The 40s: The Story of a Decade

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The 40s: The Story of a Decade Page 8

by The New Yorker Magazine


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  A sailor came by and Shorty, one of the men in the gun crew, said to him, “Who was it?” The sailor said, “Rocky and Bill. They’re all tore up. A shell got the winch and ramps and all.” I went forward to the well deck, which was sticky with a mixture of blood and condensed milk. Soldiers had left cases of rations lying all about the ship, and a fragment of the shell that hit the boys had torn into a carton of cans of milk. Rocky and Bill had been moved belowdecks into one of the large forward compartments. Rocky was dead beyond possible doubt, somebody told me, but the pharmacist’s mates had given Bill blood plasma and thought he might still be alive. I remembered Bill, a big, baby-faced kid from the District of Columbia, built like a wrestler. He was about twenty, and the other boys used to kid him about a girl he was always writing letters to. A third wounded man, a soldier dressed in khaki, lay on a stretcher on deck breathing hard through his mouth. His long, triangular face looked like a dirty drumhead; his skin was white and drawn tight over his high cheekbones. He wasn’t making much noise. There was a shooting-gallery smell over everything, and when we passed close under the Arkansas and she let off a salvo, a couple of our men who had their backs to her quivered and had to be reassured. Long and Kavanaugh, the communications officer, were already going about the ship trying to get things ticking again, but they had little success at first.

  Halfway out to the transport area, another LCIL hailed us and asked us to take a wounded man aboard. They had got him from some smaller craft, but they had to complete a mission before they could go back to the big ships. We went alongside and took him over the rail. He was wrapped in khaki blankets and strapped into a wire basket litter. After we had sheered away, a man aboard the other LCIL yelled at us to come back so that he could hand over a half-empty bottle of plasma with a long rubber tube attached. “This goes with him,” he said. We went alongside again and he handed the bottle to one of our fellows. It was trouble for nothing, because the man by then had stopped breathing.

  We made our way out to a transport called the Dorothea Dix that had a hospital ward fitted out. We went alongside and Rigg yelled that we had four casualties aboard. A young naval doctor climbed down the grapple net hanging on the Dix’s side and came aboard. After he had looked at our soldier, he called for a breeches buoy and the soldier was hoisted up sitting in that. He had been hit in one shoulder and one leg, and the doctor said he had a good chance. The three others had to be sent up in wire baskets, vertically, like Indian papooses. A couple of Negroes on the upper deck of the Dix dropped a line which our men made fast to the top of one basket after another. Then the man would be jerked up in the air by the Negroes as if he were going to heaven. Now that we carried no passengers and were lighter, the sea seemed rough. We bobbled under the towering transport and the wounded men swung wildly on the end of the line, a few times almost striking against the ship. A Coastguardsman reached up for the bottom of one basket so that he could steady it on its way up. At least a quart of blood ran down on him, covering his tin hat, his upturned face, and his blue overalls. He stood motionless for an instant, as if he didn’t know what had happened, seeing the world through a film of red, because he wore eyeglasses and blood had covered the lenses. The basket, swaying eccentrically, went up the side. After a couple of seconds, the Coastguardsman turned and ran to a sink aft of the galley, where he turned on the water and began washing himself. A couple of minutes after the last litter had been hoisted aboard, an officer on the Dix leaned over her rail and shouted down, “Medical officer in charge says two of these men are dead! He says you should take them back to the beach and bury them.” Out there, fifteen miles off shore, they evidently thought that this was just another landing exercise. A sailor on deck said, “The son of a bitch ought to see that beach.”

  Rigg explained to the officer that it would be impossible to return to the beach and ordered the men to cast off the lines, and we went away from the Dix. Now that the dead and wounded were gone, I saw Kallam sneak to the far rail and be sicker than I have ever seen a man at sea. We passed close by the command ship and signalled that we had completed our mission. We received a signal, “Wait for orders,” and for the rest of the day we loafed, while we tried to reconstruct what had happened to us. Almost everybody on the ship had a battle headache.

  “What hurts me worst,” Lechich said, “is thinking what happened to those poor guys we landed. That beach was hot with Jerries. And they didn’t have nothing to fight with—only carbines and rifles. They weren’t even supposed to be combat troops.”

  “I don’t think any of them could be alive now,” another man said.

  As the hours went by and we weren’t ordered to do anything, it became evident that our bit of beach wasn’t doing well, for we had expected, after delivering our first load on shore, to be employed in ferrying other troops from transports to the beach, which the beach-battalion boys and engineers would in the meantime have been helping to clear. Other LCILs of our flotilla were also lying idle. We saw one of them being towed, and then we saw her capsize. Three others, we heard, were lying up on one strip of beach, burned. Landing craft are reckoned expendable. Rigg came down from the bridge and, seeing me, said, “The beach is closed to LCILs now. Only small boats going in. Wish they’d thought of that earlier. We lost three good men.”

  “Which three?” I asked. “I know about Rocky and Bill.”

  “The coxswain is gone,” Bunny said. I remembered the coxswain, an earnest young fellow who wanted to be a newspaperman, and who, dressed in swimming trunks, was going to go overboard ahead of everyone else and run a guideline into shore.

