by Annabel Lyon
“You’re an actor, aren’t you?” I murmur, smiling stiffly.
“I have to be.”
The officers pass, saluting Alexander, squinting at me, ignoring Arrhidaeus, who sits oblivious through all of this, high up on Tar, plucking at his thick lips.
“Thank you,” I say when they’re out of earshot.
Alexander looks up at his brother on my horse. “I can’t ask questions in front of the others. I can’t let them know I don’t understand. When I’m king they’ll remember and they won’t respect me.”
“Private lessons, then. I’ll arrange it with Leonidas.”
He nods.
“Can I clear up one thing quickly, before you go? My lessons are to make you think in ways others don’t. To make your world bigger. Not this world”—I wave a hand to take in the stables, the palace, Pella, Macedon—“but the world in here.” I tap my temple.
“I thought you didn’t believe in two worlds.”
I point at him. He smiles for real now, pleased with himself, and runs off to rejoin the boys, who are now under the eye of one of the officers, their riding master. Alexander swings up onto Ox-Head and joins the file out of the yard and into the arena.
“Look, Arrhidaeus.” I point after him. “Look how tall he sits, and how he keeps his heels down.”
“Down.” Arrhidaeus bumps up and down a couple of times, impatient for us to go our own way.
CAROLUS SAYS I’M WRONG. “It’s not the father at all, it’s the mother. Olympias takes up so much room in his head, I’m surprised her hands aren’t sticking out of his ears. He gets a lot from her, no doubt at all.”
We’re in my house, summer ending, supper just finished, talking about the prince’s weirdness. “It’s like he already is king in his mind,” I say. “Never showing weakness. The insolence, the dramatic gestures. The brains, for that matter. Philip’s not stupid.”
“Nor is Olympias.” Carolus lies back on his couch, wine cup trailing from his long fingers. “Can you believe she used to be a beauty? Not all tight and dried like she is now.”
“A dried apricot.”
“It’s difficult skin, red-haired skin.” Carolus closes his eyes. “I’ve seen it in actors. The reds age quicker than others. Darker skin looks younger longer, for some reason. Do you know why that is?”
“More oils?” I guess.
“Alexander got her looks, anyway. I don’t see Philip in him at all.”
“You find him attractive?”
Carolus doesn’t miss a beat. “I find them all attractive, friend. Though, yes, he’s got a little something extra. Just who he is, maybe, the power he has, or will have. You can’t help wanting to see that on its knees. You don’t?”
I shake my head.
“You do,” Carolus says. “You just don’t know it yet.”
“Lysimachus does. You know Lysimachus, his history master?”
Carolus nods. “Always go carefully around large animals in heat.”
“It’s all sex with you, isn’t it.”
He laughs. “Not just me. I was a bit of an oddity in Athens, I’ll grant you, but here I fit right in. It’s in the air, the dirt, the water. It touches everything. Why am I telling you this, anyway? You’re from here. You know.”
I shake my head. “It was different then. Power changes things, maybe. Macedon wasn’t the power it is today when I was young. I don’t remember it being so—charged.”
“Well, whatever the reason. They celebrate with it, they make people suffer with it, they do their business with it. They run the kingdom with it. You’ve heard about Pausanias’s promotion?”
I nod. Pausanias was a soldier who serviced the king so thoroughly, gossip had it, that he made officer the next morning. Not the Philip I remember, but I’ve been away a long time. Who knows?
“Maybe because of how they lock their women away here,” he says. “Where is that wife of yours, anyway? She didn’t even eat with us.”
“She thought you might prefer that.”
“She thought wrong.” Carolus sits up. “I miss talking to women. Haul her on out here and let’s see what she thinks.”
I send a slave to find her. “Thinks about what?”
“About our boy.”
Pythias appears minutes later with a plate of sweets that she sets on the floor beside Carolus’s couch. “Husband,” she murmurs.
I pat the couch beside me. “We were just talking about the prince.”
