‘Well, I’m jiggered,’ muttered Father Brown. ‘It really does look like some vast vampire that has swooped down like a bird.’
‘How else could he have come?’ came a voice from the doorway, and Father Brown looked up to see Aylmer once more standing there.
‘Couldn’t he have walked?’ replied Father Brown evasively.
Aylmer stretched out his arm and swept the white landscape with a gesture.
‘Look at the snow,’ he said in a deep voice that had a sort of roll and thrill in it. ‘Is not the snow unspotted — pure as the white magic you yourself called it? Is there a speck on it for miles, save that one foul black blot that has fallen there? There are no footprints, but a few of yours and mine; there are none approaching the house from anywhere.’
Then he looked at the little priest for a moment with a concentrated and curious expression, and said: ‘I will tell you something else. That cloak he flies with is too long to walk with. He was not a very tall man, and it would trail behind him like a royal train. Stretch it out over his body, if you like, and see.’
‘What happened to you both?’ asked Father Brown abruptly.
‘It was too swift to describe,’ answered Aylmer. ‘I had looked out of the door and was turning back when there came a kind of rushing of wind all around me, as if I were being buffeted by a wheel revolving in mid-air. I spun round somehow and fired blindly; and then I saw nothing but what you see now. But I am morally certain that you wouldn’t see it if I had not had a silver shot in my gun. It would have been a different body lying there in the snow.’
‘By the way,’ remarked Father Brown, ‘shall we leave it lying there in the snow? Or would you like it taken into your room — I suppose that’s your bedroom in the passage?’
‘No, no,’ replied Aylmer hastily, ‘we must leave it here till the police have seen it. Besides, I’ve had as much of such things as I can stand for the moment. Whatever else happens, I’m going to have a drink. After that, they can hang me if they like.’
Inside the central apartment, between the palm plant and the bowl of fishes, Aylmer tumbled into a chair. He had nearly knocked the bowl over as he lurched into the room, but he had managed to find the decanter of brandy after plunging his hand rather blindly into several cupboards and corners. He did not at any time look like a methodical person, but at this moment his distraction must have been extreme. He drank with a long gulp and began to talk rather feverishly, as if to fill up a silence.
‘I see you are still doubtful,’ he said, ‘though you have seen the thing with your own eyes. Believe me, there was something more behind the quarrel between the spirit of Strake and the spirit of the house of Aylmer. Besides, you have no business to be an unbeliever. You ought to stand for all the things these stupid people call superstitions. Come now, don’t you think there’s a lot in those old wives’ tales about luck and charms and so on, silver bullets included? What do you say about them as a Catholic?’
‘I say I’m an agnostic,’ replied Father Brown, smiling.
‘Nonsense,’ said Aylmer impatiently. ‘It’s your business to believe things.’
‘Well, I do believe some things, of course,’ conceded Father Brown; ‘and therefore, of course, I don’t believe other things.’
Aylmer was leaning forward, and looking at him with a strange intensity that was almost like that of a mesmerist.
‘You do believe it,’ he said. ‘You do believe everything. We all believe everything, even when we deny everything. The denyers believe. The unbelievers believe. Don’t you feel in your heart that these contradictions do not really contradict: that there is a cosmos that contains them all? The soul goes round upon a wheel of stars and all things return; perhaps Strake and I have striven in many shapes, beast against beast and bird against bird, and perhaps we shall strive for ever. But since we seek and need each other, even that eternal hatred is an eternal love. Good and evil go round in a wheel that is one thing and not many. Do you not realize in your heart, do you not believe behind all your beliefs, that there is but one reality and we are its shadows; and that all things are but aspects of one thing: a centre where men melt into Man and Man into God?’
‘No,’ said Father Brown.
