Book Read Free

The $11 Billion Year

Page 32

by Anne Thompson


  To Rome With Love, 258

  Toronto International Film Festival (TIFF), 130–34, 163

  Total Recall, 260

  Touchstone, 50

  Tower Heist, 79–80

  Town, The, 127

  Towne, Robert, xii

  Toy Story, 118, 232

  Toy Story 3, 50, 56, 57, 206, 232

  Traffic, 6, 13, 27

  Transformers, 58, 65

  Tree of Life, The, 16, 99, 170

  Trevorrow, Colin, 21–23

  Trial of Billy Jack, The, 44

  Trintignant, Jean-Louis: Amour, 94–97, 106–7, 217–18, 239

  Tron: Legacy, 50, 52

  Trouble with the Curve, 260

  True Grit (2010), 180

  True Romance, 191, 192

  Truth or Dare, 88

  Tsongas, Niki, 34

  Tsujihara, Kevin, 65, 83, 221, 250

  Tucci, Stanley, 61

  Tucker, Chris, 104

  Tuckman, Michael, 36, 38

  Tugg, 83, 249–50

  Turan, Kenneth, 86–87

  Turen, Kevin, 27

  turnaround: defined, 269

  Twentieth Century Fox, xiv–xv, 44, 46, 56, 65–66, 71, 75–76

  2016: Obama’s America, 258

  2929 Entertainment, 31

  21 Jump Street, 257

  Twilight, 63–64, 112, 115, 256

  Twist of Faith, 32

  Twitch, 14

  U

  Ullmann, Liv, 241

  Under the Dome (TV show), xii

  Underworld Awakening, 258

  United Artists Classics, 15

  United Talent (UTA), 8

  Universal, xiv–xv, 44, 58–59, 66, 78–80, 81, 147, 180–84, 189

  University of California, Los Angeles (UCLA), 12

  University of Southern California (USC), 158, 248

  Up, 88, 213

  Up in the Air, 125

  Utah/U.S. Film Festival, 5. See also Sundance Film Festival

  Utley, Nancy, 13, 16–17, 240–41

  V

  Valley of Elah, 163

  Vanity Fair, 87, 243

  Van Sant, Gus, 127

  Varda, Agnès, 161, 221

  Variety, 14, 207, 209, 248

  Varley, Lynn, 110, 115

  Vaughn, Vince, 131

  Venice International Film Festival, 86, 124–25

  Vespa, Jeff, 190

  VFX (visual effects), 58, 229; defined, 269

  V/H/S, 12

  Viacom, 56, 248

  video-on-demand (VOD) release, xiv, 26–32, 214–15; defined, 269

  Von Trier, Lars, 80, 88

  Vow, The, 256

  Vulture, 14, 113

  W

  Wachowski, Andy and Lana, xiii–xiv, 46

  Wachsberger, Patrick, 13, 63, 114

  Wagner, Todd, 31

  Wahlberg, Mark, 79

  Wall-E, 51, 232

  Wallis, Quvenzhané: Beasts of the Southern Wild, 16, 18–20, 210–11, 230, 236, 240

  Waltz, Christoph: Django Unchained, 104–6, 115, 194–200, 236; Inglourious Basterds, 191–92, 194–95

  Wanderlust, 260

  Warhol, Andy, 162

  War Horse, 56

  Warner Bros., xiv–xv, 64–65, 71, 74, 80, 83, 111, 113, 115–17, 127, 248, 250

  Warner Independent Pictures, 16

  Washington, Denzel, 78, 145, 160, 180, 226, 230

  Washington, Kerry, 6; Django Unchained, 105, 115, 193, 194, 197, 199

  Washington Post, 165, 253

  Wasikowska, Mia, 99, 100

  Watch, The, 260

  Watchmen, 115–16

  Water for Elephants, 64

  Waters, Alice, 126

  Watts, Naomi, 132, 230

  Waxman, Sharon, 111, 241

  We Always Lie to Strangers, 39

  Weaver, Jacki, 104, 224–25, 226, 230

  Webb, Marc, 66

  Wedding Crashers, 131

  Weekly Standard, 44

  We Have a Pope, 91

  Weinstein, Bob, 97

  Weinstein, Harvey, 97–106, 180; The Artist, 98–99, 104, 125; at Cannes, 86, 87, 97–106; Django Unchained, 104–6, 114–15, 175, 176, 190, 200, 203, 222–23, 236, 237; Killing Them Softly, 99–103, 107; The King’s Speech, 179, 181; Lawless, 99–100, 102, 103, 107; The Master, 101–2, 104, 124–25, 237–38; Nine, 184; and Oscar race, 175–76, 203, 208, 222–23, 225, 226, 237–38, 243; Silver Linings Playbook, 104, 130, 175, 208, 225, 226, 237

