REX STOUT A FAMILY AFFAIR Bantam Books, 1975 (page numbers are in [])
[1] 1 When someone pushes the button at the front door of the old brownstone, bells ring in four places: in the kitchen, in the office, down in Fritz's room, and up in my room. Who answers it depends on the circumstances. If it's ten minutes to one at night and I'm out, no one does unless it won't give up. If it keeps going, say for fifteen minutes, Fritz rolls out, comes up, opens the door the two inches the chain permits, and says nothing doing until morning. If I'm home I roll out, open a window and look down to see who it is, and deal with the problem.
It doesn't often ring at that hour, but it did that Monday night-Tuesday morning-late in October. I was home, but not up in bed. I was in the office, having just got in from taking Lily Rowan home after a show and a snack at the Flamingo. I always look in at the office to see if Wolfe has written anything on the pad on my desk. That night he hadn't and I was crossing to the safe to check that it was locked when the bell rang, and I went to the hall and through the one-way glass of the front door saw Pierre Ducos on the stoop.
Pierre had often fed me. He had fed many people, in one of the three rooms upstairs at Rusterman's restaurant. I had never seen him anywhere else-cer- [2] tainly never on that stoop in the middle of the night. I slipped the bolt back, opened the door, and said, "I'm not hungry, but come in."
He crossed the sill and said, I've got to see Mr. Wolfe."
"At this hour?"
I shut the door. "Not unless ifs life and death."
"It is."
"Even so."
I looked at him. I had never seen him without his uniform. I knew his age, fifty-two, but he looked older in a loose-fitting tan topcoat down to his knees. No hat. He looked as if inside of the topcoat he had shrunk, and his face looked smaller and seamier. "Whose life and death?"
"Mine."
"You can tell me about it."
I turned. "Come along."
He followed me to the office. When I offered to take his coat he said he would keep it on, which was sensible, since the heat had been off for two hours, and we had lowered the thermostat four degrees to save oil. I moved up one of the yellow chairs for him and sat at my desk and asked him what it was.
He gestured with both hands. "It's what you said. Life and death. For me. A man is going to kill me."
"That won't do. Good waiters are scarce, and anyway you're not old enough to die. Who is he, and why?"
"You make it a joke. Death is not a joke."
"Sure it is. It's life that's not a joke. Who's going to kill you?"
"I'll tell Mr. Wolfe."
"He's in bed asleep. He sees people only by appointment, but for you he would make an exception. Come at eleven in the morning. Or if it's urgent, tell me."
"I-" He looked at me. Since he had seen me at close quarters at least fifty times, maybe a hundred, surely he had me sized up, so he may not have been con- [3] sidering me, but he was deciding something for at least ten seconds. He opened his mouth and shut it, then opened it again to speak. "You see, Mr. Good-win, I know Mr. Wolfe is the greatest detective in the world. Felix says he is-not only Felix, everybody does. Of course you're a good detective too, everybody knows that too, but when a man is sure he's going to be killed unless he-unless . . ."
His hands on his knees were fists, and he opened them, palms up. "I've just got to tell Mr. Wolfe."
"Okay. Eleven o'clock tomorrow morning. What time do you go to work?"
"I won't go tomorrow."
He looked at his wristwatch. "Just ten hours. If I could-there on that couch? I won't need covers or anything. I won't disturb anything. I won't make any noise."
So he was really wide open, or thought he was. The couch, in the corner beyond my desk, was perfectly sleepable, as I knew from experience, having spent quite a few nights on it in emergencies, and on the other side of the projecting wall that made the comer was an equipped bathroom. But leaving anyone loose all night in the office, with the ten thousand items in the files and drawers, many of them with no locks, was of course out of the question. There were four alternatives: persuade him to tell me, go up and wake Wolfe, give him a bed, or bounce him. The first might take an hour, and I was tired and sleepy. The second was inadvisable. If I bounced him, and he couldn't come at eleven in the morning because he was dead, the next time Wolfe lunched or dined in the little upstairs room at Rusterman's he would be served by a new waiter, and that would be regrettable. Also, of course, I would be sorry.
I looked at him. Should I frisk him? Was there any chance that he had it in for Wolfe personally for some reason unknown to me, or that he had been hired by one of the thousand or so people who [4] thought it would be a better world with no Nero Wolfe? Of course it was possible, but if so, this complicated stunt wasn't the way to do it. It would have been much simpler and surer for Pierre just to put something in a sauce, in anything, the next time Wolfe went there for a meal. Anyway, not only had Pierre seen me at dose quarters; I had seen him. I said, "My pajamas would be too big for you."
He shook his head. "I'll keep my clothes on. Usually I sleep with nothing on."
"All right, there's plenty of cover on the bed in the South Boom. It's two flights up, on the same floor as my room, above Mr. Wolfe's room. I was on my way up when you rang the doorbell."
I stood. "Come along."
"But Mr. Goodwin, I don't want- I can just stay here."
He stood up.
"No, you can't. Either you go up or you go out."
"I don't want to go out. Sunday night a car tried to run over me. He tried to kill me. I'm afraid to go out."
