They were a translucent gray, long fleshy tentacles that emerged from that fathomless black sea. Some were thin as hair, others thicker than a man, spilling onto the ground in a twisting mass and spreading around. They wrapped about the ghul carcasses, which blackened and shriveled under their touch, decaying in moments. The same became of the angel, the light of his body fading until he was left a dried and desiccated husk.
“That’s. Disgusting.” Siti grimaced behind clenched teeth.
There was a sudden bellowing from within the hole, a harsh, guttural mashing of tongues that rose as many and fell as one. The force of it was deafening, trembling the palace and sending terror through Fatma that staggered her under its weight. She remembered now the black lake in the mural in Sennar’s apartment, of the ifrit summoning their darks gods. This was the Rising. Whatever thing—things—lived in that primordial darkness were now trying to come through. When they did, these terrible gods would demand no less than death. They nourished themselves on it. They would demand the death of a whole world.
“We have to close it!” Fatma said, finding her voice.
Siti nodded stiffly, staring wide-eyed at the groping tendrils that continued to emerge from the hole. “I’m open to any ideas.”
Fatma’s mind raced, trying to recall her readings in second-year alchemy. Al-Jahiz. The Theory of Overlapping Spheres. This Clock of Worlds worked on his grand formula. What had that jann said? Space and time. She looked at the clock, at its gears that ground inexorably forward like some inevitable countdown. That was it! Time.
She turned to Siti. “I have to get to the clock!”
Siti gave a curt nod, readying her long rifle. And Fatma ran.
Behind her, she could hear the other woman firing off rounds. Bullets streaked by, hitting tendrils, cutting through gray translucent flesh in spurts of black fetid blood that made her want to gag. Another stomach-turning bellow came from inside the portal, this time a howl of pain and anger. Fatma wondered if what she looked upon now were many beings, or merely the appendage of one dipping into their world. She shook off the terrifying thought, concentrating instead on reaching the clock. When a tendril lashed toward her, she pulled her janbiya from its belt and slashed through the tip, which fell squirming to the floor.
A shout from Siti made Fatma look up in time to see a massive tentacle rushing her way. She went flat, covering her head as it snaked its way over and above, seeking the source of the biting bullets. She turned to see Siti leaping beyond the lashing limb, landing nimbly on top of a table like a cat. The woman had slung the long rifle over her back, and donned those silver talon claws on each hand. Roaring, she slashed at the thick tentacle, raking deep gashes in its flesh. Not a cat, Fatma thought. A lioness! The other tendrils quickly joined the fray, tearing apart the room and flinging furniture in their frustration as the small figure remained just out of their reach.
Fatma looked ahead, found the path clear, and almost shouted in relief. She pushed herself up, and ran again for the clock. When she reached it she stared up at the complex design of machinery, where iron wheels and pinions all turned in a harmonious union. A loud ticking emanated from within the structure, like the beating heart of some metronomic being. Space and time, the jann had said. That’s how the doorway was opened. This clock was too big to move, but maybe she could do something about time.
Fatma lifted her cane, searching for a spot between the spinning plates—finding one, she rammed the cane in all the way to the silver lion-headed pommel. The clock groaned with a metal whine, shuddering as the wheels’ teeth ground around the cane. The two gears slowed and for a heartbeat she dared to hope. Then, with a forceful crunch, the iron teeth bit through the cane, pressing forward and crushing it to bits. Fatma’s heart faltered.
Not enough. Maker had outdone himself. This was a machine created by a being driven to achieve perfection. Every wheel had been cut specifically, each one put in place by exacting hands, with extreme care and an unfaltering will. This wasn’t just a clock, it was a masterpiece of perfect precision. It wouldn’t be stopped so easily.
