‘How much haf you losd?’ said a Teuton bluntly. ‘Eight-fifty,’ replied the son of George Washington sweetly. ‘Don’t see how that prevents me having a drink. My glass, sirr.’ He continued an interrupted whistling of ‘I owe ten dollars to O’Grady’ (which he very probably did), and his countenance departed not from its serenity. If there is anything that one loves an American for it is the way he stands certain kinds of punishment. An Englishman and a heavy loser was being chaffed by a Scotchman whose account at the Japan end of the line had been a trifle overdrawn. True, he would lose in England, but the thought of the few dollars saved here cheered him.
More men entered, sat down by tables, stood in groups, or remained apart by themselves, thinking with knit brows. One must think quickly when one’s bills are falling due. The murmur of voices thickened, and there was no rumbling in the skittle alley to interrupt it. Everybody knows everybody else at the Overseas Club, and everybody sympathises. A man passed stiffly and some one of a group turned to ask lightly, ‘Hit, old man?’ ‘Like hell,’ he said, and went on biting his unlit cigar. Another man was telling, slowly and somewhat bitterly, how he had expected one of his children to join him out here, and how the passage had been paid with a draft on the O.B.C. But now ... There , ladies and gentlemen, is where it hurts, this little suspension out here. It destroys plans, pretty ones hoped for and prayed over, maybe for years; it knocks pleasant domestic arrangements galleywest over and above all the mere ruin that it causes. The curious thing in the talk was that there was no abuse of the bank. The men were in the Eastern trade themselves and they knew. It was the Yokohama manager and the clerks thrown out of employment (connection with a broken bank, by the way, goes far to ruin a young man’s prospects) for whom they were sorry. ‘We’re doing ourselves well this year,’ said a wit grimly. ‘One free-shooting case, one thundering libel case, and a bank smash. Showing off pretty before the globe-trotters, aren’t we?’
‘Gad, think of the chaps at sea with letters of credit. Eh? They’ll land and get the best rooms at the hotels and find they’re penniless,’ said another.
‘Never mind the globe-trotters,’ said a third. ‘Look nearer home. This does for so-and-so, and so-and-so, and so-and-so, all old men; and every penny of theirs goes.’ Poor devils!’
‘That reminds me of some one else,’ said yet another voice, ‘ His wife’s at home, too. Whew!’ and he whistled drearily. So did the tide of voices run on till men got to talking over the chances of a dividend, ‘They went to the Bank of England,’ drawled an American, ‘and the Bank of England let them down; said their securities weren’t good enough.’
‘Great Scott!’ — a hand came down on a table to emphasise the remark — ’I sailed half way up the Mediterranean once with a Bank of England director; wish I’d tipped him over the rail and lowered him a boat on his own security — if it was good enough.’
‘Baring’s goes. The O.B.C. don’t,’ replied the American, blowing smoke through his nose. ‘This business looks de-ci-ded-ly prob-le-mat-i-cal. What-at?’
‘Oh, they’ll pay the depositors in full. Don’t you fret,’ said a man who had lost nothing and was anxious to console.
‘I’m a shareholder,’ said the American, and smoked on.
The rain continued to fall, and the umbrellas dripped in the racks, and the wet men came and went, circling round the central fact that it was a bad business, till the day, as was most fit, shut down in drizzling darkness. There was a refreshing sense of brotherhood in misfortunes in the little community that had just been electrocuted and did not want any more shocks. All the pain that in England would be taken home to be borne in silence and alone was here bulked, as it were, and faced in line of company. Surely the Christians of old must have fought much better when they met the lions by fifties at a time.
At last the men departed; the bachelors to cast up accounts by themselves (there should be some good ponies for sale shortly) and the married men to take counsel. May heaven help him whose wife does not stand by him now! But the women of the Overseas settlements are as thorough as the men. There will be tears for plans forgone, the changing of the little ones’ schools and elder children’s careers, unpleasant letters to be written home, and more unpleasant ones to be received from relatives who ‘told you so from the first.’ There will be pinchings too, and straits of which the outside world will know nothing, but the women will pull it through smiling.
