The Storyteller

Home > Other > The Storyteller > Page 17
The Storyteller Page 17

by Picoult, Jodi


  “Never,” she replied. “Just let me finish my cigarette.”

  His glance flickered over me, and then he disappeared back into the tavern.

  “He’s not a bad man,” Annika insisted.

  “Then why do you let him treat you that way?”

  Annika looked me in the eye. “I could ask you the same,” she said.

  • • •

  The next day, it was as if our altercation had never happened. By the time we had arrived in Zwiahel, we were no longer using rifles but rather machine guns for our Aktion. Soldiers funneled the Jews in an endless stream into the trenches. There were so many of them, this time. Two thousand. It took two days to kill them all.

  There was no point in spreading sand between the layers of the bodies; instead, others in the regiment simply herded the Jews on top of their relatives and friends, some of whom were still in the throes of dying. I could hear them whispering against each other’s necks, soothing, in the seconds before they were shot themselves.

  One of the last groups had a mother and a child. This was not extraordinary; I had seen thousands of them. But this mother, she carried the little girl, and told her not to look, to keep her eyes closed. She placed her toddler between two fallen bodies as if she were tucking her in for the night. And then she began to sing.

  I didn’t know the words, but I knew the melody. It was a lullaby that my mother had sung to my brother and me when we were little, albeit in a different language. The little girl sang, too. “Nite farhaltn,” the Jewess sang. Don’t stop.

  I gave the command, and the machine guns chattered to life and shook the ground upon which I was standing. Only after the soldiers were finished did my ears stop ringing.

  That’s when I heard the little girl, still singing.

  She was slick with blood and her voice was not much more than a whisper, but the notes rose like soap bubbles. I walked through the pit and pointed my gun at her. Her face was still buried in her mother’s shoulder, but when she sensed me looming over her, she looked up.

  I fired my weapon into her dead mother’s body.

  Then the crack of a pistol shot rang out and there was no more music.

  Beside me, Voelkel holstered his gun. “Aim better,” he said.

  • • •

  I had spent three months with the 1.SS Infantry Brigade, haunted by my nightmares. I would sit down for breakfast and see the ghost of a dead man standing across the room. I would look at my laundered uniforms, spotless, and still see the places where blood had seeped into the wool. I would drink at night so that I blacked out, because the space between wakefulness and sleep was the most dangerous one to tread.

  But even after the last Jew in Zwiahel had been shot, even after Voelkel commended us on a job well done, I could still hear that toddler singing. She was long gone, buried beneath countless layers of her townsfolk, yet the breeze would draw a violin bow across the branches of a tree and I would again hear her lullaby. I would listen to the chime of coins being counted, and I would imagine her laughter. Her voice was caught in the shell of my ear, as if it were the ocean.

  I started drinking early that night, skipping dinner entirely. The tavern bar was swimming in front of me, untethered; I had to imagine each shot that passed through my lips rooting me to the stool upon which I was seated. I thought maybe I could just pass out right there on the gummy tables that were never wiped clean enough.

  I don’t know how long I’d been sitting there when she showed up. Annika. When I opened my eyes, my cheek pressed against the wood of the table, she was sideways and staring at me. “Are you okay?” she asked, and I lifted my head, which was the size of the world, and watched her spin upright.

  “Looks like you need a hand getting home,” she said.

  Then she was hauling me to my feet, although I didn’t want to go. She was talking a million miles a minute and dragging me out of the bar, to a place where I would be alone with my memories. I struggled against her, which wasn’t hard, because she was a tiny thing and I was considerably bigger. She immediately cringed, expecting to be hit.

  She thought I was like Voelkel.

  That, if nothing else, broke through the haze of my head. “I don’t want to go home,” I said.

  I do not remember how we got to her quarters. There were stairs, and I was in no condition to navigate them. I have no idea whose idea it was to take off our clothes. I have no idea what happened, which let me tell you, is a great regret for me.

