The mat-weaver’s hut under the lee of the Hindu temple was full of sleeping men who lay like sheeted corpses. Overhead blazed the unwinking eye of the Moon. Darkness gives at least a false impression of coolness. It was hard not to believe that the flood of light from above was warm. Not so hot as the Sun, but still sickly warm, and heating the heavy air beyond what was our due. Straight as a bar of polished steel ran the road to the City of Dreadful Night; and on either side of the road lay corpses disposed on beds in fantastic attitudes — one hundred and seventy bodies of men. Some shrouded all in white with bound-up mouths; some naked and black as ebony in the strong light; and one — that lay face upwards with dropped jaw, far away from the others — silvery white and ashen gray.
‘A leper asleep; and the remainder wearied coolies, servants, small shopkeepers, and drivers from the hackstand hard by. The scene — a main approach to Lahore city, and the night a warm one in August.’ This was all that there was to be seen; but by no means all that one could see. The witchery of the moonlight was everywhere; and the world was horribly changed. The long line of the naked dead, flanked by the rigid silver statue, was not pleasant to look upon. It was made up of men alone. Were the womenkind, then, forced to sleep in the shelter of the stifling mud- huts as best they might? The fretful wail of a child from a low mud-roof answered the question. Where the children are the mothers must be also to look after them. They need care on these sweltering nights. A black little bullet-head peeped over the coping, and a thin — a painfully thin — brown leg was slid over on to the gutter pipe. There was a sharp clink of glass bracelets; a woman’s arm showed for an instant above the parapet, twined itself round the lean little neck, and the child was dragged back, protesting, to the shelter of the bedstead. His thin, high-pitched shriek died out in the thick air almost as soon as it was raised; for even the children of the soil found it too hot to weep.
More corpses; more stretches of moonlit, white road, a string of sleeping camels at rest by the wayside; a vision of scudding jackals; ekka-ponies asleep — the harness still on their backs, and the brass- studded country carts, winking in the moonlight — and again more corpses. Wherever a grain cart atilt, a tree trunk, a sawn log, a couple of bamboos and a few handfuls of thatch cast a shadow, the ground is covered with them. They lie — some face downwards, arms folded, in the dust; some with clasped hands flung up above their heads; some curled up dog-wise; some thrown like limp gunny-bags over the side of the grain carts; and some bowed with their brows on their knees in the full glare of the Moon. It would be a comfort if they were only given to snoring; but they are not, and the likeness to corpses is unbroken in all respects save one. The lean dogs snuff at them and turn away. Here and there a tiny child lies on his father’s bedstead, and a protecting arm is thrown round it in every instance. But, for the most part, the children sleep with their mothers on the house-tops. Yellow-skinned white-toothed pariahs are not to be trusted within reach of brown bodies.
A stifling hot blast from the mouth of the Delhi Gate nearly ends my resolution of entering the City of Dreadful Night at this hour. It is a compound of all evil savours, animal and vegetable, that a walled city can brew in a day and a night. The temperature within the motionless groves of plantain and orange-trees outside the city walls seems chilly by comparison. Heaven help all sick persons and young children within the city to-night! The high house-walls are still radiating heat savagely, and from obscure side gullies fetid breezes eddy that ought to poison a buffalo. But the buffaloes do not heed. A drove of them are parading the vacant main street; stopping now and then to lay their ponderous muzzles against the closed shutters of a grain-dealer’s shops and to blow thereon like grampuses.
Then silence follows — the silence that is full of the night noises of a great city. A stringed instrument of some kind is just, and only just, audible. High overhead some one throws open a window, and the rattle of the wood-work echoes down the empty street. On one of the roofs, a hookah is in full blast; and the men are talking softly as the pipe gutters. A little farther on, the noise of conversation is more distinct. A slit of light shows itself between the sliding shutters of a shop. Inside, a stubble-bearded, weary-eyed trader is balancing his account-books among the bales of cotton prints that surround him. Three sheeted figures bear him company, and throw in a remark from time to time. First he makes an entry, then a remark; then passes the back of his hand across his streaming forehead. The heat in the built-in street is fearful. Inside the shops it must be almost unendurable. But the work goes on steadily; entry, guttural growl, and uplifted hand-stroke succeeding each other with the precision of clock-work.