Beautiful indeed are the operations of modern finance — especially when anything goes wrong with the machine. To-night there will be trouble in India among the Ceylon planters, the Calcutta jute and the Bombay cotton-brokers, besides the little households of small banked savings. In Hongkong, Singapore, and Shanghai there will be trouble too, and goodness only knows what wreck at Cheltenham, Bath, St. Leonards, Torquay, and the other camps of the retired Army officers. They are lucky in England who know what happens when it happens, but here the people are at the wrong end of the cables, and the situation is not good. Only one thing seems certain. There is a notice on a shut door, in the wet, and by virtue of that notice all the money that was theirs yesterday is gone away, and it may never come back again. So all the work that won the money must be done over again; but some of the people are old, and more are tired, and all are disheartened. It is a very sorrowful little community that goes to bed to-night, and there must be as sad ones the world over. Let it be written, however, that of the sections under fire here (and some are cruelly hit) no man whined, or whimpered, or broke down. There was no chance of fighting. It was bitter defeat, but they took it standing.
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HALF-A-DOZEN PICTURES
‘Some men when they grow rich, store pictures in a gallery,’ Living, their friends envy them, and after death the genuineness of the collection is disputed under the dispersing hammer.
A better way is to spread your picture over all earth; visiting them as Fate allows. Then none can steal or deface, nor any reverse of fortune force a sale; sunshine and tempest warm and ventilate the gallery for nothing, and — in spite of all that has been said of her crudeness — Nature is not altogether a bad frame-maker. The knowledge that you may never live to see an especial treasure twice teaches the eyes to see quickly while the light lasts; and the possession of such a gallery breeds a very fine contempt for painted shows and the smeary things that are called pictures.
In the North Pacific, to the right hand as you go westward, hangs a small study of no particular value as compared with some others. The mist is down on an oily stretch of washed-out sea; through the mist the bats-wings of a sealing schooner are just indicated. In the foreground, all but leaping out of the frame, an open rowboat, painted the rawest blue and white, rides up over the shoulder of a swell. A man in blood-red jersey and long boots, all shining with moisture, stands at the bows holding up the carcase of a silver-bellied sea-otter from whose pelt the wet drips in moonstones. Now the artist who could paint the silver wash of the mist, the wriggling treacly reflection of the boat, and the raw red wrists of the man would be something of a workman.
But my gallery is in no danger of being copied at present. Three years since, I met an artist in the stony bed of a brook, between a line of 300 graven, lichened godlings and a flaming bank of azaleas, swearing horribly. He had been trying to paint one of my pictures — nothing more than a big water-worn rock tufted with flowers and a snow-capped hill for background. Most naturally he failed, because there happened to be absolutely no perspective in the thing, and he was pulling the lines about to make some for home consumption. No man can put the contents of a gallon jar into a pint mug. The protests of all uncomfortably-crowded mugs since the world began have settled that long ago, and have given us the working theories, devised by imperfect instruments for imperfect instruments, which are called Rules of Art.
Luckily, those who painted my gallery were born before man. Therefore, my pictures, instead of being boxed up by lumbering bars of gold, are disposed generously between latitudes, equinox
es, monsoons, and the like, and, making all allowance for an owner’s partiality, they are really not so bad.
