Becomes our furlough, and the marigold
Our thriftless, bullion-minting Treasury
Transferred to the Eternal Settlement,
Each in his strait, wood-scantled office pent,
No longer Brown reverses Smith’s appeals,
Or Jones records his Minute of Dissent.
And One, long since a pillar of the Court,
As mud between the beams thereof is wrought;
And One who wrote on phosphates for the crops
Is subject-matter of his own Report.
These be the glorious ends whereto we pass —
Let Him who Is, go call on Him who Was;
And He shall see the mallie steals the slab
For currie-grinder, and for goats the grass.
A breath of wind, a Border bullet’s flight,
A draught of water, or a horse’s firght —
The droning of the fat Sheristadar
Ceases, the punkah stops, and falls the night
For you or Me. Do those who live decline
The step that offers, or their work resign?
Trust me, To-day’s Most Indispensables,
Five hundred men can take your place or mine.
*
mallie — The cemetery gardener.
Sheristadar — Clerk of the court.
The Last Lap
The Burning of the Sarah Sands
From “Land and Sea Tales” (1919-1923)
How do we know, by the bank-high river,
Where the mired and sulky oxen wait,
And it looks as though we might wait for ever,
How do we know that the floods abate?
There is no change in the current’s brawling —
Louder and harsher the freshet scolds;
Yet we can feel she is falling, falling
And the more she threatens the less she holds,
Down to the drift, with no word spoken,
The wheel-chained wagons slither and slue....
Achtung! The back of the worst is broken!
And — lash your leaders! — we’re through — we’re through!
How do we know, when the port-fog holds us
Moored and helpless, a mile from the pier,
And the week-long summer smother enfolds us —
How do we know it is going to clear?
There is no break in the blindfold weather,
But, one and another, about the bay,
The unseen capstans clink together,
Getting ready to up and away.
A pennon whimpers — the breeze has found us —
A headsail jumps through the thinning haze.
The whole hull follows, till — broad around us —
The clean-swept ocean says: “Go your ways!”
How do we know, when the long fight rages,
On the old, stale front that we cannot shake,
And it looks as though we were locked for ages,
How do we know they are going to break?
There is no lull in the level firing,
Nothing has shifted except the sun.
Yet we can feel they are tiring, tiring —
Yet we can tell they are ripe to run.
Something wavers, and, while we wonder,
Their centre-trenches are emptying out,
And, before their useless flanks go under,
Our guns have pounded retreat to rout!
The Last Ode
Nov. 27, 8 B.C.
Horace, BK. V. Ode 31
“The Eye of Allah”
“From “Debits and Credits”(1919-1923)
As WATCHERS couched beneath a Bantine oak,
Hearing the dawn-wind stir,
Know that the present strength of night is broke
Though no dawn threaten her
Till dawn’s appointed hour — so Virgil died,
Aware of change at hand, and prophesied
Change upon all the Eternal Gods had made
And on the Gods alike —
Fated as dawn but, as the dawn, delayed
Till the just hour should strike —
A Star new-risen above the living and dead;
And the lost shades that were our loves restored
As lovers, and for ever. So he said;
Having received the word...
Maecenas waits me on the Esquiline:
Thither to-night go I....
And shall this dawn restore us, Virgil mine
To dawn? Beneath what sky?
The Last of the Light Brigade
1891
There were thirty million English who talked of England’s might,
There were twenty broken troopers who lacked a bed for the night.
They had neither food nor money, they had neither service nor trade;
They were only shiftless soldiers, the last of the Light Brigade.
They felt that life was fleeting; they kuew not that art was long,
That though they were dying of famine, they lived in deathless song.
They asked for a little money to keep the wolf from the door;
And the thirty million English sent twenty pounds and four!
They laid their heads together that were scarred and lined and grey;
Keen were the Russian sabres, but want was keener than they;
And an old Troop-Sergeant muttered, “Let us go to the man who writes
The things on Balaclava the kiddies at school recites.”
They went without bands or colours, a regiment ten-file strong,
To look for the Master-singer who had crowned them all in his song;
And, waiting his servant’s order, by the garden gate they stayed,
A desolate little cluster, the last of the Light Brigade.
They strove to stand to attention, to straighen the toil-bowed back;
They drilled on an empty stomach, the loose-knit files fell slack;
With stooping of weary shoulders, in garments tattered and frayed,
They shambled into his presence, the last of the Light Brigade.
