The Vampire's Protector

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by Michele Hauf


  “That’s...impossible.”

  This Cella Monte home had been sealed for seventy years. The mayor had told her all things inside had remained untouched. Evident from the dusty clutter she’d seen while making her way down to this room. Yet, a violin left to sit so long would certainly show its age. The wood body would dry and likely crack. The fingerboard might even separate from the neck. And the strings would loosen for sure, requiring careful tuning. After so many decades, surely new strings would be needed.

  She lifted the instrument, finding it only slightly heavier than the electric version Domingos LaRoque used when he played for Bitter/Sweet. That vampire played in her brother’s band, which combined electric guitars with cello and violin for some truly kick-ass gothic heavy metal. Summer had once owned a classic wood acoustic violin. It was probably stored away in her parents’ mansion, but she hadn’t thought about it since she’d set it aside as a teenager.

  The bow sat nestled next to the violin, so she took that out and studied the bow hairs. They were pristine and off-white and smelled of rosin, but they weren’t thickly coated with the substance. Someone had cared for this lovely prize. Or maybe it had never been played, for the bow hairs were not discolored near either end from repeated use.

  Was it really Paganini’s violin? Or simply a family instrument passed down through the ages, of which stories had been concocted about its legacy. And as the generations passed along the tale it had been forgotten which parts of the verbal history about this black violin had been embellished.

  Because really? The legend told that on his deathbed Paganini requested this violin be destroyed. It had been tasked to his son to ensure it was done.

  Why had it not? And what made Acquisitions believe this particular instrument was the real thing? What was it about this violin that made it a danger to others? Did it possess magic? Had it been magic that had given Paganini his unprecedented skill?

  Summer believed in magic. Witchcraft. That was real. Tangible. Explainable. But fantastical bob-bib-be-bo that swirled about a thing with Disney sparkles? Not so much.

  She had to remind herself that oftentimes the items she sought appeared innocuous and common.

  A stroke of her finger across the violin body glided over the slick, lacquered surface. Did she dare? If she pulled the bow across the strings would the instrument crumble and fall to pieces? Violins actually seemed to improve with age. There were centuries-old Stradivarii that sold for millions at auction. Was this a Strad?

  Aiming the flashlight on her cell phone, she checked inside the body of the violin. There wasn’t a paper designating the maker and year, though some writing did show on the curved inner rib. She couldn’t make out what it said. If she had one of those flexible gooseneck tools with a light on the end she could thread it inside the instrument and learn more about it. But even if she could read it, it would likely be in Italian. She spoke and read only French and English.

  She checked the case and found nestled in a square of soft fabric a round lump of amber rosin that should rightfully be as hard as glass. Instead it smelled sweet and had the slightest give to it. She ran the bow across it quickly, and the hairs took on the sticky rosin, which was designed to give the hairs good grip.

  Something at her ear whispered softly, like a teasing springtime breeze coaxing her to walk outside, enjoy the absence of snow. She really hated the snow. Flowers and the warmth of the sun (albeit felt through sunscreen and protective clothing) made her giddy. She couldn’t get the image out of her brain. And the idea that playing the violin would sound like spring coaxed her forward.

  She plucked the E string and...it sounded in tune. More weirdness. A quick pluck of the A, D and G strings found the same.

  “Holy crap,” she muttered.

  Giddy excitement coaxed her to place the base of the violin against her shoulder and hug it with her chin. Grasping the neck with her left fingers, she—

  “No.”

  She quickly set the violin back in the case.

  “You are not that stupid, Summer. If playing the violin was some means to calling up Beneath or the devil or some dark curse, then I’m not going to risk it.”

  Besides, she prided herself on following the rules, or at least, not rocking the boat when it came to her missions. She did her best and did not raise questions. She liked maintaining that militant control while on the job. Because in life? Not so much control. Especially when she bit people for sustenance. She did something to them. They were never the same. And that lack of control required balance in all other aspects of her life.

