“Maddie!” Mom yelled, wrapping me in a rib-crusher hug. “Are you okay?”
I winced as my neck seized up again. “I’m fine.” I think.
“What happened?”
I gave Dana a sidelong glance. But before I could send her the psychic message to wait until I'd formed an edited-for-Mom version, she flipped her hair over one shoulder and launched into dramatic monologue mode.
“Ohmigod, it was, like, totally out of a movie or something. This SUV, like, totally slammed into us, and we were like, 'Holy crap, he just slammed into us!' and then he, like, did it again. So then Maddie did, like, this total street racer move down this alley, and then this SUV, he jumped a curb and comes up beside us and totally starts trying to smash us against the wall! So then we, like, slammed on the brakes and did this killer spin, then flew into the parking lot. I totally think he was, like, trying to kill us or something!"
Mom blinked. Then grabbed me in another fierce hug.
Mrs. Rosenblatt shook her head. "I tell you, that Mercury in retrograde makes people nuts. Did you try shootin' him with your pepper spray?”
“Oh, well, I, uh, I kinda lost my spray.”
“Lost it?”
"Um, yeah. Sorry."
Mrs. R dug around in her purse, pulling out a canister. "This here is from my personal stash. I always carry one. I used this sucker on a creep in this bar once. Knocked him flat. 'Course, I took him home after that and he turned out to be my third husband, Carl.”
I rolled my eyes. But, considering I was still dealing with adrenaline aftershocks, I slipped the spray into my purse.
“Really, it was her car that took the brunt,” Dana said, gesturing to what was once my Jeep.
Mom took one look at the smashed Jeep and hugged me again. Honestly, though, this time I didn't mind. Staring at my car, I kind of needed a hug.
After the tow truck arrived and hauled my mangled Jeep to the nearest service station, Mom, Mrs. R, Dana, Pablo and I all piled into her mini van and she drove us back to the studios. All to the tune of Pablo singing his little heart out. “Don’t you love my lady lumps! Squawk.”
Mrs. Rosenblatt should have held out for fifty.
* * *
By the time we got back to the lot, Dana was way late and Stienman was yelling out for that “new wardrobe girl” to get that hideous pair of chandelier earrings off Margo. After that it was changing Ricky's sweater so it didn't clash with the shoes Mia wanted to wear, and after that it was pinning Kylie's hem higher so she didn't look, and I quote, "all old 'n' stuff". After that I was in serious need of an aspirin. With a tequila chaser. My neck was so stiff I couldn't turn to the right and my head was starting to ache. I was just contemplating an early leave when Stienman caught me at the Starbucks carafe.
"Wardrobe, right?" he barked.
I tentatively looked up from my cup. "Yes?"
"I need Blake out here in his hospital gown now. We're shooting Mia and him in fifteen."
"Okay, but then I need to go-" I started to say, but Stienman had already walked away.
So much for leaving early.
On the other hand, I hadn't yet had a chance to talk to Blake alone. And while Veronika’s baby-daddy was at the top of our list, I couldn’t ignore the fact that being forced into a coma could give a guy one heck of a motive for murder.
I downed my coffee and, after stopping off at wardrobe to grab his gown, made my way out back to the trailers. I passed by Mia's, now void of the ugly crime scene tape, and the one marked, "Talent", until I got to Blake's. The outside was the same white, corrugated metal as the others, though I noticed it looked a couple of feet shorter than Mia's.
I climbed the steps and gave a sharp rap on the closed door. "Wardrobe!" I called out.
I heard a muffled, "Come in," from inside and turned the metal latch.
While the exterior of the trailer was a match to Mia's, the inside couldn’t have been more different. Instead of the custom drapes, plush furnishings and granite covered kitchen, Blake's trailer looked like your standard issue motor coach for the retired and idle. A small bench style dinette sat in the middle, the top covered in papers, while a tiny kitchen holding a microwave and mini fridge done in 70's olive green sat to the right. The carpet was a matted brown that was so thin I'd bet my Spigas it was laid right on top of the plywood. The curtains were a dull, pleated polyester and the entire place smelled slightly of burritos and stale Chinese.
