Thoughts on Man: His Nature, Productions, and Discoveries

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by William Godwin


  It is true, that the basest treacheries, the most atrocious cruelties, butcheries, massacres, violations of all the restraints of decency, and all the ties of nature, fields covered with dead bodies, and flooded with human gore, are all of them vulgar repetitions of what had been acted countless times already. If Nero or Caligula thought to perpetrate that which should stand unparalleled, they fell into the grossest error. The conqueror, who should lay waste vast portions of the globe, and destroy mighty cities, so that "thorns should come up in the palaces, and nettles in the fortresses thereof, and they should be a habitation of serpents, and a court for owls, and the wild beasts of the desert should meet there," would only do what Tamerlane, and Aurengzebe, and Zingis, and a hundred other conquerors, in every age and quarter of the world, had done before. The splendour of triumphs, and the magnificence of courts, are so essentially vulgar, that history almost disdains to record them.

  And yet there is something that is new, and that by the reader of discernment is immediately felt to be so.

  We read of Moses, that he was a child of ordinary birth, and, when he was born, was presently marked, as well as all the male children of his race, for destruction. He was unexpectedly preserved; and his first act, when he grew up, was to slay an Egyptian, one of the race to whom all his countrymen were slaves, and to fly into exile. This man, thus friendless and alone, in due time returned, and by the mere energy of his character prevailed upon his whole race to make common cause with him, and to migrate to a region, in which they should become sovereign and independent. He had no soldiers, but what were made so by the ascendancy of his spirit no counsellors but such as he taught to be wise, no friends but those who were moved by the sentiment they caught from him. The Jews he commanded were sordid and low of disposition, perpetually murmuring against his rule, and at every unfavourable accident calling to remembrance "the land of Egypt, where they had sat by the fleshpots, and were full." Yet over this race he retained a constant mastery, and finally made of them a nation whose customs and habits and ways of thinking no time has availed to destroy. This was a man then, that possessed the true secret to make other men his creatures, and lead them with an irresistible power wherever he pleased. This history, taken entire, has probably no parallel in the annals of the world.

  The invasion of Greece by the Persians, and its result, seem to constitute an event that stands alone among men. Xerxes led against this little territory an army of 5,280,000 men. They drank up rivers, and cut their way through giant-mountains. They were first stopped at Thermopylæ by Leonidas and his three hundred Spartans. They fought for a country too narrow to contain the army by which the question was to be tried. The contest was here to be decided between despotism and liberty, whether there is a principle in man, by which a handful of individuals, pervaded with lofty sentiments, and a conviction of what is of most worth in our nature, can defy the brute force, and put to flight the attack, of bones, joints and sinews, though congregated in multitudes, numberless as the waves of the sea, or the sands on its shore. The flood finally rolled back: and in process of time Alexander, with these Greeks whom the ignorance of the East affected to despise, founded another universal monarchy on the ruins of Persia. This is certainly no vulgar history.

  Christianity is another of those memorable chapters in the annals of mankind, to which there is probably no second. The son of a carpenter in a little, rocky country, among a nation despised and enslaved, undertook to reform the manners of the people of whom he was a citizen. The reformation he preached was unpalatable to the leaders of the state; he was persecuted; and finally suffered the death reserved for the lowest malefactors, being nailed to a cross. He was cut off in the very beginning of his career, before he had time to form a sect. His immediate representatives and successors were tax-gatherers and fishermen. What could be more incredible, till proved by the event, than that a religion thus begun, should have embraced in a manner the whole civilised world, and that of its kingdom there should be no visible end? This is a novelty in the history of the world, equally if we consider it as brought about by the immediate interposition of the author of all things, or regard it, as some pretend to do, as happening in the course of mere human events.

  Rome, "the eternal city," is likewise a subject that stands out from the vulgar history of the human race. Three times, in three successive forms, has she been the mistress of the world. First, by the purity, the simplicity, the single-heartedness, the fervour and perseverance of her original character she qualified herself to subdue all the nations of mankind. Next, having conquered the earth by her virtue and by the spirit of liberty, she was able to maintain her ascendancy for centuries under the emperors, notwithstanding all her astonishing profligacy and anarchy. And, lastly, after her secular ascendancy had been destroyed by the inroads of the northern barbarians, she rose like the phœnix from her ashes, and, though powerless in material force, held mankind in subjection by the chains of the mind, and the consummateness of her policy. Never was any thing so admirably contrived as the Catholic religion, to subdue the souls of men by the power of its worship over the senses, and, by its contrivances in auricular confession, purgatory, masses for the dead, and its claim magisterially to determine controversies, to hold the subjects it had gained in everlasting submission.

  The great principle of originality is in the soul of man. And here again we may recur to Greece, the parent of all that is excellent in art. Painting, statuary, architecture, poetry, in their most exquisite and ravishing forms, originated in this little province. Is not the Iliad a thing new, and that will for ever remain new? Whether it was written by one man, as I believe, or, as the levellers of human glory would have us think, by many, there it stands: all the ages of the world present us nothing that can come in competition with it.