Outside, twilight had begun to fall, in that phase of such a snow-laden evening when the land looks brighter than the sky. In the porch of the main entrance, visible through a half-curtained window, Father Brown could dimly see a bulky figure standing. He glanced casually at the french windows through which he had originally entered, and saw they were darkened with two equally motionless figures. The inner door with the coloured glass stood slightly ajar; and he could see in the short corridor beyond, the ends of two long shadows, exaggerated and distorted by the level light of evening, but still like grey caricatures of the figures of men. Dr Boyne had already obeyed the telephone message. The house was surrounded.
‘What is the good of saying no?’ insisted his host, still with the same hypnotic stare. ‘You have seen part of that eternal drama with your own eyes. You have seen the threat of John Strake to slay Arnold Aylmer by black magic. You have seen Arnold Aylmer slay John Strake by white magic. You see Arnold Aylmer alive and talking to you now. And yet you don’t believe it.’
‘No, I do not believe it,’ said Father Brown, and rose from his chair like one terminating a visit.
‘Why not?’ asked the other.
The priest only lifted his voice a little, but it sounded in every corner of the room like a bell. ‘Because you are not Arnold Aylmer,’ he said. ‘I know who you are. Your name is John Strake; and you have murdered the last of the brothers, who is lying outside in the snow.’
A ring of white showed round the iris of the other man’s eyes; he seemed to be making, with bursting eyeballs, a last effort to mesmerize and master his companion. Then he made a sudden movement sideways; and even as he did so the door behind him opened and a big detective in plain clothes put one hand quietly on his shoulder. The other hand hung down, but it held a revolver. The man looked wildly round, and saw plain-clothes men in all corners of the quiet room.
That evening Father Brown had another and longer conversation with Dr Boyne about the tragedy of the Aylmer family. By that time there was no longer any doubt of the central fact of the case, for John Strake had confessed his identity and even confessed his crimes; only it would be truer to say that he boasted of his victories. Compared to the fact that he had rounded off his life’s work with the last Aylmer lying dead, everything else, including existence itself, seemed to be indifferent to him.
‘The man is a sort of monomaniac,’ said Father Brown. ‘He is not interested in any other matter; not even in any other murder. I owe him something for that; for I had to comfort myself with the reflection a good many times this afternoon. As has doubtless occurred to you, instead of weaving all that wild but ingenious romance about winged vampires and silver bullets, he might have put an ordinary leaden bullet into me, and walked out of the house. I assure you it occurred quite frequently to me.’
‘I wonder why he didn’t,’ observed Boyne. ‘I don’t understand it; but I don’t understand anything yet. How on earth did you discover it, and what in the world did you discover?’
‘Oh, you provided me with very valuable information,’ replied Father Brown modestly, ‘especially the one piece of information that really counted. I mean the statement that Strake was a very inventive and imaginative liar, with great presence of mind in producing his lies. This afternoon he needed it; but he rose to the occasion. Perhaps his only mistake was in choosing a preternatural story; he had the notion that because I am a clergyman I should believe anything. Many people have little notions of that kind.’
‘But I can’t make head or tail of it,’ said the doctor. ‘You must really begin at the beginning.’
‘The beginning of it was a dressing-gown,’ said Father Brown simply. ‘It was the one really good disguise I’ve ever known. When you meet a man in a house with a dressing-gown
on, you assume quite automatically that he’s in his own house. I assumed it myself; but afterwards queer little things began to happen. When he took the pistol down he clicked it at arm’s length, as a man does to make sure a strange weapon isn’t loaded; of course he would know whether the pistols in his own hall were loaded or not. I didn’t like the way he looked for the brandy, or the way he nearly barged into the bowl of fishes. For a man who has a fragile thing of that sort as a fixture in his rooms gets a quite mechanical habit of avoiding it. But these things might possibly have been fancies; the first real point was this. He came out from the little passage between the two doors; and in that passage there’s only one other door leading to a room; so I assumed it was the bedroom he had just come from. I tried the handle; but it was locked. I thought this odd; and looked through the keyhole. It was an utterly bare room, obviously deserted; no bed, no anything. Therefore he had not come from inside any room, but from outside the house. And when I saw that, I think I saw the whole picture.
