To the section, etc.
Same tumble-down on the same ‘idden farm,
Same white-eyed Kaffir ‘oo gives the alarm
Of the section, etc.
Same shootin’ wild at the end o’ the night,
Same flyin’-tackle, an’ same messy fight,
By the section, etc.
Same ugly ‘iccup an’ same ‘orrid squeal,
When it’s too dark to see an’ it’s too late to feel
In the section, etc.
(Same batch of prisoners, ‘airy an’ still,
Watchin’ their comrades bolt over the ‘ill
From the section, etc.)
Same chilly glare in the eye of the sun
As ‘e gets up displeasured to see what was done
By the section, etc.
Same splash o’ pink on the stoep or the kraal,
An’ the same quiet face which ‘as finished with all
In the section, the pompom, an’ six ‘undred men.
Out o’ the wilderness, dusty an’ dry
(Time, an’ ‘igh time to be trekkin’ again!)
‘Oo is it ‘eads to the Detail Supply?
A section, a pompom, an ‘six’ ‘undred men.
The Comforters
“The Dog Hervey” — A Diversity of Creatures
Until thy feet have trod the Road
Advise not wayside folk,
Nor till thy back has borne the Load
Break in upon the broke.
Chase not with undesired largesse
Of sympathy the heart
Which, knowing her own bitterness,
Presumes to dwell apart.
Employ not that glad hand to raise
The God-forgotten head
To Heaven and all the neighbours’ gaze —
Cover thy mouth instead.
The quivering chin, the bitten lip,
The cold and sweating brow,
Later may yearn for fellowship —
Not now, you ass, not now!
Time, not thy ne’er so timely speech,
Life, not thy views thereon,
Shall furnish or deny to each
His consolation.
Or, if impelled to interfere,
Exhort, uplift, advise,
Lend not a base, betraying ear
To all the victim’s cries.
Only the Lord can understand,
When those first pangs begin,
How much is reflex action and
How much is really sin.
E’en from good words thyself refrain,
And tremblingly admit
There is no anodyne for pain
Except the shock of it.
So, when thine own dark hour shall fall,
Unchallenged canst thou say:
“I never worried you at all,
For God’s sake go away!”
The Consolations of Memory
Circa 1904
Done out of Boethius by Geoffrey Chaucer
— The Muse Among the Motors (1900-1930)
Blessed was our first age and morning-time. Then were no
waies tarren, ne no cars numberen, but each followed his owne
playinge-busyness to go about singly or by large interspaces,
for to leden his viage after his luste and layen under clene hedge.
Jangling there was not, nor the overtaking wheele, and all those
now cruel clarions were full-hushed and full-still. Then nobile
horses, lest they should make the chariots moveable to run by
cause of this new feare, we did not press, and were apayed by
sweete thankes of him that drave. There was not cursings ne
adventure of death blinded bankes betweene, but good-fellowship
of yoke-mates at ignorance equal, and a one pillar of dust cov-
ered all exodus.... But, see now how the blacke road hath
strippen herself of hearte and beauty where the dumbe lampe of
Tartarus winketh red, etc.
Contradictions
Longfellow
— The Muse Among the Motors (1900-1930)
The drowsy carrier sways
To the drowsy horses’ tramp.
His axles winnow the sprays
Of the hedge where the rabbit plays
In the light of his single lamp.
He hears a roar behind,
A howl, a hoot, and a yell,
A headlight strikes him blind
And a stench o’erpowers the wind
Like a blast from the mouth of Hell.
He mends his swingle-bar,
And loud his curses ring;
But a mother watching afar
Hears the hum of the doctor’s car
Like the beat of an angel’s wing!
So, to the poet’s mood,
Motor or carrier’s van,
Properly understood,
Are neither evil nor good —
Ormuzd not Ahriman!
The Conundrum of the Workshops
When the flush of a new-born sun fell first on Eden’s green and gold,
Our father Adam sat under the Tree and scratched with a stick in the mould;
And the first rude sketch that the world had seen was joy to his mighty heart,
Till the Devil whispered behind the leaves, “It’s pretty, but is it Art?”
Wherefore he called to his wife, and fled to fashion his work anew —
The first of his race who cared a fig for the first, most dread review;
And he left his lore to the use of his sons — and that was a glorious gain
When the Devil chuckled “Is it Art?” in the ear of the branded Cain.
They builded a tower to shiver the sky and wrench the stars apart,
Till the Devil grunted behind the bricks: “It’s striking, but is it Art?”
The stone was dropped at the quarry-side and the idle derrick swung,
While each man talked of the aims of Art, and each in an alien tongue.
