Why Shoot a Butler
Джорджетт Хейер
Every family has secrets, but the Fountains' are turning deadly…
On a dark night, along a lonely country road, barrister Frank Amberley stops to help a young lady in distress and discovers a sports car with a corpse behind the wheel. The girl protests her innocence, and Amberley believes her—at least until he gets drawn into the mystery and the clues incriminating Shirley Brown begin to add up…
In an English country-house murder mystery with a twist, it's the butler who's the victim, every clue complicates the puzzle, and the bumbling police are well-meaning but completely baffled. Fortunately, in ferreting out a desperate killer, amateur sleuth Amberley is as brilliant as he is arrogant, but this time he's not sure he wants to know the truth…
Georgette Heyer
Why Shoot a Butler
Chapter One
The signpost was unhelpful. Some faint characters on one of its blistered arms informed the seeker after knowledge that Lumsden lay to the west, reached, presumably, at the end of a dubious-looking lane. The other arm indicated the direction of Pittingly, a place Mr. Amberley had never heard of. However, if Lumsden lay to the west, Upper Nettlefold ought to be found somewhere in the direction of the obscure fittingly. Mr. Amberley switched off his spot-lamp, and swung the car round, reflecting savagely that he should have known better than to have trusted to his cousin 1'elicity's enthusiastic but incomplete directions. If he had had the sense to follow the usual road he would have been at Greythorne by now. As it was, Felicity's "short way" had already made him late for dinner.
He drove on rather cautiously down a bumpy lane flanked by quickset hedges. Wreaths of autumn mist curled across the road and further exasperated him. He passed a road winding off to the left, but it looked unpromising, and he bore on towards Pittingly.
The lane twisted and turned its way through the Weald. There were apparently no houses on it, nor did Pittingly - a place towards which Mr. Amberley was fast developing an acute dislike - materialise. He glanced at his watch and swore gently. It was already some minutes after eight. He pressed his foot down on the accelerator and the long powerful Bentley shot forward, bounding over the rough surface in a way that was very bad for Mr. Amberley's temper.
Pittingly seemed to be destined to remain a mystery; no sign of any village greeted Mr. Amberley's rather hard grey eyes, but round a sharp bend in the lane a red taillight came into view.
As the Bentley drew closer its headlights, piercing the mist, picked out a motionless figure standing in the road beside the stationary car. The car, Mr. Amberley observed, was a closed Austin Seven. It was drawn up to the side of the road, its engine switched off, and only its side and tail-lights burning. He slackened speed and saw that the still figure in the road was not that of a man, as he had at first supposed, but of a female, dressed in a belted raincoat with a felt hat pulled low over her forehead.
Mr. Amberley brought his Bentley to a standstill alongside the little Austin and leaned across the vacant seat beside him. "Is anything wrong?" he said, not without a touch of impatience. Really, if on the top of having lost his way he was going to have to change a wheel or peer into the bowels of the Austin's engine, it would be the crowning annoyance.
The girl - he guessed rather than saw that she was quite young - did not move. She was standing by the off door of the Austin with her hands thrust into the pockets of her raincoat. "No, nothing," she said. Her voice was deep. He got the impression that something was wrong, but he had not the smallest desire to discover the cause of the underlying agitation in her curt words.
"'Then can you tell me if I'm on the right road for Greythorne?" he asked.
"I don't know," she said ungraciously.
A somewhat sardonic gleam shot into Mr. Amberley's eyes. "A stranger to these parts yourself, no doubt?"
She moved her head and he saw her face for a moment, a pale oval with a mouth he thought sulky. "Yes, I am. Practically. Anyway, I've never heard of Greythorne. Good night."
This was pointed enough, but Mr. Amberley ignored it. His own manners were, his family informed him, abrupt to the point of rudeness, and the girl's surliness rather pleased him. "Tax your brain a little further," he requested. "Do you know the way to Upper Nettlefold?"
The brim of her hat threw a shadow over her eyes, but he was sure that she glowered at him. "You ought to have taken a turning to the left about a mile back," she informed him.
