They exchanged salutes. Salter sprang into the whaleboat, signaled the deck hands standing by at the ropes, and the long creaking descent began.
Salter, Captain, age 40; unmarried ex offido; parents Clayton Salter, master instrument maintenanceman, and Eva Romano, chief dietician; selected from dame school age 10 for A Track training; seamanship school certificate at age 16, navigation certificate at age 20, First Lieutenants School age 24, commissioned ensign age 24; lieutenant at 30, commander at 32; commissioned captain and succeeded to command of Ship Starboard 30 the same year.
Flyte, Archivist, age 25; unmarried; parents Joseph Flyte, entertainer, and Jessie Waggoner, entertainer; completed dame school age 14, B
Track training, Yeoman's School certificate at age 16, Advanced Yeoman's School certificate at age 18, Efficiency rating, 3.5.
Pemberton, Chaplain, age 30; married to Riva Shields, nurse; no children by choice; parents Will Pemberton, master distiller-water-tender, and Agnes Hunt, felter-machinist's mate; completed dame school age 12, B Track training, Divinity School Certificate at age 20; mid-starboard watch curate, later fore-starboard chaplain.
Graves, chief inspector, age 34, married to George Omany, blacksmith third class; two children; completed dame school age 15, Inspectors School Certificate at age 16; inspector third class, second class, first class, master inspector, then chief. Efficiency rating, 4.0; three commendations. * Versus the Continent of North America.
They all rowed for an hour; then a shoreward breeze came up and Salter stepped the mast. "Ship your oars," he said, and then wished he dared countermand the order. Now they would have time to think of what they were doing.
The very water they sailed was different in color from the deep water they knew, and different in its way of moving. The life in it—
"Great God!" Mrs. Graves cried, pointing astern.
It was a huge fish, half the size of their boat. It surfaced lazily and slipped beneath the water in an uninterrupted arc. They had seen steel-gray skin, not scales, and a great slit of a mouth.
Salter said, shaken: "Unbelievable. Still, I suppose in the unfished offshore waters a few of the large forms survive. And the intermediate sizes to feed them—" And foot-long smaller sizes to feed them, and—"
Was it mere arrogant presumption that Man had permanently changed the life of the sea?
The afternoon sun slanted down and the tip of Monday mast sank below the horizon's curve astern; the breeze that filled their sail bowled them toward a mist which wrapped vague concretions they feared to study too closely. A shadowed figure huge as a mast with one arm upraised; behind it blocks and blocks of something solid.
"This is the end of the sea," said the captain.
Mrs. Graves said what she would have said if a silly under-inspector had reported to her blue rust on steel: "Nonsense!" Then, stammering:
"I beg your pardon, Captain. Of course you are correct."
"But it sounded strange," Chaplain Pemberton said helpfully. "I wonder where they all are?"
Jewel Flyte said in her quiet way: "We should have passed over the discharge from waste tubes before now. They used to pump their waste through tubes under the sea and discharge it several miles out. It colored the water and it stank. During the first voyaging years the captains knew it was time to tack away from land by the color and the bad smell."
"They must have improved their disposal system by now," Salter said.
"It's been centuries."
His last word hung in the air.
The chaplain studied the mist from the bow. It was impossible to deny it; the huge thing was an Idol. Rising from the bay of a great city, an Idol, and a female one—the worst kind! "I thought they had them only in High Places," he muttered, discouraged.
Jewel Flyte understood. "I think it has no religious significance," she said. "It's a sort of—huge piece of scrimshaw."
Mrs. Graves studied the vast thing and saw in her mind the glyphic arts as practiced at sea: compacted kelp shaved and whittled into little heirloom boxes, miniature portrait busts of children. She decided that Yeoman Flyte had a dangerously wild imagination. Scrimshaw! Tall as a mast!
There should be some commerce, thought the captain. Boats going to and fro. The Place ahead was plainly an island, plainly inhabited; goods and people should be going to it and coming from it. Gigs and cutters and whaleboats should be plying this bay and those two rivers; at that narrow bit they should be lined up impatiently waiting, tacking and riding under sea anchors and furled sails. There was nothing but a few white birds that shrilled nervously at their solitary boat.
