The street was lined with low-rise apartments that were mostly used by Columbia's grad students and professors. Strange, Myron thought, that a diner waitress would live here. But then again nothing else about her involvement in all this made sense - why should where she lived? If she lived here at all, and not, say, with Bruce Willis in Hollywood.
Norman interrupted his thoughts. 'You're trying to help her, right?'
'What?'
Norman stopped walking. He was less animated now. 'All that stuff about being from the phone company. That was all crap, right?'
Myron said nothing.
'Look,' he said, putting his hand on Myron's forearm, 'Hector is a good man. He came to this country with nothing. He works his ass off in that diner. He and his wife and son - they slave there every day. No days off. And every day he's scared someone's going to take it all away from him. All that worry ... it clouds the thinking, you know? Me, I got nothing to lose so I'm not afraid of anything. Makes it easier to see some stuff. Know what I mean?'
Myron gave a slight nod.
Norman's bright eyes dimmed as a bit of reality swept through him.
Myron looked at him, really looked at him, for the first time. He made his eyes stop sweeping by him with barely a notice of age or height or even species. Myron realized that behind the lies and self-delusion lay the dreams of any man, the hopes and wants and needs that are the sole reserve of the human race.
'I'm worried about Sally,' Norman went on. 'Maybe that's clouding my thinking. But I know she wouldn't just up and leave without saying goodbye to me. Sally wouldn't do that.' He stopped, met Myron's eyes with his own. 'You're not from the phone company, are you?'
'No, I'm not.'
'You want to help her?'
'Yes,' Myron said. I want to help her.'
He nodded and pointed. 'In here. Apartment two E.'
Myron walked up the stoop while Norman stayed on the street level.
He pressed the black button reading 2E. No one answered. No surprise there. He tried the entrance door, but it was locked. You had to be buzzed in.
'You better stay there,' he told Norman. Norman nodded, understanding.
These buzzer-protected doors were mild deterrents to crime, but their true purpose was to prevent vagrants from coming in and setting up camp in the lobby. Myron would just wait. Eventually an occupant would leave or enter the building. While said occupant opened the door, Myron would enter as though he belonged. No one would question a man dressed in khakis and a button-down BD Baggies shirt. If Norman stood next to him, however, that same occupant might react differently.
Myron moved down two steps. When he saw two young women approach the door from the inside, he slapped his pockets as though looking for keys. Then he walked purposefully up to the door, smiled, and waited for them to push it open. He need not have bothered with the dramatics. The two young women - college students, Myron guessed - went through the portal without looking up or decelerating their oral activities.
Both were talking nonstop, neither listening. They paid absolutely no attention to him. Amazing restraint really. Of course from this angle they couldn't see his ass, so their self-control was not only admirable but somewhat understandable.
He looked back at Norman, who thankfully waved him off. 'You go yourself,' he said. 'I don't want to cause a problem.'
Myron let the door close.
The corridor was pretty much what he expected. It was painted off-white.
No stripes or designs. There were no wall-hangings other than a huge bulletin board that read like a schizophrenic political manifesto. Dozens of leaflets announced everything from a dance sponsored by the Native American Gay and Lesbian Society to poetry readings by a group calling itself the Rush Limbaugh Review. Ah, the college life.
He ascended a stairway lit by two bare bulbs. All this walking and stair climbing were starting to take a toll on his bad knee. The joint tightened up like a rusted hinge. Myron felt himself dragging the leg behind him. He used the railing for support and wondered what the knee would be like when he reached arthritis age.
The floor plan of the building was far from symmetrical. Doors seemed to be placed in the wall as though at random. Off in a corner, a good distance from the other apartments, Myron found the door marked 2E. The positioning made the apartment look like an afterthought, as if someone had spotted some extra space in the back and decided to add an extra room or two. Myron knocked. No answer. No surprise. He checked the corridor.
No one in sight. He was thankful that Norman was not here because he wouldn't want someone to witness him breaking in.
Myron was not great at the lock-picking game. He had learned a bit over the years, but picking locks was a bit like playing a video game. You work at it enough, and eventually you move up levels. Myron hadn't worked at it.
He didn't like it. He really didn't have much natural talent for it. In most cases, he relied on Win to handle the mechanical stuff, like Barney used to do on Mission: Impossible.
He examined the door and felt his heart sink. Even for New York the dead bolts were nothing short of impressive. Three of them stacked intimidatingly from six inches above the knob to six inches below the top frame. Top of the line stuff. Brand new, judging by the gleam and lack of scratches. This was a tad odd. Was Sally/Carla the extracautious type, or was there a more aberrant reason for such security? Good question. Myron looked at the locks again. Win would have enjoyed the challenge; Myron knew that any effort he made would be fruitless.
He debated kicking in the door when he noticed something. He moved closer and squinted into the door crack. Again something struck him as being odd. The dead bolts were not engaged. Why buy all these expensive locks and not use them? He tried the knob. It was locked, but that one would be easy to get through with the loid card.
