This stands, like all things in Chitor, among ruins, but time and the other enemies have been good to it. It is a Jain edifice, nine storeys high, crowned atop — was this designed insult or undesigned repair? — with a purely Mahometan dome, where the pigeons and the bats live. Excepting this blemish, the Tower of Victory is nearly as fair as when it left the hands of the builder whose name has not been handed down to us. It is to be observed here that the first, or more ruined, Tower of Victory, built in Alluji’s days, when Chitor was comparatively young, was raised by some pious Jain as proof of conquest over things spiritual. The second tower is more worldly in intent.
Those who care to look, may find elsewhere a definition of its architecture and its more striking peculiarities. It was in kind, but not in degree, like the Jugdesh Temple at Udaipur, and, as it exceeded it in magnificence, so its effect upon the mind was more intense. The confusing intricacy of the figures with which it was wreathed from top to bottom, the recurrence of the one calm face, the God enthroned, holding the Wheel of the Law, and the appalling lavishness of decoration, all worked toward the instilment of fear and aversion.
Surely this must have been one of the objects of the architect. The tower, in the arrangement of its stairways, is like the interior of a Chinese carved ivory puzzle-ball. The idea given is that, even while you are ascending, you are wrapping yourself deeper and deeper in the tangle of a mighty maze. Add to this the half-light, the thronging armies of sculptured figures, the mad profusion of design splashed as impartially upon the undersides of the stone window-slabs as upon the door-beam of the threshold — add, most abhorrent of all, the slippery sliminess of the walls always worn smooth by naked men, and you will understand that the tower is not a soothing place to visit. The Englishman fancied presumptuously that he had, in a way, grasped the builder’s idea; and when he came to the top storey and sat among the pigeons his theory was this: To attain power, wrote the builder of old, in sentences of fine stone, it is necessary to pass through all sorts of close-packed horrors, treacheries, battles, and insults, in darkness and without knowledge whether the road leads upward or into a hopeless cul-de-sac. Kumbha Rana must many times have climbed to the top storey, and looked out toward the uplands of Malwa on the one side and his own great Mewar on the other, in the days when all the rock hummed with life and the clatter of hooves upon the stony ways, and Mahmoud of Malwa was safe in hold. How he must have swelled with pride — fine insolent pride of life and rule and power — power not only to break things but to compel such builders as those who piled the tower to his royal will! There was no decoration in the top storey to bewilder or amaze — nothing but well-grooved stone-slabs, and a boundless view fit for kings who traced their ancestry —
“From times when forth from the sunlight, the first of our Kings came down, And had the earth for his footstool, and wore the stars for his crown.”
The builder had left no mark behind him — not even a mark on the threshold of the door, or a sign in the head of the topmost step. The Englishman looked in both places, believing that those were the places generally chosen for mark-cutting. So he sat and meditated on the beauties of kingship and the unholiness of Hindu art, and what power a shadowland of lewd monstrosities had upon those who believed in it, and what Lord Dufferin, who is the nearest approach to a king in this India, must have thought when aide-de-camps clanked after him up the narrow steps. But the day was wearing, and he came down — in both senses — and, in his descent, the carven things on every side of the tower, and above and below, once more took hold of and perverted his fancy, so that he arrived at the bottom in a frame of mind eminently fitted for a descent into the Gau-Mukh, which is nothing more terrible than a little spring, falling into a reservoir, in the side of the hill.
He stumbled across more ruins and passed between tombs of dead Ranis, till he came to a flight of steps, built out and cut out from rock, going down as far as he could see into a growth of trees on a terrace below him. The stone of the steps had been worn and polished by the terrible naked feet till it showed its markings clearly as agate; and where the steps ended in a rock-slope, there was a visible glair, a great snail-track, upon the rocks. It was hard to keep safe footing upon the sliminess. The air was thick with the sick smell of stale incense, and grains of rice were scattered upon the steps. But there was no one to be seen. Now this in itself was not specially alarming; but the Genius of the Place must be responsible for making it so. The Englishman slipped and bumped on the rocks, and arrived, more suddenly than he desired, upon the edge of a dull blue tank, sunk between walls of timeless masonry. In a slabbed-in recess, water was pouring through a shapeless stone gargoyle, into a trough; which trough again dripped into the tank. Almost under the little trickle of water, was the loathsome Emblem of Creation, and there were flowers and rice around it. Water was trickling from a score of places in the cut face of the hill; oozing between the edges of the steps and welling up between the stone slabs of the terrace. Trees sprouted in the sides of the tank and hid its surroundings. It seemed as though the descent had led the Englishman, firstly, two thousand years away from his own century, and secondly, into a trap, and that he would fall off the polished stones into the stinking tank, or that the Gau-Mukh would continue to pour water until the tank rose up and swamped him, or that some of the stone slabs would fall forward and crush him flat.