  Shakespear is another example of unrivalled originality. His fame is like the giant-rivers of the world: the further it flows, the wider it spreads out its stream, and the more marvellous is the power with which it sweeps along.

  But, in reality, all poetry and all art, that have a genuine claim to originality, are new, the smallest, as well as the greatest.

  It is the mistake of dull minds only, to suppose that every thing has been said, that human wit is exhausted, and that we, who have unfortunately fallen upon the dregs of time, have no alternative left, but either to be silent, or to say over and over again, what has been well said already.

  There remain yet immense tracts of invention, the mines of which have been untouched. We perceive nothing of the strata of earth, and the hidden fountains of water, that we travel over, unconscious of the treasures that are immediately within our reach, till some person, endowed with the gift of a superior sagacity, comes into the country, who appears to see through the opake and solid mass, as we see through the translucent air, and tells us of things yet undiscovered, and enriches us with treasures, of which we had been hitherto entirely ignorant. The nature of the human mind, and the capabilities of our species are in like manner a magazine of undiscovered things, till some mighty genius comes to break the surface, and shew us the wonderful treasures that lay beneath uncalled for and idle.

  Human character is like the contents of an ample cabinet, brought together by the untired zeal of some curious collector, who tickets his rarities with numbers, and has a catalogue in many volumes, in which are recorded the description and qualities of the things presented to our view. Among the most splendid examples of character which the genius of man has brought to light, are Don Quixote and his trusty squire, sir Roger de Coverley, Parson Adams, Walter Shandy and his brother Toby. Who shall set bounds to the everlasting variety of nature, as she has recorded her creations in the heart of man? Most of these instances are recent, and sufficiently shew that the enterprising adventurer, who would aspire to emulate the illustrious men from whose writings these examples are drawn, has no cause to despair. Vulgar observers pass carelessly by a thousand figures in the crowded masquerade of human society, which, when inscribe
d on the tablet by the pencil of a master, would prove not less wondrous in the power of affording pleasure, nor less rich as themes for inexhaustible reflection, than the most admirable of these. The things are there, and all that is wanting is an eye to perceive, and a pen to record them.

  As to a great degree we may subscribe to the saying of the wise man, that "there is nothing new under the sun," so in a certain sense it may also be affirmed that nothing is old. Both of these maxims may be equally true. The prima materia, the atoms of which the universe is composed, is of a date beyond all record; and the figures which have yet been introduced into the most fantastic chronology, may perhaps be incompetent to represent the period of its birth. But the ways in which they may be compounded are exhaustless. It is like what the writers on the Doctrine of Chances tell us of the throwing of dice. How many men now exist on the face of the earth? Yet, if all these were brought together, and if, in addition to this, we could call up all the men that ever lived, it may be doubted, whether any two would be found so much alike, that a clear-sighted and acute observer might not surely distinguish the one from the other. Leibnitz informs us, that no two leaves of a tree exist in the most spacious garden, that, upon examination, could be pronounced perfectly similar[1].

  The true question is not, whether any thing can be found that is new, but whether the particulars in which any thing is new may not be so minute and trifling, as scarcely to enter for any thing, into that grand and comprehensive view of the whole, in which matters of obvious insignificance are of no account.

  But, if art and the invention of the human mind are exhaustless, science is even more notoriously so. We stand but on the threshold of the knowledge of nature, and of the various ways in which physical power may be brought to operate for the accommodation of man. This is a business that seems to be perpetually in progress; and, like the fall of bodies by the power of gravitation, appears to gain in momentum, in proportion as it advances to a greater distance from the point at which the impulse was given. The discoveries which at no remote period have been made, would, if prophesied of, have been laughed to scorn by the ignorant sluggishness of former generations; and we are equally ready to regard with incredulity the discoveries yet unmade, which will be familiar to our posterity. Indeed every man of a capacious and liberal mind is willing to admit, that the progress of human understanding in science, which is now going on, is altogether without any limits that by the most penetrating genius can be assigned. It is like a mighty river, that flows on for ever and for ever, as far as the words, "for ever," can have a meaning to the comprehension of mortals. The question that remains is, our practicable improvement in literature and morals, and here those persons who entertain a mean opinion of human nature, are constantly ready to tell us that it will be found to amount to nothing. However we may be continually improving in mechanical knowledge and ingenuity, we are assured by this party, that we shall never surpass what has already been done in poetry and literature, and, which is still worse, that, however marvellous may be our future acquisitions in science and the application of science, we shall be, as much as ever, the creatures of that vanity, ostentation, opulence and the spirit of exclusive accumulation, which has hitherto, in most countries (not in all countries), generated the glaring inequality of property, and the oppression of the many for the sake of pampering the folly of the few.