The old Troop-Sergeant was spokesman, and “Beggin’ your pardon,” he said,
“You wrote o’ the Light Brigade, sir. Here’s all that isn’t dead.
An’ it’s all come true what you wrote, sir, regardin’ the mouth of hell;
For we’re all of us nigh to the workhouse, an’ we thought we’d call an’ tell.
“No, thank you, we don’t want food, sir; but couldn’t you take an’ write
A sort of ‘to be conbnued’ and ‘see next page’ o’the fight?
We think that someone has blundered, an’ couldn’t you tell’em how?
You wrote we were heroes once, sir. Please, write we are starving now.”
The poor little army departed, limping and lean and forlorn.
And the heart of the Master-singer grew hot with “the sconrn of scorn.”
And he wrote for them wonderful verses that swept the land like flame,
Till the fatted souls of the English were scourged with the thing called Shamme.
O thirty million English that babble of England’s might,
Behold there are twenty heroes who lack their food to-night;
Our children’s children are lisping to “honour the charge they made — ”
And we leave to the streets and the workhouse the charge of the Light Brigade!
The Last Rhyme of True Thomas
The King has called for priest and cup,
The King has taken spur and blade
To dub True Thomas a belted knight,
And all for the sake o’ the songs he made.
They have sought him high, they have sought him low,
They have sought him over down and lea;
They have found him by the milk-white thorn
That guards the gates o’ Faerie.
‘Twas bent beneath and blue above,
Their eyes were held that they might not see
The kine tha
t grazed beneath the knowes,
Oh, they were the Queens o’ Faerie!
“Now cease your song,” the King he said,
“Oh, cease your song and get you dight
To vow your vow and watch your arms,
For I will dub you a belted knight.
“For I will give you a horse o’ pride,
Wi’ blazon and spur and page and squire;
Wi’ keep and tail and seizin and law,
And land to hold at your desire.”
True Thomas smiled above his harp,
And turned his face to the naked sky,
Where, blown before the wastrel wind,
The thistle-down she floated by.
“I ha’ vowed my vow in another place,
And bitter oath it was on me,
I ha’ watched my arms the lee-long night,
Where five-score fighting men would flee.
“My lance is tipped o’ the hammered flame,
My shield is beat o’ the moonlight cold;
And I won my spurs in the Middle World,
A thousand fathom beneath the mould.
“And what should I make wi’ a horse o’ pride,
And what should I make wi’ a sword so brown,
But spill the rings o’ the Gentle Folk
And flyte my kin in the Fairy Town?
“And what should I make wi’ blazon and belt,
Wi’ keep and tail and seizin and fee,
And what should I do wi’ page and squire
That am a king in my own countrie?
“For I send east and I send west,
And I send far as my will may flee,
By dawn and dusk and the drinking rain,
And syne my Sendings return to me.
“They come wi’ news of the groanin’ earth,
They come wi’ news o’ the roarin’ sea,
Wi’ word of Spirit and Ghost and Flesh,
And man, that’s mazed among the three.”
The King he bit his nether lip,
And smote his hand upon his knee:
“By the faith o’ my soul, True Thomas,” he said,
“Ye waste no wit in courtesie!
“As I desire, unto my pride,
Can I make Earls by three and three,
To run before and ride behind
And serve the sons o’ my body.”
“And what care I for your row-foot earls,
Or all the sons o’ your body?
Before they win to the Pride o’ Name,
I trow they all ask leave o’ me.
“For I make Honour wi’ muckle mouth,
As I make Shame wi’ mincin’ feet,
To sing wi’ the priests at the market-cross,
Or run wi’ the dogs in the naked street.
“And some they give me the good red gold,
And some they give me the white money,
And some they give me a clout o’ meal,
For they be people o’ low degree.
“And the song I sing for the counted gold
The same I sing for the white money,
But best I sing for the clout o’ meal
That simple people given me.”
The King cast down a silver groat,
A silver groat o’ Scots money,
“If I come wi’ a poor man’s dole,” he said,
“True Thomas, will ye harp to me?”
“Whenas I harp to the children small,
They press me close on either hand.
And who are you,” True Thomas said,
“That you should ride while they must stand?
“Light down, light down from your horse o’ pride,
I trow ye talk too loud and hie,
And I will make you a triple word,
And syne, if ye dare, ye shall ‘noble me.”
He has lighted down from his horse o’ pride,
And set his back against the stone.