Then he was conscious of remembering, with peculiar and unnecessary distinctness, that, from the Gau-Mukh, a passage led to the subterranean chambers in which the fair Pudmini and her handmaids had slain themselves. And, that Tod had written and the Station-master at Chitor had said, that some sort of devil, or ghoul, or Something, stood at the entrance of that approach. All of which was a nightmare bred in full day and folly to boot; but it was the fault of the Genius of the Place, who made the Englishman feel that he had done a great wrong in trespassing into the very heart and soul of all Chitor. And, behind him, the Gau-Mukh guggled and choked like a man in his death-throe. The Englishman endured as long as he could — about two minutes. Then it came upon him that he must go quickly out of this place of years and blood — must get back to the afternoon sunshine, and Gerowlia, and the dak-bungalow with the French bedstead. He desired no archæological information, he wished to take no notes, and, above all, he did not care to look behind him, where stood the reminder that he was no better than the beasts that perish. But he had to cross the smooth, worn rocks, and he felt their sliminess through his bootsoles. It was as though he were treading on the soft, oiled skin of a Hindu. As soon as the steps gave refuge, he floundered up them, and so came out of the Gau-Mukh, bedewed with that perspiration which follows alike on honest toil or — childish fear.
“This,” said he to himself, “is absurd!” and sat down on the fallen top of a temple to review the situation. But the Gau-Mukh had disappeared. He could see the dip in the ground and the beginning of the steps, but nothing more.
Perhaps it was absurd. It undoubtedly appeared so, later. Yet there was something uncanny about it all. It was not exactly a feeling of danger or pain, but an apprehension of great evil.
In defence, it may be urged that there is moral, just as much as there is mine, choke-damp. If you get into a place laden with the latter you die, and if into the home of the former you ... behave unwisely, as constitution and temperament prompt. If any man doubt this, let him sit for two hours in a hot sun on an elephant, stay half an hour in the Tower of Victory, and then go down into the Gau-Mukh, which, it must never be forgotten, is merely a set of springs “three or four in number, issuing from the cliff face at cow-mouth carvings, now mutilated. The water, evidently percolating from the Hathi Kund above, falls first in an old pillared hall and thence into the masonry reservoir below, eventually, when abundant enough, supplying a little waterfall lower down.” That, Gentlemen and Ladies, on the honour of one who has been frightened of the dark in broad daylight, is the Gau-Mukh, as though photographed.
The Englishman regained Gerowlia and demande
d to be taken away, but Gerowlia’s driver went forward instead and showed him a new Mahal just built by the present Maharana. Carriage drives, however, do not consort well with Chitor and the “shadow of her ancient beauty.” The return journey, past temple after temple and palace upon palace, began in the failing light, and Gerowlia was still blundering up and down narrow by-paths — for she possessed all an old woman’s delusion as to the slimness of her waist when the twilight fell, and the smoke from the town below began to creep up the brown flanks of Chitor, and the jackals howled. Then the sense of desolation, which had been strong enough in all conscience in the sunshine, began to grow and grow.
Near the Ram Pol there was some semblance of a town with living people in it, and a priest sat in the middle of the road and howled aloud upon his gods, until a little boy came and laughed in his face and he went away grumbling. This touch was deeply refreshing; in the contemplation of it, the Englishman clean forgot that he had overlooked the gathering in of materials for an elaborate statistical, historical, geographical account of Chitor. All that remained to him was a shuddering reminiscence of the Gau-Mukh and two lines of the “Holy Grail,”
“And up into the sounding halls he passed, But nothing in the sounding halls he saw.”