A policeman — turbanless and fast asleep — lies across the road on the way to the Mosque of Wazir Khan. A bar of moonlight falls across the forehead and eyes of the sleeper, but he never stirs. It is close upon midnight, and the heat seems to be increasing. The open square in front of the Mosque is crowded with corpses; and a man must pick his way carefully for fear of treading on them. The moonlight stripes the Mosque’s high front of coloured enamel work in broad diagonal bands; and each separate dreaming pigeon in the niches and corners of the masonry throws a squab little shadow. Sheeted ghosts rise up wearily from their pallets, and flit into the dark depths of the building. Is it possible to climb to the top of the great Minars, and thence to look down on the city? At all events the attempt is worth making, and the chances are that the door of the staircase will be unlocked. Unlocked it is; but a deeply sleeping janitor lies across the threshold, face turned to the Moon. A rat dashes out of his turban at the sound of approaching footsteps. The man grunts, opens his eyes for a minute, turns round, and goes to sleep again. All the heat of a decade of fierce Indian summers is stored in the pitch-black, polished walls of the corkscrew staircase. Half-way up, there is something alive, warm, and feathery; and it snores. Driven from step to step as it catches the sound of my advance, it flutters to the top and reveals itself as a yellow-eyed, angry kite. Dozens of kites are asleep on this and the other Minars, and on the domes below. There is the shadow of a cool, or at least a less sultry breeze at this height; and, refreshed thereby, turn to look on the City of Dreadful Night.
Dore might have drawn it! Zola could describe it — this spectacle of sleeping thousands in the moonlight and in the shadow of the Moon. The roof-tops are crammed with men, women, and children; and the air is full of undistinguishable noises. They are restless in the City of Dreadful Night; and small wonder. The marvel is that they can even breathe. If you gaze intently at the multitude, you can see that they are almost as uneasy as a daylight crowd; but the tumult is subdued. Everywhere, in the strong light, you can watch the sleepers turning to and fro; shifting their beds and again resettling them. In the pit-like court- yards of the houses there is the same movement.
The pitiless Moon shows it all. Shows, too, the plains outside the city, and here and there a hand’s-breadth of the Ravee without the walls. Shows lastly, a splash of glittering silver on a house-top almost directly below the mosque Minar. Some poor soul has risen to throw a jar of water over his fevered body; the tinkle of the falling water strikes faintly on the ear. Two or three other men, in far-off corners of the City of Dreadful Night, follow his example, and the water flashes like heliographic signals. A small cloud passes over the face of the Moon, and the city and its inhabitants — clear drawn in black and white before — fade into masses of black and deeper black. Still the unrestful noise continues, the sigh of a great city overwhelmed with the heat, and of a people seeking in vain for rest. It is only the lower-class women who sleep on the house-tops. What must the torment be in the latticed zenanas, where a few lamps are still twinkling? There are footfalls in the court below. It is the Muezzin — faithful minister; but he ought to have been here an hour ago to tell the Faithful that prayer is better than sleep — the sleep that will not come to the city.
The Muezzin fumbles for a moment with the door of one of the Minars, disappears awhile, and a bull-like roar — a mag
nificent bass thunder — tells that he has reached the top of the Minar. They must hear the cry to the banks of the shrunken Ravee itself! Even across the courtyard it is almost overpowering. The cloud drifts by and shows him outlined in black against the sky, hands laid upon his ears, and broad chest heaving with the play of his lungs — ’Allah ho Akbar’; then a pause while another Muezzin somewhere in the direction of the Golden Temple takes up the call — ’Allah ho Akbar.’ Again and again; four times in all; and from the bedsteads a dozen men have risen up already. — ’I bear witness that there is no God but God.’ What a splendid cry it is, the proclamation of the creed that brings men out of their beds by scores at midnight! Once again he thunders through the same phrase, shaking with the vehemence of his own voice; and then, far and near, the night air rings with ‘Mahomed is the Prophet of God.’ It is as though he were flinging his defiance to the far-off horizon, where the summer lightning plays and leaps like a bared sword. Every Muezzin in the city is in full cry, and some men on the roof-tops are beginning to kneel. A long pause precedes the last cry, ‘La ilaha Illallah,’ and the silence closes up on it, as the ram on the head of a cotton-bale.