‘Poor Arnold Aylmer doubtless slept and perhaps lived upstairs, and came down in his dressing-gown and passed through the red glass door. At the end of the passage, black against the winter daylight, he saw the enemy of his house. He saw a tall bearded man in a broad-brimmed black hat and a large flapping black cloak. He did not see much more in this world. Strake sprang at him, throttling or stabbing him; we cannot be sure till the inquest. Then Strake, standing in the narrow passage between the hat-stand and the old sideboard, and looking down in triumph on the last of his foes heard something he had not expected. He heard footsteps in the parlour beyond. It was myself entering by the french windows.
‘His masquerade was a miracle of promptitude. It involved not only a disguise but a romance — an impromptu romance. He took off his big black hat and cloak and put on the dead man’s dressing-gown. Then he did a rather grisly thing; at least a thing that affects my fancy as more grisly than the rest. He hung the corpse like a coat on one of the hat pegs. He draped it in his own long cloak, and found it hung well below the heels; he covered the head entirely with his own wide hat. It was the only possible way of hiding it in that little passage with the locked door; but it was really a very clever one. I myself walked past the hat-stand once without knowing it was anything but a hat-stand. I think that unconsciousness of mine will always give me a shiver.
‘He might perhaps have left it at that; but I might have discovered the corpse at any minute; and, hung where it was, it was a corpse calling for what you might call an explanation. He adopted the bolder stroke of discovering it himself and explaining it himself.
‘Then there dawned on this strange and frightfully fertile mind the conception of a story of substitution; the reversal of the parts. He had already assumed the part of Arnold Aylmer. Why should not his dead enemy assume the part of John Strake? There must have been something in that topsy-turvydom to take the fancy of that darkly fanciful man. It was like some frightful fancy-dress ball to which the two mortal enemies were to go dressed up as each other. Only, the fancy-dress ball was to be a dance of death: and one of the dancers would be dead. That is why I can imagine that man putting it in his own mind, and I can imagine him smiling.’
Father Brown was gazing into vacancy with his large grey eyes, which, when not blurred by his trick of blinking, were the one notable thing in his face. He went on speaking simply and seriously: ‘All things are from God; and above all, reason and imagination and the great gifts of the mind. They are good in themselves; and we must not altogether forget their origin even in their perversion. Now this man had in him a very noble power to be perverted; the power of telling stories. He was a great novelist; only he had twisted his fictive power to practical and to evil ends; to deceiving men with false fact instead of with true fiction. It began with his deceiving old Aylmer with elaborate excuses and ingeniously detailed lies; but even that may have been, at the beginning, little more than the tall stories and tarradiddles of the child who may say equally he has seen the King of England or the King of the Fairies. It grew strong in him through the vice that perpetuates all vices, pride; he grew more and more vain of his promptitude in producing stories of his originality, and subtlety in developing them. That is what the young Aylmers meant by saying that he could always cast a spell over their father; and it was true. It was the sort of spell that the storyteller cast over the tyrant in the Arabian Nights. And to the last he walked the world with the pride of a poet, and with the false yet unfathomable courage of a great liar. He could always produce more Arabian Nights if ever his neck was in danger. And today his neck was in danger.
‘But I am sure, as I say, that he enjoyed it as a fantasy as well as a conspiracy. He set about the task of telling the true story the wrong way round: of treating the dead man as living and the live man as dead. He had already got into Aylmer’s dressing-gown; he proceeded to get into Aylmer’s body and soul. He looked at the corpse as if it were his own corpse lying cold in the snow. Then he spread-eagled it in that strange fashion to suggest the sweeping descent of a bird of prey, and decked it out not only in his own dark and flying garments but in a whole dark fairy-tale about the black bird that could only fall by the silver bullet. I do not know whether it was the silver glittering on the sideboard or the snow shining beyond the door that suggested to his intensely artistic temperament the theme of white magic and the white metal used against magicians. But whatever its origin, he made it his own like a poet; and did it very promptly, like a practical man. He completed the exchange and reversal of parts by flinging the corpse out on to the snow as the corpse of Strake. He did his best to work up a creepy conception of Strake as something hovering in the air everywhere, a harpy with wings of speed and claws of death; to explain the absence of footprints and other things. For one piece of artistic impudence I hugely admire him. He actually turned one of the contradictions in his case into an argument for it; and said that the man’s cloak being too long for him proved that he never walked on the ground like an ordinary mortal. But he looked at me very hard while he said that; and something told me that he was at that moment trying a very big bluff.’
