Endless Love
Scott Spencer
For Coco Dupuy
I no more wrote than read that book which is
The self I am, half-hidden as it is
From one and all who see within a kiss
The lounging formless blackness of an abyss
How could I think the brief years were enough
To prove the reality of endless love?
—DELMORE SCHWARTZ
CONTENTS
Part One
1
2
3
4
5
6
7
8
Part Two
9
10
11
12
13
14
15
16
17
18
A Biography of Scott Spencer
Part One
1
When I was seventeen and in full obedience to my heart’s most urgent commands, I stepped far from the pathway of normal life and in a moment’s time ruined everything I loved—I loved so deeply, and when the love was interrupted, when the incorporeal body of love shrank back in terror and my own body was locked away, it was hard for others to believe that a life so new could suffer so irrevocably. But now, years have passed and the night of August 12, 1967, still divides my life.
It was a hot, dense Chicago night. There were no clouds, no stars, no moon. The lawns looked black and the trees looked blacker; the headlights of the cars made me think of those brave lights the miners wear, up and down the choking shaft. And on that thick and ordinary August night, I set fire to a house inside of which were the people I adored more than anyone else in the world, and whose home I valued more than the home of my parents.
Before I set fire to their house I was hidden on their big wooden semicircular porch, peering into their window. I was in a state of grief. It was the agitated, snarling grief of a boy whose long rapturous story has not been understood. My feelings were raw and tender, and I watched the Butterfields through the weave of their curtains with tears of true and helpless longing in my eyes. I could see (and love) that perfect family while they went on and on with their evening without seeing me.
It was a Saturday night and they were together. Ann and her husband, Hugh, sat in front of the empty fireplace, on the bare pumpkin pine floor. (How I admired them for leaving their good wooden floors uncovered.) Ann and Hugh, sitting close, paged through an art book, turning the pages with extraordinary slowness and care. They seemed enraptured with each other that night. At times, their relationship seemed one of perennial courtship; hesitant, impassioned, never at rest. They seldom took each other for granted and I had never seen married people whose moments of closeness had such an aura of triumph and relief.
Keith Butterfield, my age, the oldest son, and whose passing curiosity in me had been my original admittance into the Butterfield household, also sat on the floor, not far from his parents, where he fussed with the innards of a stereo receiver he was building. Keith, too, seemed to be moving slower than normal, and I wondered if I was seeing them all through the gummy agony of a dream. Keith looked to be exactly what he was: the smartest boy in Hyde Park High School. Keith couldn’t help learning things. He could go to a Russian movie and even as he concentrated on the subtitles he’d be picking up twenty or thirty Russian words. He couldn’t touch a wristwatch without wanting to take it apart; he couldn’t glance at a menu without memorizing it. Pale, with round eyeglasses and unruly hair, in blue jeans, black undershirt, and beatnik-y sandals, Keith laid his hands on the spread-out parts of the stereo, as if he wanted not to build it but to cure it. Then he picked up a small screwdriver and looked at the overhead light through the mango-colored plastic handle. He pursed his lips—sometimes Keith looked older than his parents—and then he got up and went upstairs.
Sammy, the younger son, twelve years old, was sprawled out on the couch, naked except for a pair of khaki shorts. Blond, bronze, and blue-eyed, his prettiness was almost comically conventional—he looked like the kind of picture little girls tuck into the corner of their mirror. Sammy was somewhat outside the Butterfield mold. In a family that cultivated its sense of idiosyncrasy and its sense of personal uniqueness, Sammy’s genius already seemed to be taking the form of profound regularity. Athlete, dancer, paperboy, bloodbrother, and heart throb, Sammy was the least retiring, the least internal Butterfield; we all really did believe, even when he was twelve, that one day Sammy would be President.
And then there was Jade. Curled into an armchair, wearing a loose, old-fashioned blouse and a pair of unflattering shorts that reached almost to the knee. She looked chaste, sleepy, and had the disenfranchised air of a sixteen-year-old girl at home with her family on a Saturday night. I scarcely dared look at her; I thought I might simply hurtle myself through the window and reclaim her as my own. It had been seventeen days since I’d been banished from their home and I tried not to wonder what changes had taken place in my absence. Jade looked at the wall; her face seemed waxy, blank; the nervous knee jiggle was gone—cured by my banishment?—and she sat unnervingly still. She had a clipboard wedged between her narrow hip and the side of the chair, and she held in her hand one of those fat ballpoint pens that have three separate cartridges, a black, a blue, and a red.
I still believe the statement that gives the truest sense of my state of mind that night is that I started the fire so the Butterfields would have to leave their house and confront me. The trouble with excuses, however, is that they become inevitably difficult to believe after they’ve been used a couple of times. It’s like that word game children discover: you repeat a word often enough and it loses all meaning. Foot. Foot. A hundred times foot, until finally what is foot? But even though the truth of my motive has worn a little thin (and through its diaphanous middle I can detect other possible motives), I can still say that indeed the clearest thought I had when I lit the match was that starting a fire on the porch was somehow a better way of rousing the Butterfields from their exclusive evening than a shout from the sidewalk or a stone against the window—or any other desperate, potentially degrading signal I might make. I could picture them: sniffing the smoke sent off by the pile of old newspapers, trading glances, and then filing out to see what the trouble was.