The Muezzin stumbles down the dark stairway grumbling in his beard. He passes the arch of the entrance and disappears. Then the stifling silence settles down over the City of Dreadful Night. The kites on the Minar sleep again, snoring more loudly, the hot breeze comes up in puffs and lazy eddies, and the Moon slides down towards the horizon. Seated with both elbows on the parapet of the tower, one can watch and wonder over that heat-tortured hive till the dawn. ‘How do they live down there? What do they think of? When will they awake?’ More tinkling of sluiced water-pots; faint jarring of wooden bedsteads moved into or out of the shadows; uncouth music of stringed instruments softened by distance into a plaintive wail, and one low grumble of far-off thunder. In the courtyard of the mosque the janitor, who lay across the threshold of the Minar when I came up, starts wildly in his sleep, throws his hands above his head, mutters something, and falls back again. Lulled by the snoring of the kites — they snore like over-gorged humans — I drop off into an uneasy doze, conscious that three o’clock has struck, and that there is a slight — a very slight — coolness in the atmosphere. The city is absolutely quiet now, but for some vagrant dog’s love-song. Nothing save dead heavy sleep.
Several weeks of darkness pass after this. For the Moon has gone out. The very dogs are still, and I watch for the first light of the dawn before making my way homeward. Again the noise of shuffling feet. The morning call is about to begin, and my night watch is over. ‘Allah ho Akbar! Allah ho Akbar!’ The east grows gray, and presently saffron; the dawn wind comes up as though the Muezzin had summoned it; and, as one man, the City of Dreadful Night rises from its bed and turns its face towards the dawning day. With return of life comes return of sound. First a low whisper, then a deep bass hum; for it must be remembered that the entire city is on the house-tops. My eyelids weighed down with the arrears of long deferred sleep, I escape from the Minar through the courtyard and out into the square beyond, where the sleepers have risen, stowed away the bedsteads, and are discussing the morning hookah. The minute’s freshness of the air has gone, and it is as hot as at first.
‘Will the Sahib, out of his kindness, make room?’ What is it? Something borne on men’s shoulders comes by in the half-light, and I stand back. A woman’s corpse going down to the burning-ghat, and a bystander says, ‘She died at midnight from the heat.’ So the city was of Death as well as Night after all.
QUARTETTE
With his father, mother and sister, Kipling published in 1885 this Christmas Annual, containing his first printed collection of prose. There were eight pieces of prose and eight poems, of which two short stories were written by Kipling himself. The annual was published in Lahore, India, and was priced at one rupee.
The scarce first printing from India
Kipling in his study, 1895
CONTENTS
THE PHANTOM RICKSHAW
THE STRANGE RIDE OF MORROWBIE JUKES
THE PHANTOM RICKSHAW
May no ill dreams disturb my rest,
Nor Powers of Darkness me molest.
— Evening Hymn.
One of the few advantages that India has over England is a great Knowability. After five years’ service a man is directly or indirectly acquainted with the two or three hundred Civilians in his Province, all the Messes of ten or twelve Regiments and Batteries, and some fifteen hundred other people of the non-official caste. In ten years his knowledge should be doubled, and at the end of twenty he knows, or knows something about, every Englishman in the Empire, and may travel anywhere and everywhere without paying hotel-bills.
Globe-trotters who expect entertainment as a right, have, even within my memory, blunted this open-heartedness, but none the less to-day, if you belong to the Inner Circle and are neither a Bear nor a Black Sheep, all houses are open to you, and our small world is very, very kind and helpful.
Rickett of Kamartha stayed with Polder of Kumaon some fifteen years ago. He meant to stay two nights, but was knocked down by rheumatic fever, and for six weeks disorganized Polder’s establishment, stopped Polder’s work, and nearly died in Polder’s bedroom. Polder behaves as though he had been placed under eternal obligation by Rickett, and yearly sends the little Ricketts a box of presents and toys. It is the same everywhere. The men who do not take the trouble to conceal from you their opinion that you are an incompetent ass, and the women who blacken your character and misunderstand your wife’s amusements, will work themselves to the bone in your behalf if you fall sick or into serious trouble.
