Golden Aples of the Sun (golden aples of the sun)

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Golden Aples of the Sun (golden aples of the sun) Page 4

by Ray Bradbury


  They let the wind blow them where it would; they let the wind take them through the night of summer apple trees and the night of warm preparation, over the lovely town, over the houses of childhood and other days, over schools and avenues, over creeks and meadows and farms so familiar that each grain of wheat was a golden coin. They blew as leaves must blow below the threat of a fire-wind, with warning whispers and summer lightning crackling among the folded hills. They saw the milk-dust country roads where not so long ago they had drifted in moonlit helicopters in great whorls of sound spiraling down to touch beside cool night streams with the young men who were now gone.

  They floated in an immense sigh above a town already made remote by the little space between themselves and the earth, a town receding behind them in a black river and coming up in a tidal wave of lights and colour ahead, untouchable and a dream now, already smeared in their eyes with nostalgia, with a panic of memory that began before the thing itself was gone.

  Blown quietly, eddying, they gazed secretly at a hundred faces of dear friends they were leaving behind, the lamplit people held and framed by windows which slid by on the wind, it seemed; all of Time breathing them along. There was no tree they did not examine for old confessions of love carved and whittled there, no sidewalk they did not skim across as over fields of mica-snow. For the first time they knew their town was beautiful and the lonely lights and the ancient bricks beautiful, and they both felt their eyes grow large with the beauty of this feast they were giving themselves. All floated upon an evening carrousel, with fitful drifts of music wafting up here and there, and voices calling and murmuring from houses that were whitely haunted by television.

  The two women passed like needles, sewing one tree to the next with their perfume. Their eyes were too full, and yet they kept putting away each detail, each shadow, each solitary oak and elm, each passing car upon the small snaking streets below, until not only their eyes but their heads and then their hearts were too full.

  I feel like I’m dead, thought Janice, and in the graveyard on a spring night and everything alive but me and everyone moving and ready to go on with life without me. It’s like I felt each spring when I was sixteen, passing the graveyard and weeping for them because they were dead and it didn’t seem fair, on nights as soft as that, that I was alive. I was guilty of living. And now, here, tonight, I feel they have taken me from the graveyard and let me go above the town just once more to see what it’s like to be living, to be a town and a people, before they slam the black door on me again.

  Softly, softly, like two white paper lanterns on a night wind, the women moved over their lifetime and their past, and over the meadows where the tent cities glowed and the highway where supply trucks would be clustered and running until dawn. They hovered above it all for a long tune.

  The courthouse clock was booming eleven forty-five when they came like spider webs floating from the stars, touching on the moonlit pavement before Janice’s old house. The city was asleep, and Janice’s house waited for them to come in searching for their sleep, which was not there.

  “Is this us, here?” asked Janice. “Janice Smith and Leonora Holmes, in the year 2003?”

  “Yes.”

  Janice licked her lips and stood straight. “I wish it was some other year.”

  “1492? 1612?” Leonora sighed, and the wind in the trees sighed with her, moving away. “It’s always Columbus Day or Plymouth Rock Day, and I’ll be darned if I know what we women can do about it.”

  “Be old maids.”

  “Or do just what we’re doing.”

  They opened the door of the warm night house, the sounds of the town dying slowly in their ears. As they shut the door, the phone began to ring.

  “The-call!” cried Janice, running.

  Leonora came into the bedroom after her and already Janice had the receiver up and was saying, “Hello, hello!” And the operator in a far city was readying the immense apparatus which would tie two worlds together, and the two women waited, one sitting and pale, the other standing, but just as pale, bent toward her.

  There was a long pause, fall of stars and time, a waiting pause not unlike the last three years for all of them. And now the moment had arrived, and it was Janice’s turn to phone through millions upon millions of miles of meteors and comets, running away from the yellow sun which might boil or bum her words or scorch the meaning from them. But her voice went like a silver needle through everything, in stitches of talking, across the big night, reverberating from the moons of Mars. And then her voice found its way to a man in a room in a city there on another world, five minutes by radio away. And her message was this:

  “Hello, Will. This is Janice!”

