So easy, Puppetman moaned. It would be easy. It's rich, full. We could make that an overwhelming tide. You could take her here. She would beg you for release, she would give you whatever you asked of her-pain, submission, anything, Please…
Gregg could barely hold back the power. He'd never felt it so needy, so frantic. He'd known this would be the danger of the trip. Puppetman, that power inside him, would have to feed, and Puppetman only fed on torment and suffering, all the black-red and angry emotions. In New York and Washington it was easy. There were always puppets there, minds he'd found and opened so that he could use them later. Cattle, fodder for the power. There it was easy to slip away unseen, to stalk carefully and then pounce.
Not here. Not on this trip. Absences were conspicuous and needed explanations. He had to be cautious; he had to let the power go hungry. He was used to feeding weekly; since the plane had left New York, he'd managed to feed only once: in Guatemala. Too long ago.
Puppetman was famished. His need could not be held back much longer.
Later, Gregg pleaded. Remember Mariu? Remember the rich potency we saw in him? We touched him, we opened him. Reach out now-see, you can still feel him, only a block away. A few hours and we feed. But not with Sara. I wouldn't let you have Andrea or Succubus; I won't let you have Sara. Do you think she'd love you if she knew? Puppetman mocked. Do you think she'd still feel affection if you told her? You think she would embrace you, kiss you, let you enter her warmth? If you really want her to love you for yourself, then tell her everything.
Shut up! Gregg screamed back. Shut up! You can have Mariu. Sara is mine.
He forced the power back down. He made himself smile. It was three hours before he found an excuse to leave; he was pleased when Sara decided to stay at the clinic. Shaking from the exertion of keeping Puppetman inside, he went into the night streets.
Santa Theresa, like Jokertown, was alive at night, still vibrant with dark life. Rio herself never seemed to sleep. He could look down into the city and see a deluge of lights flowing in the valleys between the sharp mountains and spilling halfway up the slopes. It was a sight to make one stop for a moment and ponder the small beauties that, unwittingly, a sprawling humanity had made.
Gregg hardly noticed it. The lashing power inside drove him. Mariu. Feel him. Find him.
The joker who had brought in the bleeding Mariu had spoken a little English. Gregg overheard the story he'd told Tachyon. Mariu was crazy, he said. Ever since Cara was nice to him, he'd been bothering her. Cara's husband, Joao, he told Mariu to stay away, told him he was just a fucking joker. Said he'd kill Marin if Mariu didn't leave Cara alone. Mariu wouldn't listen. He kept following Cara, scaring her. So Joao cut him.
Gregg had offered to dress Mariu's wound after Tachyon had stitched it up, feeling Puppetman yammering inside. He'd touched the loathsome Mariu, let the power open his mind to feel the raging boil of emotions. He'd known immediately-this would be the one.
He could sense the emanations of the open mind at the edge of his range, perhaps a half mile away. He moved through narrow, twisting streets, still dressed in the blues.
Some of his intensity must have shown for he wasn't bothered. Once a crowd of children surrounded him, pulling at his pockets, but he'd looked at them and they'd gone silent, scattering into darkness. He'd moved on, closer to Mariu, until he saw the joker.
Mariu was standing outside a ramshackle, three-story apartment building, watching a window on the second floor. Gregg felt the pulsing, black rage and knew Joao was there.
Mariu's feelings for Joao were simple, bestial; those for Cara were more complex-a shifting, metallic respect; an azure affection laced through with veins of repressed lust. With his barbed skin Mariu had probably never had a willing lover, Gregg knew, but he could sense the fantasies in his mind. Now, please. Gregg took a shuddering breath. He let down the barriers. Puppetman laughed.
He stroked the surface of Mariu's mind possessively, cooing softly to himself. He removed the few restraints an uncaring society and church had put on Mariu. Yes, be angry, he whispered to Mariu. Be full of devout rage. He keeps you from her. He insulted you. He hurt you. Let the fury come, let it blind you until you see nothing but its burning heat. Mariu was moving restlessly in the street, his arms waving as if to some inner debate. Gregg watched as Puppetman amplified the frustration, the hurt, the anger, until Marin screamed hoarsely and ran into the building. Gregg closed his eyes, leaning against a shadowed wall. Puppetman rode with Mariu, not seeing with Mariu's eyes but feeling with him. He heard shouts in angry Portuguese, the splintering of wood, and suddenly the rage flared up higher than before.