  Here is what I do recall, with perfect clarity: waking up to the cold kiss of a pistol against my forehead, and Voelkel looming over me, telling me that my career as an officer was over.

  “I have a surprise for you,” Aleks said, when I wandered into the kitchen. “Sit down.”

  I climbed onto a stool and watched the muscles in his back flex as he opened the door to the brick oven and pulled something from inside. “Close your eyes,” he said. “Don’t peek.”

  “If it’s a new recipe then I certainly hope you’ve still made the rest of the usual order—”

  “All right,” Aleks interrupted, so near that I could feel the heat of his skin close to mine. “You can look now.”

  I opened my eyes. Aleks was holding out his palm. In its center was a roll that looked just like the one my father used to make for me, and this alone made me feel like crying.

  I could already smell the cinnamon and the chocolate. “How did you know?” I asked.

  “The night I had to suture your neck. You talk a lot when you’re three sheets to the wind.” He grinned. “Promise me you’ll eat the whole thing.”

  I broke it open. Steam rose between us in the shape of a secret. The crumb inside was slightly pink, warm, like flesh. “I promise,” I said, and I took the first bite.

  SAGE

  Can you blame the creationist who doesn’t believe in evolution, if he has been fed that alleged truth his whole life, and swallowed it hook, line, and sinker?

  Maybe not.

  Can you blame the Nazi who was born into an anti-Semitic country and given an anti-Semitic education, who then grows up and slaughters five thousand Jews?

  Yes. Yes, you can.

  The reason I am still sitting at Josef’s kitchen table is the same reason traffic slows after a car wreck—you want to see the damage; you can’t let yourself pass without that mental snapshot. We are drawn to horror even as we recoil from it.

  Spread before me on the table are pictures—the photo he showed me days ago of himself as a soldier in a camp; and the photo clipped from the newspaper taken on Kristallnacht, with Josef—Reiner—grinning and eating his mother’s homemade cake.

  How could someone who murdered innocent people look so . . . so . . . ordinary?

  “I just don’t understand how you did it,” I say, into the silence. “How you lived a normal life, and pretended none of this ever happened.”

  “It is amazing, what you can make yourself believe, when you have to,” Josef says. “If you keep telling yourself you are a certain kind of person, eventually you will become that person. That’s what the Final Solution was all about, really. First I convinced myself that I was of pure race, Aryan. That I deserved things others did not, simply by the accident of my birth. Think about that—that hubris, that arrogance. By comparison, convincing myself and others that I was a good man, an honest man, a humble teacher was easy.”

  “I don’t know how you sleep at night,” I reply.

  “Who says that I do?” Josef answers. “Surely you see now that I did horrible things. That I deserve to die.”

  “Yes,” I reply bluntly. “You do. But if I kill you, I’m no better than you were.”

  Josef considers this. “The first time you make a decision like that, a decision which rubs against all your morals, is the hardest. The second time, though, is not so hard. And that makes you feel a fraction better about the first time. And so on. But you can keep dividing and dividing and you’ll never entirely get rid of the sourness in your stomach
that you taste when you think back to the moment you could have said no.”

  “If you are trying to get me to help you die, you’re doing a lousy job.”

  “Ah, yes, but there is a difference between what I did and what I am asking you to do. I want to die.”

  I think of those poor Jews, stripped and humiliated, clinging to their children as they marched into a pit filled with bodies. Maybe they wanted to die, too, at that moment. Better that, than live in a world where this sort of hell could happen.

  I think of my grandmother, who—like Josef—refused to speak of this for so long. Was it because she thought that if she didn’t talk about it, she wouldn’t have to relive it? Or was it because even a single word of memory was like opening Pandora’s box, and might let evil seep like poison into the world again?

  I think, too, of the monsters she wrote about in her story. Did they hide in the shadows from others? Or from themselves?

  And I think of Leo. I wonder how he subjects himself to these sorts of stories, willingly, every day. Maybe it’s not so much about catching the perpetrators, after sixty-five years. Maybe it’s just so that he knows someone is still listening, for the sake of the victims.