This was my strategy: as soon as the papers catch fire, I hop off the porch and run down the block. When I’m at a safe distance, I stop to catch my breath and begin strolling back toward the Butterfields, hoping to time my arrival with their emergence from the house. I’m not sure what I planned to do then. Either jump right in and help put out the little fire, or stand transfixed, as if surprised to see them, and hope that Jade or Ann would see me, wave, invite me in. The point was not to allow them to go another day without seeing me.
I don’t recall debating this plan of action. Nerved-out and lovesick, I simply proposed it and then a short time later was lighting a match. I waited for a moment (my legs shaking from their desire to vault off the porch and run like hell) to make certain the fire had really taken hold. The flame lifted the corners of that stack of papers page by page, increasing the depth of its penetration but not the breadth. I could have put it out by stepping on it a couple of times and I came close to doing so, not out of foresight but panic. I remember thinking: This will never work.
The flame, after burrowing through a few layers, at last made its move to the heart of the pile—it seemed to have found the perfect dry bridge to race across. It was still not an impressive fire, by any means. It would not have done for cooking a trout and, at the point I fled and left it to its own nitrous fate, you would have been hard-pressed to toast a marshmallow over such a feeble flame. But the fire had e
stablished itself; it was not likely to shrink to nothing at the slightest breeze, nor did it seem destined to extinguish itself. It was real, alive, and I leapt off the porch and onto the tall unkempt grass that distinguished the Butterfields’ patch of lawn. I turned back for a moment to look at the house, gothically eccentric, a New England frame house in the middle of Chicago, then at the softly lighted living room window, still empty of curious faces, and then at the stack of newspapers, gauzy now behind the first sheet of smoke and capped by a rooster comb of flame. And then I ran.
The Butterfield house was on Blackstone in the Hyde Park section of Chicago. I ran north, knees locked, toward 57th Street. As far as I remember, I passed no one. And no passer-by walked near the Butterfields to notice those smoldering papers. Hyde Park had not yet turned into an indoor society because of crime- fear. You still had accidental meetings in the street, and though the University of Chicago already had its own private police force and a separate busline to transport students around the neighborhood, Hyde Park was an open, busy place, even at night. (Jade and I, before her parents accepted our love affair and all of its inflexible demands, often walked those streets at two, three, even four in the morning, leaning on parked cars to kiss, embracing and even lying on top of each other on darkened porch stoops, and we never felt unsafe—our only fear was interruption.) But that night, when one watchful pedestrian could have changed everything, I had that long block to myself.
When I reached 57th Street, I went into the second stage of my plan. I paced slowly on the corner for perhaps a minute—though knowing my tendency to rush when I’m uncertain, it was probably less time than that. Then, while trying to invent a quick, plausible excuse for being on that block in case Jade or any other Butterfield asked me, I walked south, retracing my tin-soldier steps back to their house. My heart was clapping with lonely, lunatic intensity but I can’t say that by then I was wishing I’d never struck that match. I hadn’t seen or spoken to Jade in seventeen days (though when Hugh Butterfield had told me, as he banished me from the house, that he and Jade had decided I would have to stay away for thirty days, I had unfounded but powerful suspicions they had engineered a separation that might never end). This banishment, this sudden expulsion from the center of my life, was the core of all thought and feeling. And while misgivings and second thoughts buzzed around my determination, they were as ineffectual as houseflies. I was scared that I’d done such a strange thing as burn the newspapers that had collected on the Butterfield porch, but there is no sense calling this nervousness, this surprise-with-myself, regret. My major concern was that the ploy would work.
I stood in front of their house. The sidewalk was fifteen yards from the porch and I could see perfectly well that the flame had not gone out. But neither had it grown. A steady haze of smoke wafted off the newspapers, yet still no Butterfields had been aroused by it. I had an impulse to sneak back onto the porch and blow on the flame or perhaps loosen up the papers so they could catch fire more easily. But I didn’t want to nudge chance with too firm a hand. Since my whole faked-up meeting was to be based on the pretense of coincidence, I wanted to leave a little room for the quirky meanderings of fate: if I engineered things too carefully, I might not be able to imitate astonishment when the time came. I walked past the house, southward this time to the corner of 59th.
On 59th Street I did see people walking around, but no one I knew. I saw a rather glamorous older woman (meaning, then, a woman in her twenties) walking a large, nervous red dog. She wore sunglasses, a floppy straw hat, and smoked a cigarette out of a long black and silver holder. I think I may have stared at her, just to occupy my thoughts. She cocked her head and smiled at me and said hello. Her voice startled me and I experienced that quick intestinal collapse you sometimes get in bed when you think you are falling. I made a brisk British military nod (that month’s mask, picked up in the psychological warehouse that stored other people’s discarded personalities) and I thought: I’m getting the timing screwed up. My life would have had to be a movie for the plan to really work the way I wanted—I wanted to time my passing the Butterfields’ house just as they were coming out. But I felt there was some split-second urgency involved and so I quickly started out toward the house, first at a trot and then at a dead run.