  There is another circumstance that may be mentioned, which, particularly as regards the question of repetition and novelty that is now under consideration, may seem to operate in an eminent degree in favour of science, while it casts a most discouraging veil over poetry and the pure growth of human fancy and invention. Poetry is, after all, nothing more than new combinations of old materials. Nihil est in intellectu, quod non fuit prius in sensu. The poet has perhaps in all languages been called a maker, a creator: but this seems to be a vain-glorious and an empty boast. He is a collector of materials only, which he afterwards uses as best he may be able. He answers to the description I have heard given of a tailor, a man who cuts to pieces whatever is delivered to him from the loom, that he may afterwards sew it together again. The poet therefore, we may be told, adds nothing to the stock of ideas and conceptions already laid up in the storehouse of mind. But the man who is employed upon the secrets of nature, is eternally in progress; day after day he delivers in to the magazine of materials for thinking and acting, what was not there before; he increases the stock, upon which human ingenuity and the arts of life are destined to operate. He does not, as the poet may be affirmed by his censurers to do, travel for ever in a circle, but continues to hasten towards a goal, while at every interval we may mark how much further he has proceeded from the point at which his race began.

  Much may be said in answer to this, and in vindication and honour of the poet and the artist. All that is here alleged to their disadvantage, is in reality little better than a sophism. The consideration of the articles he makes use of, does not in sound estimate detract from the glories of which he is the artificer. Materiem superat opus. He changes the nature of what he handles; all that he touches is turned into gold. The manufacture he delivers to us is so new, that the thing it previously was, is no longer recognisable. The impression that he makes upon the imagination and the heart, the impulses that he communicates to the understanding and the moral feeling, are all his own; and, "if there is any thing lovely and of good report, if there is any virtue and any praise," he may well claim our applauses and our thankfulness for what he has effected.

  There is a still further advantage that belongs to the poet and the votarist of polite literature, which ought to be mentioned, as strongly calculated to repress the arrogance of the men of science, and the supercilious contempt they are apt to express for those who are engrossed by the pursuits of imagination and taste. They are for ever talking of the reality and progressiveness of their pursuits, and telling us that every step they take is a point gained, and gained for the latest posterity, while the poet merely suits himself to the taste of the men among whom he lives, writes up to the fashion of the day, and, as our manners turn, is sure to be swept away to the gulph of oblivion. But how does the matter really stand? It is to a great degree the very reverse of this.

  The natural and experimental philosopher has nothing sacred and indestructible in the language and form in which he delivers truths. New discoveries and experiments come, and his individual terms and phrases and theories perish. One race of natural philosophers does but prepare the way for another race, which is to succeed. They "blow the trumpet, and give out the play." And they must be contented to perish before the brighter knowledge, of which their efforts were but the harbingers. The Ptolemaic system gave way to Tycho Brahe, and his to that of Copernicus. The vortices of Descartes perished before the discoveries of Newton; and the philosophy of Newton already begins to grow old, and is found to have weak and decaying parts mixed with those which are immortal and divine. In the science of mind Aristotle and Plato are set aside; the depth of Malebranche, and the patient investigation of Locke have had their day; more penetrating, and concise, and lynx-eyed reasoners of our own country have succeeded; the German metaphysicians seem to have thrust these aside; and it perhaps needs no great degree of sagacity to foresee, that Kant and Fichté will at last fare no better than those that went before them.

  But the poet is immortal. The verses of Homer are of workmanship no less divine, than the armour of his own Achilles. His poems are as fresh and consummate to us now, as they were to the Greeks, when the old man of Chios wandered in person through the different cities, rehearsing his rhapsodies to the accompaniment of his lute. The language and the thoughts of the poet are inextricably woven together; and the first is no more exposed to decay and to perish than the last. Presumptuous innovators have attempted to modernise Chaucer, and Spenser, and other authors, whose style was supposed to have grown obsolete. But true taste cannot endure the impious mockery. The very words that occurred to these men, when the God descended, and a fire from h
eaven tingled in all their veins, are sacred, are part of themselves; and you may as well attempt to preserve the man when you have deprived him of all his members, as think to preserve the poet when you have taken away the words that he spoke. No part of his glorious effusions must perish; and "the hairs of his head are all numbered."

  [1] See above, p. 31.

  ESSAY XI.

  OF SELF-LOVE AND BENEVOLENCE.

  No question has more memorably exercised the ingenuity of men who have speculated upon the structure of the human mind, than that of the motives by which we are actuated in our intercourse with our fellow-creatures. The dictates of a plain and unsophisticated understanding on the subject are manifest; and they have been asserted in the broadest way by the authors of religion, the reformers of mankind, and all persons who have been penetrated with zeal and enthusiasm for the true interests of the race to which they belong.

  "The end of the commandment," say the authors of the New Testament, "is love." "This is the great commandment of the law, Thou shalt love thy maker with all thy heart; and the second is like unto it, Thou shalt love thy neighbour as thyself." "Though I bestow all my goods to feed the poor, and give my body to be burned, and have not love, it profiteth me nothing." "For none of us liveth to himself; and no man dieth to himself."

  The sentiments of the ancient Greeks and Romans, for so many centuries as their institutions retained their original purity, were cast in a mould of a similar nature. A Spartan was seldom alone; they were always in society with each other. The love of their country and of the public good was their predominant passion, they did not imagine that they belonged to themselves, but to the state. After the battle of Leuctra, in which the Spartans were defeated by the Thebans, the mothers of those who were slain congratulated one another, and went to the temples to thank the Gods, that their children had done their duty; while the relations of those who survived the defeat were inconsolable.

 

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