  Holding a hand over the violin, ready to touch it, she flinched when the breezy whisper felt more like a shove into the springtime than a suggestion. Almost as if something wanted her to touch it.

  That was creepy. And not in the good way.

  “Nope. Not going to play it.”

  She inspected the end of the bow, wondering if she should loosen the hairs a few twists because it wasn’t good for it to be kept tightened when not in use. Yet she’d found it in this condition. Obviously, this was some sort of magical violin.

  Placing the bow in the case, her wrist suddenly twisted and the bow glided across all four violin strings in rapid succession.

  “Oh shit. I did not do that.”

  She dropped the bow, but it landed on the strings, and again, drew out a series of notes.

  “No, no, no. It’s not me. I didn’t do it!”

  She looked around. A weird feeling that someone was watching and would finger her as the culprit crept up her neck. A strange silvery whisper tickled her ear, and she shook her head and slapped at her long blond hair near her ear.

  The tones from that weird, accidental bowing of the strings had sounded incredible. As if the violin had been waiting ages, endlessly, ceaselessly, for someone to come and release that sound.

  “But not me. Oh no.” She took a step away from the open violin case. Staring hard at the bow, she waited for it to move of its own volition. It didn’t flinch.

  Dashing to the case, she slapped the lid down and rebuckled the latch. Then, tucking the case under her arm, she raced down the dark hallway, fleeing toward the cool morning daylight.

  For once, she’d creeped herself out. And the last thing she needed was to be accused of playing a violin that would put her in league with the devil Himself.

  Chapter 2

  La Villetta cemetery; Parma, Italy

  “Hexensohn!”

  At the sound of the guttural accusation, the man sat up—and banged his forehead on the stone directly above him. He pressed a hand to the flat surface. Solid and cold. He pushed. It didn’t move.

  He opened his eyes to...no light. Darkness muffled. And cold, so cold. Sucking in a breath, he couldn’t feel his heartbeats.

  But he didn’t panic. The realization that he was trapped inside a container was only a minor distraction. What disturbed him was that he was aware of his thoughts. And that he was thinking. Again. After...

  His death.

  Sitting up in a panicked lunge, this time his forehead did not connect with stone, but rather, he felt a sludgy resistance as he rose upward and moved through the stone. His body ascended with little effort until his hands and shoulders felt the warmth of sunlight on them. Slapping a hand onto a hard surface, he levered his body up and out until he sat upon a stone monument.

  “What in all...?” His shoulder bumped a stone pedestal, and he leaned against it. Not relaxed, by any means, but more getting his bearings. He sat up off the ground a few feet, one leg dangling over the edifice. Columns surrounded the area, and around that, a black wrought iron fence. Had he just risen from a sarcophagus?

  Hmm... Looked like a fancy monument to someone long dead. Could it be his own? He had died. The knowledge was instinctive and ingrained. A certain fact. And he recalle
d that last, painful, gasping breath so clearly. Had it only been just yesterday?

  A deep breath took in his surroundings. The air smelled of mildew and jasmine flowers. Birds twittered nearby. And the weird rushing sound of something unfamiliar not far off. Gasping out a breath, he pressed fingertips to his chest and realized his lungs were taking in air. He breathed? But how? He— Wasn’t he dead?

  Something had sung to him. Called him. Summoned him with that vile curse hexensohn. It meant witch’s son, and he’d hated it once and already hated it again. Yet accompanying the curse he had felt the music. The pure and rapidly bowed tones from an instrument that had once facilitated his very livelihood.

  Glancing about, he took in the close-spaced tombstones and nearby mausoleums. He sat in a cemetery, upon a large tombstone. And that startled him so that he slid off the stone sarcophagus, stood, wobbling as he stepped a few paces, and then turned to study the bust placed upon the pedestal where he had just risen. He narrowed his eyes. The face and hair on the bust looked familiar. Though it wasn’t life-size, perhaps a bit bigger. Had he ever appeared so...regal?