Was I running for the sake of my masterplan or did I somehow know that the fire I’d set had leapt out of control? Did I smell smoke or did the part of me that had understood from the beginning the consequence of my actions finally fight its way through the thicket of wilfulness and heartsickness to scream its alarm? I ran and now my heart was not beating with a lover’s mournful nervousness but it seemed to bound against my chest like a furious dog against a fence.
I don’t understand how fire works; I haven’t learned the scientific explanations for its cunning and greed. A lick of flame can scurry like a cat while it hunts for the choicest morsel of fuel. An infant flame is subject to the government of the elements. But by adolescence, fire is as brave and artful as a revolutionary band, snatching easy victories here, extending the limits of its power there, consolidating, attacking, brightening with triumph. At its full force, its victory over the stable world complete and everything from Doric columns to magazine racks within its mercy, fire is messianic—it rules over its domain with a blistering, totalitarian authority and seems to believe that all of creation ought be in flames. By the time I reached Jade’s house, the fire I’d set was not in its uncontrollable maturity but it had advanced to its daredevil adolescence. The central flame, headquartered in the stack of newspapers, had sent attack parties of smaller flames to menace the house itself. Points of flame scattered along the side of the house and fluttered like small orange pennants. A circle of fire had been dispatched to the floor of the porch and seemed to race around the newspapers for a short time, and then, thrilled with the very fact of its existence and drunk with the berserkness of its cause, spread out in a dozen different directions.
I backed away. I already felt the heat on my face, burning through the passive warmth of the August air. I backed off until I slipped off the curb and rammed myself against Hugh’s car, a ten-year-old Bentley that he nursed and loved to excess and beyond. I rubbed my back—a moron checking for a bruise on his spine while everyone he loves sits in a burning house. The flames that darted this way and that on the house itself were all on the feeble side, but there were so many of them and they had enough confidence in their power to continually divide themselves. And then, almost as if the fire was controlled by a dial like the flame on a gas stove, in an instant the flames—all of them—tripled in size and power. I let out a cry and rushed toward the house.
The porch was already half covered with flame—there were shoots of fire everywhere, an intermediate garden of fire. I flung the screen door open and tried to open the big wooden door, which was usually unlocked (not as a gesture of trust but an accommodation to the constant human traffic). Tonight, however, the door was locked. I pounded on it with my fists and shouted—no, not “Fire!” but “Let me in! Let me in, goddamnit! Let me in!”
Sammy opened the door. He was, in fact, on his way out because now, finally, they all smelled smoke. “David,” he said, and put up his small hands as if to stop me.
I pulled him out onto the porch and then ran into the house. The small, cluttered foyer already smelled of smoke and when I made the familiar right turn into the living room, Hugh was backing away from the window with his hand over his eyes.
“We’re on fire,” I said. (Hugh was later to testify that I’d said this in a “casual” tone of voice. It seems incredible; but I don’t remember.)
The living room was hotter than any summer’s day. It didn’t so much seem that smoke was rushing in as that the air itself was turning into smoke. The fire, with its tactical instinct, had surrounded the frame of the largest window on the outside, maneuvering toward the easiest entry into the house. It raced around the pulpy, half-rotten wood, multiplying its intensity, dancing, dancing like warriors wo
rking themselves up before a battle, until the heat was powerful enough to explode the window and a long orange arm reached in and turned the curtains to flame.
It is here, at this point, when the window blew out and the curtains caught fire, that the sequence of events become irretrievable. We were, I would suppose, like any other group of people in a burning house, fighting back our terror with the worthless fantasy that really nothing so terribly serious was happening. Only Hugh, who had fought in a war and had spent time in a prison camp, only Hugh knew firsthand how sometimes ordinary life is completely overturned. The rest of us, even as we breathed in the heat and the smoke, even as our lungs burned and our eyes teared and we heard the crackle of the wood, held onto the possibility that disaster would suddenly stop in its tracks, turn around, and disappear.
I forced myself to be calm as I went to Jade’s side, and I put my arm around her in the manner of someone taking charge during an emergency—but really, all I wanted to do was touch her.
“How are you?” I said, putting my lips near her ear. Her hair smelled from the curling gel she had set it with; her neck looked naked and vulnerable.
“I’m OK,” Jade said, in her low, porous voice. She did not look at me. “Except I’m…high. I’m very, very high.” She covered her eyes against the smoke and coughed. “And scared,” she said.
Perhaps there had been something more than Jade had said, but I knew immediately that the family had not been smoking grass: for the past couple months, Ann had been in correspondence with her cousin in California, trying to seduce him into sending her some of the laboratory LSD he had access to, and tonight, with all ceremony and seriousness, they had swallowed it, ingesting the spirit of the new consciousness in a square of chemically treated blotter paper, just as they from time to time ingested the spirit of Christ in the form of an Episcopalian wafer. Now, suddenly, horribly, I understood the pages of that art book being turned in slow motion and Jade’s waxed features as she had sat immobile in the chair.…
Endless Love Page 1