by Uday Prakash
My eyes lit on Suri. He had given me a big smile upon my arrival, sitting next to his newborn brother Amarkant, his heavy head wobbling up and down, planting little kisses on his brother and waving a torn rag in the air to chase off the flies. Shobha did not light the little coal stove: she made my tea on her new electric hot plate, my favourite kind of chai, steeped for a long time and very strong, with cardamom and ginger. And with so much sugar a diabetic wouldn’t get near it with a ten foot pole.
EXPLODING COLOURS IN THE DARK AND THE MAGIC OF THE CARPET
It was only because I came to visit that Chandrakant had taken the day off. It was getting close to five, and it wouldn’t be long before night covered everything. The shadows of tall buildings slowly engulfed the little houses and bylanes of Jahangirpuri. The dark shadows from outside fell no less heavily on Chandrakant’s family and me. I wanted to return home as soon as possible, but there was no way Chandrakant or Shobha were going to let me leave. It had been a long time – many years – since they spent days like these. It was the first time they were able to buy a place, their own home; at the ripe age of fifty, Shobha’s giving birth to Amarkant, and, proving wrong the all-but-certain prognosis, was like the impossible made possible, as was the continuous, still-in-progress life of their firstborn, Suryakant.
Chandrakant took out a bottle of rum he had bought – Old Monk. He’d also bought a kilo of mutton he had chosen himself and had wrapped up from the Indian Halal Meat Shop: chops, thighs, rump, and legs, along with a container of fried-boiled spicy channa with green chilies, lemon juice, coriander, haripatti, covered with thinly sliced onion.
‘Tonight we’re making mutton Kohalpuri for you. If it’s too spicy you can wipe your face with a handkerchief,’ Shobha chirped from beside her little stove, where the spices were browning in the pressure cooker. ‘You’ll never forget that once in your life you ate food cooked by Shobha!’ She understood completely my darkness and despair. They wanted to share a little shining sliver of the good fortune and happiness they had found after so many years with me. And I was truly grateful.
‘Hey Chandu, don’t forget to pour a glass for me. As soon as I put the lid on this I’ll come over and sit with you two,’ Shobha said, then began to hum.
Giving birth to Amarkant, it was as if Shobha had sloughed off ten years off her body. Joy and hope had erased the lines on her face, the ones that years of struggle, deprivation, sorrow, poverty, and Suryakant’s imminent death had carved in her face. Her eyes shone with the brilliance of a whole, free woman, and she radiated with every step. In the light of the forty watt bulb and glow from the stove, Shobha looked in that cramped little half flat like a young girl who had come directly from bathing in a cheery mountain waterfall. Her radiance and beauty right then gave off an energy that pulled my heartache and despair out of me, while pulling me toward her at an extremely high velocity.
I don’t feel bashful and I’m not afraid to say that that night, I wanted to drown myself in Shobha’s beauty and elation. Maybe some dormant animal lay inside me that had been lying ill in a corner, drowsy, tired and defeated, and was now suddenly aroused from sleep, glaring with hungry, greedy eyes at humming Shobha, who stood next to the cooker browning the spices. The fifty-year-old was transformed into a blissful girl.
Shobha turned with a start and caught my gaze, which drew her in. Her eyes locked on me for a moment before a twinkle of a smile again appeared. There was no anger, no reproach. Just the look of a woman who knew quite well how to coddle and tame the beast inside a man. The bold eyes of a relaxed, self-confident woman.
I noticed her looking at Chandrakant. They communicated wordlessly. He was spreading newspaper out over the carpet and setting down the plates and glasses. Suri was leaning up against the wall, heavy head propped up by his tired shoulders, channel surfing with the remote. One-month-old Amarkant was sleeping deeply in his little bedding.