"Damn!" said Mr. Amberley. "Thanks." He sat back in his seat and took out the clutch.
To turn the car in this narrow lane was not easy. He drove on till he was clear of the Austin and began his manoeuvres. After considerable trouble he got the Bentley round, its head-lamps illuminating the girl and the Austin in two brilliant shafts of light. As the car swung round she flinched, as though the sudden blaze of light startled her. Mr. Amberley saw her face, chalk-white, for a moment before she averted it.
Instead of straightening up the car he kept it stationary, his foot hard on the clutch, his hand mechanically grasping the gear-lever. The headlights were directed full into the smaller car and showed Mr. Amberley something queer. There was a small hole in the windscreen, with splinters radiating out from it in a star shape. He leaned forward over the wheel, staring.
"Who's in that car?" he said sharply.
The girl moved quickly, shutting the interior of the Austin from Mr. Amberley's keen scrutiny. "What has it got to do with you?" she said breathlessly. "I've told you the way to Upper Nettlefold. Why don't you go?
Mr. Amberley pushed the gear-lever into neutral and put on his brake. He got out of the car and strode towards the girl. Now that he was close to her he saw that she was good-looking, a fact that did not interest him, and exceedingly nervous, a fact that aroused all his suspicions.
"Very silent, your companion?" he said grimly. "Get away from that door."
She stood her ground, but she was obviously frightened. "Will you please go? You have no business to molest me in this fashion!"
His hand shot out and grasped her wrist. He jerked her somewhat roughly away from the door and peered in. A man was sitting in the driver's seat, curiously immobile. His head was sunk on his chest. He did not look up or speak.
The girl's hand shook in Mr. Amberley's hold, which had slowly tightened on it. The figure at the wheel did not move.
"Oh!" said Mr. Amberley. "I see."
"Let me go!" she said fiercely. "I - it - I didn't do it."
He retained his grasp on her wrist, but he was looking :it the dead man. The clothing, a dark lounge suit, was disarranged, as though someone had rifled the pockets; the striped shirt was stained with red, and a dark stain ran down the front of the waistcoat.
Mr. Amberley put out his free hand to touch the slack one inside the car. He did not appear to feel any repulsion. "Not cold," he said. "Well?"
"If you think I did it you're wrong," she said. "I found him like it. I tell you I wasn't even here!"
He ran his hand down over her coat, feeling for a possible weapon. She began to struggle, but found that she was quite powerless in his grip. His hand encountered something hard in the right pocket. Without ceremony he pulled out a small automatic.
She stood still. Hatred vibrated in her voice as she said: "If you take the trouble to inspect it you will find it's Fully loaded. The magazine holds seven. It isn't cocked."
"Are you in the habit of carrying loaded guns?" he inquired.
"That's my affair."
"Undoubtedly," he agreed, and lifting the gun sniffed gingerly at the end of the barrel. He let go her wrist and slipped out the magazine. As she had said, it held seven cartridges. Pulling back the breech, he satisfied hims
elf that it was empty. Then he snapped the magazine home and handed the gun to the girl.
She took it in a somewhat unsteady clasp. "Thanks. Satisfied I didn't do it?"
"Quite satisfied that you didn't do it with that gun," he replied. "Probably you didn't do the actual shooting, but you know something about it."
"You're wrong. I don't know anything. He was like that when I found him."
"Dead?"
"No - yes, I mean."
"Make up your mind which it is to be," he recommended.
"Damn you, leave me alone!" she flashed. "Can't you see I'm upset and don't know what I'm saying?"
His cool glance swept over her. "Since you put it like that; no, I can't. You seem to me remarkably selfpossessed. Come on, out with it! Was the man dead when you found him?"
She did not answer immediately, and it was plain that she was trying to think what was best to say. The fury went out of her face, leaving it cold and rather wary.
"No," she said at last; "I thought he was."
"What made you think he wasn't?"
"He said something," she replied sullenly. "Yes? What did he say?"
"I don't know. I didn't catch it."