  “Not me. Can’t be,” he muttered. “I’m dead. This is a dream. Some means of Hell torture. It has to be. No one comes back from...”

  His eyes took in the area. The entire monument he stood within was about ten feet square with eight columns, two supporting each corner of a massive canopy. Wandering to the edge and stepping down onto the narrow strip of loose stones circling the structure, he turned and looked high over the front of the canopy.

  And he read the name chiseled into the stone above. “‘Nicolo Paganini.’”

  He grasped his throat, marveling at the sound that had come from him. Because... “I could not speak for so long.”

  Years before his death he’d lost the ability to speak. It had been miserable, and he’d to rely on his son, Achille, to press an ear to his mouth so he could hear the barely imperceptible sounds he’d made and then interpret to others.

  “Achille?” Where was he? How many days had it been since his death? Had his son buried him? How had he come to rise from the grave?

  What was happening?

  The brimstone bargain? No. He had not fulfilled his portion of that wicked bargain. And yet...the sound of a violin had woken him from his eternal slumber.

  He tapped his lower lip in thought and then was surprised at the feel of his skin and—he opened his mouth. He had teeth! All of them, in fact. They had all fallen out in the years before his death.

  Looking at his hands, he marveled that the age spots that had once marked his flesh were not there. He pushed fingers up through his hair. It was long and tangled, but it felt soft, not dry from years of sickness. His face, too. The skin was smooth and taut. Had he grown young in his death? Impossible.

  Again, the steady heartbeats prompted him to touch his chest. And then he beat a sound fist against his body. When had he ever had such firm, well-developed muscles as he now felt beneath the clothing?

  What foul magic was this?

  Was he alive? Was this his body or that of some creature? What diabolic magic had been enacted to conjure him from his very grave?

  “It can’t be.”

  He thought of the devil Himself. That wicked, foul beast. The ruler of Hell, or rather, as the creature had called it, Beneath.

  “That bastard wouldn’t. He had made the offer to me so many times. Every time I refused.”

  Many a night Himself had set the black violin before Nicolo’s old and decaying body and told him he had been born with supernatural power. Why must he continue to deny his birthright?

  Nicolo had always denied that wicked magic. Many times over the decades he had performed, he had steadfastly refused the bargain Himself offered. Because he’d not wanted his son, Achille, to see him as a monster. For he knew that by drawing the bow hairs across the violin strings, he would become evil. A creature like the devil Himself.

  Supernatural power or not, he could have never lived with such a selfish choice. Instead he’d used the talent that he’d honed since a young child. And even with death withering his skin and bones, he’d not the urge to accept Himself’s final bargain on his deathbed.

  “Pick it up,” the Dark Lord had said of the black violin that gleamed with promise. “Play one song and you shall have it all. Your legacy.”

  Never, Nicolo thought.

  And yet, is that what had happened now? No, he’d not played the violin. He’d instructed Achille to ensure it was destroyed after his death. So how was he now standing before his final resting place?

  Very much alive.

  It was a rather fine-looking tomb, if he did say so. Quite a large pediment and a glorious monument to the maestro.

  The maestro himself. A man now seemingly unhampered by age and time—even death—and feeling rather as if he was in his twenties again.

  How much time had passed? Closing his eyes, Nicolo concentrated on the sounds, moving beyond the birds and weird rushing nearby to that minute rhythm. It wasn’t coming from a window or even a distant concert hall. It was coming from within him. From his very soul.

  Did he have a soul now? Should not death have released his soul?

  A profound thought.

  A few simple notes had woken him. Not even a tune or melody. Bow across strings. Almost accidental, really. Yet those notes had sung to him. Calling him. Luring him. Gesturing with a coaxing finger for him to follow.

  Achille must not have destroyed the black violin. Had someone found the instrument? Were they playing it right now? It had literally pulled him up from death. He knew that as he knew his heart beat now.