Chandrakant slowly began to sing. The colours today, the flowers today, O Ma the colours I see, my sweet one’s home, the colours! It was a colourful scene indeed inside that cramped little half flat that had for years mostly been under the dark shadow of want, disease, sorrow and anxiety. Technicolour bubbles, like the hues of Holi, coloured my mind and body, in and out, and ignited my desire. The three of us drank, the three of us sang. To the birth of Amarkant, to the life of Suryakant, to the joy of moving to a new house, and to the radiance and festivity of the new mother Shobha. Chandrakant, embracing the fun of his drunkenness, put his arm around my shoulders and sang and sang.
Just then, Shobha looked at me – I hadn’t moved my gaze from her – and then at Chandrakant. The two smiled from ear to ear, and then two things happened simultaneously: the steam valve on the pressure cooker gave out a long whistle, filling the room with a spicy aroma, and Shobha, taking a chiliful bite of the hot channa, leapt up. ‘Ooh, ooh, hot! How many peppers did they put in this?’ she said, puffing through the hot food in her mouth, before downing the glass of rum in one gulp. ‘Chandu, how can we eat it like this? We need something to munch on if we want to finish the bottle, no?’
Chandrakant emptied his glass in a flash and stood up. ‘I’ll get some pakoras from around the corner, fish pakoras.’ Looking at me, he said, ‘You keep Shobha company and keep on drinking, I’ll be right back.’
Then the TV channel changed and the volume got loud. It was a music video channel. I turned around to look and saw Suri propped up against the wall, remote in hand. He regarded me with a piercing gaze, and quietly stood as his x-ray-like stare penetrated my body, and I gave a little start. Suri took his father’s finger, and, wobbling, accompanied him out the door of the half flat, his disproportionally large and heavy head resting like a time bomb atop his weak little body: every moment counting down – tick, tick, tick – to the moment (it could happen anytime) when it might explode, smashing this boy’s life into smithereens. What hour and minute the timer is set for is anyone’s guess.
Suri stopped on the balcony and turned that big head around to look at me. It was as if he was laughing with that strange twinkle in his eyes, an animated look of his very own, peering from beyond his impending death. Suri looked at Shobha again, gave a little wave with his right hand, then again took his father’s hand before disappearing down the road and into the darkness.
***
Shobha was lost in her thoughts for a bit, then finished off her glass of rum in one big swig. It was her fourth glass. She wiped her mouth with her hands, took a bite of the spicy chili-lemon channa, and said between chews, ‘Don’t think of Suri as just a kid. He’s a real imp. Nothing gets by him.’ There was a devilish look in her eyes. I was a little rattled.
‘Does he also know what goes through my head?’ The buzz from the rum and magic carpet made my speech sparkle.
She came over beside me. ‘Both Suri and Chandu know exactly what’s on your mind and on my mind right at this very moment. Can you hide something like this? At this age?’ She poured herself another little shot, and again downed it. ‘What have we got in this life anyway? And if we do have something, someone else’ll take it away. But whatever we might have left over, we can give to anyone we like. Don’t you think so?’ It came out slowly, deliberately. She leaned her head against my shoulder. ‘Look how old I am, look how old Chandu is, and we just had a baby, we’ve just bought a house. A fifteen-year mortgage. Do you think we’ll even be around to see it paid off? I look behind me and I’m tired. I look behind and I’m scared. I’m exhausted. And Suri – how long can he keep gasping for breath? He was in bad shape again the other night. His head hurts like hell, but he never says anything, he just keeps fighting, all night, him versus death. Sometimes I think that the almighty should either just cure him once and for all, or he should...’
She began to shake. I consolingly stroked her hair as her tears streamed down onto my shoulders.
‘And now Amarkant! See the kinds of games he plays. You know how old I was when I gave birth to him? But how long will Chandu a
nd I be able to live with him? It’s frightening. How will he manage after we’re gone? How will he pay off the rest of the mortgage?
We were sitting on the carpet that used to ignite the flames that Shobha and Chandu put out with their games spanning many years. That day, too, the flames grew more aroused, the light of the fire giving off sorrowful hues for a few moments in the darkness of that half flat. Then the flames caught and bloomed into resplendent colour; two of us were shocked and delighted. And then our fever grew even hotter, until the pressure cooker blew its whistle for the fourth or fifth time.
