She was heading for the inevitable collapse, and her father was due back from his inspection tour. The whole process had taken some fifty days.
Her father, another gray-eyed booby …A projection room. "A hoax."
"Fifty thousand in small, unmarked …" The flickering reel change. "It can't be-" "You should know that scar." "I'll kill you first!" "That won't burn the prints." The lights. "The last one-I don't believe …" "Fifty thousand." "I'll kill you-"
But he hadn't. He'd killed himself, for no good reason that Smith could understand. Disgustedly, no longer a blackmailer, much out of pocket by this deal that had fizzled, he turned hawker and peddled prints of the film to the sort of person who would buy such things. He almost got his expenses back. After the week of concentration on his sudden mercantile enterprise, he had thought to inquire about Amy.
She had had her smashup, lost her job tape-punching now that her father was dead and her really scandalous behavior could no longer be ignored. She had got an unconventional job in the Open Quarter. She had left it. She appeared, hanging around the shops at Standard Transport, where the watchmen had orders to drive her away. She always came back, and one day, evidently, got what she wanted.
For on the Portsmouth-Jamestown run, which Smith was making to see a man who had a bar with a small theater in what was ostensibly a storeroom, his ship had parted at the seams.
"Dumped me where you found me—mid-desert."
"T-urr-ss-t-ee," sawed the native.
There seemed to be some reproach in the word, and Smith chided himself for imagining that a creature which spoke by stridulation could charge its language with the same emotional overtones as those who used lungs and vocal cords.
But there the note was again: "Ei-m-m-ee—t-urr-ss-t—t-oo."
Amy thirst too. A stridulating moralist. But still …one had to admit …
in his frosty way, Smith was reasoning, but a wash of emotion blurred the diagrams, the cold diagrams by which he had always lived.
It's getting me, he thought—it's getting me at last. He'd seen it happen before, and always admitted that it might happen to him—but it was a shock.
Hesitantly, which was strange for him, he asked if he could somehow find his way across the desert to Portsmouth. The creature ticked approvingly, brought in sand, and with one delicate appendage began to trace what might be a map.
He was going to do it. He was going to be clean again, he who had always had a horror of filth and never until now had seen that his life was viler than maggots, more loathsome than carrion. A warm glow of self-approval filled him while he bent over the map. Yes, he was going to perform the incredible hike and somehow make restitution to her.
Who would have thought an inhuman creature like his benefactor could have done this to him? With all the enthusiasm of any convert, he felt young again, with life before him, a life where he could choose between fair and foul. He chuckled with the newness of it.
But to work! Good intentions were not enough. There was the map to memorize, his bearings to establish, some portable food supply to be gathered—
He followed the map with his finger. The tracing appendage of the creature guided him, another quietly lay around him, its tip at the small of his back. He accepted it, though it itched somewhat. Not for an itch would he risk offending the bearer of his new life.
He was going to get Amy to a cure, give her money, bear her abuse—she could not understand all at once that he was another man —turn his undoubted talent to an honest—
Farewell! Farewell! Farewell, little ones. Farewell.
The map blurred a bit before Smith's eyes. Then the map toppled and slid and became the red-lit ceiling of the burrow. Then Smith tried to move and could not. The itching in his back was a torment.
The screy mother did not look at the prostrate host as she turned and crawled up from the incubator to the surface. Something like fond humor wrinkled the surface of her thoughts as she remembered the little ones and their impatience. Heigh-ho! She had given them the best she could, letting many a smaller host go by until this fine, big host came her way. It had taken feeding and humoring, but it would last many and many a month while the little wrigglers grew and ate and grew within it. Heigh-ho! Life went on, she thought; one did the best one could…
I Never Ast No Favors
[F&SF April, 1954]
Dear Mr. Marino:
I hesitate to take pen in hand and write you because I guess you do not remember me except maybe as a punk kid you did a good turn, and I know you must be a busy man running your undertaking parlor as well as the Third Ward and your barber shop. I never ast no favors of nobody but this is a special case which I hope you will agree when I explain.