“Now guard you well,” True Thomas said,
“Ere I rax your heart from your breast-bone!”
True Thomas played upon his harp,
The fairy harp that couldna lee,
And the first least word the proud King heard,
It harpit the salt tear out o’ his ee.
“Oh, I see the love that I lost long syne,
I touch the hope that I may not see,
And all that I did o’ hidden shame,
Like little snakes they hiss at me.
“The sun is lost at noon — at noon!
The dread o’ doom has grippit me.
True Thomas, hide me under your cloak,
God wot, I’m little fit to dee!”
‘Twas bent beneath and blue above —
‘Twas open field and running flood —
Where, hot on heath and dike and wall,
The high sun warmed the adder’s brood.
“Lie down, lie down,” True Thomas said.
“The God shall judge when all is done.
But I will bring you a better word
And lift the cloud that I laid on.”
True Thomas played upon his harp,
That birled and brattled to his hand,
And the next least word True Thomas made,
It garred the King take horse and brand.
“Oh, I hear the tread o’ the fighting men,
I see the sun on splent and spear.
I mark the arrow outen the fern
That flies so low and sings so clear!
“Advance my standards to that war,
And bid my good knights prick and ride;
The gled shall watch as fierce a fight
As e’er was fought on the Border side!”
‘Twas bent beneath and blue above,
‘Twas nodding grass and naked sky,
Where, ringing up the wastrel wind,
The eyas stooped upon the pie.
True Thomas sighed above his harp,
And turned the song on the midmost string;
And the last least word True Thomas made,
He harpit his dead youth back to the King.
“Now I am prince, and I do well
To love my love withouten fear;
To walk wi’ man in fellowship,
And breathe my horse behind the deer.
“My hounds they bay unto the death,
The buck has couched beyond the burn,
My love she waits at her window
To wash my hands when I return.
“For that I live am I content
(Oh! I have seen my true love’s eyes)
To stand wi’ Adam in Eden-glade,
And run in the woods o’ Paradise!”
‘Twas naked sky and nodding grass,
‘Twas running flood and wastrel wind,
Where, checked against the open pass,
The red deer belled to call the hind.
True Thomas laid his harp away,
And louted low at the saddle-side;
He has taken stirrup and hauden rein,
And set the King on his horse o’ pride.
“Sleep ye or wake,” True Thomas said,
“That sit so still, that muse so long;
Sleep ye or wake? — till the latter sleep
I trow ye’ll not forget my song.
“I ha’ harpit a shadow out o’ the sun
To stand before your face and cry;
I ha’ armed the earth beneath your heel,
And over your head I ha’ dusked the sky.
“I ha’ harpit ye up to the throne o’ God,
I ha’ harpit your midmost soul in three;
I ha’ harpit ye down to the Hinges o’ Hell,
And — ye — would — make — a Knight o’ me!”
The Last Suttee
Not many years ago a King died in one of the Rajpoot States. His wives, disregarding the orders of the English against Suttee, would have broken out of the palace had not the gates been barred. But one of
them, disguised as the King’s favourite dancing-girl, passed through the line of guards and reached the pyre. There, her courage failing, she prayed her cousin, a baron of the court, to kill her. This he did, not knowing who she was.
Udai Chand lay sick to death
In his hold by Gungra hill.
All night we heard the death-gongs ring
For the soul of the dying Rajpoot King,
All night beat up from the women’s wing
A cry that we could not still.
All night the barons came and went,
The lords of the outer guard:
All night the cressets glimmered pale
On Ulwar sabre and Tonk jezail,
Mewar headstall and Marwar mail,
That clinked in the palace yard.
In the Golden room on the palace roof
All night he fought for air:
And there was sobbing behind the screen,
Rustle and whisper of women unseen,
And the hungry eyes of the Boondi Queen
On the death she might not share.
He passed at dawn — the death-fire leaped
From ridge to river-head,
From the Malwa plains to the Abu scars:
And wail upon wail went up to the stars
Behind the grim zenana-bars,
When they knew that the King was dead.
The dumb priest knelt to tie his mouth
And robe him for the pyre.
The Boondi Queen beneath us cried:
“See, now, that we die as our mothers died
In the bridal-bed by our master’s side!
Out, women! — to the fire!”
We drove the great gates home apace:
White hands were on the sill:
But ere the rush of the unseen feet
Complete Works of Rudyard Kipling (Illustrated) Page 780