"Dusty, is that you?" Blake called from down the hallway.
I peeked my head to the left and noticed a bedroom, as in Mia's trailer, this one considerably smaller and done in wallpaper made to look like wood paneling. "Actually, it's Maddie. Stienman wants you in your hospital gown for the next scene."
Blake groaned, then appeared from the bedroom, his slacks and white shirt looking rumpled, as if I'd caught him napping. "I don't know why he even bothers. It’s not like I'm any more than a glorified prop at this point."
"Sucks being in a coma, huh?" I asked, handing him the gown.
Blake shrugged his shoulders and shot me a sad look. "Well, at least I don't have to stress over my lines."
"How long has Preston been comatose?" I asked.
He did a deep sigh. "Months."
"Any idea when he's waking up?" Okay, I'll admit, this was just the TV junkie in me asking now.
He shook his head. "No. No end in sight. Be right back, I'll just…" He trailed off, gesturing to the gown, then shuffled back down the little hall to the bedroom.
Keeping one eye on the door, I walked over to the dinette, gingerly sifting through the papers. Mostly racing forms, crossword puzzles, a few fan letters thrown in, though certainly not the pile Mia had. "So, I heard that the coma was originally Mia's idea?"
"That's right," Blake replied from behind the door. "She thought it would add some drama to her and Nurse Nan's relationship."
"Was that the only reason?" I quickly scanned through the fan mail. Nothing threatening, though I noticed that Blake's fan base tended to be a bit older than Mia's. There was one woman asking him to appear at her bingo club, another wanting to take him for an early bird special at Applebees.
Blake popped his head out of the room and I quickly took two steps back from the table. Luckily, Blake didn’t seem to notice. "Why? What have you heard?" he asked.
"Nothing…" I hedged, watching his reaction. "Just that you and Mia had dated, then she suggested that your character be put in a coma."
Blake emerged from the bedroom, his hospital gown flapping pathetically around his bare ankles above black dress socks and loafers. "It’s true, things didn't exactly end well between us."
I raised one eyebrow. "Oh?"
"No. She said she wanted to see other people, I didn't. I…" He paused, biting his lip. "Well, I'm sure you've heard by now. I had a breakdown. It wasn't just Mia, it was the whole pressure of the show. The press conferences, the interviews, the appearances."
I could well imagine how Blake wasn't suited to being in the public eye. I could see him starting to sweat just talking about it.
"Anyway, it was after I came back that they put me in the coma. I guess Mia just felt it too awkward to work with me."
I phrased my next question carefully. "And you weren't upset by this?"
Blake shrugged. "A little. But not terribly surprised. Before the coma, Kylie and Deveroux's characters were the hot items in the ratings. Tina Rey and the electrician were getting all the press. Mia was in danger of slipping into a supporting role. The coma's slowly pulling up her numbers. Well, that and the press she’s been getting lately over these letters hasn’t exactly hurt her."
"And you?"
Blake did the sad smile thing again. "At least no one's hounding me for interviews. I better get to the set."
I watched as Blake shuffled out the door and into the soundstage. Honestly, he didn't strike me as the killer sort. More of the lie-down-and-take-it-like-a-doormat sort. Then again, he was, after all, a trained actor. I
wondered just how much lying down and taking it a man could do before he snapped?
* * *
It only took Mia fifteen takes to get her monologue in Blake's hospital room right. By the time Stienman yelled an exhausted, “That’s a wrap,” my neck was stiffer than a new pair of leather boots and I was ready to drop.
I gathered up my purse, thankful that tomorrow was Sunday – the one day the crew took off during shooting season, and met Dana near the rear gate. The bump on her head had grown and was starting to turn purple.
"Do you think maybe you should get that looked at?" I asked.
Dana shook her head. "I'm fine. Just a little bump. All I need's an aspirin."
I dug through my purse and came up with one, which I handed over.
"So, are we ready to go try Veronika's neighbor again?" Dana asked as she swallowed the pill.
I groaned. "I don't exactly have a car."
"No prob." Dana held up a pair of keys dangling from a rabbit's foot key chain. "Ricky let me borrow his."