‘Down in the South where the ships never go’ — between the heel of New Zealand and the South Pole, there is a sea-piece showing a steamer trying to come round in the trough of a big beam sea. The wet light of the day’s end comes more from the water than the sky, and the waves are colourless through the haze of the rain, all but two or three blind sea-horses swinging out of the mist on the ship’s dripping weather side. A lamp is lighted in the wheel-house; so one patch of yellow light falls on the green-painted pistons of the steering gear as they snatch up the rudder-chains. A big sea has got home. Her stern flies up in the lather of a freed screw, and her deck from poop to the break of the foc’s’le goes under in gray-green water level as a mill-race except where it spouts up above the donkey-engine and the stored derrick-booms. Forward there is nothing but this glare; aft, the interrupted wake drives far to leeward, a cut kite-string dropped across the seas. The sole thing that has any rest in the turmoil is the jewelled, unwinking eye of an albatross, who is beating across wind leisurely and unconcerned, almost within hand’s touch. It is the monstrous egotism of that eye that makes the picture. By all the rules of art there should be a lighthouse or a harbour pier in the background to show that everything will end happily. But there is not, and the red eye does not care whether the thing beneath its still wings stays or staves.
The sister-panel hangs in the Indian Ocean and tells a story, but is none the worse for that. Here you have hot tropical sunlight and a foreshore clothed in stately palms running out into a still and steamy sea burnished steel blue. Along the foreshore, questing as a wounded beast quests for lair, hurries a loaded steamer never built for speed. Consequently, she tears and threshes the water to pieces, and piles it under her nose and cannot put it under her cleanly. Coir-coloured cargo bales are stacked round both masts, and her decks are crammed and double-crammed with dark-skinned passengers — from the foc’s’le where they interfere with the crew to the stern where they hamper the wheel.
The funnel is painted blue on yellow, giving her a holiday air, a little out of keeping with the yellow and black cholera flag at her main. She dare not stop; she must not communicate with any one. There are leprous streaks of lime-wash trickling down her plates for a sign of this. So she threshes on down the glorious coast, she and her swarming passengers, with the sickness that destroyeth in the noonday eating out her heart.
Yet another, the pick of all the East rooms, before we have done with blue water. Most of the nations of the earth are at issue under a stretch of white awning above a crowded deck. The cause of the dispute, a deep copper bowl foil of rice and fried onions, is upset in the foreground. Malays, Lascars, Hindus, Chinese, Japanese, Burmans — the whole gamut of racetints, from saffron to tar-black — are twisting and writhing round it, while their vermilion, cobalt, amber, and emerald turbans and head-cloths are lying underfoot. Pressed against the yellow ochre of the iron bulwarks to left and right are frightened women and children in turquoise and isabella-coloured clothes. They are half protected by mounds of upset bedding, straw mats, red lacquer boxes, and plaited bamboo trunks, mixed up with tin plates, brass and copper hukas , silver opium pipes, Chinese playing cards, and properties enough to drive half-a-dozen artists wild. In the centre of the crowd of furious half-naked men, the fat bare back of a Burman, tattooed from collar-bone to waist-cloth with writhing patterns of red and blue devils, holds the eye first. It is a wicked back. Beyond it is the flicker of a Malay kris . A blue, red, and yellow macaw chained to a stanchion spreads his wings against the sun in an ecstasy of terror. Half-a-dozen red-gold pines and bananas have been knocked down from their ripening-places, and are lying between the feet of the fighters. One pine has rolled against the long brown fur of a muzzled bear. His owner, a bushy-bearded Hindu, kneels over the animal, his body-cloth thrown clear of a hard brown arm, his fingers ready to loose the muzzle-strap. The ship’s cook, in blood-stained white, watches from the butcher’s shop, and a black Zanzibari stoker grins through the bars of the engine-room-hatch, one ray of sun shining straight into his pink mouth. The officer of the watch, a red-whiskered man, is kneeling down on the bridge to peer through the railings, and is shifting a long, thin black revolver from his left hand to his right. The faithful sunlight that puts everything into place, gives his whiskers and the hair on the back of his tanned wrist just the colour of the copper pot, the bear’s fur and the trampled pines. For the rest, there is the blue sea beyond the awnings.