Perfect precision. The thought played in Fatma’s head as that rhythmic ticking resonated. Putting a hand to a space in the clock, she hoisted herself up and climbed. This had indeed been Maker’s handiwork. A being not just driven by, but obsessed with perfection. A being that would make certain each piece of his masterful design performed in absolute precision—or not at all. And every clock had a means to keep it precise. She climbed until she reached a place where she could peer inside the clock’s ironwork chassis, past the plates and wheels, searching for that means of precision until she found it. The pendulum—a thick metal bar cut sharp on either end. It swung back and forth to that metronomic rhythm, allowing each tooth of a large central spinning gear to escape in precise timing. The thing was too big to pry it loose. But if she could find something to upset that tempo …
Without another thought, Fatma reached into her breast pocket and pulled out a round bit of gold. Her father’s watch. Praise be to God! She reached her arm inside the clock, lodging the watch between the pendulum and the gear. It ceased swinging abruptly, caught on the small piece of metal. Fatma held her breath, praying that this would work. There was a strained groaning as a terrific tremor ran along the length of the clock. Everywhere, gear wheels skipped or seized, losing their perfect precision. That harmonious movement was replaced by a growing discord as time itself lost precision. Fatma looked to see the gaping hole in the air waver —and slowly begin to close.
She might have cried out in triumph, but that terrible bellowing came again, this time in fitful snarls. For one heart-stopping moment the hole suddenly expanded. Gazing into that darkness spread out before her, Fatma caught the outline of a monstrous shape she could not begin to describe. And every fear, every nightmare she’d ever had seized within her chest. Then, like a band stretched to its limit, the hole contracted, collapsing in on itself, as reality crashed back together with the thunderous handclap of a god.
Fatma was thrown from the clock as a concussive roar swept the room. For a moment she was flying, then she struck the ground hard. Air was pushed from her lungs in a gasp, and agony flared where her shoulder impacted with stone. She rolled several times over before her back slammed against something, stopping her momentum. She lay there for a long moment through a haze of dizzying pain, as a ringing sounded in her ears.
Then someone was there, lifting debris from atop her. Siti. The woman was covered in dust, and blood flowed from more than a few cuts—including a gash that left her hair slick with crimson on the right side of her head. She extended a hand and Fatma was sure to offer the good arm. Standing, the two surveyed the room, now barely recognizable, with splintered furniture and shattered contraptions. A wall had collapsed and the air was filled with thick, billowing dust. Only parts of the clock were left, a few stubborn wheels somehow still spinning. The doorway itself was gone.
“Looks like you’ll need a new suit,” Siti wheezed between coughs. Fatma looked down. Her pants were torn and her jacket was little better. There was a pang of loss as she remembered the fate of her cane. And what had become of her bowler?
“Think this is yours,” Siti offered, holding a bit of gold that dangled from a chain. Fatma took her watch and flipped it open, smiling at the familiar ticking. Scratched and worse for wear, but the damn thing still worked. Closing it, she slipped it back into her breast pocket.
Slowly, the two women began to make their way through the wreckage. Fatma stopped at sight of gray flesh in their path. One of the tendrils. It had been sheared clean at the base, cut off from the thing—or things—now trapped back in that dark realm. She kicked it. Dead.
“What do you think that belonged to?” Siti asked.
Fatma grimaced, remembering her glimpse through the doorway. “We don’t want to know.” Both women looked up at sounds from the distance. Voices. Shouts. One was Aasim.
“You’ll excuse me,” Siti said. “But
Merira prefers we keep our distance from the local constabulary.”
Fatma caught her meaning. “Don’t worry. As far as they’re concerned, I never spoke to any of you. You were never here.” She paused. “Thank you, Siti.”
The taller woman beamed, a mischievous look in her eyes. “You can thank me over a nice meal.”
Fatma raised an eyebrow. “The two of us? Share a meal?”
“And why not?”
“You’re an infidel. And maybe a little insane.”
Siti grinned, not denying either charge. She reached up with dexterous fingers to adjust the loosed knot on Fatma’s tie. “My family owns a restaurant downtown. You’ve never had better Nubian food. I have an aunt who will make us the best fatta if asked, no matter the time of year. And wait till you taste her mulukhiya.” Finishing the knot, she played with the length of the tie. “Just make sure you wear one of these nice little suits.” There was a wink before the woman turned and was gone, disappearing into the dust with that rifle slung over her back.