"You're a bad liar," he commented. "I suppose it didn't occur to you to render a little first aid?"
"I tried to stop the bleeding." She unclenched her right hand and disclosed a handkerchief saturated with blood. "I saw it was no use. He died almost as soon as I got here."
"And you didn't think well of trying to stop my car to claim assistance?"
She bit her lip, shooting one of her sudden fiery glances at him. "What was the use? You'd only think I'd done it."
"A little cold-blooded, aren't you?" he suggested.
"You can think what you like," she told him. "lt makes difference to me."
"You're mistaken. What I think is likely to make a considerable difference to you. Come here a moment." He grasped her arm above the elbow and drew her towards the smaller car. "Don't stand in the light," he said irritably and once more bent to inspect the quiet form inside. "Did you search his pockets?"
She shuddered. "No."
"Someone did." He reached his hand in at the window and carefully slid it between the dead man's coat and body. "No notecase, no pocketbook." He withdrew his hand and again let the girl go. "Damn!" he said unemotionally and wiped the blood off his lingers.
The girl said: "I - I feel rather sick."
Mr. Amberley raised one eyebrow. "I'm not surprised," he said politely.
She sat down on the running-board of the car and put her head down on her knees. Mr. Amberley stood wiping his fingers on his handkerchief and frowning at her. Presently she sat up. "I'm all right now. What are you going to do?"
"Inform the police."
She looked up at him squarely. "About me?"
"Probably."
Her hands kneaded themselves together. She said bitterly: "If you think I did this why did you give me back my gun? I might easily shoot you too."
"I don't think it. But I should very much like to know what you were doing here at this hour and why you carry a gun."
She was silent. He said, after a moment's pause: "Not exactly communicative, are you?"
"Why should I be? You're not a policeman."
"Just as well for you I'm not. You'd better burn that handkerchief." He turned away towards his own car.
She got up, surprised and uncertain. "Are you - are you letting me go?" she asked, staring after him.
He opened the door of the Bentley. "I'm not a policeman," he reminded her over his shoulder.
"But - but why?" she persisted.
He got into his car and slammed the door. "If you did it," he informed her pleasantly, "you're such a damned little fool the police will precious soon find you out for themselves. Good night."
The car moved forward, was backed again a few feet, straightened, and driven away down the lane the way it had come.
The girl was left standing irresolutely beside the Austin. She watched the Bentley's tail-lamp disappear round the bend in the road and blinked rather dazedly.
She felt in her pocket for her torch and drew it out. Switching it on she turned once more to the car. The blood had stopped oozing some time ago and had congealed in the chill evening air. The girl directed her torch at the body and cautiously put her hand in at the open window and felt in the dead man's outer pockets. There was a cheap tobacco pouch in one, and a pipe; some matches in the other. She tried to insinuate her hand into his trousers pockets, but she could not do it without moving the body. She drew back with a shiver and glanced up and down the deserted lane.
The mist, though it was still patchy, was growing thicker. The girl gave her shoulders a shrug and turned away. Her torch, flashing over the ground at her feet, revealed her handkerchief lying where she had dropped it. She picked it up, all wet with blood as it was, and screwed it up in her hand.
The torchlight made the mist look like a blank wall ahead, but served to show where the ditch ran beside the lane. The girl began to walk back along the road in the direction of Pittingly. At the top of a slight rise the fog was no more than a wisp of white smoke, and a gap in the hedge, some few yards farther, was easily distinguishable. There was a stile and a footpath leading across the fields. She swung herself up and over and strode out briskly, eastward. The path led to another stile and on, cutting across a beechwood to more fields, and ahead, the twinkling lights of Upper Nettlefold.
Instead of turning north, through the village, the girl set off down the road to the south, following it for some five hundred yards till a rough lane, hardly better than a cart-track, was reached. A board nailed to a weatherbeaten gatepost bore the legend "Ivy Cottage' in somewhat crooked letters, and a little way down the lane a white gate gleamed.