Post Scriptum. — There was something very uncanny about the Genius of the Place. He dragged an ease-loving egotist out of the French bedstead with the gilt knobs at head and foot, into a more than usually big folly — nothing less than a seeing of Chitor by moonlight. There was no possibility of getting Gerowlia out of her bed, and a mistrust of the Maharana’s soldiery who in the day-time guarded the gates, prompted the Englishman to avoid the public way, and scramble straight up the hillside, along an attempt at a path which he had noted from Gerowlia’s back. There was no one to interfere, and nothing but an infinity of pestilent nullahs and loose stones to check. Owls came out and hooted at him, and animals ran about in the dark and made uncouth noises. It was an idiotic journey, and it ended — Oh, horror! in that unspeakable Gau-Mukh — this time entered from the opposite or brushwooded side, as far as could be made out in the dusk and from the chuckle of the water which, by night, was peculiarly malevolent.
Escaping from this place, crab-fashion, the Englishman crawled into Chitor and sat upon a flat tomb till the moon, a very inferior and second-hand one, rose, and turned the city of the dead into a city of scurrying ghouls — in sobriety, jackals. The ruins took strange shapes and shifted in the half light and cast objectionable shadows.
It was easy enough to fill the rock with the people of old times, and a very beautiful account of Chitor restored, made out by the help of Tod, and bristling with the names of the illustrious dead, would undoubtedly have been written, had not a woman, a living breathing woman, stolen out of a temple — what was she doing in that galley? — and screamed in piercing and public-spirited fashion. The Englishman got off the tomb and departed rather more noisily than a jackal; feeling for the moment that he was not much better. Somebody opened a door with a crash, and a man cried out: “Who is there?” But the cause of the disturbance was, for his sins, being most horribly scratched by some thorny scrub over the edge of the hill — there are no bastions worth speaking of near the Gau-Mukh — and the rest was partly rolling, partly scrambling, and mainly bad language.
When you are too lucky sacrifice something, a beloved pipe for choice, to Ganesh. The Englishman has seen Chitor by moonlight — not the best moonlight truly, but the watery glare of a nearly spent moon — and his sacrifice to Luck is this. He will never try to describe what he has seen — but will keep it as a love-letter, a thing for one pair of eyes only — a memory that few men to-day can be sharers in. And does he, through this fiction, evade insulting, by pen and ink, a scene as lovely, wild, and unmatchable as any that mortal eyes have been privileged to rest upon?
An intelligent and discriminating public are perfectly at liberty to form their own opinions.
XII
CONTAINS THE HISTORY OF THE BHUMIA OF JHASWARA, AND THE RECORD OF A VISIT TO THE HOUSE OF STRANGE STORIES. DEMONSTRATES THE FELICITY OF LOAFERDOM, WHICH IS THE VERITABLE COMPANIONSHIP OF THE INDIAN EMPIRE, AND PROPOSES A SCHEME FOR THE BETTER OFFICERING OF TWO DEPARTMENTS.
Come away from the monstrous gloom of Chitor and escape northwards. The place is unclean and terrifying. Let us catch To-day by both hands and return to the Station-master who is also booking-parcels and telegraph-clerk, and who never seems to go to bed — and to the comfortably wadded bunks of the Rajputana-Malwa line.