Fatma shook her head, turning in time to see three men in khaki uniforms scrambling over wreckage to enter the room—a dumbfounded Aasim in their lead. Holding her injured shoulder, she hobbled over toward the inspector. He was going to hate the paperwork on this one.
About the Author
P. Djèlí Clark is a writer of speculative fiction. Born in Queens, New York, he has lived alternatively in Staten Island, Brooklyn, Texas and the Caribbean. His stories have appeared in online publications such as Daily Science Fiction, Every Day Fiction, Heroic Fantasy Quarterly, and elsewhere. He has also contributed short stories to anthologies such as the Griots: A Sword and Soul Anthology and Griots: Sisters of the Spear, co-edited by Milton Davis and the pioneering Charles Saunders. Professionally, Clark is a doctoral candidate in history who focuses on issues of slavery and emancipation in the Atlantic World. He currently resides in Washington D.C., and ruminates on issues of diversity in speculative fiction at his blog The Disgruntled Haradrim. You can sign up for author updates here.
Copyright © 2016 by P.Djeli Clark
Art copyright © 2016 by Kevin Hong
1. Breaking Water
At first, Krishna thought the corpse was Ma Durga herself. A face beneath sun-speckled ripples—to his eyes a drowned idol, paint flaking away and clay flesh dissolving. But it was nothing so sacred as a discarded goddess. The surface broke to reveal skin that was not painted on, long soggy hair that had caught the detritus of the river like a fisherman’s net. Krishna had seen his mother’s dead body and his father’s, but this one still startled him.
Krishna dragged the body from the shallows to the damp mud of the bank, shaking off the shivers. He covered her pickled body with his lungi, draping it over her face. He returned to the winter-chilled waters of the Hooghly naked and finished his bath. The sun emerged over the rooftops of Kolkata, a peeled orange behind the smoky veil of monoxides, its twin crawling over the river. Morning reflections warmed the tarnished turrets of Howrah Bridge in the distance, glistening off the sluggish stream of early traffic crossing it.
Other bathers came and went, only glancing at the body. When Krishna returned to the bank, a Tantric priest was crouched over the dead woman. The priest, smeared white as a ghost with ash paste, looked up at Krishna.
“Is this your wife?” the priest asked.
“No,” said Krishna. “I don’t have one.”
“Then maybe you should be her husband.”
“What’re you on about?” Krishna snapped.
“She needs someone, even in death.”
“Maybe she already has a husband.”
“If she does, he probably argued with her, then beat her dead, maybe raped her while doing that, and tossed her in the river. Shakti and Shiva, female and male, should be at play in the universe. One should not weaken the other. This woman has been abandoned by man,” said the priest, gently touching the dark bruises on her face, throat and chest. Krishna thought about this. The priest waited.
“Fine. I’ll take her to the ghat and see her cremated,” said Krishna.
The priest nodded placidly. “You will make a good husband one day,” he said.
“Your faith in strangers is foolish,” muttered Krishna. Not to mention his sense of investigative protocol, Krishna didn’t say. The priest smiled, accepting this rebuke and walking away. Krishna didn’t know much about how washed-up, likely murder victims were handled, but he was sure just cremating them without a thought wasn’t how it usually went.
Still.
Krishna looked at the corpse. If he left her, someone would eventually call the police, and they would take her to a refrigerated morgue where her frightened soul would freeze. Her killer would remain free, the case unsolved, because since when did anyone really care about random women tossed into rivers? He thought of his mother cooking silently by lantern light, her face swollen.
He remembered asking a policeman on the street to take his father to jail for hitting his mother. He was laughed at. He remembered playing cricket on the street with the other slum boys, doing nothing to stop the beatings, waiting years until his father’s penchant for cigarettes and moonshine ended them instead. Not that it mattered, since his mother faithfully followed him not long after.