  “Couldn’t he get back?” I asked.

  “He couldn’t get anywhere,” Rigg answered. “He had just stepped off the ramp when he disintegrated. He must have stepped right into an H.E. shell. Cox was a good lad. We’d recommended him for officers’ school.” Rigg walked away for the inevitable cup of coffee, shaking his big tawny head. I knew he had a battle headache, too.

  A while afterward, I asked Rigg what he had been thinking as we neared the coast and he said he had been angry because the men we were going to put ashore hadn’t had any coffee. “The poor guys had stayed in the sack as late as they could instead,” he said. “Going ashore without any coffee!”

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  Long was having a look at the damage the shell had done to our ship, and I joined him in tracing its course. It had entered the starboard bow well above the waterline, about the level of the ship’s number, then had hit the forward anchor winch, had been deflected toward the stern of the boat, had torn through the bulkhead and up through the cover of the escape hatch, then had smashed the ramp winch and Rocky and Bill. It had been a seventy-five-millimetre anti-tank shell with a solid-armor-piercing head, which had broken into several pieces after it hit the ramp winch. The boys kept finding chunks of it around, but enough of it stayed in one piece to show what it had been. “They had us crisscrossed with guns in all those pillboxes that were supposed to have been knocked off,” Long said. “Something must have gone wrong. We gave them a perfect landing, though,” he added with professional pride. “I promised the commander we would land him dry tail and we did.” Long has been in the Coast Guard twenty years and nothing surprises him; he has survived prohibition, Miami and Fire Island hurricanes, and three landings. He is a cheerful soul who has an original theory about fear. “I always tell my boys that fear is a passion like any other passion,” he had once told me. “Now, if you see a beautiful dame walking down the street, you feel passion but you control it, don’t you? Well, if you begin to get frightened, which is natural, just control yourself also, I tell them.” Long said that he had seen the commander start off from the ship at a good clip, run well until he got up near the first line of sand dunes, then stagger. “The commander was at the head of the line about to leave the ship when young Vaghi, that big ensign, came up and must have asked him for the honor of going first,” Long said. “They went off that way, Vaghi out ahead, r
unning as if he was running out on a field with a football under his arm. Miller led the soldiers off the other ramp, and he stepped out like a little gentleman, too.” The space where the starboard ramp had once been gave the same effect as an empty sleeve or eye socket.

  It was Frankel, a signalman who had been on the bridge, who told me sometime that afternoon about how the wounded soldier had come to be on board. Frankel, whose family lives on East Eighteenth Street in Brooklyn, was a slender, restless fellow who used to be a cutter in the garment centre. He played in dance bands before he got his garment-union card, he once told me, and on the ship he occasionally played hot licks on the bugle slung on the bridge. “A shell hit just as we were beginning to pull out,” Frankel said, “and we had begun to raise the ramps. It cut all but about one strand of the cable that was holding the starboard ramp and the ramp was wobbling in the air when I saw a guy holding on to the end of it. I guess a lot of us saw him at the same time. He was just clutching the ramp with his left arm, because he had been shot in the other shoulder. I’ll never forget his eyes. They seemed to say, ‘Don’t leave me behind.’ He must have been hit just as he stepped off the ramp leaving the ship. It was this soldier. So Ryan and Landini went out and got him. Ryan worked along the rail inside the ramp and Landini worked along the outside edge of the ramp and they got him and carried him back into the ship. There was plenty of stuff flying around, too, and the ramp came away almost as soon as they got back. That’s one guy saved, anyway.” Ryan was a seaman cook who helped Fassy, the commissary steward, in the galley, and Landini was the little First Avenue Italian who had made up a special song for himself—“I’m going over to France and I’m shaking in my pants.”

  Along about noon, an LCVP, a troughlike fifty-footer, hailed us and asked if we could take care of five soldiers. Rigg said we could. The craft came alongside and passed over five drenched and shivering tank soldiers who had been found floating on a rubber raft. They were the crew of a tank that had been going in on a very small craft and they had been swamped by a wave. The tank had gone to the bottom and the soldiers had just managed to make it to the raft. The pharmacist’s mates covered them with piles of blankets and put them to bed in one of our large compartments. By evening they were in the galley drinking coffee with the rest of us. They were to stay on the ship for nearly a week, as it turned out, because nobody would tell us what to do with them. They got to be pretty amphibious themselves. The sergeant in command was a fellow from Cleveland named Angelatti. He was especially happy about being saved, apparently because he liked his wife. He would keep repeating, “Gee, to think it’s my second anniversary—I guess it’s my lucky day!” But when he heard about what we thought had happened to the men we put ashore, he grew gloomy. The tanks had been headed for that beach and should have helped knock out the pillboxes. It hadn’t been the tankmen’s fault that the waves had swamped them, but the sergeant said disconsolately, “If we hadn’t got bitched up, maybe those other guys wouldn’t have been killed.” He had a soldier’s heart.