He took out the card. He couldn't remember the last time he had used it.
It looked pristine. Maybe never. He jammed it into the opening. Despite being an old lock it still took Myron almost five minutes to find the right spot to push the lock back. He gripped the knob. The door began to swing open.
It was open barely six inches when the odor attacked.
The bloodcurdling stench popped out into the hallway like pressurized gas. Myron felt his stomach dive and swoop. He gagged a little and felt a weight on his chest. He knew the smell, and dread filled him. He searched his pockets for a handkerchief and came up empty. He blocked his nose and mouth with the crook of his elbow, as if he were doing Bela Lugosi in Dracula. He didn't want to go in. He wasn't good at this type of thing. He knew that whatever image lay behind the door would stay with him, would haunt his nights and too often his days too. It would stay with him like a dear friend, tapping him on the shoulder every once in a while when he thought he was alone and at peace.
He pushed the door all the way open. The rancid smell permeated his meager protection. He tried to breathe through his mouth, but the thought of what he was sucking in made that option unbearable.
Fortunately, he didn't have to travel far to find the source of the odor.
'Whoa, Bolitar, new cologne?'
'Funny, Dimonte.'
NYPD homicide detective Roland Dimonte shook his head. 'Christ, what a stink.' He was out of uniform, but you wouldn't ever call him 'plainclothes.' He wore a green silk shirt and jeans that were too tight and too dark blue. The bottoms were tucked into purple snakeskin boots; the color faded in and out with any angle change, like some psychedelic Hendrix poster from the sixties. Dimonte gnawed on a toothpick, a habit he picked up, Myron surmised, when he spotted himself doing it in the mirror and decided it looked tough. 'You touch anything?' he asked.
'Just the doorknob,' Myron said. He had also checked the rest of the apartment to make sure there weren't any other gruesome surprises. There weren't.
'How did you get in?'
'The door was unlocked.'
'Really?' Dimonte raised an eyebrow and looked back at the door. 'The door is s
et to lock automatically when you close it.'
'Did I say unlocked? I meant, ajar.'
'Sure you did.' Dimonte did a bit more gnawing, shook his head. He ran his hand through greasy hair. Ringlets clung to his forehead, refusing to give ground. 'So who is she?'
'I don't know,' Myron said.
Dimonte scrunched up his face like a closed fist. Displaying very skeptical. Subtle body language was not Dimonte's forte. 'Little early in the day to be pulling my hardware, ain't it, Bolitar?'
'I don't know her name. It might be Sally Guerro. Then again it might be Carla.'
'Uh huh.' Toothpick chew. 'I thought I saw you on TV last night. That you were playing ball again.'
'I am.'
The coroner came over. He was tall and thin and his wire-rim glasses looked too big on the elongated face. 'She's been dead awhile,' he Pronounced. 'At least four days.'
'Cause?'
'Hard to say for sure. Someone bludgeoned her with a blunt object. I'll know more when I get her on the table.' He looked at the corpse with professional disinterest, then back at Dimonte. 'They're not real, by the way.'
'What?'
He vaguely motioned toward the torso. 'Her breasts. They're implants.'
'Jesus Christ,' Dimonte said, 'you fiddling with dead bodies now?'
The elongated face sagged, his jaw dropping to somewhere around his navel. 'Don't even joke about that,' the coroner said in a stage whisper. 'You know what rumors like that could do to a guy in my business?'
'Get him promoted?' Dimonte said.
The coroner did not laugh. He gave Myron a wounded look, then Dimonte. 'You think that's funny, huh? Goddamn it, this is my career you're fucking around with!'
'Calm down, Peretti, I'm just playing with you.'
'Playing with me? You think my career is some kind of fucking joke?
What the hell is wrong with you?'
Dimonte's eyes narrowed. 'Kind of sensitive about all this, Peretti.'
'You have to be in my position,' he said, back straightening.
'If you say so.'
'What the hell does that mean?'
"The lady protests too much, methinks."'
'What?'
'It's Shakespeare,' Dimonte said. 'From Macbeth.' Dimonte looked over to Myron.
Myron smiled. 'Hamlet.'
T don't give a shit who said it,' Peretti protested. 'You shouldn't mess around with a man's reputation. I don't think any of this is funny.'
'Like I give a rat's ass what you think,' Dimonte said. 'You got anything else?'
'She's wearing a wig.'
'A wig? No kidding, Peretti. The case is as good as solved now. All we need to do is find a killer who hates wigs and fake tits. This is helpful, Peretti. What kind of panties was she wearing, huh? You sniff them yet?'
I was just--'
'Do me a big favor, Peretti.' Dimonte made himself taller, hitched his pants. Signaling importance. Again the subtlety. 'Tell me when she died.
Tell me how she died. Then we'll talk about her fashion accessories, okay?'
Peretti held up his hands in surrender and returned to the body. Dimonte turned to Myron. Myron said, 'The implants and wig might be important.