“Why don’t you take her to the ghat, you self-righteous bastard? You’re as much a man as me,” Krishna said aloud, looking at the priest, who was sitting quietly by the water. He was too far away to hear Krishna, not that Krishna cared. He shook his fist at the priest for good measure, then he peeled his lungi off the body, leaving the woman naked again. Sullen, he threw the lungi in his bucket and tied another around his waist. He always brought an extra in case he lost one in the water. He kissed his fingertips and touched them to the body’s clammy forehead, nervously keeping them away from her parted blue lips. For five minutes he sat next to her, as if in prayer, wondering how he might take her to the cremation ghats. Did the priest expect him to call a hearse, pretend to be a husband, and have her driven there? He shook his head and thought some more.
The priest had disappeared, but Krishna stayed there and thought and thought. Then he shook his head, got up, picked up his bucket and walked away. The sun had risen higher, and the crowds were beginning to gather like flies by the golden water. They looked at the woman lying there on the bank, but, blinded by her nakedness, by the ugly bruises that painted it, they all looked away and went about their day. They ignored her until the moment she got up and started walking across the shore, clumsy but sure, water-wrinkled soles sinking into the trail of footsteps Krishna had left in the mud.
Even then, they didn’t look for long, save for one man, who cried out in surprise from afar. An unsurprising reaction, since he’d just seen what he had presumed to be a dead body crawl a few paces, stand up and totter across the mud like a drunk madwoman. But no one else reacted, and he refused to let people think that he too was mad, so he pretended his cry was a prelude to his singing while he bathed, and tried to ignore the sight of the naked woman. Some others left the ghat in haste. The rest of the men took the first observer’s cue, looking away from the woman on the shore as they bathed, just as they would look away from a beggar with stumps for limbs hobbling across the ghat. She had gotten up, so she couldn’t be dead. Simple as that. Whatever her problem, naked women didn’t belong here, where men bathed, parading their lack of shame.
In the morning air, flies clothed the woman. Hesitant crows perched on her shoulders and head forming a feathered black headdress, bristling with flutter. She gave no regard to her beaked guests nor their violence as they haltingly pecked at her flesh, somewhat confused by her movements, but not enough to keep from tasting her ripe deadness.
The spectators stole quick glances at the woman while studiously ignoring her, horrified. This was a very mad woman. Undoubtedly sex-crazed, too, judging from her lack of modesty. Probably drunk. Crazy, for sure. And a junkie, and homeless, and a prostitute. So filthy that the birds were pecking a
t her. So high, she couldn’t feel the pain. Surely someone would call the police.
Carrying her hungry crows unwitting, she staggered on down Babu Ghat, wandering by the slimy stone steps that led to the rest of the city, as if unsure of how to climb them. She eventually found the garbage dump down the ghat and started eating from it.
* * *
Next morning, when Krishna heard that the dead were waking up all over the city—maybe even the state—his first thought was of the dead woman he had left behind on the ghat. He was at a paan shop on Gariahat, near the apartment building where he cooked meals for a few middle-class families in their posh homes, in their fancy kitchens with ventilation fans and shining tiles and big fridges. He was idly spitting betel juice at the footpath when the paanwallah mentioned history happening elsewhere in the city, pointing to a tiny television on top of his little Coke storage fridge.
The paanwallah seemed bemused by the news on the TV, not quite believing it. “No wonder traffic’s hell today,” he muttered, scratching his whitening moustache. “All morning, this honking, I’m going deaf.” He waved at the street and its cacophony of cars, buses, lorries and auto rickshaws stuck bumper-to-bumper like so many dogs sniffing each other’s exhaust pipes.
Krishna believed the news instantly. It couldn’t be coincidence that he’d discovered a corpse during his morning bath the week corpses started getting up and walking.
His second thought—accompanied by a bit of guilt for it not being the first—was of his mother; then, with some measure of fear, his father. But his parents were cremated and gone, safe from this mass resurrection, unless ash itself was stirring into life to fill the wind with dark ghosts. He also had to look up at the sky to make sure there were no clouds of ashen ghosts raging across it. Thankfully, there was only sunlight suspended in winter smog, pecked with the black flecks of crows.
The realization that his parents couldn’t return came as a relief to Krishna, since he didn’t know exactly how he’d have dealt with such a thing, especially after they’d been gone for two decades. The surge of elation and dread that rose from that thought filled his chest so powerfully that he had to steady himself against the counter of the paan stall.
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