"Then follow me. Maybe when you sleep on ft . . ."
I moved, crossed to the door, and he came. I flipped the light switch. I don't dawdle going upstairs, and I had to wait for him at the top of the first flight because he was only halfway up. At the second landing I turned left, swung the door of the South Boom open, and turned the light on. I didn't have to check on the bed or towels in the bathroom because I knew everything was in order; all I had to do was turn the radiator on.
"I'm sorry, Mr. Goodwin," he said. "I'm very sorry."
"So am I," I said. "I'm sorry you're in a jam. Stick right here until I tell you I've told Mr. Wolfe about you. That will be around nine o'clock. If you open the door and go into the hall before eight o'clock, it will set off a gong in my room and you'll see me coming with guns in both hands. Security. I should [5] have offered you a shot of something. Whiskey? Would it help you go to sleep?"
He said no and he was sorry, and I went shutting the door. As I entered my room, down the hall, I looked at my watch. Seventeen minutes past one. I wouldn't get my eight hours. When I get in that late I usually set my radio-alarm at nine-thirty, but now that wouldn't do. I would have to be up and dressed and telling Wolfe about the company before he went up to the plant rooms at nine o'clock.
Of course I have figured how many minutes had passed after I entered my room when it happened. Six, possibly seven. I refuse to hurry the night routine. I had got my pajamas from the closet, set the alarm, put things from my pockets on the dresser, turned the bedcovers down, turned the telephone and other two switches on, hung up my jacket and necktie, taken my shoes and socks off, and was unbuckling my belt, when the earthquake came and the house shook. Including the floor I was standing on. I have since tried to decide what the sound was like and couldn't. It wasn't like thunder or any land of gun or any other sound I had ever heard. It wasn't a thud or a bang or a boom; it was just a loud noise. Of course there were doors and walls between it and me.
I jumped to the door and opened it and turned the hall light on. The door to the South Boom was shut. I ran to it and turned the knob. No. He had bolted it. I ran
down one flight, saw that the door to Wolfe's room was intact, and went and knocked on it. My usual three, a little spaced. I really did, and his voice came.
"Archie?"
I opened the door and entered and flipped the light switch. I don't know why he looks bigger in those yellow pajamas than in clothes. Not fatter, just bigger. He had pushed back the yellow electric blanket and black sheet and was sitting up.
[6] "Well?"
he demanded.
"I don't know," I said, and I hope my voice didn't squeak from the pleasure of seeing him. "I put a man in the South Room. The door's bolted. I'm going to see."
Of the three windows in the south wall, the two end ones are always open at night about five inches, and the middle one is shut and locked and draped. I went and pulled the drape, slid the catch, opened it, and climbed through. The fire escape is only a foot wider than the window. I have tried to remember if my bare feet felt the cold of the iron grating as I went up but can't. Of course they didn't when I got high enough to see that most of the glass in the window was gone. I put my hand in between the jagged edges and slipped the catch and pushed the window up, what was left of it, and stuck my head in.
He was on his back with his head toward me and his feet toward the closet door in the right wall. I shoved some glass slivers off the windowsill, climbed through, saw no pieces of glass on the rug, and crossed to him. He had no face left. I had never seen anything like it. It was about what you would get if you pressed a thick slab of pie dough on a man's face and then squirted blood on the lower half. Of course he was dead, but I was squatting to make sure when something hit the door three hard knocks, and I went and slid the bolt and opened it and there was Wolfe. He keeps one of his canes in the stand in the downstairs hall and the other four on a rack in his room, and he was gripping the biggest and toughest one with a knob the size of my fist, which he says is Montenegrin applewood.
I said, "You won't need that," and sidestepped to give him room.
He crossed the sill, stood, and sent his eyes around.
I said, "Pierre Ducos, Rusterman's. He came just after I got home and said a man was going to kill [7] him and he had to tell you. I said if it was urgent he could tell me or he could come and tell you at eleven o'clock. He said a car had tried to run him down and -" "I want no details."
"There aren't any. He wanted to wait for you there on the couch, and of course that wouldn't do, so I brought him up here and told him to stay put and went to my room, and in a few minutes I felt it and heard it and went. He had bolted the door, and-" "Is he dead?"
"Yes. The windows blew out, to the outside, so ft was a bomb. I'll take a look before I call for help. If you-" I stopped because he was moving. He crossed to Pierre, bent over, and looked. Then he straightened and looked around, at the closet door, which had been standing open and had hit the wall and was split, at the ceiling plaster on the floor, at the table wrong side up and the pieces of the lamp that had been on it, at the chair that had been tossed dear across to the foot of the bed, and so on.
He looked at me and said, "I suppose you had to."
That remark has since been discussed at length, but then I merely said, "Yeah. I'm going to-" "I know what you're going to do. First put your shoes on. I am going to my room and bolt the door. I will stay there until they have come and gone and I will see no one. Tell Fritz that when he brings my breakfast he will make sure that no one is near. When Theodore comes, tell him not to expect me. Is there anything you must say?"
"No."
He went, still gripping the Montenegrin applewood by the small end. I didn't hear the elevator, so he took the stairs, which he rarely does. Barefoot.