The blocky concretions were emerging from the haze; they were sunset-red cubes with regular black eyes dotting them; they were huge dice laid down side by side by side, each as large as a ship, each therefore capable of holding twenty thousand persons.
Where were they all?
The breeze and the tide drove them swiftly through the neck of water where a hundred boats should be waiting. "Furl the sail," said Salter.
"Out oars."
With no sounds but the whisper of the oarlocks, the cries of the white birds, and the slapping of the wavelets they rowed under the shadow of the great red dice to a dock, one of a hundred teeth projecting from the island's rim.
"Easy the starboard oars," said Salter; "handsomely the port oars. Up oars. Chaplain, the boat hook." He had brought them to a steel ladder; Mrs. Graves gasped at the red rust thick on it. Salter tied the painter to a corroded brass ring. "Come along," he said, and began to climb.
When the four of them stood on the iron-plated dock Pemberton, naturally, prayed. Mrs. Graves followed the prayer with half her attention or less; the rest she could not divert from the shocking slovenliness of the prospect—rust, dust, litter, neglect. What went on in the mind of Jewel Flyte her calm face did not betray. And the captain scanned those black windows a hundred yards inboard—no; inland!—
and waited and wondered.
They began to walk to them at last, Salter leading. The sensation underfoot was strange and dead, tiring to the arches and the thighs.
The huge red dice were not as insane close up as they had appeared from a distance. They were thousand-foot cubes of brick, the stuff that lined ovens. They were set back within squares of green, cracked surfacing which Jewel Flyte named "cement" or "concrete" from some queer corner of her erudition.
There was an entrance, and written over it: THE HERBERT BROWNELL
JR. MEMORIAL HOUSES. A bronze plaque shot a pang of guilt through them all as they thought of The Compact, but its words were different and ignoble.
NOTICE TO ALL TENANTS
A project Apartment is a Privilege and not a Right. Daily Inspection is the Cornerstone of the Project. Attendance at Least Once a Week at the Church or Synagogue of your Choice is Required for Families wishing to remain in Good Standing; Proof of Attendance must be presented on Demand. Possession of Tobacco or Alcohol will be considered Prima Facie Evidence of Undesirability. Excessive Water Use, Excessive Energy Use and Food Waste will be Grounds for Desirability Review.
The speaking of Languages other than American by persons over the Age of Six will be considered Prima Facie Evidence of Nonassimilability, though this shall not be construed to prohibit Religious Ritual in Languages other than American.
Below it stood another plaque in paler bronze, an afterthought: None of the foregoing shall be construed to condone the Practice of Depravity under the Guise of Religion by Whatever Name, and all Tenants are warned that any Failure to report the Practice of Depravity will result in summary Eviction and Denunciation.
Around this later plaque some hand had painted with crude strokes of a tar brush a sort of anatomical frame at which they stared in wondering disgust.
At last Pemberton said: "They were a devout people." Nobody noticed the past tense, it sounded so right.
"Very sensible," said Mrs. Graves. "No nonsense about them."
Captain Salter privately disagreed. A ship run wi
th such dour coercion would founder in a month; could land people be that much different?
Jewel Flyte said nothing, but her eyes were wet. Perhaps she was thinking of scared little human rats dodging and twisting through the inhuman maze of great fears and minute rewards.
"After all," said Mrs. Graves, "it's nothing but a Cabin Tier. We have cabins and so had they. Captain, might we have a look?"
"This is a reconnaissance," Salter shrugged. They went into a littered lobby and easily recognized an elevator which had long ago ceased to operate; there were many hand-run dumbwaiters at sea.
A gust of air flapped a sheet of printed paper across the chaplain's ankles; he stooped to pick it up with a kind of instinctive outrage-leaving paper unsecured, perhaps to blow overboard and be lost forever to the ship's economy! Then he flushed at his silliness. "So much to unlearn," he said, and spread the paper to look at it. A moment later he crumpled it in a ball and hurled it from him as hard and as far as he could, and wiped his hands with loathing on his jacket. His face was utterly shocked.
The others stared. It was Mrs. Graves who went for the paper.
"Don't look at it," said the chaplain.
"I think she'd better," Salter said.