While the train is running, be pleased to listen to the perfectly true story of the bhumia of Jhaswara, which is a story the sequel whereof has yet to be written. Once upon a time, a Rajput landholder; a bhumia, and a Mahometan jaghirdar, were next-door neighbours in Ajmir territory. They hated each other thoroughly for many reasons, all connected with land; and the jaghirdar was the bigger man of the two. In those days, it was the law that the victims of robbery or dacoity should be reimbursed by the owner of the lands on which the affair had taken place. The ordinance is now swept away as impracticable. There was a highway robbery on the bhumia’s holding; and he vowed that it had been “put up” by the Mahometan who, he said, was an Ahab. The reive-gelt payable nearly ruined the Rajput, and he, labouring under a galling grievance or a groundless suspicion, fired the jaghirdar’s crops, was detected and brought up before the English Judge who gave him four years’ imprisonment. To the sentence was appended a recommendation that, on release, the Rajput should be put on heavy securities for good behaviour. “Otherwise,” wrote the Judge, who seems to have known the people he was dealing with, “he will certainly kill the jaghirdar.” Four years passed, and the jaghirdar obtained wealth and consideration, and was made, let us say, a Khan Bahadur, and an Honorary Magistrate; but the bhumia remained in gaol and thought over the highway robbery. When the day of release came, a new Judge hunted up his predecessor’s finding and recommendation, and would have put the bhumia on security. “Sahib,” said the bhumia, “I have no people. I have been in gaol. What am I now? And who will find security for me? If you will send me back to gaol again I can do nothing, and I have no friends.” So they released him, and he went away into an outlying village and borrowed a sword from one house, and had it sharpened in another, for love. Two days later fell the birthday of the Khan Bahadur and the Honorary Magistrate, and his friends and servants and dependants made a little levee and did him honour after the native custom. The bhumia also attended the levee, but no one knew him, and he was stopped at the door of the courtyard by the servant. “Say that the bhumia of Jhaswara has come to pay his salaams,” said he. They let him in, and in the heart of Ajmir City, in broad daylight, and before all the jaghirdar’s household, he smote off his enemy’s head so that it rolled upon the ground. Then he fled, and though they raised the countryside against him he was never caught, and went into Bikanir.
Five years later, word came to Ajmir that Chimbo Singh, the bhumia of Jhaswara, had taken service under the Thakur Sahib of Palitana. The case was an old one, and the chances of identification misty, but the suspected was caught and brought in, and one of the leading native barristers of the Bombay Bar was retained to defend him. He said nothing and continued to say nothing, and the case fell through. He is believed to be “wanted” now for a fresh murder committed within the last few months, out Bikanir way.
And now that the train has reached Ajmir, the Crewe of Rajputana, whither shall a tramp turn his feet? The Englishman set his stick on end, and it fell with its point Northwest as nearly as might be. This being translated, meant Jodhpur, which is the city of the Houyhnhnms. If you would enjoy Jodhpur thoroughly, quit at Ajmir the decent conventionalities of “station” life, and make it your business to move among gentlemen — gentlemen in the Ordnance or the Commissariat, or, better still, gentlemen on the Railway. At Ajmir, gentlemen will tell you what manner of place Jodhpur is, and their accounts, though flavoured with oaths, are amusing. In their eyes the desert that rings the
city has no charms, and they discuss affairs of the State, as they understand them, in a manner that would curl the hair on a Political’s august head. Jodhpur has been, but things are rather better now, a much-favoured camping ground for the light-cavalry of the Road — the loafers with a certain amount of brain and great assurance. The explanation is simple. There are more than four hundred horses in His Highness’s city stables alone; and where the Houyhnhnm is, there also will be the Yahoo. This is sad but true.
Besides the Uhlans who come and go on Heaven knows what mysterious errands, there are bag-men travelling for the big English firms. Jodhpur is a good customer, and purchases all sorts of things, more or less useful, for the State or its friends. These are the gentlemen to know, if you would understand something of matters which are not written in reports.
The Englishman took a train from Ajmir to Marwar Junction, which is on the road to Mount Abu, westward from Ajmir, and at five in the morning, under pale moonlight, was uncarted at the beginning of the Jodhpur State Railway — one of the quaintest little lines that ever ran a locomotive. It is the Maharaja’s very own, and pays about ten per cent; but its quaintness does not lie in these things. It is worked with rude economy, and started life by singularly and completely falsifying the Government estimates for its construction. An intelligent bureau asserted that it could not be laid down for less than — but the error shall be glossed over. It was laid down for a little more than seventeen thousand rupees a mile, with the help of second-hand rails and sleepers; and it is currently asserted that the Station-masters are flagmen, pointsmen, ticket-collectors, and everything else, except platforms, and lamp-rooms. As only two trains are run in the twenty-four hours, this economy of staff does not matter. The State line, with the comparatively new branch to the Pachpadra salt-pits, pays handsomely and is exactly suited to the needs of its users. True, there is a certain haziness as to the hour of starting, but this allows laggards more time, and fills the packed carriages to overflowing.
Complete Works of Rudyard Kipling (Illustrated) Page 656