Three years’ hard work, beside the special knowledge of a lifetime, would be needed to copy — even to copy — this picture. Mr. So-and-so, R.A., could undoubtedly draw the bird; Mr. Such-another (equally R.A.) the bear; and scores of gentlemen the still life; but who would be the man to pull the whole thing together and make it the riotous, tossing cataract of colour and life that it is? And when it was done, some middle-aged person from the provinces, who had never seen a pineapple out of a plate, or a kris out of the South Kensington, would say that it did not remind him of something that it ought to remind him of, and therefore that it was bad. If the gallery could be bequeathed to the nation, something might, perhaps, be gained, but the nation would complain of the draughts and the absence of chairs. But no matter. In another world we shall see certain gentlemen set to tickle the backs of Circe’s swine through all eternity. Also, they will have to tickle with their bare hands.
The Japanese rooms, visited and set in order for the second time, hold more pictures than could be described in a month; but most of them are small and, excepting always the light, within human compass. One, however, might be difficult. It was an unexpected gift, picked up in a Tokio bye-street after dark. Half the town was out for a walk, and all the people’s clothes were indigo, and so were the shadows, and most of the paper-lanterns were drops of blood red. By the light of smoking oil-lamps people were selling flowers and shrubs — wicked little dwarf pines, stunted peach and plum trees, wisteria bushes clipped and twisted out of all likeness to wholesome plants, leaning and leering out of green-glaze pots. In the flickering of the yellow flames, these forced cripples and the yellow faces above them reeled to and fro fantastically all together. As the light steadied they would return to the pretence of being green things till a puff of the warm night wind among the flares set the whole line off again in a crazy dance of dwergs, their shadows capering on the house fronts behind them.
At a corner of a street, some rich men had got together and left unguarded all the gold, diamonds, and rubies of the East; but when you came near you saw that this treasure was only a gathering of goldfish in glass globes — yellow, white, and red fish, with from three to five forked tails apiece and eyes that bulged far beyond their heads. There were wooden pans full of tiny ruby fish, and little children with nets dabbled and shrieked in chase of some special beauty, and the frightened fish kicked up showers of little pearls with their tails. The children carried lanterns in the shape of small red paper fish bobbing at the end of slivers of bamboo, and these drifted through the crowd like a strayed constellation of baby stars. When the children stood at the edge of a canal and called down to unseen friends in boats the pink lights were all reflected orderly below. The light of the thousand small lights in the street went straight up into the darkness among the interlacing telegraph wires, and just at the edge of the shining haze, on a sort of pigeon-trap, forty feet above ground, sat a Japanese fireman, wrapped up in his cloak, keeping watch against fires. He looked unpleasantly like a Bulgarian atrocity or a Burmese ‘deviation from the laws of humanity,’ being very still and all huddled up in his roost. That was a superb picture and it arranged itself to admiration. Now, disregarding these things and others — wonders and miracles all — men are content to sit in studios and, by light that is not light, to fake subjects from pots and pans and rags and bricks that are called ‘pieces of colour.’ Their collection of rubbish costs in the end quite as much as a ticket, a first-class one,
to new worlds where the ‘props’ are given away with the sunshine. To do anything because it is, or may not be, new on the market is wickedness that carries its own punishment; but surely there must be things in this world paintable other and beyond those that lie between the North Cape, say, and Algiers. For the sake of the pictures, putting aside the dear delight of the gamble, it might be worth while to venture out a little beyond the regular circle of subjects and — see what happens. If a man can draw one thing, it has been said, he can draw anything. At the most he can but fail, and there are several matters in the world worse than failure. Betting on a certainty, for instance, or playing with nicked cards is immoral, and secures expulsion from clubs. Keeping deliberately to one set line of work because you know you can do it and are certain to get money by so doing is, on the other hand, counted a virtue, and secures admission to clubs. There must be a middle way somewhere, as there must be somewhere an unmarried man with no position, reputation, or other vanity to lose, who most keenly wants to find out what his palette is set for in this life. He will pack his steamer-trunk and get into the open to wrestle with effects that he can never reproduce. All the same his will be a superb failure,
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Complete Works of Rudyard Kipling (Illustrated) Page 722