Puppetman was feeding now, taking sustenance from the rampant emotions. Mariu and Joao were struggling, for he could sense, deep underneath, a sensation of pain. He damped the pain down so Mariu would not notice it. The screams of a woman accompanied the shouts now, and from the twisting of Mariu's mind, Gregg knew that Cara was there too. Puppetman increased Mariu's anger until the glare of it nearly blinded him. He knew Mariu could feel nothing else now. The woman screamed louder; there was a distinct dull thud audible even in the street below. Gregg heard the sound of breaking glass and a wail: he opened his eyes to see a body strike the hood of a car and topple into the street. The body was bent at an obscene angle, the spine broken. Mariu was looking down from the window above.
Yes, that was good. That was tasty. This will taste good as well.
Puppetman let the rage slowly fade as Mariu ducked back inside. Now he toyed with the feelings for Cara. He diluted the binding respect, let the affection dim. You need her. You've always wanted her. You looked at those hidden breasts as she walked by and wondered how they would feel, all silken and warm. You wondered at the hidden place between her legs, how it would taste, how it would feel. You knew it would be hot, slick with desire. You'd stroke youself at night and think of her writhing underneath you, moaning as you thrust.
Now Puppetman turned derisive, mocking, modifying passion with the residue of Mariu's anger. And you knew that she'd never want you, not looking the way you do, not the joker with the needled quills. No. Her body couldn't be for you. She'd laugh about you, making coarse jokes. When Joao possessed her, he'd laugh and say, "This would never be Mariu; Mariu would never take pleasure from me."
Cara screamed. Gregg heard cloth tear and felt Mariu's uncontrolled lust. He could imagine it. He could imagine him bearing her down roughly, uncaring that his barbs gouged her unprotected skin, looking only for release and imagined vengeance in the violent, agonizing rape.
Enough, he thought, quietly. Let it be enough. But Puppetman only laughed, staying with Mariu until orgasm threw his mind into chaos. Then Puppetman, sated himself, withdrew. He laughed hilariously, letting Mariu's emotions drop to normal, let the joker look in horror at what he'd done.
Already there were more shouts from the building, and Gregg heard the sirens in the distance. He opened his eyes-gasping, blinking-and ran.
Inside, Puppetman eased himself into his accustomed place and quietly let Gregg place the bars around him. Satisfied, he slept.
FRIDAY, DECEMBER 26, 1986, SYRIA:
Misha sat bolt upright, sweat-drenched from the dream. She had evidently cried out in fear, for Sayyid was struggling to sit up in his own bed.
"Wallah, woman! What is it?" Sayyid was hewn from a heroic mold, fully ten foot tall and muscled like a god. In repose he was inspiring: a dark, Egyptian giant, a myth given life. Sayyid was the weapon in Nur al-Allah's hands; terrorists such as al-Muezzin were the hidden blades. When Sayyid stood before the faithful, towering over all, they could see in Nor al-Allah's general the visible symbol of Allah's protection.
In Sayyid's keen mind were the strategies that had defeated the better-armed and supplied Israeli troops in the Golan Heights, when the world had thought Nor al-Allah and his followers hopelessly outnumbered. He had orchestrated the rioting in Damascus when al-Assad's ruling Ba'th Party had tried to move away from Qu'ranic
law, allowing the Nur sect to forge an alliance with the Sunni and Alawite sects. He craftily advised Nur al-Allah to send the faithful into Beirut when the Christian Druze leaders had threatened to overthrow the reigning Islamic party. When the Swarm Mother had sent her deadly offspring to Earth the year before, it was Sayyid who had protected Nor al-Allah and the faithful. In his mind was victory. For the jihad Allah had given Sayyid hikma, divine wisdom.
It was a well-kept secret that Sayyid's heroic appearance was also a curse. Nor al-Allah had decreed that jokers were sinners, branded by God. They had fallen from shari'a, the true path. They were destined to be slaves of the true faithful at best; at worst they would be exterminated. It would not have been wise for anyone to see that Nor al-Allah's brilliant strategist was nearly a cripple, that Sayyid's mighty, rippling thrws could barely support the crushing weight of his body. While his height had doubled, his mass had increased nearly fourfold.