  Weinstein Company, 114–15, 126, 130, 200, 222–23, 226, 237–38; RADiUS VoD, 30–31

  Weinstein Company (TWC), 97–106

  Weir, Peter, 248

  Welfling, Juliette, 63

  Werner, Ryan, 93

  Wertmüller, Lina, 158

  Wesleyan University, 18

  wet print: defined, 269

  Wettest County in the World, The (Bondurant), 100

  What to Expect When You’re Expecting, 260

  Whedon, John, 118

  Whedon, Joss, 117–18; Joss Whedon The Avengers, 50, 57, 78, 117–19

  Whedon, Lee Stearns, 118

  Whedon, Tom, 118

  White Ribbon, The, 94, 95, 96

  Wick, Doug, 100

  wickets, 203; defined, 269

  Wilder, Billy, 132

  Wilde Salomé, 170

  William Morris Endeavor (WME), 8

  Williams, John, 116–17, 154, 227

  Williams, Michelle, 188

  Willis, Bruce, xiii, 68, 89

  Wilson, Michael, 46

  Wilson, Owen, 89, 108

  Wings, 222

  Winslet, Kate, 64

  Winter’s Bone, 7, 17, 29, 47, 134, 211

  Wired, 127

  Wolf, Naomi, 174

  Woman in Black, The, 257

  Womark, David, 143

  Women in Film, 160

  women in Hollywood, 157–78

  Wong Kar-wai, 102–3

  Won’t Back Down, 261

  Woodley, Shailene, 64

  Words, The, 39, 259

  Working Title, 180–81, 184, 189, 235–36

  World War Z, 59

  Wrap, The, 111, 207, 241

  Wrath of the Titans, 259

  Wreck-It Ralph, 78, 231–32, 238–39, 257

  Wrestler, The, 17, 98, 124

  Wright, Edgar, 115, 119

  Wright, Joe, 124, 180, 181

  Wright, Robin, 77

  Writers Guild of America, 158

  Writers Guild of America Awards, 233, 239

  X

  X-Men, 52, 58, 65–66, 117

  Y

  Yentl, 162

  Yerxa, Ron, 125

  Your Sister’s Sister, 21, 23–24

  Y Tu Mamá También, 94

  Z

  Z, 94, 217

  Zack and Miri Make a Porno, 114

  Zadan, Craig, 229–30, 239–42

  Zathura, 48

  Zeitlin, Benh: Beasts of the Southern Wild, 18–20, 39, 41, 91, 106, 210–11, 223

  Zemeckis, Robert, 53, 71–72, 246

  Zenovich, Marina, 190

  Zero Dark Thirty, 102, 129, 157, 164–78, 259; Oscar race, 130, 174, 175, 176–77, 218–21, 223, 236, 238; torture controversy, 172–75, 177, 218–21, 223

  Zeta-Jones, Catherine, 27

  Ziering, Amy: The Invisible War, 32, 33–34

  Zimmer, Hans, 117

  ABOUT THE AUTHOR

  Photo by Meg Madison

  ANNE THOMPSON, who launched Indiewire’s daily film blog Thompson On Hollywood for Variety in 2007, has covered the Hollywood beat for more than twenty-five years, writing for monthly, weekly, bi-weekly, and daily publications. For seven years she wrote the Risky Business column for the LA Weekly (and the Los Angeles Times Syndicate), followed by Filmmaker magazine and The Hollywood Reporter, where she also founded their first blog, Riskybiz, in 2005. Before that, she was West Coast Editor for Premiere, Empire, and Film Comment, and Senior Writer at Entertainment Weekly. She has also reported on film for the magazines Vanity Fair, More, Wir
ed, Sight and Sound, Filmmaker, and New York, as well as for the newspapers the New York Times, the Chicago Tribune, the London Observer, and the Washington Post. Thompson currently hosts Sneak Previews at UCLA Extension, moderates and participates on industry panels, and does media interviews, especially at Oscar time, for such networks as MSNBC, ABC, CBS, and CNN. Born and raised in Manhattan, she now lives in Los Angeles. The $11 Billion Year is her first book.

  blogs.indiewire.com/thompsononhollywood/

  Visit www.AuthorTracker.com for exclusive information on your favorite HarperCollins authors.

  CREDITS

  Cover design by Amanda Kain

  Front cover photograph © by Thomas J. Peterson/Getty Images

  COPYRIGHT

  Photos, unless otherwise credited, appear courtesy of the author.

  THE $11 BILLION YEAR. Copyright © 2014 by Anne Thompson. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the nonexclusive, nontransferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, downloaded, decompiled, reverse-engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins e-books.

  FIRST EDITION

  ISBN 978-0-06-221801-8

  EPub Edition MARCH 2014 ISBN: 9780062218032

  14 15 16 17 18 OV/RRD 10 9 8 7 6 5 4 3 2 1

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