  She swallowed.

  “They say I haven’t much time. A minute.”

  She closed her eyes.

  “I want to talk slow, but they say talk fast and get it all in. So I want to say ‘- I’ve decided. I will come up there. I’ll go on the Rocket tomorrow. I will come up there to you, after all. And I love you. I hope you can hear me. I love you. It’s been so long….”

  Her voice motioned on its way to that unseen world. Now, with the message sent, the words said, she wanted to call them back, to censor, to rearrange them, to make a prettier sentence, a fairer explanation of her soul. But already the words were bung between planets and if, by some cosmic radiation, they could have been illuminated, caught fire in vaporous wonder there, her love would have lit a dozen worlds and startled the night side of Earth into a premature dawn, she thought. Now the words were not hers at all, they belonged to space, they belonged to no one until they arrived, and they were-travelling at one hundred and eighty-six thousand miles a second to their des filiation.

  What will he say to me! What will he say back in his minute of time? she wondered. She fussed with and twisted the watch on her wrist, and the lightphone receiver on her ear crackled and space talked to her with electrical jigs and dances and audible auroras.

  “Has he answered?” whispered Leonora.

  “Shhh!” said Janice, bending, as if sick.

  Then his voice came through space.

  “I hear him!” cried Janice.

  “What does he say?”

  The voice called out from Mars and took itself through the places where there was no sunrise or sunset, but always the night with a sun in the middle of the blackness. And somewhere between Mars and Earth everything of the message was lost, perhaps in a sweep of electrical gravity rushing by on the flood tides of a meteor, or interfered with by a rain of silver meteors. In any event, the small words and the unimportant words of the message were washed away. And his voice came through saying only one word:

  “… love…”

  After that there was the huge night again and the sound of stars turning and suns whispering to themselves and the sound of her heart, like another world in space, filling her earphones.

  “Did you hear him?” asked Leonora.

  Janice could only nod.

  “What did he say, what did he say?” cried Leonora.

  But Janice could not tell anyone; it was much too good to tell. She sat listening to that one word again and again, as her memory played it back. She sat listening, while. Leonora took the phone-away from her without her knowing it and put it down upon its hook.

  Then they were in bed and the lights out and the night wind blowing through the rooms a smell of the long journey in darkness and stars, and their voices talking of tomorrow, and the days after tomorrow which would not be days at all, but day-nights of timeless time; their voices faded away into sleep or wakeful thinking, and Janice lay alone in her bed.

  Is this how it was over a century ago, she wondered, when the women, the night before, lay ready for sleep, or not ready, in the small towns of the East, and heard the sound of horses in the night and the creak of the Conestoga wagons ready to go, and the brooding of oxen under the trees, and the cry of children already lonely before their time? All the sounds of arrivals and departur
es into the deep forests and fields, the blacksmiths working in their own red hells through midnight? And the smell of bacons and hams ready for the journeying, and the heavy feel of the wagons like ships foundering with goods, with water in the wooden kegs to tilt and slop across prairies, and the chickens hysterical in their slung-beneath-the-wagon crates, and the dogs running out to the wilderness ahead and, fearful, running back with a look of empty space in their eyes? Is this, then, how it was so long ago? On the rim of the precipice, on the edge of the cliff of stars. In their time the smell of buffalo, and in our time the smell of the Rocket. Is this, then, how it was?

  And she decided, as sleep assumed the dreaming for her, that yes, yes indeed, very much so, irrevocably, this was as it had always been and would forever continue to be.

  Invisible Boy

  1945

  She took the great iron spoon and the mummified frog and gave it a bash and made dust of it, and talked to the dust while she ground it in her stony fists quickly. Her beady gray bird-eyes nickered at the cabin. Each time she looked, a head in the small thin window ducked as if she’d fired off a shotgun.

  “Charlie!” cried Old Lady. “You come outa there! I’m fixing a lizard magic to unlock that rusty door! You come out now and I won’t make the earth shake or the trees go up in fire or the sun set at high noon!”