Sayyid was always carefully posed. He moved slowly if at all. When he must go any distance, he rode.
Men who had seen Sayyid in the baths whispered that he was as heroically proportioned everywhere. Misha alone knew that his manhood was as crippled as the rest of him. For the failure of his appearance Sayyid could only blame Allah, and he did not dare. For his inability to stay aroused more than a few moments, he blamed Misha. Tonight, as often, her body bore the livid bruises of his heavy fists. But at least the beatings were quick. There were times when she thought his awful, suffocating weight would never rise from her.
"It is nothing," she whispered. "A dream. I didn't mean to wake you."
Sayyid rubbed at his eyes, staring groggily toward her. He had brought himself to a sitting position, and he panted from the effort. "A vision. Nur al-Allah has said-"
"My brother needs his sleep, as does his general. Please."
"Why must you always oppose me, woman?" Sayyid frowned, and Misha knew that he remembered his earlier embarrassment, when in frustration he had battered her, as if he could find release in her pain. "Tell me," he insisted. " I must know if it's something to tell the prophet."
I am Kahina, she wanted to say. I'm the one Allah has gifted. Why must you be the one to decide whether to wake Najib? It was not your vision. But she held back the words, knowing that they led to more pain. "It was confused," she told him. " I saw a man, a Russian by his dress" who handed Nur al-Allah many gifts. Then the Russian was gone, and another man-an American-came with more gifts and laid them at the prophet's feet." Misha licked dry lips, remembering the panic of the dream. "Then there was nothing but a feeling of terrible danger. He had gossamer strings knotted to his long fingers, and from each string dangled a person. One of his creatures came forward with a gift. The gift was for me, and yet I feared it" dreading to open the package. I ripped it open, and inside…" She shuddered. "I… I saw only myself. I know there was more to the dream, but I woke. Yet I know, I know the gift-bearer is coming. He will be here soon."
"An American?" Sayyid asked. "Yes."
"Then I know already. You dream of the plane carrying the Western infidels. The prophet will be ready for them: a month, perhaps more."
Misha nodded, pretending to be reassured, though the terror of. the dream still held her. He was coming, and he held out his gift for her, smiling.
"I'll tell Nur al-Allah in the morning," she said. "I'm sorry I disturbed your rest."
"There's more I would talk about," Sayyid answered. She knew. "Please. We're both tired."
"I'm entirely awake now"
"Sayyid, I wouldn't want to fail you again…"
She had hoped that would end it, yet had known it would not. Sayyid groaned to his feet. He said nothing; he never did. He lumbered across the room" breathing loudly at the exertion. She could see his huge bulk beside her bed, a darker shade against the night." He fell more than lowered himself atop her. "This time," he breathed. "This time."
It was not this time. Misha didn't need to be Kahina to know that it would never be.
FROM THE JOURNAL OF XAVIER DESMOND
DECEMBER 29, 1986/BUENOS AIRES:
Don't cry for Jack, Argentina…
Evita's bane has comes back to Buenos Aires. When the musical first played Broadway, I wondered what Jack Braun must have thought, listening to Lupone sing of the Four Aces. Now that question has even more poignance. Braun has been very calm, almost stoic, in the face of his reception here, but what must he be feeling inside?
Peron is dead, Evita even deader, even Isabel just a memory, but the Peronistas are still very much a part of the Argentine political scene. They have not forgotten. Everywhere the signs taunt Braun and invite him to go home. He is the ultimate gringo (do they use that word in Argentina, I wonder), the ugly but awesomely powerful American who came to the Argentine uninvited and toppled a sovereign government because he disapproved of its politics. The United States has been doing such things for as long as there has been a Latin America, and I have no doubt that these same resentments fester in many other places. The United States and even the dread "secret aces" of the CIA are abstract concepts, however, faceless and difficult to get a fix onGolden Boy is flesh and blood, very real and very visible, and here.
Someone inside the hotel leaked our room assignments, and when Jack stepped out onto his balcony the first day, he was showered with dung and rotten fruit. He has stayed inside ever since, except for official functions, but even there he is not safe. Last night as we stood in a receiving line at the Casa Rosada, the wife of a union official-a beautiful young woman, her small dark face framed by masses of lustrous black hair-stepped up to him with a sweet smile, looked straight into his eyes, and spit in his face.