To refresh your memory as the mouthpiece says in court, my name is Anthony Cornaro only maybe you remember me better as Tough Tony, which is what they call me back home in the Ward. I am not the Tough Tony from Water Street who is about 55 and doing a sixer up the river, I am the Tough Tony who is going on seventeen from Brecker Street and who you got probation for last week after I slash that nosy cop that comes flatfooting into the grocery store where some friends and I are just looking around not knowing it is after hours and that the groceryman has went home. That is the Tough Tony that I am. I guess you remember me now so I can go ahead.
With the probation, not that I am complaining, the trouble starts. The mouthpiece says he has known this lad for years and he comes from a very fine churchgoing family and he has been led astray by bad companions. So all right, the judge says three years' probation, but he goes on to say if. If this, if that, environment, bad influences, congested city streets, our vital dairy industry denuded —such a word from a judge!—of labor …
Before I know what has happened, I am signing a paper, my Mama is putting her mark on it and I am on my way to Chiunga County to milk cows.
I figure the judge does not know I am a personal friend of yours and I do not want to embarrass you by mentioning your name in open court, I figure I will get a chance later to straighten things out. Also, to tell you the truth, I am too struck with horror to talk.
On the ride upstate I am handcuffed to the juvenile court officer so I cannot make a break for it, but at last I get time to think and I realise that it is not as bad as it looks. I am supposed to work for a dame named Mrs. Parry and get chow, clothes and Prevailering Wages. I figure it takes maybe a month for her to break me in on the cow racket or even longer if I play dumb. During the month I get a few bucks, a set of threads and take it easy and by then I figure you will have everything straightened out and I can get back to my regular occupation, only more careful this time. Experience is the best teacher, Mr. Marino, as I am sure you know.
Well, we arrive at this town Chiunga Forks and I swear to God I never saw such a creepy place. You wouldn't believe it. The main drag is all of four blocks long and the stores and houses are from wood. I expect to see Gary Cooper stalking down the street with a scowl on his puss and his hands on his guns looking for the bad guys. Four hours from the Third Ward in a beat-up '48 police department Buick—you wouldn't believe it.
We park in front of a hash house, characters in rubber boots gawk at us, the court officer takes off the cuffs and gabs with the driver but does not lose sight of me. While we are waiting for this Mrs. Parry to keep the date I study the bank building across the street and develop some ideas which will interest you, Mr. Marino, but which I will not go into right now.
All of a sudden there is a hassle on the sidewalk.
A big woman with grey hair and a built like Tony Galento is kicking a little guy who looks like T.B. Louis the Book, who I guess you know, but not so muscular and wearing overalls. She is kicking him right in the keister, five-six times. Each time I shudder, and so maybe does the bank building across the street.
"Shoot my, dawg, will you!" she yells at the character. "I said I'd kick your butt from here to Scranton when I caught up with you, Dud Wingle!"
"Leave me be!" he
squawks, trying to pry her hands off his shoulders.
"He was chasin' deer! He was chasin' deer!"
Thud—thud—thud. "I don't keer if he was chasin' deer, panthers or butterflies." Thud. "He was my dawg and you shot him!" Thud. She was drawing quite a crowd. The characters in rubber boots are forgetting all about us to stare at her and him.
Up comes a flatfoot who I later learn is the entire manpower of Chiunga Forks' lousiest; he says to the big woman: "Now, Ella" a few times, and she finally stops booting the little character and lets him go. "What do you want, Henry?" she growls at the flatfoot and he asks weakly: "Silver Bell dropped her calf yet?"
The little character is limping away rubbing himself. The big broad watches him regretfully and says to the flatfoot: "Yesterday, Henry. Now if you'll excuse me I have to look for my new hired boy from the city. I guess that's him over there."
She strolls over to us and yanks open the Buick's door, almost taking it off the hinges. "I'm Mrs. Ella Parry," she says to me, sticking out her hand. "You must be the Cornaro boy the Probation Association people wired me about."
I shake hands and say, "Yes, ma'am."