They fought and they talked in the North and the South, they talked and they fought in the West,
Till the waters rose on the pitiful land, and the poor Red Clay had rest —
Had rest till that dank blank-canvas dawn when the dove was preened to start,
And the Devil bubbled below the keel: “It’s human, but is it Art?”
The tale is as old as the Eden Tree — and new as the new-cut tooth —
For each man knows ere his lip-thatch grows he is master of Art and Truth;
And each man hears as the twilight nears, to the beat of his dying heart,
The Devil drum on the darkened pane: “You did it, but was it Art?”
We have learned to whittle the Eden Tree to the shape of a surplice-peg,
We have learned to bottle our parents twain in the yelk of an addled egg,
We know that the tail must wag the dog, for the horse is drawn by the cart;
But the Devil whoops, as he whooped of old: “It’s clever, but is it Art?”
When the flicker of London sun falls faint on the Club-room’s green and gold,
The sons of Adam sit them down and scratch with their pens in the mould —
They scratch with their pens in the mould of their graves, and the ink and the anguish start,
For the Devil mutters behind the leaves: “It’s pretty, but is it Art?”
Now, if we could win to the Eden Tree where the Four Great Rivers flow,
And the Wreath of Eve is red on the turf as she left it long ago,
And if we could come when the sentry slept and softly scurry through,
By the favour of God we might know as much — as our father Adam knew!
A Counting-Out Song
“An English School”
From “Land and Sea Tales” (1919-1923)
What is the song the children sing,
When doorway lilacs bloom in Spring,
And the Schools are l
oosed, and the games are played
That were deadly earnest when Earth was made?
Hear them chattering, shrill and hard,
After dinner-time, out in the yard,
As the sides are chosen and all submit
To the chance of the lot that shall make them “It.”
(Singing) “Eenee, Meenee, Mainee, Mo!
Catch a nigger by the toe!
(If he hollers let him go!
Eenee, Meenee. Mainee, Mo!
You-are-It!”
Eenee, Meenee, Mainee, and Mo
Were the First Big Four of the Long Ago,
When the Pole of the Earth sloped thirty degrees,
And Central Europe began to freeze,
And they needed Ambassadors staunch and stark
To steady the Tribes in the gathering dark:
But the frost was fierce and flesh was frail,
So they launched a Magic that could not fail.
(Singing) “Eenee, Meenee, Mainee, Mo!
Hear the wolves across the snow!
Some one has to kill ‘em — so
Eenee, Meenee, Mainee, Mo
Make — you — It!”
Slowly the Glacial Epoch passed,
Central Europe thawed out at last;
And, under the slush of the melting snows
The first dim shapes of the Nations rose.
Rome, Britannia, Belgium, Gaul —
Flood and avalanche fathered them all;
And the First Big Four, as they watched the mess,
Pitied Man in his helplessness.
(Singing) “Eenee, Meenee, Mainee, Mo!
Trouble starts When Nations grow,
Some one has to stop it — so
Eenee, Meenee, Mainee, Mo!
Make-you-It!”
Thus it happened, but none can tell
What was the Power behind the spell —
Fear, or Duty, or Pride, or Faith —
That sent men shuddering out to death —
To cold and watching, and, worse than these,
Work, more work, when they looked for ease —
To the days discomfort, the nights despair,
In the hope of a prize that they never could share,
(Singing) “Eenee, Meenee, Mainee, Mo!
Man is born to Toil and Woe.
One will cure another — so
Eenee, Meenee, Mainee, Mo
Make — you — It!”
Once and again, as the Ice went North
The grass crept up to the Firth of Forth.
Once and again, as the Ice came South
The glaciers ground over Lossiemouth.
But, grass or glacier, cold or hot,
The men went out who would rather not,
And fought with the Tiger, the Pig and the Ape,
To hammer the world into decent shape.
(Singing) “Eenee, Meenee, Mainee, Mo!
What’s the use of doing so?
Ask the Gods, for we don’t know;
But Eenee, Meenee, Mainee, Mo
Make-us-It!”
Nothing is left of that terrible rune
But a tag of gibberish tacked to a tune
That ends the waiting and settles the claims
Of children arguing over their games;
For never yet has a boy been found
To shirk his turn when the turn came round;
Nor even a girl has been known to say
“If you laugh at me I shan’t play.”
For — “Eenee, Meenee, Mainee, Mo,
(Don’t you let the grown-ups know! )
You may hate it ever so,
But if you’re chose you’re bound to go,
When Eenee, Meenee, Mainee, Mo
Make-you-It!”
Covenent
1914
We thought we ranked above the chance of ill.