He had not known what I was going to do. He hadn't known that I would go down to the basement, [8] to Fritz's room. First I went and put on socks and shoes and a jacket, then down two flights to the office to turn the thermostat up to 70, and then on down to knock on Fritz's door and call my name, loud. He's a sound sleeper, but in half a minute the door opened. The tail of his white nightshirt flapped in the breeze from the open window. Our pajamas-versus-nightshirt debate will never be settled.
"Sorry to intrude," I said, "but there's a mess. A man came, and I put him in the South Room, and a bomb that he brought along went off and killed him. All the damage is in that room. Mr. Wolfe came up for a look and is now in his room with the door bolted. You may not get much more sleep, because a mob will be coming and there will be noise. When you take his breakfast up-" "Five minutes," he said. "You'll be in the office?"
"No. Upstairs. South Room. When you take his breakfast, be sure you're alone."
"Four minutes. Do you want me upstairs?"
"No. Down. You can let them in, that'll help. There's no rush. I have a couple of chores before I call them."
"Who do I let in?"
"Anybody. Everybody."
"Bon Dieu."
"I agree."
I turned and headed for the stairs and on the way up decided not to get rubber gloves from the office because they would make it take longer.
He was still on the floor, and the first question was what had put him there. I couldn't qualify as an expert on that, but I might get an idea, and I did. Here and there among the pieces of plaster on the floor I found several small objects that hadn't come from the ceiling, which I couldn't name. The biggest one was about half the size of my thumbnail. But I found four that I might name, or thought I might - four little pieces of aluminum. The biggest one was [9] a quarter of an inch wide and nearly half an inch long, and EDR was printed on it, dark green. A smaller one had DO printed on it, and another one had do. One had no printing. I left them there, where I found them. The trouble with removing evidence from the scene of a crime is that someday you might want to produce it and have to tell where you got it.
The second question was what had made me consider rubber gloves: was there anything on him that would supply a name or other fact? I got on my knees beside him and did a thorough job. He still had the topcoat on, but there was nothing in the pockets. In the jacket and pants pockets were most of the usual items-cigarettes, matches, a couple of dollars in change, key ring, handkerchief, penknife, wallet with driving license and credit cards and eighty-four dollars in bills-but nothing that offered any hope of a hint. Of course there were other possibilities, his shoes or something taped to his hide, but that would take time, and I had already stretched it.
I went down to the office, and Fritz was there, fully dressed. I sat at my desk, pulled the phone around, and dialed a number I didn't have to look up.
[10] 2 The attitude of Sergeant Purley Stebbins toward Wolfe and me is yes-and-no, or make it no-but-yes. When he finds us within ten miles of a homicide, he wishes he was on traffic or narcotics, but he knows that something will probably happen that he doesn't want to miss. My attitude toward him is that he could be worse. I could name a few that are.
At 4: 52 A.M. he sat on one of the yellow chairs in the office, swallowed a bite he had taken from a tongue sandwich made with Fritz's bread, and said, "You know damn well I have to ask him if Ducos or anyone at the restaurant has ever said anything that could be a lead. Or someone does. Someone will come either at eleven o'clock or six."
I had finished my sandwich. "I doubt if he'll get in," I said. "Certainly not at eleven, and probably not at six. He may not be speaking even to me. A man murdered here in his house, within ten feet of him? You know him, don't you?"
"Do I. So does the inspector. I know you too. If you think you can-" I slapped my desk with a palm. "Don't start that again. I said in my signed statement that I went over him. There might have been something that I should have included when I phoned. But I took nothing.
[11] One thing that's not in my statement? I admit I'm withholding evidence. Knowledge of something that would certainly be used at the trial, if and when."
"Oh. You are. You are?"
"I am. Of course you'll send everything you found to the lab, and it won't take them long to get it,
maybe a couple of days. But you might like to have the pleasure of supplying it yourself. I know what the bomb was in."
"You do. And didn't put it in your statement."
"It would have taken about a page, and I was tired, and also I prefer to tell you. Have you ever seen a Don Pedro cigar?"
He finished swallowing the last bite of the sandwich, with his eyes glued to me. "No."
"Cramer wouldn't buy them to chew. Ninety cents apiece. Rusterman's has them. They come in aluminum tubes. DON PEDRO is on the tube in capital letters, dark green, and Honduras is on it, lower case. In the stuff you collected is a piece of aluminum with DO in caps on it, and one with du in lower case, and a bigger one with EDR in caps. So this is what happened. When I left the room, he sat or stood or walked around for a few minutes and decided he might as well undress and go to bed and went and opened the closet door. When you take your coat oft to hang it up, do you automatically stick your hands in the pockets? I do. So did he. And in one of them was a Don Pedro cigar aluminum tube, which of course he recognized. He had no idea how it got there, and he screwed the cap off, holding it fairly close to his face-say ten inches. It was a piece of aluminum that made the gash on his jaw. There's a word for the force that pushed his face in, but I've forgotten it. If you want to include it in your report, you can look it up."
A Family Affair Page 1