The maintenance woman spread the paper, studied it and said: "Just some nonsense. Captain, what do you make of it?"
It was a large page torn from a book, and on it were simple polychrome drawings and some lines of verse in the style of a child's first reader.
Salter repressed a shocked guffaw. The picture was of a little boy and a little girl quaintly dressed and locked in murderous combat, using teeth and nails. "Jack and Jill went up the hill," said the text, "to fetch a pail of water. She threw Jack down and broke his crown; it was a lovely slaughter."
Jewel Flyte took the page from his hands. All she said was, after a long pause: "I suppose they couldn't start them too young." She dropped the page and she too wiped her hands.
"Come along," the captain said. "We'll try the stairs." The stairs were dust, rat dung, cobwebs, and two human skeletons. Murderous knuckledusters fitted loosely the bones of the two right hands. Salter hardened himself to pick up one of the weapons, but could not bring himself to try it on. Jewel Flyte said apologetically. "Please be careful, Captain. It might be poisoned. That seems to be the way they were."
Salter froze. By God, but the girl was right! Delicately, handling the spiked steel thing by its edges, he held it up. Yes; stains—it would be stained, and perhaps with poison also. He dropped it into the thoracic cage of one skeleton and said: "Come on." They climbed in quest of a dusty light from above; it was a doorway onto a corridor of many doors.
There was evidence of fire and violence. A barricade of queer pudgy chairs and divans had been built to block the corridor, and had been breached. Behind it were sprawled three more heaps of bones.
"They have no heads," the chaplain said hoarsely. "Captain Salter, this is not a place for human beings. We must go back to the ship, even if it means honorable death. This is not a place for human beings."
"Thank you, chaplain," said Salter. "You've cast your vote. Is anybody with you?"
"Kill your own children, chaplain," said Mrs. Graves. "Not mine." Jewel Flyte gave the chaplain a sympathetic shrug and said: "No." One door stood open, its lock shattered by blows of a fire axe. Salter said: "We'll try that one." They entered into the home of an ordinary middle-class death-worshipping family as it had been a century ago, in the one hundred and thirty-first year of Merdeka the Chosen.
Merdeka the Chosen, the All-Foreigner, the Ur-Alien, had never intended any of it. He began as a retail mail-order vendor of movie and television stills, eight-by-ten glossies for the fan trade. It was a hard dollar; you had to keep an immense stock to cater to a tottery Mae Bush admirer, to the pony-tailed screamer over Rip Torn, and to everybody in between. He would have no truck with pinups. "Dirty, lascivious pictures!" he snarled when broadly hinting letters arrived. "Filth! Men and women kissing, ogling, pawing each other! Orgies! Bah!" Merdeka kept a neutered dog, a spayed cat, and a crumpled uncomplaining housekeeper who was technically his wife. He was poor; he was very poor. Yet he never neglected his charitable duties, contributing every year to the Planned Parenthood Federation and the Midtown Hysterectomy Clinic.
They knew him in the Third Avenue saloons where he talked every night, arguing with Irishmen, sometimes getting asked outside to be knocked down. He let them knock him down, and sneered from the pavement. Was this their argument? He could argue. He spewed facts and figures and cliches in unanswerable profusion. Hell, man, the Russians'll have a bomb base on the moon in two years and in two years the Army and the Air Force will still be beating each other over the head with pigs' bladders. Just a minute, let me tell you: the god-dammycin's making idiots of us all; do you know of any children born in the past two years that're healthy? And: 'flu be go to hell; it's our own germ warfare from Camp Crowder right outside Baltimore that got out of hand, and it happened the week of the twenty-fourth. And: the human animal's obsolete; they've proved at M.I.T., Steinwitz and Kohlmann proved that the human animal cannot survive the current radiation levels. And: enjoy your lung cancer, friend; for every automobile and its stinking exhaust there will be two-point-seven-oh-three cases of lung cancer, and we've got to have our automobiles, don't we? And: delinquency my foot; they're insane and it's got to the point where the economy cannot support mass insanity; they've got to be castrated; it's the only way. And: they should dig up the body of Metchnikoff and throw it to the dogs; he's the degenerate who invented venereal prophylaxis and since then vice without punishment has run hogwild through the world; what we need on the streets is a few of those old-time locomotor ataxia cases limping and drooling to show the kids where vice leads.