The officer turns me over grinning like a skunk eating beans.
I figure Mrs. Parry lives in one of the wood houses in Chiunga Forks, but no. We climb into a this-year Willys truck and take off for the hills. I do not have much to say to this lady wrestler but wish I had somebody smuggle me a rod to kind of even things a little between her and me.
With that built she could break me in half by accident. I try to get in good with her by offering to customize her truck. "I could strip off the bumpers and put on a couple of foglights, maybe new fenders with a little trim to them," I say, "and it wouldn't cost you a dime. Even out here there has got to be some parts place where a person can heist what he needs."
"Quiet, Bub," she says all of a sudden, and shields her eyes peering down a side road where a car is standing in front of a shack. "I swear,"
she says, "that looks like Dud Wingle's Ford in front of Miz' Sigafoos'
place." She keeps her neck twisting around to study it until it is out of sight. And she looks worried.
I figure it is not a good time to talk and anyway maybe she has notions about customizing and does not approve of it.
"What," she says, "would Dud Wingle want with Miz' Sigafoos?"
"I don't know, ma'am," I say. "Wasn't he the gentleman you was kicking from here to Scranton?"
"Shucks, Bub, that was just a figger of speech. If I'd of wanted to kick him from here to Scranton I'd of done it. Dud and Jim and Ab and Sime think they got a right to shoot your dog if he chases the deer. I'm a peaceable woman or I'd have the law on them for shootin' Grip. But maybe I did kind of lose my temper." She looked worrieder yet.
"Is something wrong, ma'am?" I ask. You never can tell, but a lot of old dames talk to me like I was their uncle; to tell you the truth this is my biggest problem in a cathouse. It must be because I am a kind of thoughtful guy and it shows.
Mrs. Parry is no exception. She says to me: "You don't know the folks up here yet, Bub, so you don't know about Miz' Sigafoos. I'm old English stock so I don't hold with their foolishness, but——" And here she looked real worried. "Miz' Sigafoos is what they call a hex doctor."
"What's that, ma'am?"
"Just a lot of foolishness. Don't you pay any attention," she says, and then she has to concentrate on the driving. We are turning off the two-lane state highway and going up, up, up into the hills, off a blacktop road, off a gravel road, off a dirt road. No people. No houses. Fences and cows or maybe horses, I can't tell for sure. Finally we are at her place, which is from wood and in two buildings. I start automatically for the building that is clean, new-painted, big and expensive.
"Hold on, Bub," she says. "No need to head for the barn first thing. Let's get you settled in the house first and then there'll be a plenty of work for you."
I do a double take and see that the big, clean, expensive building is the barn. The little, cheap, rundown place is the house. I say to myself:
"Tough Tony, you're gonna pray tonight that Mr. Marino don't forget to tell the judge you're a personal friend of his and get you out of this,"
But that night I do not pray. I am too tired. After throwing sacks of scratch feed and laying mash around, I run the baling machine and I turn the oats in the loft and I pump water until my back is aching jello and then I go hiking out to the woodlot and chop down trees and cut them up with a chain saw. It is surprising how fast I learn and how willing I am when I remember what Mrs. Parry did to Dud Wingle.
I barely get to sleep it seems like when Mrs. Parry is yanking the covers off me laughing and I see through the window that the sky is getting a little light. "Time to rise, Bub," she bawls. "Breakfast on the table." She strides to the window and flexes her muscles, breathing deep. "It's going to be a fine day. I can tell when an animal's sick to death, and I can tell when it's going to be fine all day. Rise and shine, Bub. We have a lot of work ahead. I was kind of easy on you yesterday seeing you was new here, so we got a bit behindhand."
I eye the bulging muscles and say "Yes, ma'am."
She serves a good breakfast, I have to admit. Usually I just have some coffee around eleven when I wake up and maybe a meatball sandwich around four, but the country air gives you an appetite like I always heard. Maybe I didn't tell you there was just the two of us. Her husband kicked off a couple years ago. She gave one of her boys half the farm because she says she don't believe in letting them hang around without a chance to make some money and get married until you die. The other boy, nineteen, got drafted two months ago and since then she is running the place on her own hook because for some reason or other it is hard to get people to work on a farm. She says she does not understand this and I do not enlighten her.