The girl opened it and trod up the roughly flagged path to the door. It was not locked and she went in, shutting it behind her. Immediately before her stairs rose sharply between two walls to the upper floor. On either side was a door, one leading into the kitchen and the other, on the right, into the living room of the cottage.
It stood ajar. The girl pushed it wide and stood on the threshold, leaning against the wall. Her dark scornful eyes rested on the one occupant of the room, a young man sprawling in a chair by the table, blinking owlishly across at her.
She gave a hard little laugh. "Sobered up yet?"
The young man sat up and tried to push his chair back. "I'm all right," he said thickly. "Where - where've you been?"
She came right into the room and pushed the door to behind her. It shut with a bang that made the man start.
"My God, you make me sick!" she said bitterly. "Where have I been? You know very well where I've been!
You're rotten, Mark! A rotten, drunken swine!"
"Oh, dry up!" he said angrily. He staggered to his feet and brushed past her to the door. She heard him presently in the scullery and guessed that he was dowsing his fuddled head in the sink. Her lip curled. She pulled off her hat and threw it on to a chair and went over to turn down the oil-lamp, which was smoking.
The man came back into the room. He looked ashamed and would not meet her eyes. "I'm sorry, Shirley," he muttered. "Don't know how it happened. I swear I didn't have more than a couple of drinks — well, three at the outside. I didn't even mean to go into the damned pub, but that farmer chap from what's the name of the place - ?"
"Oh, what does it matter?" she said impatiently. "You couldn't even keep off the drink for one night. You knew what you'd got to do, too."
"Oh, don't rag me, Shirley!" he said, a kind of weary exasperation in his voice. "All right, all right, I know I'm a swine. You needn't rub it in. Had to meet that fellow, hadn't I? I suppose you went instead."
She took the gun out of her pocket and laid it down and began to unbuckle her coat. "Yes, I went," she said briefly.
"Nothing in it, I suppose? I've always said it was a hoax. Only you would come down to this rotten hole and make me live
in a filthy, draughty cottage all to go chasing red herrings…' He broke off, his eyes riveted on her coat. "Gosh, Shirley - what's that?" he asked hoarsely.
She put the coat down. "Blood I shall have to burn it."
He turned a sickly colour and grasped at the edge of the table. "What - what happened?" he said. "You didn't you didn't use the gun, did you?"
"I didn't have to. He was dead."
"Dead?" he repeated stupidly. "What do you mean - dead?"
"Shot. So you see it wasn't such a red herring after all."
He sat down, still staring. "Gosh!" he said again. He seemed to make an effort to pull himself together. "Who did it?"
"I don't know. It looks fairly obvious though. His pockets had been searched, so whoever shot him must have known about this meeting. Anyway they didn't get it."
"How do you know?"
"He hadn't got it with him. He just managed to tell me that. Had cold feet, I suppose, and didn't dare carry it on him."
He stretched out his hand across the table and clumsily patted hers. "Sorry, Sis. Loathsome for you. Poor old girl!"
She said hardly: "That's all right. Only it's a nuisance."
"Nuisance! I should say it is. Why, we're no better off than we were before! If the thing really does exist. And if this chap was shot it looks pretty certain that it does."
She threw him an impatient look. "It exists all right. I know where it is too. He told me."
"He told you?" Her brother leaned forward. "Where then?" he said eagerly.
She got up. "Do you think I'd tell you?" she said contemptuously. "And have you blurt it out the next time you're drunk?"
He flushed. "Damn it, it's my affair, isn't it?"
She said fiercely: "Yes, it's your affair, and you leave me to do the work. All right, I'll do it, but you'll keep out of it! See?"
He wilted, but said obstinately: "You're a girl. You can't do it. Gosh, I don't like the sound of this murder."
"I don't suppose you do," she said. "You'd better keep your mouth shut about it." Her face softened. "Oh, Mark, for God's sake, leave the drink alone for a bit!" she said. "We're going to need all our nerve for this job, and what use are you, fuddled six hours out of the twelve?"
Why Shoot a Butler Page 1