I raised one eyebrow. "Ricky?"
Dana blushed. "Isn't he just the sweetest?"
Uh oh. I felt my internal radar pricking up. "Dana, please tell me you're not-"
"No!" she cut me off. "I'm celibate, remember? Besides, he's, like, totally famous. I'm sure I'm not even remotely his type."
I had a bad feeling Dana was every guy's type.
Dana twirled her borrowed keys in one hand. "So, we going to go talk to the neighbor or what?"
While my head was screaming for a long, hot bubble bath and a big, frosty cocktail (not necessarily in that order) I had to admit the idea of going home to my apartment alone wasn’t all that appealing. The last thing I wanted to find was more road kill. Or, worse yet, Mr. Road Killer himself, waiting in his menacing SUV. So, despite the whiplash and brewing headache, fifteen minutes later we were in Ricky's silver Porsche on the 101 heading up through the hills and west toward the Valley.
We exited at Topenga Canyon, making a left on Victory as we wound our way into West Hills, a suburban area on the westernmost edge of the Valley. Strip malls lined the major streets, while residentials clamored up the hillside, each just a little higher than the other to capitalize on the view.
Dana slowed as we approached Coronado, a tree lined street set into the natural hillside flanked with a hodgepodge of oversized homes, fairly bursting from their modest sized lots. Most were set behind manicured lawns with mature, blooming foliage, and driveways sporting BMWs and racy looking Italian sports cars.
Dana parked in front of 1342, a faux Mediterranean villa set behind a row of neatly clipped palm trees.
"This is where Veronika lived?" Dana asked, gaping at the near mansion. "K, I know how much a stand-in makes. Twenty bucks says she had a sugar daddy."
Considering her prenatal state, that wasn't a bet I was willing to take.
"Come on, let's go talk to the neighbor."
We locked the car and walked up the flagstone pathway to the house Ricky had indicated, just to the right of Veronika's. This one was done in an English Tudor style, with exposed wood beams running diagonally across the stucco face. Dana knocked on the solid front door, which was opened two beats later by an older woman in a pastel blouse with little Scottie dogs running through it. She held a TV remote in one hand and I could hear static in the background.
"You here to fix the cable?" she asked, narrowing her eyes at us. "'Cause it's been busted all morning."
"Uh, no. Sorry, we're not from the cable company."
"Then I don't want whatever you're selling.” She started to close the door, but Dana was quicker.
"Actually we worked with your neighbor, Veronika. On Magnolia Lane."
"Oh?" The woman paused. "Oh, you're TV folk?" She brightened up, standing a little taller. Then squinted her eyes at Dana. "I don't remember you. Were you on last season?"
"No, I'm an extra."
"Oh." Her interest waned again.
"Anyway," I jumped in before we lost her, "we were wondering if we could ask you a couple of questions about Veronika?"
The woman snorted. "Hmph. That tart. She thought she was really something. You know, when I heard she was gonna be on the TV, I went and baked her a pineapple upside down cake, just like the one I seen them make on the Food Network. Anyway, she ate the whole thing, then when I asked if maybe she could get me that Mia's autograph, she just laughed at me. Said Mia wouldn't give the likes of me the time of day. Can you believe the nerve of that girl? Prima dona."
I hated to say it, but Veronika was probably right.
"Do you know if Veronika was dating anyone?" I asked.
Her wrinkled cheeks parted in a smile. "Well, I don't know about dating, but I do happen to know that she went out with that hunky gardener fellow from the show. Now, he gave me an autograph."
"Yes, he told us that you might be able to help us."
"He mentioned me?" She smiled so widely I feared her face might crack.
Dana nodded. "Uh huh. He said you knew everything that went on on this street. That we could just ask you."
The woman laid a hand on her chest and blushed. "What a nice young man."
"Isn't he?" Dana gushed.
I rolled my eyes.
"He said that you told him you'd seen Veronika come home with a man? The night before he met you?" I prompted.
"Oh, yes." She nodded vigorously. "Now, I'm not one to spread rumors, I keep to my own business, you see. But I'll tell you I seen a man go in late at night, just about when Jay Leno come on, and he didn't come out until the ladies from The View had their first guest the next morning." She nodded sagely. "Doesn't take a genius to figure what they were doing."