  I force my attention back to Josef. “So what happened? After Voelkel caught you in bed with his girlfriend?”

  “He did not kill me, obviously,” Josef says. “But he made sure I would not work within his regiment anymore.” He hesitates. “At the time I did not know if that was a blessing or a curse.”

  He reaches for the photo he showed me, the one of himself in the camp, holding a pistol. “Those who did not want to do their job in a shooting brigade were not punished or forced to do it. It was still their choice. They were just transferred instead.

  “After the disciplinary hearing, I was sent to the Eastern Front. A Bewährungseinheit—a penal company. Now, I was a lieutenant under recall. I’d been demoted to sergeant and I had to prove myself or lose my rank.” Josef unbuttons his shirt and shrugs his left arm from the sleeve. There is a small circular burn mark on the underarm, at the armpit. “They gave me a Blutgruppe tattoo, applied to the members of the Waffen-SS. We were all supposed to have one, although it did not always work out that way. One small letter in black ink. If I needed a blood transfusion or I was unconscious, or my Erkennungsmarke had gone missing, the doctor would know my blood type and could take care of me first. And as it turned out, that saved my life.”

  “There’s nothing there but a scar.”

  “That’s because I cut it away with a Swiss Army knife when I moved to Canada. Too many people knew that SS had them; they were hunting down war criminals. I did what I had to do.”

  “So you were shot,” I say.

  He nods. “We had no food and the weather was brutal, and the Red Army ambushed our platoon one night. I took a bullet meant for my commanding officer. Lost a great deal of blood and almost died. The Reich, they saw it as an act of heroism. At the time, I had only been hoping for suicide.” He shakes his head. “It was enough, though, to redeem myself. I had irreparable nerve damage in my right arm; I would never hold a rifle steady again. But by now, in late 1942, they needed me somewhere else anyway. Somewhere not the front line. And you did not have to hold a gun steady against an unarmed prisoner.” Josef looks up at me. “I had previous experience in the concentration camps; it was where I started my SS career. So after nine months in the hospital, I was sent back to one. This time, as the Schutzhaftlagerführer of the women’s camp. I was responsible for the prisoners whenever they were present. Anus Mundi, that is what the prisoners called the camp. I remember stepping off the transport and looking at those iron gates, the words twisted between the parallel lines of metal. Arbeit macht frei. Work will set you free. And then I heard someone call my name.” Josef looks up at me. “It was my brother, Franz. After all that resistance to supporting the Reich, he was now a Hauptscharführer—a sergeant—working at the same camp, in administrative duties.”

  “This Anus Mundi,” I say. “I’ve never heard of it.”

  Josef laughed. “That was just a nickname. You speak some Latin, yes? It means ‘Asshole of the World.’ But you,” he said. “You probably know it as Auschwitz.”

  He could hear every beat of her heart. It was almost in time with her boots, as she ran. She should have known better, he told himself. This was all her fault.

  When she rounded the corner, he hit her from behind. She landed hard on the stones as he reached for the neck of her dress, tearing it halfway down her body while he rolled her onto her back. One arm pressed against her collarbone was all he needed to keep her steady. She begged, they always did, but he did not listen. Her heart was racing now, and it was driving him mad.

  The first bite was the most gratifying, like a blade cutting through clay. Her pulse fluttered like an aspen leaf in the hollow of her throat. The skin was soft; it took only a gentle tug to peel it back so that he could see the exposed muscle, the veins throbbing. He could hear the blood, too, rushing like a swollen river, and it made saliva pool in his mouth. With years of dexterity he carved through the muscle, snapping sinew and tendon like bowstrings as he shredded the flesh, dissecting until the sweet copper blood burst from the artery onto his tongue. It dripped down his chin like the juice of a melon as she went limp beneath him, as her skin shriveled. When his teeth struck her spine, he knew she was of no more use. Her head, connected only by a strip of ligament, rolled a short distance away.

  He wiped his mouth clean. And wept.