Dr Boyne looked thoughtful. ‘Had you discovered the truth by then?’ he asked. ‘There is something very queer and close to the nerves, I think, about notions affecting identity. I don’t know whether it would be more weird to get a guess like that swiftly or slowly. I wonder when you suspected and when you were sure.’
‘I think I really suspected when I telephoned to you,’ replied his friend. ‘And it was nothing more than the red light from the closed door brightening and darkening on the carpet. It looked like a splash of blood that grew vivid as it cried for vengeance. Why should it change like that? I knew the sun had not come out; it could only be because the second door behind it had been opened and shut on the garden. But if he had gone out and seen his enemy then, he would have raised the alarm then; and it was some time afterwards that the fracas occurred. I began to feel he had gone out to do something ... to prepare something ... but as to when I was certain, that is a different matter. I knew that right at the end he was trying to hypnotize me, to master me by the black art of eyes like talismans and a voice like an incantation. That’s what he used to do with old Aylmer, no doubt. But it wasn’t only the way he said it, it was what he said. It was the religion and philosophy of it.’
‘I’m afraid I’m a practical man,’ said the doctor with gruff humour, ‘and I don’t bother much about religion and philosophy.’
‘You’ll never be a practical man till you do,’ said Father Brown. ‘Look here, doctor; you know me pretty well; I think you know I’m not a bigot. You know I know there are all sorts in all religions; good men in bad ones and bad men in good ones. But there’s just one little fact I’ve learned simply as a practical man, an entirely practical point, that I’ve picked up by experience, like the tricks of an animal or the trade-mark of a good wine. I’ve scarcely ever met a criminal who philosophized at all, who didn’t philosophize along those line
s of orientalism and recurrence and reincarnation, and the wheel of destiny and the serpent biting its own tail. I have found merely in practice that there is a curse on the servants of that serpent; on their belly shall they go and the dust shall they eat; and there was never a blackguard or a profligate born who could not talk that sort of spirituality. It may not be like that in its real religious origins; but here in our working world it is the religion of rascals; and I knew it was a rascal who was speaking.’
‘Why,’ said Boyne, ‘I should have thought that a rascal could pretty well profess any religion he chose.’
‘Yes,’ assented the other; ‘he could profess any religion; that is he could pretend to any religion, if it was all a pretence. If it was mere mechanical hypocrisy and nothing else, no doubt it could be done by a mere mechanical hypocrite. Any sort of mask can be put on any sort of face. Anybody can learn certain phrases or state verbally that he holds certain views. I can go out into the street and state that I am a Wesleyan Methodist or a Sandemanian, though I fear in no very convincing accent. But we are talking about an artist; and for the enjoyment of the artist the mask must be to some extent moulded on the face. What he makes outside him must correspond to something inside him; he can only make his effects out of some of the materials of his soul. I suppose he could have said he was a Wesleyan Methodist; but he could never be an eloquent Methodist as he can be an eloquent mystic and fatalist. I am talking of the sort of ideal such a man thinks of if he really tries to be idealistic. It was his whole game with me to be as idealistic as possible; and whenever that is attempted by that sort of man, you will generally find it is that sort of ideal. That sort of man may be dripping with gore; but he will always be able to tell you quite sincerely that Buddhism is better than Christianity. Nay, he will tell you quite sincerely that Buddhism is more Christian than Christianity. That alone is enough to throw a hideous and ghastly ray of light on his notion of Christianity.’
The Complete Father Brown Mysteries Collection Page 64