Now we were getting somewhere. "Did you recognize him?" I asked. "Maybe from the show?"
She pursed her lips together. "No, I don't think so. But it was dark. And the next morning I just got the faintest glimpse of him. But," she said leaning in, "I will tell you he wasn't the only one."
My ears pricked up. "Really?"
"Oh, yes. Men are always going in and out of that place." She gestured next door. "Girls too. It's like a cheap motel, that house. Complete den of iniquity. I tried to get the neighborhood association to fine the owner, but she just claimed she had a lot of friends. I've got a mind to call that gal on Channel four that does those neighborhood grievance repots."
"So, Veronika doesn't own the house?"
"I knew it," Dana mumbled.
"Goodness, no. She just rents a room. She moved in a few months ago. That place had been going south long before then."
"Do you know the landlord's name?"
"Ask her yourself," she said. "She just got home a few minutes before you pulled up."
"Thanks."
"Anytime, and, uh, tell that nice young gardener fellow I said, ‘hi.’"
I eyed Veronika's house as the woman closed her door and went back to her cable guy vigil. A lot of friends, huh?
“Maybe we should go pay our condolences to the landlord,” I suggested.
Dana followed as I picked my way over the moist lawn and up the gravel lined pathway to the front door. The home itself was a pale adobe colored stucco, with white columns flanking the front door and large, flowering birds of paradise in glazed planters on the porch. The front windows were all closed and shaded behind heavy curtains. Unless you knew someone was inside, there’d be no way to tell.
I rang the bell beside the dark, imposing front door and waited while footsteps approached from inside. Two seconds later I heard the sound of a lock being thrown and the thick door swung open.
“Yes? What do you want?”
I stared. Blinking as I took in the woman’s liposuctioned thighs encased in tiny spandex shorts, her obviously man-made chest barely contained by a little red crop top, and those familiar collagen enhanced lips, the likes of which I’d last seen six feet high on a billboard above the Taco Bell on Pico.
Jasmine.
Chapter Ten
&nb
sp; Jasmine put a manicured hand on her hip and raised one eyebrow (which, of course, due to regular Botox injections, did little to change the expression on her placid face.). “Well?” she asked.
I swallowed. "Hi, Jasmine."
She cocked her head to the side, one finger twirling a lock of dyed, red hair. "Do I know you?"
"Maddie," I supplied.
Still nothing but a blank stare on Porn Star Barbie's face.
"Maddie Springer. Richard's ex-girlfriend."
More blinking. "Oh, right. You're the chick that stabbed that girl's implant." She crossed her arms protectively over her double D's. "What do you want?"
"We, uh, we're friends of Veronika's," I said, stretching the truth just a little. "Your neighbor said that you lived here together?"
"She was my tenant. I own this place."
Dana did a low whistle. "Business must be very good."
Jasmine smiled (which, with her highly lifted face, was something akin to the Joker in Batman). "Very. I've got a billboard up on Pico."
"I noticed," I mumbled. "So, Veronika rented a room from you?"
"More like worked for me. I run a twenty-four hour web cam. Veronika was one of my girls."
Mental forehead smack. "Veronika was a cyber sex girl?"
Jasmine frowned. (Or tried to. See Botox reference above.) "It's not just cyber sex. Yes, we do some private chats, but mostly we just let the cameras run and go about our daily lives."
"And men pay three ninety-nine a minute for that?" Dana asked, peering into the house over Jasmine's bony shoulder.
"Well, we are naked most of the time."
Ah ha.
"You're awfully nosey," Jasmine said, planting her hands on her hips again. "What's all this about?"
"We're helping the police investigate Veronika's death," I lied. Hey, the police were investigating, we were investigating, it was almost like we were working together.
"Veronika was killed on the set, not here. Besides, I saw on Extra that Mia was the real target anyway."
"Maybe," I hedged. "But we're looking into all possible leads." Wow, that sounded official. Finally, all those hours of watching Law & Order were paying off.
High Heels Mysteries Boxed Set (Books 1-5) Page 64