trofimovitch, they had once been friends. And now I suddenly met him at the cross-roads. I knew him at once. He had been pointed out to me two or three days before when he drove past with the governor's wife. He was a short, stiff-looking old man, though not over fifty-five, with a rather red little face, with thick grey locks of hair clustering under his chimney-pot hat, and curling round his clean little pink ears. His clean little face was not altogether handsome with its thin, long, crafty-looking lips, with its rather fleshy nose, and its sharp, shrewd little eyes. He was dressed somewhat shabbily in a sort of cape such as would be worn in Switzerland or North Italy at that time of year. But, at any rate, all the minor details of his costume, the little studs, and collar, the buttons, the tortoise-shell lorgnette on a narrow black ribbon, the signet-ring, were all such as are worn by persons of the most irreproachable good form. I am certain that in summer he must have worn light prunella shoes with mother-of-pearl buttons at the side. When we met he was standing still at the turning and looking about him, attentively. Noticing that I was looking at him with interest, he asked me in a sugary, though rather shrill voice:
“Allow me to ask, which is my nearest way to Bykovy Street?”
“To Bykovy Street? Oh, that's here, close by,” I cried in great excitement. “Straight on along this street and the second turning to the left.”
“Very much obliged to you.”
A curse on that minute! I fancy I was shy, and looked cringing. He instantly noticed all that, and of course realised it all at once; that is, realised that I knew who he was, that I had read him and revered him from a child, and that I was shy and looked at him cringingly. He smiled, nodded again, and walked on as I had directed him. I don't know why I turned back to follow him; I don't know why I ran for ten paces beside him. He suddenly stood still again.
“And could you tell me where is- the nearest cab-stand?” he shouted out to me again.
It was a horrid shout! A horrid voice!
“A cab-stand? The nearest cab-stand is ... by the Cathedral; there are always cabs standing there,” and I almost turned to run for a cab for him. I almost believe that that was what he expected me to do. Of course I checked myself at once, and stood still, but he had noticed my movement and was still watching me with the same horrid smile. Then something happened which I shall never forget.
He suddenly dropped a tiny bag, which he was holding in his left hand; though indeed it was not a bag, but rather a little box, or more probably some part of a pocket-book, or to be more accurate a little reticule, rather like an old-fashioned lady's reticule, though I really don't know what it was. I only know that I flew to pick it up.
I am convinced that I did not really pick it up, but my first motion was unmistakable. I could not conceal it, and, like a fool, I turned crimson. The cunning fellow at once got all that could be got out of the circumstance.
“Don't trouble, I'll pick it up,” he pronounced charmingly; that is, when he was quite sure that I was not going to pick up the reticule, he picked it up as though forestalling me, nodded once more, and went his way, leaving me to look like a fool. It was as good as though I had picked it up myself. For five minutes I considered myself utterly disgraced for ever, but as I reached Stepan Trofimovitch's house I suddenly burst out laughing; the meeting struck me as so amusing that I immediately resolved to entertain Stepan Trofimovitch with an account of it, and even to act the whole scene to him.
III
But this time to my surprise I found an extraordinary change in him. He pounced on me with a sort of avidity, it is true, as soon as I went in, and began listening to me, but with such a distracted air that at first he evidently did not take in my words. But as soon as I pronounced the name of Karmazinov he suddenly flew into a frenzy.
“Don't speak of him! Don't pronounce that name!” he exclaimed, almost in a fury. “Here, look, read it! Read it!”
He opened the drawer and threw on the table three small sheets of paper, covered with a hurried pencil scrawl, all from Varvara Petrovna. The first letter was dated the day before yesterday, the second had come yesterday, and the last that day, an hour before. Their contents were quite trivial, and all referred to Karmazinov and betrayed the vain and fussy uneasiness of Varvara Petrovna and her apprehension that Karmazinov might forget to pay her a visit. Here is the first one dating from two days before. (Probably there had been one also three days before, and possibly another four days before as well.)
“If he deigns to visit you to-day, not a word about me, I beg. Not the faintest hint. Don't speak of me, don't mention me.— V. S.”