  The only sound was the warm mountain light on the high turpentine trees, a tufted squirrel cluttering around and around on a green-furred log, the ants moving in a fine brown line at Old Lady’s bare, blue-veined feet.

  “You been starving in there two days, dam you!” she panted, chiming the spoon against a flat rock, causing the plump gray miracle bag to swing at her waist. Sweating sour, she rose and marched at the cabin, bearing the pulverized flesh. “Come out, now!” She flicked a pinch of powder inside the lock. “All right, I’ll come get you!” she wheezed.

  She spun the knob with one walnut-coloured hand, first one way, then the other. “0 Lord,” she intoned, “fling this door wide!”

  When nothing flung, she added yet another philter and held her breath. Her long blue untidy skirt rustled as she peered — into her bag of darkness to see if she had any scaly monsters there, any charm finer than the frog she’d killed months ago for such a crisis as this.

  She heard Charlie breathing against the door. His folks had pranced off into some Ozark town early this week, leaving him, and he’d run almost six miles to Old Lady for company — she was by way of being an aunt or cousin or some such, and he didn’t mind her fashions.

  But then, two days ago. Old Lady, having gotten used to the boy around, decided to keep him for convenient company. She pricked her thin shoulder bone, drew out three blood pearls, spat wet over her right elbow, tromped on a crunch-cricket, and at the same instant clawed her left hand at Charlie, crying, “My son you are, you are my son, for all eternity!”

  Charlie, bounding like a startled hare, had crashed off into the bush, heading for home.

  But Old Lady, skittering quick as a gingham lizard, cornered him in a dead end, and Charlie holed up in this old hermit’s cabin and wouldn’t come out, no matter how she whammed door, window, or knothole with amber-coloured fist or trounced her ritual fires, explaining to him that he was certainly her son now, all right.

  “Charlie, you there?’ she asked, cutting holes in the door planks with her bright little slippery eyes.

  “I’m all of me here,” he replied finally, very tired.

  Maybe he would fall out on the ground any moment. She wrestled the knob hopefully. Perhaps a pinch too much frog powder had grated the lock wrong. She always overdid or underdid her miracles, she mused angrily, never doing them just exact. Devil take it!

  “Charlie, I only wants someone to night-prattle to, someone to warm hands with at the fire. Someone to fetch kindling for me mornings, and fight off the spunks that come creeping of early fogs! I ain’t got no fetchings on you for myself, son, just for your company.” She smacked her lips. “Tell you what, Charles, you come out and I teach you things!”

  “What things?” he suspicioned.

  “Teach you how to buy cheap, sell high. Catch a snow weasel, cut off its head, carry it warm in your hind pocket. There!”

  “Aw,” said Charlie.

  She made haste. “Teach you to make yourself shot-proof. So if anyone bangs at you with a gun, nothing happens.”

  When Charlie stayed silent, she gave him the secret in a high fluttering whisper. “Dig and stitch mouse-ear roots on Friday during full moon, and wear ‘em around your neck in a white silk.”

  “You’re crazy,” Charlie said.

  “Teach you how to stop blood or make animals stand frozen or make blind horses see, all them things I’ll teach you! Teach you to cure a swelled-up cow and unbewitch a goat. Show you how to make yourself invisible!”

  “Oh,” said Charlie.

  Old Lady’s heart beat like a Salvation tambourine.

  The knob turned from the other side.

  “You,” said Charlie, “are funning me.”

  “No, I’m not,” exclaimed Old Lady. “Oh, Charlie, why, I’ll make you like a window, see right through you. Why, child, you’ll be surprised!”

  “Real invisible?”

  “Real invisible!”

  “You won’t fetch onto me if I walk out?”

  “Won’t touch a bristle of you, son.”

  “Well,” he drawled reluctantly, “all right.”

  The door opened. Charlie stood in his bare feet, head down, chin against chest. “Make me invisible,” he said.

  “First we got to catch us a bat,” said Old Lady. “Start lookin’!”