***
Chandrakant came back with fish pakoras, peanut snack mix, and a handful of other goodies. Suri was slurping on an icypole. He ambled over to me, hopped in my lap, and rested his heavy head on my shoulder; the same spot his mother had wet with her tears a few moments ago. The weight of his head sent a shiver through my body. The great pain he must suffer, and the endless torment!
I gently tickled his forehead for a little while, then gave him a kiss. Straining, he lifted his neck, smiled at me for a moment, then hopped off, grabbed the remote, and sat again in the corner, back propped against the wall.
Chandrakant filled our glasses and spread out the pakoras, peanuts, and onions in front of us on newspaper. Shobha joined us after turning off the stove.
It was the kind of night when the three of us understood that our lives were interwoven as one by fate and other forces beyond our control. The same road led to our liberation and our mortality.
Chandrakant alternately sang abhang songs and Khusrau songs.
I noticed Suri had changed the channel. He put on the BBC, and Bill Clinton was on. I think this was an evening in 1998 – could it have been during the impeachment proceedings?
THE ‘MANGOSIL’ VIRUS AND AN ANT
That night of December, 1998, had receded into the past. Days were racing by, and the world outside was changing at the same fast pace. The streets of Delhi were getting widened. Little bylanes and narrow backways were vanishing. Who could keep track of all the flyovers being built? Hundreds of thousands of cars of all shapes, sizes, and models flooded the streets. Everywhere you went it was the same: four wheel drives, honking horns, exhaust fumes. And speed. It was impossible to walk anywhere, and cyclists and scooterists were getting run over every day. These fatal accidents didn’t even make the TV news, or get in the paper. Hundreds of villages like Jahangirpuri, Mangolpur, Loni, Nazafgarh, Harinagar, Ziyasrai, Bersarai, Karkarduma, Prahaladgarhi simply ceased to exist and were erased from the map. And where they once were? Malls, multiplex cinemas, hotels, markets, more stores, parks, banks, gated communities, gas stations. You couldn’t go a month without a neighbourhood changing so utterly that you wondered if you were remembering it right.
The residents of the makeshift house built in Jahangirpuri’s bylane number seven had disappeared, and no one knew where. Thousands of poor, lower-class families living in the neighbourhood had been displaced. The police, local authorities, powers-that-be – all were gung-ho to build buildings and make markets with their bulldozers, teargas, and politics. Modest houses and the less well-off were wiped out of neighbourhoods all over the capital city. Violence, crime, and power – sinister, inhuman – spread everywhere. The population of Delhi had crossed the twelve million mark. Of those, some ten million had neither a secure livelihood nor any savings for the future. The homes they lived in weren’t their own. A bank, either private or foreign, held the mortgage and deed. Countless people worked like indentured labourers just to be able to pay off loans or mortgages.
***
Chandrakant, Shobha and family moved to the public housing flat they bought at C-7/3, Ambedkar Nagar Colony, Phase Four, Ashok Vihar. I was enlisted to help move them from Jahangirpuri. They had amassed so much stuff over the years that it took four trips in a Tata 407 to move it all.
In the meantime, I had been diagnosed with bone tuberculosis, and several of my vertebrae had fused. I was confined to bed for ten months, and the treatment cost a small fortune. We had to sell the old house and move to a new one. During this time, I also wrote a book in a kind of frenzy, one that took each and every last moment of free time. The language I wrote in and read, spoke and thought had turned into a kind of torturous cage. I felt the fascist nails and menacing claws of in-your-face corruption, violent casteism, and stalking injustice everywhere in my life. I was turned down for every job I applied for. My degrees, experience, and body of work no longer had any meaning. All of the great ideas and ideals of the nineteenth and twentieth centuries had become tools to play with in the hands of power brokers, base hypocrites, arse kissers, high-class schemers. Those who killed, killed in the open. Thugs committed their thuggery in the public eye, with a spring in their step. Bribes and kickbacks were counted out continuously, in front of the camera or behind. Cultural institutions had been taken over by gangs of plunderers, who let themselves be feted on the dais, gave speeches, and laughed all the way to the bank. A dark, frightening cloud of reality had descended, one that no one had expected.