He didn't know where he came from. The delicate New York way of establishing origins is to ask: "Merdeka, hah? What kind of a name is that now?" And to this he would reply that he wasn't a lying Englishman or a loudmouthed Irishman or a perverted Frenchman or a chiseling Jew or a barbarian Russian or a toadying German or a thickheaded Scandihoovian, and if his listener didn't like it, what did he have to say in reply?
He was from an orphanage, and the legend at the orphanage was that a policeman had found him, two hours old, in a garbage can coincident with the death by hemorrhage on a trolley car of a luetic young woman whose name appeared to be Merdeka and who had certainly been recently delivered of a child. No other facts were established, but for generation after generation of orphanage inmates there was great solace in having one of their number who indisputably had got off to a worse start than they.
A watershed of his career occurred when he noticed that he was, for the seventh time that year, reordering prints of scenes from Mr. Howard Hughes's production The Outlaw. These were not the off-the-bust stills of Miss Jane Russell, surprisingly, but were group scenes of Miss Russell suspended by her wrists and about to be whipped. Merdeka studied the scene, growled, "Give it to the bitch!" and doubled the order. It sold out. He canvassed his files for other whipping and torture stills from Desert Song-type movies, made up a special assortment, and it sold out within a week. Then he knew.
The man and the opportunity had come together, for perhaps the fiftieth time in history. He hired a model and took the first specially posed pictures himself. They showed her cringing from a whip, tied to a chair with a clothesline, and herself brandishing the whip.
Within two months Merdeka had cleared six thousand dollars and he put every cent of it back into more photographs and direct-mail advertising. Within a year he was big enough to attract the post office obscenity people. He went to Washington and screamed in their faces:
"My stuff isn't obscene and I'll sue you if you bother me, you stinking bureaucrats! You show me one breast, you show me one behind, you show me one human being touching another in my pictures! You can't and you know you can't! I don't believe in sex and I don't push sex, so you leave me the hell alone! Life is pain and suffering and be
ing scared, so people like to look at my pictures; my pictures are about them, the scared little jerks! You're just a bunch of goddam perverts if you think there's anything dirty about my pictures!"
He had them there; Merdeka's girls always wore at least full panties, bras, and stockings; he had them there. The post office obscenity people were vaguely positive that there was something wrong with pictures of beautiful women tied down to be whipped or burned with hot irons, but what?
The next year they tried to get him on his income tax; those deductions for the Planned Parenthood Federation and the Midtown Hysterectomy Clinic were preposterous, but he proved them with canceled checks to the last nickel. "In fact," he indignantly told them, "I spend a lot of time at the Clinic and sometimes they let me watch the operations. That's how highly they think of me at the Clinic."
The next year he started DEATH: the Weekly Picture Magazine with the aid of a half-dozen bright young grads from the new Harvard School of Communicationeering. As DEATH'S Communicator in Chief (only yesterday he would have been its Publisher, and only fifty years before he would have been its Editor) he slumped biliously in a pigskin-paneled office, peering suspiciously at the closed-circuit TV screen which had a hundred wired eyes throughout DEATH'S offices, sometimes growling over the voice circuit: "You! What's your name?
Boland? You're through, Boland. Pick up your time at the paymaster."
For any reason; for no reason. He was a living legend in his narrow-lapel charcoal flannel suit and stringy bullfighter neckties; the bright young men in their Victorian Revival frock coats and pearl-pinned cravats wondered at his—not "obstinacy"; not when there might be a mike even in the corner saloon; say, his "timelessness."
The bright young men became bright young-old men, and the magazine which had been conceived as a vehicle for deadheading house ads of the mail order picture business went into the black. On the cover of every issue of DEATH was a pictured execution-of-the-week, and no price for one was ever too high. A fifty-thousand-dollar donation to a mosque had purchased the right to secretly snap the Bread Ordeal by which perished a Yemenite suspected of tapping an oil pipeline. An interminable illustrated History of Flagellation was a staple of the reading matter, and the Medical Section (in color) was tremendously popular. So too was the weekly Traffic Report.
His Share of Glory The Complete Short Science Fiction Page 16