  She gave him some jerky beef for his hunger and watched him climb a tree. He went high up and high up and it was nice seeing him there and it was nice having him here and all about after so many years alone with nothing to say good morning to but bird-droppings and silvery snail tracks.

  Pretty soon a bat with a broken wing fluttered down out of the tree. Old Lady snatched it up, beating warm and shrieking between its porcelain white teeth, and Charlie dropped down after it, hand upon clenched hand, yelling.

  That night, with the moon nibbling at the spiced pine cones. Old Lady extracted a long silver needle from under her wide blue dress. Gumming her excitement and secret anticipation, she sighted up the dead bat and held the cold needle steady-steady.

  She had long ago realized that her miracles, despite all perspirations and salts and sulphurs, failed. But she had always dreamt that one day the miracles might start functioning, might spring up in crimson flowers and silver stars to prove that God had forgiven her for her pink body and her pink thoughts and her warm body and her warm thoughts as a young miss. But so far God had made no sign and said no word, but nobody knew this except Old Lady.

  “Ready?” she asked Charlie, who crouched cross-kneed, wrapping his pretty legs in long goose-pimpled arms, his mouth open, making teeth. “Ready,” he whispered, shivering.

  “There!” She plunged the needle deep in the bat’s right eye. “So!”

  “Oh!” screamed Charlie, wadding up his face.

  “Now I wrap it in gingham, and here, put it in your pocket, keep it there, bat and all. Go on!”

  He pocketed the charm.

  “Charlie!” she shrieked fearfully. “Charlie, where are you? I can’t see you, child!”

  “Here!” He jumped so the light ran in red streaks up his body. “I’m here. Old Lady!” He stared wildly at his arms, legs, chest, and toes. “I’m here!”

  Her eyes looked as if they were watching a thousand fireflies crisscrossing each other in the wild night air.

  “Charlie, oh, you went fast! Quick as a hummingbird! Oh, Charlie, come back to me!”

  “But I’m Acre!” he wailed.

  “Where?”

  “By the fire, the fire! And — and I can see myself. I’m not invisible at all!”

  Old Lady rocked on her lean flanks. “Course you can see you! Every invisible per
son knows himself. Otherwise, how could you eat, walk, or get around places? Charlie, touch me. Touch me so I know you.”

  Uneasily he put out a hand.

  She pretended to jerk, startled, at his touch. “Ah!”

  “You mean to say you can’t find me?” he asked. “Truly?”

  “Not the least half rump of you!”

  She found a tree to stare at, and stared at it with shining eyes, careful not to glance at him. “Why, I sure did a trick that time!” She sighed with wonder. “Whooeee. Quickest invisible I ever made! Charlie. Charlie, how you feel?”

  “Like creek water — all stirred.”

  “You’ll settle.”

  Then after a pause she added, “Well, what you going to do now, Charlie, since you’re invisible?”

  All sorts of things shot through his brain, she could tell. Adventures stood up and danced like hell-fire in his eyes, and his mouth, just hanging, told what it meant to be a boy who imagined himself like the mountain winds. In a cold dream he said, “I’ll run across wheat fields, climb snow mountains, steal white chickens off’n farms. I’ll kick pink pigs when they ain’t looking. I’ll pinch pretty girls’ legs when they sleep, snap their garters in schoolrooms.” Charlie looked at Old Lady, and from the shiny tips of her eyes she saw something wicked shape his face. “And other things I’ll do, I’ll do, I will,” he said.

  “Don’t try nothing on me,” warned Old Lady. “I’m brittle as spring ice and I don’t take handling.” Then: “What about your folks?”

  “My folks?”

  “You can’t fetch yourself home looking like that. Scare the inside ribbons out of them. Your mother’d faint straight back like timber falling. Think they want you about the house to stumble over and your ma have to call you every three minutes, even though you’re in the room next her elbow?”

  Charlie had not considered it. He sort of simmered down and whispered out a little “Gosh” and felt of his long bones carefully.

 

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