It caused quite a stir, and Senators Hartmann and Lyons have filed some sort of protest, I believe. Braun himself was remarkably restrained, almost gallant. Digger was hounding him ruthlessly after the reception; he's cabling a write-up on the incident back to Aces and wanted a quote. Braun finally gave him something. "I've done things I'm not proud of," he said, "but getting rid of Juan Peron isn't one of them."
"Yeah, yeah," I heard Digger tell him, "but how did you feel when she spit on you?"
Jack just looked disgusted. " I don't hit women," he said. Then he walked off and sat by himself.
Downs turned to me when Braun was gone. "I don't hit women," he echoed in a singsong imitation of Golden Boy's voice, then added, "What a weenie…"
The world is too ready to read cowardice and betrayal into anything Jack Braun says and does, but the truth, I suspect, is more complex. Given his youthful appearance, it's hard to recall at times how old the Golden Boy really is-his formative _years were during the Depression and World War II, and he grew up listening to the NBC Blue Network, not MTV No wonder some of his values seem quaintly oldfashioned.
In many ways the Judas Ace seems almost an innocent, a bit lost in a world that has grown too complicated for him. I think he is more troubled than he admits by his reception here in Argentina. Braun is the last representative of a lost dream that flourished briefly in the aftermath of World War II and died in Korea and the HUAC hearings and the Cold War. They thought they could reshape the world, Archibald Holmes and his Four Aces. They had no doubts, no more than their country did. Power existed to be used, and they were supremely confident in their ability to tell the good guys from the bad guys. Their own democratic ideals and the shining purity of their intentions were all the justification they needed. For those few early aces it must have been a golden age, and how appropriate that a golden boy be at its center.
Golden ages give way to dark ages, as any student of history knows, and as all of us are currently finding out.
Braun and his colleagues could do things no one else had ever done-they could fly and lift tanks and absorb a man's mind and memories, and so they bought the illusion that they could make a real difference on a global scale, and when that illusion dissolved beneath them, they fell a very long way indeed. Since then no other ace has dared to dream as big.
Even in the face of imprisonment, despair, insanity, disgrace, and death, the Four Aces had triumphs to cling to, and Argentina was perhaps the brightest of those triumphs. What a bitter homecoming this must be for Jack Braun.
As if this was not enough, our mail caught up with us just before we left Brazil, and the pouch included a dozen copies of the new issue of Aces with Digger's promised feature story. The cover has Jack Braun and Mordecai Jones in profile, scowling at each other (All cleverly doctored, of course. I don't believe the two had ever met before we all got together at Tomlin) over a blurb that reads, "The Strongest Man in the World."
The article itself is a lengthy discussion of the two men and their public careers, enlivened by numerous anecdotes about their feats of strength and much speculation about which of the two is, indeed, the strongest man in the world.
Both of the principals seem embarrassed by the piece, Braun perhaps more acutely. Neither much wants to discuss it, and they certainly don't seem likely to settle the matter anytime soon. I understand that there has been considerable argument and even wagering back in the press compartment since Digger's piece came out (for once, Downs seems to have had an impact on his journalistic colleagues), but the bets are likely to remain unresolved for a long time to come.
I told Downs that the story was spurious and offensive as soon as I read it. He seemed startled. "I don't get it," he said to me. "What's your beef?"
My beef, as I explained to him, was simple. Braun and Jones are scarcely the only people to manifest superhuman strength since the advent of the wild card; in fact, that particular power is a fairly common one, ranking close behind telekinesis and telepathy in Tachyon's incidence-of-occurrence charts. It has something to do with maximizing the contractile strength of the muscles, I believe. My point is, a number of prominent jokers display augmented strength as well just off the top of my head, I cited Elmo (the dwarf bouncer at the Crystal Palace), Ernie of Ernie's Bar amp; Grill, the Oddity, Quasiman… and, most notably, Howard Mueller. The Troll's strength does not perhaps equal that of Golden Boy and the Harlem Hammer, but assuredly it approaches it. None of these jokers were so much as mentioned in passing in Digger's story, although the names of a dozen other superstrong aces were dropped here and there. Why was that? I wanted to know.
Aces Abroad wc-4 Page 16