  SAGE

  Even though Josef has spoken so much of death that it darkens his lips like a berry stain; even though I cannot get the images out of my head of a little girl singing and a young man pointing to himself and reciting his age, what I find myself thinking about are the others. The ones Josef hasn’t told me about. The ones who didn’t even leave a mark on his memory, which is infinitely more horrible.

  He was at Auschwitz, and so was my grandmother. Did she know him? Did they cross paths? Did he threaten her, beat her? Did she lie awake at night in her fetid bunk and redraw the monster in her story with features that matched his?

  I have not mentioned Josef to my grandmother for good reason. She has spent over six decades keeping her memories bottled up. But as I leave Josef’s house, I cannot help but wonder if my grandmother is one of the ones he doesn’t recall. And if he is one of the ones she has worked so hard to forget. The inequity there makes me sick to my stomach.

  It is pitch dark and raining when I leave Josef’s house, shaking beneath the responsibility of his confessions. What I want is someone I can run to, someone who will hold me tight and tell me that I’m going to be okay, someone who will hold my hand until I fall asleep tonight. My mother would have done that, but she’s not here anymore. My grandmother might, but she would want to know what has upset me so deeply.

  So I drive to Adam’s house, even though I have told him I don’t want to see him, even though it is nighttime—the portion of the pie chart of his life that belongs to someone other than me. I park at the curb and look in the fishbowl window of the living room. There is a boy watching television, Jeopardy! And beyond the couch a girl sits at the kitchen table reading. Buttery light spills over her shoulders like a cape. The kitchen sink faucet is running, and Adam’s wife is washing dishes. While I watch, he appears with a fresh dish towel and takes a salad bowl from her soapy hands. He dries it, sets it on the counter, and then wraps his arms around Shannon from behind.

  The sky opens overhead, which is surely a metaphor and not just a low-pressure system. I start to run and make it to my car just as the night is cleaved by a violet streak of lightning. I peel away from the curb, from this happy family, and drive too fast to the divided highway. The puddles on the asphalt are vast and black. I think of Josef’s image, the ground welling up with blood, and I am so distracted that at first I do not see the doe fly from the woods at the edge of the road to leap in front of my car. I veer sharply, struggling to control the wheel, and h
it the guardrail, smacking my head against the window. The car comes to a stop with a hiss.

  For a moment, I black out.

  When I open my eyes, my face is wet. I think I might be crying, but then I touch my cheek and my hand comes away bloody.

  For one horrible, heart-stopping moment, I relive my past.

  I look at the empty passenger seat, and then peer through the shattered windshield, and remember where I am and what has happened.

  The deer is lying in the road, screened by the white veil of the headlights. I stumble out of the car. In the pouring rain, I kneel down and touch its face, its neck, and I start to sob.

  I am so distraught that it takes me a moment to realize that there is another car illuminating the night, a hand gentle on my shoulder. “Miss,” the policeman asks, “are you all right?”

  As if that were an easy answer. As if I could reply with a single word.

  • • •

  After the cops call Mary, she insists on getting me checked out at a hospital. When the doctor puts a butterfly bandage on my forehead and tells her I ought to be watched for signs of concussion, she announces I will be staying overnight at her house, and does not allow me to argue. By then my head hurts so much I am in no condition to put up a fight, which is how I wind up in Mary’s kitchen drinking tea.

  Mary’s hands are covered with dried purple paint—she’d been working on a mural when she was contacted by the police. The painting surrounds me, on the walls of the breakfast nook: a half-finished dreamscape of the apocalypse. Jesus—I’m guessing it’s Jesus, anyway, because he’s got the long hair and the beard but his face looks suspiciously like Bradley Cooper’s—is holding out his hand to those tumbling toward Mephistopheles—who is female, and resembles Michele Bachmann. The poor souls who are falling are in various states of undress, and some are still just roughly sketched, but I can make out the features of Snooki, Donald Trump, Joe Paterno. I touch my finger to a spot on the mural just behind my back. “Elmo?” I say. “Really?”

 

‹ Prev