The letter of the day before:
“If he decides to pay you a visit this morning, I think the most dignified thing would be not to receive him. That's what I think about it; I don't know what you think.— V. S.”
To-day's, the last:
“I feel sure that you're in a regular litter and clouds of tobacco smoke. I'm sending you Marya and Fomushka. They'll tidy you up in half an hour. And don't hinder them, but go and sit in the kitchen while they clear up. I'm sending you a Bokhara rug and two china vases. I've long been meaning to make you a present of them, and I'm sending you my Teniers, too, for a time.! You can put the vases in the window and hang the Teniers on the right under the portrait of Goethe; it will be more conspicuous there and it's always light there in the morning. If he does turn up at last, receive him with the utmost courtesy but try and talk of trifling matters, of some intellectual subject, and behave as though you had seen each other lately. Not a word about me. Perhaps I may look in on you in the evening.— V. S.
“P.S.— If he does not come to-day he won't come at all.”
I read and was amazed that he was in such excitement over such trifles. Looking at him inquiringly, I noticed that he had had time while I was reading to change the everlasting white tie he always wore, for a red one. His hat and stick lay on the table. He was pale, and his hands were positively trembling.
“I don't care a hang about her anxieties,” he cried frantically, in response to my inquiring look. “Je m'en fiche! She has the face to be excited about Karmazinov, and she does not answer my letters. Here is my unopened letter which she sent me back yesterday, here on the table under the book, under L'Homme qui rit. What is it to me that she's wearing herself out over Nikolay! Je m'en fiche, et je proclame ma liberte! Au diable le Karmazinov! Au diable la Lembke! I've hidden the vases in the entry, and the Teniers in the chest of drawers, and I have demanded that she is to see me at once. Do you hear. I've insisted! I've sent her just such a scrap of paper, a pencil scrawl, unsealed, by Nastasya, and I'm waiting. I want Darya Pavlovna to speak to me with her own lips, before the face of Heaven, or at least before you. Vous me seconderez, n'est-ce pas, comme ami et timoin. I don't want to have to blush, to lie, I don't want secrets, I won't have secrets in this matter. Let them confess everything to me openly, frankly, honourably and then . . . then perhaps I may surprise the whole generation by my magnanimity. . . . Am I a scoundrel or not, my dear sir?” he concluded suddenly, looking menacingly at me, as though I'd considered him a scoundrel.
I offered him a sip of water; I had never seen him like this before. All the while he was talking he kept running from one end of the room to the other, but he suddenly stood still before me in an extraordinary attitude.
“Can you suppose,” he began again with hysterical haughtiness, looking me up and down, “can you imagine that I, Stepan Verhovensky, cannot find in myself the moral strength to take my bag — my beggar's bag — and laying it on my feeble shoulders to go out at the gate and vanish for ever, when honour and the great principle of independence demand it I It's not the first time that Stepan Verhovensky has had to repel despotism by moral force, even though it be the despotism of a crazy woman, that is, the most cruel and insulting despotism which can exist on earth, although you have, I fancy, forgotten yourself so much as to laugh at my phrase, my dear sir! Oh, you don't believe that I can find the moral strength in myself to end my life as a tutor in a merchant's family, or to die of hunger in a ditch! Answer me, answer at once; do you believe it, or don't you believe it?”
But I was purposely silent. I even affected to hesitate to wound him by answering in the negative, but to be unable to answer affirmatively. In all this nervous excitement of his there was something which really did offend me, and not personally, oh, no! But ... I will explain later on. He positively turned pale.
“Perhaps you are bored with me, G—— v (this is my surname),
and you would like . . . not to come and see me at all?” he said in that tone of pale composure which usually precedes some extraordinary outburst. I jumped up in alarm. At that moment Nastasya came in, and, without a word, handed Stepan Trofimovitch a piece of paper, on which something was written in pencil. He glanced at it and flung it to me. On the paper, in Varvara Petrovna's hand three words were written: “Stay at home.”
Stepan Trofimovitch snatched up his hat and stick in silence and went quickly out of the room. Mechanically I followed him. Suddenly voices and sounds of rapid footsteps were heard in the passage. He stood still, as though thunder-struck.
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