Carolus says, “We were talking about love.”
She sits and lets me take both of her hands in mine. “I liked him very much, the once we met.”
“Liked him why?” Carolus demands.
Pythias says, “He seemed frail.”
Carolus and I snort, laughing.
“Frail and sad.” She’s frowning, distressed but determined too.
Carolus takes her hand and kisses it. “Forgive us, pretty one. We’re just all barnacled over with meanness, the two of us.”
“I’m not,” I say.
“I’m sure he’s very good at sports,” Pythias says. “That’s not what I meant. Will you laugh at me if I say lonely? He seemed like a lonely little boy, younger than his years, with that awful shrieking mother. I wanted to hug him and whisper in his ear, ‘Come stay with me for a while. I’ll take care of you.’ ”
“You did?” I say.
Carolus leans forward. “Did you, indeed.”
I LIKE THE FEELING of combing out the tangles in things, of looking at the world around me and feeling I’m clearing all the brush, bit by bit. This bit reclaimed from chaos, and this bit here, and that bit there. Back in Mytilene, my focus was on biology, particularly marine life. Here in Pella, I want something new.
I feel the thoughts clustering, forming a constellation whose inner logic I’ve yet to perceive, the harmony of whose spheres I’ve yet to hear. It’s that little book on theatre I sketched for Carolus: something about his father and my father, Illaeus’s sickness and my own, and my two young princes, especially Alexander. He’s a different boy in our private sessions: tense, intense. He rarely smiles. He asks incessant questions and writes down the answers. These sessions are generally late in the evening to keep them secret; he’s giving up sleep for the pretense of effortlessness. He’s angry, curious, pompous, charming, driven. He’s a comedy or a tragedy, one or the other. Which?
My nephew, I’ve decided, is a comedy. He’s found himself a house in the city, and his comings and goings are less my concern these days. I visit him there for an informal supper, and am surprised by the gap that has grown up between us, between his student-slovenliness and his elaborate care of me, his older guest. The place has a reek to it. He has, moreover, found himself a lover—so he tells me, while we eat, lying on couches in the courtyard in a drift of fall leaves—and is throwing gifts at the boy like he’s a moving target.
“Three pairs of winter shoes!” Callisthenes brags.
“That’s practical,” I say. “At least you’re not off writing poetry all day.”
“Picking flowers,” Callisthenes says.
“You did that?”
Callisthenes covers his eyes with his hand, laughing at himself.
“Pythias instructs me to ask you,” I say, “before I forget, are you provisioned for the winter? She says to tell you to start thinking about your squash and your beans, about putting them up now, while they’re still available in the market. I think she’ll make a list for you, if you like.”
“My squash and my beans,” he says. “Dear Auntie. Has she had that beer yet?”
“Respect,” I say.
He laughs again.
After we finish our meal, he wants to talk politics; gossip, I want to say, though politics is a kind of theatre too, and it occurs to me we might tease out something useful for the new work I’m contemplating. The personalities of the city-states, the logic of their confrontations, the simultaneous sense of both the contingent and the inexorable. Philip is still in Thrace. Athens clashes with Cardia, in th
e Chersonese, where the Athenian corn ships must pass. Philip will back Cardia when the time comes, ever so reasonably and regretfully. Demosthenes rants as much, fumes and foams about it in the Athenian assembly. I tell Callisthenes it’s well known that Demosthenes writes all his speeches out in advance, and is incapable of putting two words together if they’re not already written on a piece of paper in front of him. I tell him how he studied the gestures of actors, and how as a young man he built himself an underground room in which to practise gesturing and declaiming, and how to make himself focus he would shave half his head so he’d be too ashamed to go out in public, thus forcing himself to stay home and work. Callisthenes puts his head to the side and opens his mouth to question the ridiculousness of this, but I tell him that’s not the point. The point is that the man allows these stories to be told of himself, is proud of them. I invent a word for the sake of clever conversation, the verb to Cassandra. He Cassandras away about Philip, I tell my nephew, like an actor hoping for a prize.
