I was at the bottom. I searched until I found it, standing on end in a crack in the rock face like a miniature statue in a cathedral wall. It was smaller than I remembered, less impressive. Three nondescript fossils of long-extinct creatures crushed together in a chunk of limestone, enjoying their five minutes of fame after a long, dark wait. I rubbed my thumb over them and over the marks left by Rosie’s chisel. One thing was certain: nobody would be doing the same to any of us after that length of time.
It was hot down there in the secret world of the quarry, the stone walls radiating the heat they had stored in the last few days. A square of rocks and a pile of ashes marked where someone had lit a fire, their empty beer cans mixed in with the dead embers. It sounded fun. A campfire and a couple of beers; what could be nicer? What was it Debra Grainger had said? Simple gifts? I turned and hurled the clump of fossils as hard as I could into the trees at the far side. It arced through the air, spinning, until I lost it against the shadows and then found it again as it rustled the leaves in its fall to earth, its return to obscurity. No birds flew away, startled by the intrusion, or maybe they couldn’t be bothered.
A spot of rain fell on me. I found a boulder and sat on it, near where the class of ’02 had hung on to every word the teacher said. Well, one of them had. I reached into my inside pocket and removed two envelopes. One of them held the tickets for that evening’s performance at the Playhouse. I took them out, studied them for a long minute and then tore them into thin strips that I let flutter down around my feet. If nature could return a car to its organic state it would make short shrift of a couple of theatre tickets. The Dream had turned into a nightmare, and it fell upon me to deliver it.
The next envelope held the report from the lab, sitting on my doormat as innocently as a newborn sparrow when I returned home.
“The bad news,” the scientist had told me on the telephone, “is that you got the wrong man. Abraham Barraclough didn’t kill Glynis Williams.” Then, when I’d finished wittering about the right or wrong grave, he’d added with an air of triumph: “But would you like me to tell you the good news?”
I preferred the dispassion of the report to his gloating tones, and unfolded the single A4 sheet.
The bones from A, it said, were examined using a sex test and ten variable regions of DNA. They were male in origin.
The blood B from under the fingernails was examined and also found to be male in origin but it did not match the profile obtained from A, indicating that this blood could not have come from A.
That’s all we wanted to know, but there was more:
However, the profile obtained from B did show 5 of the 10 alleles present in the sample from A. These are the results we would expect if B were the natural father or son of A.
The DNA from sample C was examined and found to be female in origin and also showed half of the alleles present in sample A such that the results fully support the allegation that C is the natural daughter of A.
My head ached with the clunking of pieces falling into place. Rosie’s father was everything she believed he was, and a lot more. He was kind and courageous, compassionate and wise, and he burned with a love for his children.
But her brother, who ran away to sea, was a murderer.
Abraham Barraclough had seen his son come off the hillside that fateful evening, and later, after the girl’s body was found, he’d seen the scratches on the boy’s neck. When they started testing for blood groups he knew it was only a matter of time before the truth was revealed, so he took action to protect those he loved.
He probably grilled the boy – I didn’t even know his name – until he dragged out of him a few intimate details, like the colour of Glynis’s underwear. Then he scratched his own neck and went to the police station to confess to a murder. A joyful DCI Henry Ratcliffe recorded his statement and later that night Barraclough hanged himself. The case was closed.
I may have had a few details wrong, but there was no doubt about the overall truth of my theory. The son would be about forty-three now. Tomorrow, or the next day, or next week, wherever he was, two detectives from Dyfed would walk up his garden path, or ask his captain if they could see him, and he’d be arrested for a murder that he thought was long forgotten. Big blobs of rain were falling on the dry grass around my feet, stirring the stalks, promising a renewal of life.
And it was my job to tell his sister. A dog barked and I heard children laughing, somewhere outside the quarry. In a few days they’d all be back at school. It was the gala tomorrow but I wouldn’t be there. I didn’t know where I’d be. A magpie landed about twenty feet away, saw me and flew off, complaining loudly about the intrusion. I turned my face upwards to catch the raindrops. The square of blue sky had stretched out into a rhombus and a jetliner was crawling across it, leaving a silver trail behind like a snail across a window.
I’d have given my pension to be on it.
About the Author
STUART PAWSON had a career as a mining engineer, followed by a spell working for the probation service, before he became a full-time writer. He lives in Fairburn, Yorkshire, and, when not hunched over the word processor, likes nothing more than tramping across the moors, which often feature in his stories. He is a member of the Murder Squad and the Crime Writers’ Association.
www.stuartpawson.com
By Stuart Pawson
IN THE DI CHARLIE PRIEST SERIES
The Picasso Scam
The Mushroom Man
The Judas Sheep
Last Reminder
Deadly Friends
Some by Fire
Chill Factor
Laughing Boy
Limestone Cowboy
Over the Edge
Shooting Elvis
Grief Encounters
A Very Private Murder
Copyright
Allison & Busby Limited
13 Charlotte Mews
London W1T 4EJ
www.allisonandbusby.com
Copyright © 2003 by STUART PAWSON
First published in hardback by Allison & Busby in 2003.
Published in paperback published in 2004.
This ebook edition first published in 2012.
The moral right of the author has been asserted.
All characters and events in this publication other than those clearly in the public domain are fictitious and any resemblance to actual persons, living or dead, is purely coincidental.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means without the prior written permission of the publisher, nor be otherwise circulated in any form of binding or cover other than that in which it is published and without a similar condition being imposed on the subsequent buyer.
A CIP catalogue record for this book is available from the British Library.
ISBN 978–0–7490–1166–6
Limestone Cowboy Page 24