Reports of what was really happening were so obscene, so rotten, that bringing them into a poem or short story would simply ruin the poem or the short story. So most poets and writers avoided writing about what went on – but they kept on writing, and kept on winning awards.
So, please come with me, and we’ll desist for now with these accounts of what’s going on, and instead travel to Ambedkar Nagar public housing flat C-7/3, Ashok Vihar, where Shobha and her family now reside.
***
Amarkant was five by now, and had started attending Blue Bells school. Shobha had purchased a sewing machine. She sewed for friends and neighbours, and took home fabric from a few shops in the bazaar to stitch – the mortgage payment and school fees were due at the beginning of each month. Gulshan Arora died in the meantime, and his son Kishan had sold the shop in Vijaynagar. Chandrakant found work in another shop in Deep Market in Ashok Vihar. Every day he walked to and from work.
I had moved right outside Delhi with my family, to Ghaziabad. Chandrakant had my new address and number.
***
I had a premonition that at any moment Chandrakant might call me with news of Suri’s death. He was by now eight years old. Not only was he still alive, having improbably fought and confounded his date with death, but the mind inside his malformed, ill-proportioned, misshapen head was so remarkable and strangely curious that anyone who heard him talk was stunned, confounded, flabbergasted.
For example, one day he said to Shobha, ‘Ma, you’re spending your eyesight so you can make Amar’s school fees. If you would only sell your eyes, you could put him in a cheaper school.’
One night Shobha awoke to find Suri on the balcony wrapping twine around his head. His lips were shut tight, and his face was wrinkled up in pain. His lungs were making that whistling sound while he tried with all his might to breathe in the outside air. His eyes were red and bulging. When Shobha came to him and placed her hand on his back he said in his hoarse voice, ‘Doctors only know how to cure diseases that would cure themselves anyway, without any treatment.’ He struggled to take a breath, and then let out a deep sigh. ‘Hospitals are built for the same people that cars, hotels, airplanes, and big buildings are built for.’
One day he announced, ‘The disease inside of me is because of that dirty drainage ditch in front of our half flat.’ He looked off into the distance for a bit before adding gravely, ‘“Mangosil” is the name of the disease, and the virus that causes it is called, do you know? Poverty.’
One day when Amar was going to school, Suri said, ‘No matter how much kids study in school, they could learn more without school. People who send their kids to school are those who want to get rid of them.’ Again a vacant look came over his face for a bit and then he added, in the manner of a philosopher, ‘What is true is that those who are more well-educated inevitably work as underlings or servants for those less well-educated. School is a servant factory. The most powerfu
l, richest, and best-off people in the world are always less well-educated.’
Suri, because of his illness, studied at home. He read the paper, watched TV, listened to the radio, and began going to the Jupiter Network cyber café in nearby Neemri market. Everyone in the area began to recognise him: the shape of his body, with the skinny trunk, oversized head, and funny way of walking.
One day Suri said, ‘The reason that people stare at me is that they’ve never seen an ant, with its big head, dressed in man’s clothing.’ He said this without laughing, but with eyes red, lips parched, and trembling a little. He continued, ‘Only ten to twenty per cent of people in this world are human. The rest are ants, cockroaches, dogs, pigs, or oxen.’ He flashed an ironic smile. ‘I mean, look at this family. Papa’s an ox, Mummy is a machine, and Amar’s a cockroach. And I’m just a little worm that crawled out of the gutter one night and snuck into Mummy’s belly.’
In the middle of the night one night, Suri’s hands were pressing against the sides of his head, struggling to take each breath. ‘My head keeps getting bigger because it keeps knowing things little heads can’t know, or don’t want to. If they tried knowing them, their heads would grow as big as mine.’