Others might fall, not we, for we were wise —
Merchants in freedom. So, of our free-will
We let our servants drug our strength with lies.
The pleasure and the poison had its way
On us as on the meanest, till we learned
That he who lies will steal, who steals will slay.
Neither God’s judgment nor man’s heart was turned.
Yet there remains His Mercy — to be sought
Through wrath and peril till we cleanse the wrong
By that last right which our forefathers claimed
When their Law failed them and its stewards were bought.
This is our cause. God help us, and make strong
Our will to meet Him later, unashamed!
Cruisers
1899
As our mother the Frigate, bepainted and fine,
Made play for her bully the Ship of the Line;
So we, her bold daughters by iron and fire,
Accost and decoy to our masters’ desire.
Now, pray you, consider what toils we endure,
Night-walking wet sea-lanes, a guard and a lure;
Since half of our trade is that same pretty sort
As mettlesome wenches do practise in port.
For this is our office — to spy and make room,
As hiding yet guiding the foe to their doom;
Surrounding, confounding, we bait and betray
And tempt them to battle the seas’ width away.
The pot-bellied merchant foreboding no wrong
With headlight and sidelight he lieth along,
Till, lightless and lightfoot and lurking, leap we
To force him discover his business by sea.
And when we have wakened the lust of a foe,
To draw him by flight toward our bullies we go,
Till, ‘ware of strange smoke stealing nearer, he flies
Ere our bullies close in for to make him good prize.
So, when we have spied on the path of their host,
One flieth to carry that word to the coast;
And, lest by false doublings they turn and go free,
One lieth behind them to follow and see.
Anon we return, being gathered again,
Across the sad valleys all drabbled with rain —
Across the grey ridges all crisped and curled —
To join the long dance round the curve of the world.
The bitter salt spindrift, the sun-glare likewise,
The moon-track a-tremble, bewilders our eyes,
Where, linking and lifting, our sisters we hail
‘Twixt wrench of cross-surges or plunge of head-gale.
As maidens awaiting the bride to come forth
Make play with light jestings and wit of no worth,
So, widdershins circling the bride-bed of death,
Each fleereth her neighbour and signeth and saith: —
“What see ye? Their signals, or levin afar?
“What hear ye? God’s thunder, or guns of our war?
“What mark ye? Their smoke, or the cloud-rack outblown?
“What chase ye? Their lights, or the Daystar low down?”
So, times past all number deceived by false shows,
Deceiving we cumber the road of our foes,
For this is our virtue: to track and betray;
Preparing great battles a sea’s width away.
Now peace is at end and our peoples take heart,
For the laws are clean gone that restrained our art;
Up and down the near headlands and against the far wind
We are loosed (O be swift!) to the work of our kind!
Cuckoo Song
(Spring begins in southern England on the 14th April, on which date the Old Woman lets the Cuckoo out of her basket at Heathfield Fair — locally known as Heffle Cuckoo Fair.)
Tell it to the locked-up trees,
Cuckoo, bring your song here!
Warrant, Act and Summons, please,
For Spring to pass along here!
Tell old Winter, if he d
oubt,
Tell him squat and square — a!
Old Woman!
Old Woman!
Old Woman’s let the Cuckoo out
At Heffle Cuckoo Fair — a!
March has searched and April tried —
‘Tisn’t long to May now.
Not so far to Whitsuntide
And Cuckoo’s come to stay now!
Hear the valiant fellow shout
Down the orchard bare — a!
Old Woman!
Old Woman!
Old Woman’s let the Cuckoo out
At Heffle Cuckoo Fair — a!
When your heart is young and gay
And the season rules it —
Work your works and play your play
‘Fore the Autumn cools it!
Kiss you turn and turn-about,
But, my lad, beware — a!
Old Woman!
Old Woman!
Old Woman’s let the Cuckoo out
At Heffle Cuckoo Fair — a!
The Cure
“The Miracle of Saint Jubanus”
From “Limits and Renewals” (1939)
Long years ago, ere R — lls or R — ce
Trebled the mileage man could cover;
When Sh — nks’s Mare was H — bs — n’s Choice,
And Bl — r — ot had not flown to Dover:
When good hoteliers looked askance
If any power save horse-flesh drew vans —
‘Time was in easy, hand-made France,
I met the Cure of Saint Juvans.
He was no babbler, but, at last,
One learned from things he left unspoken
How in some fiery, far-off past,
His, and a woman’s, heart were broken.
He sought for death, but found it not,
Yet, seeking, found his true vocation,
Complete Works of Rudyard Kipling (Illustrated) Page 762