  S. N. Behrman

  JANUARY 27, 1945 (ON POST-BLITZ LONDON)

  To arrive in London in a Saturday twilight late in 1944, after having been away since before the war began, was to experience a sinking of the heart for which even the destruction in the suburbs, visible from the windows of the train, had not prepared me. The suburban wash, hung amply across the gaps made by the bombs in the rows of workers’ houses, stirred a quick, sympathetic awareness of human adaptability, and so did the window curtains and flower pots in the truncated dwellings that remained—the persistent, vivid, still-life ameliorations. But these things I somewhat expected, though even here there was a shocking discrepancy between what one has written off as history and what was actually still contemporary. I accepted the neat erasures in the long rows of houses, and even the vestiges of normality in the partially demolished ones. And I wondered about the displaced inhabitants of the houses that were gone. Where, on that darkening afternoon, were they warming their feet and how were they going to kill the unpromising evening?

  London was something else again. Nothing in the outworks had quite suggested the lowered atmosphere in the citadel itself. It was not merely the almost deserted railway station. I had arrived late in the day, and the British government official who met me remarked casually that the first V-2s had fallen earlier. They had made deep craters, my host said, but had been far less destructive than had been anticipated. There were no instructions about how to behave if you were out walking when the V-2s came, he said, because there were no alerts. You just strolled along, daydreaming, till you were hit. The instructions about what to do when you heard the sirens for the V-1s were very simple: fall flat on your face. My host, who was going to give me a lift to Claridge’s, where I was to stay, asked me if I’d mind detouring to the Savoy to drop two other visitors who had arrived on the same train. In the curved areaway of the Savoy, off the Strand, I got out for a few minutes while the others went in to register and I walked into the Strand. It was very still. For reassurance, I sought the entrance to the Savoy Grill. Sandbags were piled up against it. I peeped inside. There were a few people sitting around having tea. If, in the old days, there was a vivacious room in Europe, it was the Savoy Grill. It was the nerve center of bohemian and artistic London. I remembered an evening there: Paderewski, Yvonne Printemps, Sacha Guitry; Chaliapin blowing kisses at large. (On the plane coming over, I had heard an anecdote about Guitry. When, recently, he arrived in a French prison for collaborationists, he was told, to cheer him up, that his first wife was there. The effect was the opposite. Guitry threw up his hands. “Everything I can endure,” he groaned, “but this!”) That evening was millennially far away. What had made me feel that the Savoy Grill would keep up its tempo forever I did not know, but I must have felt that, because I was so struck by the change. My Englishman came back and we resumed our drive to Claridge’s. He asked about America. He had been an Oxford debater and had travelled through forty-seven of our states. He was wistful about that forty-eighth state, one of the Dakotas. He wanted me to tell him about it. As I had never been in it either, I couldn’t help him much. With a careful detachment, he asked about “the election.” In the ensuing eight weeks of my stay, I was to observe that no matter where a conversation started, it always ended up with speculation about the forthcoming election. I may add that I never heard a word against Dewey from any Englishman. That all came from the Americans.

  Down the Strand, past the Admiralty Arch, and across Piccadilly Circus, with its boxed-up Eros, I kept my eyes—while I consoled my companion for having missed North or South Dakota—at the windows, watching the familiar streets and the people on the sidewalks. The streets, with distressing elisions, were still there, but they were subdued and very shabby, and so were the pedestrians. There was an air about the buildings and the people of being on the defensive. London, it was apparent at once, had endured unbelievably and was still enduring unbelievably. Thirty-six hours before, I had left an America simmering with the exhilaration of a boom; England was tense in the paroxysm of a death struggle. When I left New York, the end of the war was imminent—“in the bag,” as people said—but here it was being fought out.

  · · ·

  An English editor I met on the plane had told me that the day after I arrived would provide one of the biggest news stories of the war: London, for the first time in five years, was to have light. That night, however, the blackout was still to be on, and I deposited my fifty-five pounds of luggage in Claridge’s and went for a walk while there was still some daylight. I made for Berkeley Square. Soldiers and sailors, English and American, were walking with their girls in a faint, intermittent drizzle. Most of the women wore no stockings. I had been seeing this all summer in New York. But the American legs were tanned and agreeable, whereas these English ones were muddy and streaked bluish and red with the cold. (A young woman later told me that she was embarrassed at having to go without stockings. “I hate the unusual,” she said.
As she had been going barelegged for five years, I wondered how long it took for the unusual to become the usual.) The façades of the houses leading into the square have a strangely quiet look; at a casual glance, you might think the houses were shut up for the weekend, but a closer inspection shows you that they have been shut up for longer than that. I peered in through a grimy, narrow, leaded window at the side of a fine oaken street door. Behind it was a great, obscene shambles of shattered brick and mortar and twisted iron. A huge sheet of what had been a fluted ceiling lay against a section of stairway, as if propped up on one elbow. I looked down the row. Several places in the long vista of wreckage had been cleared for the pools—for emergency use against incendiaries—which are now a common feature of the London scene. These dark, liquid oblongs, fine-meshed in the rain, reflected jagged back walls and gargoyles of contorted pipes. I remembered going out to the set in Hollywood where Leslie Howard was making the motion picture of Berkeley Square. Those reproductions of eighteenth-century façades had not much less behind them than this one had.

 

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