He was right to tell you.'
'Yeah, I know. I just like busting his chops.'
'And the quote is, "Methinks the lady doth protest too much."'
'Uh huh.' Dimonte changed toothpicks. The one in his mouth was frayed like a horse's mane. 'You going to tell me what the fuck is going on, or am I going to drag you downtown?'
Myron made a face. 'Drag me downtown?'
'Don't bust my balls on this, Bolitar, okay?'
Myron forced himself to look at the bloodied corpse. His stomach did back flips. He was starting to get used to the smell, the thought of which was nearly as bad as the smell itself. Peretti was back at it, making a small slit to get to the liver. Myron diverted his gaze. The homicide crew from John Jay was setting up, taking photographs, that kind of thing. Dimonte's partner, a kid named Krinsky, quietly walked around and took notes. 'Why would she make them so big?' Myron wondered out loud.
'What?'
'Her breasts. I can understand the desire to enlarge them. All the pressures in this society. But why make them that big?'
Dimonte said, 'You're shitting me, right?'
Krinksy came over. 'All her stuff is in those suitcases.' He motioned with his hand to two bags on the floor. Myron had met Krinsky on maybe half a dozen occasions. Talking was not the kid's forte; he seemed to do it as often as Myron picked locks. 'I'd say she was moving out.'
'You got an ID yet?' Dimonte asked.
'Her wallet says her name is Sally Guerro,' Krinsky continued in a soft voice. 'So does one of her passports.'
They both waited for Krinsky to continue. When he didn't, Dimonte shouted, 'What do you mean, one of her passports? How many does she have?'
'Three.'
'Jesus Christ, Krinsky, talk.'
'One is in the name Sally Guerro. One is in the name Roberta Smith. One is in the name Carla Whitney.'
'Give me those.' Dimonte scanned through the various passports. Myron looked over his shoulder. The same woman was in all three pictures, albeit with different hair (ergo the wig) and different Social Security numbers.
Judging by the amount of stamps, the woman had traveled extensively.
Dimonte whistled. 'Forged passports,' he said. 'And good ones too.' He turned more pages. 'Plus she has a couple of visits to South America here.
Colombia. Bolivia.' The passports closed with a dramatic snap. 'Well, well, well. Looks like we got ourselves a nice, neat drug hit.'
Myron mulled over that bit of information. A drug hit - could that be Part of the answer? If Sally/Carla/Roberta was dealing drugs, it might explain her connection with Greg Downing. She was his source. The meeting on Saturday night was nothing more than a buy. The waitress job was a cover. It also explained her using a pay phone and maintaining powerful door locks - tools of a drug dealer's trade. It made some sense. Of course, Greg Downing did not appear to be a drug user, but he would not be the first person to fool everyone.
Dimonte said 'Anything else, Krinsky?'
The kid nodded. 'I found a stack of cash in the bedside drawer.' He stopped again.
Dimonte gave him exasperation. 'Did you count it?'
Another nod.
'How much?'
'A little over ten thousand dollars.'
'Ten grand in cash, huh?' That pleased Dimonte. 'Let me see it.'
Krinksy handed it over. New bills, held by rubber bands. Myron watched while Dimonte shuffled through them. All hundreds. The serial numbers were sequential. Myron tried to memorize one of them. When Dimonte finished, he tossed the packet back to Krinsky. The smile was still there.
'Yep,' Dimonte said, 'it looks like things are coming together in a nice, neat, drug-hit package.' He paused. 'Only one problem.'
'What?'
He pointed at Myron. 'You, Bolitar. You're messing up my nice, neat drug-hit. What the hell are you doing--?' Dimonte stopped himself and snapped his fingers. 'Holy shit . . .' His voice sort of drifted off. He slapped the side of his own head. A small spark in his eyes expanded. 'My God!'
Again note the subtlety. 'You have a thought, Rolly?'
Dimonte ignored him. 'Peretti!'
The coroner looked up from the body. 'What?'
'Those plastic tits,' he said. 'Myron noticed they were huge.'
'Yeah, so?'
'How big?'
'What?'
'How big are they?'
'You mean like cup size?'
'Yeah.'
'I look like a lingerie manufacturer? How the fuck would I know?'
'But they're big, right?'
'Right.'
'Really big.'
'You got eyes, don't you?'
Myron watched the exchange in silence. He was trying to follow Dimonte's logic - a most treacherous trail.
'Would you say
they were bigger than a water balloon?' Dimonte continued.
Peretti shrugged. 'Depends on the balloon.'
'Didn't you ever make water balloons when you were a kid?'
'Yeah, sure,' Peretti said. 'But I don't remember how big the balloons were. I was a kid then. Everything looks bigger when you're a kid. A couple years ago I went back to my old elementary school to visit my third grade teacher. She still works there, if you can believe it. Her name is Mrs Tansmore. I swear to God the building looked like a goddamn dollhouse to me. It was huge when I was a kid. It was like--
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