First thing after breakfast she tells me to make four crates from lumber in the toolshed, go to the duckpond and put the four Muscovy ducks in the crates so she can take them to town and sell them. She has been meaning to sell the Muscovy ducks for some time since the word has been getting around that she was pro-communist for having such a breed of ducks when there were plenty of good American ducks she could of raised. "Though," she says, "in my opinion the Walterses ought to sell off their Peking ducks too because the Chinese are just as bad as the Roossians."
I make the crates which is easy and I go to the duck-pool. There are four ducks there but they are not swimming; they have sunk. I go and tell Mrs. Parry and she looks at me like I was crazy.
"Yeah," I tell her. "Sunk. Down at the bottom of the pond, drownded. I guess maybe during the night they forgot to keep treading water or something."
She didn't say a word. She just strides down the path to the duckpond and looks into it and sees the four ducks. They are big, horrible things with kind of red Jimmy Valentine masks over their eyes, and they are lying at the bottom of the pond. She wades in, still without a word, and fishes them out. She gets a big shiv out of her apron pocket, slits the ducks open, yanks out their lungs and slits them open. Water dribbles out.
"Drownded," she mutters. "If there was snapping turtles to drag them under …but there ain't."
I do not understand what the fuss is about and ast her if she can't sell them anyway. She says no, it wouldn't be honest, and I should get a shovel and bury them. Then there is an awful bellering from the cowbarn. "Agnes of Lincolnshire!" Mrs. Parry squawks and dashes for the barn. "She's dropping her calf ahead of time!"
I run along beside her. "Should I call the cops?" I pant. "They always get to the place before the ambulance and you don't have to pay them nothing. My married sister had three kids delivered by the cops—"
But it seems it's different with cows and anyway they have a different kind of flatfoot out here that didn't go to Police Academy. Mrs. Parry finally looks up from the calf and says "I think I saved it. I know I saved it. I can tell when an animal's dying. Bub, go to the phone and call Miz'
Croley and as
k her if she can possibly spare Brenda to come over and do the milkin' tonight and tomorrow morning. I dassn't leave Agnes and the calf; they need nursing."
I stagger out of the cowbarn, throw up two-three times and go to the phone in the house. I seen them phones with flywheels in the movies so I know how to work it. Mrs. Croley cusses and moans and then says all right she'll send Brenda over in the Ford and please to tell Mrs. Parry not to keep her no longer than she has to because she has a herd of her own that needs milking.
I tell Mrs. Parry in the barn and Mrs. Parry snaps that Mrs. Croley has a living husband and a draft-proof farmhand and she swore she didn't know what things were coming to when a neighbor wouldn't help another neighbor out.
I ast casually: "Who is this Brenda, ma'am?"
"Miz' Croley's daughter. Good for nothing."
I don't ast no more questions but I sure begin to wait with interest for a Ford to round the bend of the road.
It does while I am bucking up logs with the chainsaw. Brenda is a blondie about my age, a little too big for her dress—an effect which I always go for, whether in the Third Ward or Chiunga County. I don't have a chance to talk to her until lunch, and then all she does is giggle.
But who wants conversation? Then a truck comes snorting up the driveway. Something inside the truck is snorting louder than the truck.
Mrs. Parry throws up her hands. "Land, I forgot! Belshazzar the Magnificent for Princess Leilani!" She gulps coffee and dashes out.
"Brenda," I said, "what was that all about?"
She giggles and this time blushes. I throw down my napkin and go to the window. The truck is being backed to a field with a big board fence around it. Mrs. Parry is going into the barn and is leading a cow into the field. The cow is mighty nervous and I begin to understand why. The truckdriver opens the tailgate and out comes a snorting bull.
His Share of Glory The Complete Short Science Fiction Page 69