  Nicolo turned about, lost in the odd sensation of being lured and yet feeling as if he’d just been reborn. His eyes fell to a nearby tombstone that detailed Marie Grace’s final rest taking place in 1920.

  “1920? But that’s...”

  He had died in 1840 after living fifty-eight years. A splendid life. A troubled life. A boisterous and desperate life. But he regretted none of it. For he had lived for his pleasure and had fathered a smart and kind son.

  Had so much time passed then? Eighty years? The woman’s tombstone looked old. A corner was chipped, and soot and moss covered half the surface. It could be even later than 1920. Yet the idea of stepping into the world so far into the future was impossible to fathom.

  Nicolo stepped forward and gripped the wrought iron fence encircling his tomb. Where must he go? How would he go? And with what means would he survive? And what would he do now that he’d risen from death? Would the violin continue to sing and lure him down the dark and evil path he had literally been born to follow?

  The music grew more insistent, and his newly beating heart answered those desperate questions for him. There was only one thing he could do to ensure that bedamned bargain did not claim him. He must find the violin that had called him up from death. And destroy it.

  * * *

  Sitting in the silver Audi with the windows rolled down, Summer glided her fingers over the leather violin case nestled on the passenger seat. Since discovering the instrument an hour earlier she’d been hearing the silvery whisper intermittently. It wasn’t a voice, more just a sound, a distant note on a violin. So far away that she had to lean forward and tilt her head to hear it, but she wanted to hear it. To answer it.

  And that was strange. She likened it to her vampiric persuasion. Had she fallen under some weird thrall when uncovering the violin? If it really had come from the devil Himself any number of malevolent spells or hexes could be attached to the instrument.

  The thought gave her a shudder. It took a lot to scare her. Devil’s magic was number one on that very short list. Demons ranked number two.

  Her reflection in the rearview mirror showed a tired blonde with dirt smeared across her cheek and dust still cluttered in her
hair. She’d driven straight from Paris to Italy and hadn’t slept since two days earlier. She required a few hours shut-eye each night. That’s what she was considering now as the car idled roadside at the edge of Parma.

  She rubbed at the dirt on her chin, but didn’t bother when it smeared. She was used to being dirty. In her spare time she liked to work on cars, and getting greasy was part of the fun. Makeup and hair spray? Ugh. Leave the war paint for the girlie girls. Much to her ultrafeminine mother’s annoyance, Summer was a tomboy to the bone.

  Probably another reason why the Retriever job fit her like a glove. She didn’t mind the tough work, long hours, travel or the dirt. And she really didn’t mind the creep factor.

  Except when said creep factor was accompanied by a violin that played itself. But had it really? Or maybe the unconscious fear of evil she had was putting that freaky scenario in her brain. It could have been that she’d dropped the bow, the bow hairs had slid across the violin strings, and, voilà. A few random notes had sounded. Shouldn’t raise the dead or Beneath.

  She hoped.

  “Paganini’s violin,” she whispered with awe. “Nice snatch.”

  Now to get it to Paris. Without falling asleep. A sip of blood should do the trick to keep her awake, so she’d keep her eyes peeled for a potential donor. Someone nondescript, young, not terribly attractive, but not a vagrant. She preferred mousey and bookish, actually. Though, considering what she did to them, she should probably go after criminals. But then, she argued that changing a criminal would only make him a worse danger to others. A normal person? With hope, they could handle the results of her bite.

  There was nothing she could do about it, and she did have to take blood. Bags of blood from a blood bank wouldn’t cut it. A vampire had to drink blood with a heartbeat to survive.

  Initially, she hadn’t realized what her bite did to humans. Her father, Vaillant, had been the first to notice. He’d gone along with her those first times when she’d come into her fangs at puberty and had taught her to stalk the shadows and take a donor without killing. Yet, her father had noticed that her donors were different after Summer’s bite. Some struggled with voices about them that they grasped for as if at insects. Others shouted out to nothing but the madness inside them. It seemed a condition that lasted for hours.

 

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