Heatherlegh, the Doctor, kept, in addition to his regular practice, a hospital on his private account — an arrangement of loose boxes for Incurables, his friend called it — but it was really a sort of fitting-up shed for craft that had been damaged by stress of weather. The weather in India is often sultry, and since the tale of bricks is always a fixed quantity, and the only liberty allowed is permission to work overtime and get no thanks, men occasionally break down and become as mixed as the metaphors in this sentence.
Heatherlegh is the dearest doctor that ever was, and his invariable prescription to all his patients is, “lie low, go slow, and keep cool.” He says that more men are killed by overwork than the importance of this world justifies. He maintains that overwork slew Pansay, who died under his hands about three years ago. He has, of course, the right to speak authoritatively, and he laughs at my theory that there was a crack in Pansay’s head and a little bit of the Dark World came through and pressed him to death. “Pansay went off the handle,” says Heatherlegh, “after the stimulus of long leave at Home. He may or he may not have behaved like a blackguard to Mrs. Keith-Wessington. My notion is that the work of the Katabundi Settlement ran him off his legs, and that he took to brooding and making much of an ordinary P. & O. flirtation. He certainly was engaged to Miss Mannering, and she certainly broke off the engagement. Then he took a feverish chill and all that nonsense about ghosts developed. Overwork started his illness, kept it alight, and killed him poor devil. Write him off to the System — one man to take the work of two and a half men.”
I do not believe this. I used to sit up with Pansay sometimes when Heatherlegh was called out to patients, and I happened to be within claim. The man would make me most unhappy by describing in a low, even voice, the procession that was always passing at the bottom of his bed. He had a sick man’s command of language. When he recovered I suggested that he should write out the whole affair from beginning to end, knowing that ink might assist him to ease his mind. When little boys have learned a new bad word they are never happy till they have chalked it up on a door. And this also is Literature.
He was in a high fever while he was writing, and the blood-and-thunder Magazine diction he adopted did not calm him. Two months afterward he was reported fit for duty, but, in spite of the fact that he was urgently needed to help an undermanned Commission stagger thro
ugh a deficit, he preferred to die; vowing at the last that he was hag-ridden. I got his manuscript before he died, and this is his version of the affair, dated 1885:
My doctor tells me that I need rest and change of air. It is not improbable that I shall get both ere long — rest that neither the red-coated messenger nor the midday gun can break, and change of air far beyond that which any homeward-bound steamer can give me. In the meantime I am resolved to stay where I am; and, in flat defiance of my doctor’s orders, to take all the world into my confidence. You shall learn for yourselves the precise nature of my malady; and shall, too, judge for yourselves whether any man born of woman on this weary earth was ever so tormented as I.
Speaking now as a condemned criminal might speak ere the drop-bolts are drawn, my story, wild and hideously improbable as it may appear, demands at least attention. That it will ever receive credence I utterly disbelieve. Two months ago I should have scouted as mad or drunk the man who had dared tell me the like. Two months ago I was the happiest man in India. Today, from Peshawur to the sea, there is no one more wretched. My doctor and I are the only two who know this. His explanation is, that my brain, digestion, and eyesight are all slightly affected; giving rise to my frequent and persistent “delusions.” Delusions, indeed! I call him a fool; but he attends me still with the same unwearied smile, the same bland professional manner, the same neatly trimmed red whiskers, till I begin to suspect that I am an ungrateful, evil-tempered invalid. But you shall judge for your-selves.
Three years ago it was my fortune — my great misfortune — to sail from Gravesend to Bombay, on return from long leave, with one Agnes Keith-Wessington, wife of an officer on the Bombay side. It does not in the least concern you to know what manner of woman she was. Be content with the knowledge that, ere the voyage had ended, both she and I were desperately and unreasoningly in love with one another. Heaven knows that I can make the admission now without one particle of vanity. In matters of this sort there is always one who gives and another who accepts. From the first day of our ill-omened attachment, I was conscious that Agnes’s passion was a stronger, a more dominant, and — if I may use the expression — a purer sentiment than mine. Whether she recognized the fact then, I do not know. Afterward it was bitterly plain to both of us.
Complete Works of Rudyard Kipling (Illustrated) Page 97