“Alexander goes to your director friend for lessons in rhetoric,” Callisthenes says. He’s started attending my lessons with the boys, and being younger is more in their confidence. “He has to memorize everything, though. Carolus won’t let him speak with notes.”
A suspicion erupts like a little bubble on the surface of my mind. “That boy of yours,” I say. “Is he one of the pages?”
“Of course.” Callisthenes lies on his back, gazing at the sky. “They’re like a little harem, those pages. Lots of the Companions use them. His family comes from up north somewhere. He’s terribly lonely. He likes the attention.”
“You’re over your qualms, then. Macedonian rapacity and vulgarity and so forth.”
“Qualms.” A blunt word for stabbing, but he tries to stab me with it. He doesn’t want to be reminded.
“So Alexander goes to Carolus.”
“Unofficially, of course.”
Of course.
THE FIRST SNOW OF the season comes whispering late one grey afternoon, just as the light is going, and I’m walking home from my weekly obligation to attend court. I find the slaves murmuring to each other, and then the reason why: Pythias is sitting in a corner of our spare bedroom, one of the few rooms without a window, with her veil drawn over her head.
“What is it?” She lifts her arms above her head and sprinkles her fingers down to her lap.
She’s been waiting all afternoon for me; won’t go outside, won’t let it touch her, until I’ve given her an explanation she can accept.
“Snow,” I say.
Most of the slaves, more gifts from Hermias, haven’t seen snow before either. I stand them under the colonnade so they can watch me go out in the courtyard bare-headed. I let it land on my arms and body, and tip my head back with my tongue out. It seems to fall from nowhere, bits of pure colourlessness peeled off from the sky and drifting down, thicker now. They’re watching me. Pythias is first: she steps out from under the colonnade and holds out a palm to catch some of the stuff. She comes to me. The slaves slowly follow, and soon we’re all standing about in the courtyard letting snow fall on our faces and wet our clothes.
“Why do they send it?” Pythias asks.
Their faces turn toward me. Yes, why?
“Who, love?” Though I know.
“The gods.”
A conversation we’ve danced around a few times before; and here we are again. She prods me toward it, sometimes, I think; can’t quite bring herself to confront me directly, but worries at it like a little dog with a big bone. “It” being my unusual religious beliefs (I choose this term as neither hers nor my own, but one we might skittishly agree on for the purposes of argument, if we ever were to argue, which we never do). Pythias is pious, keeps the household shrine, attends various temples, observes rites when there are rites to be observed—births and deaths and weddings. She sacrifices to thank and appease and show penitence; she is (though she tries to hide it from me) superstitious (she would say devout), and sees signs where I see only the natural beauty and familiar strangeness of the world. In fact I am not irreligious, and swoon before a smoke-plume of autumn birds just as she would, but for my own reasons.
“The gods don’t send it,” I say. “It’s part of the machinery of the world. When the air is cold enough, rain turns to snow. It freezes. The droplets attach to each other and harden.”
“But why?”
She wants to hear that once upon a time Apollo did this or that to a nymph and snow was the result. I can’t offer it. Divinity for me is that very plume of birds, the patterns of stars, the recurrence of seasons. I love these things and weep for the joy of them. The reality of numbers, again, for instance: I could weep if I thought about numbers for too long, their glorious architecture. I want to weep, now, for the beauty of the sky dispensing itself across my courtyard, the cold warmth in all our cheeks, the fear-turned-to-pleasure in my slaves’ eyes. Pythias sees my face and holds her hand out to me.
“For pleasure,” I manage to say. “So that we may go in and warm ourselves by the fire and look out at it from time to time, and feel—”
“It’s all right,” she says. “Come in, now.”
“—and feel—”
“It’s all right,” she says again, because I am weeping now, and not quite exactly for joy, though that too is part of the spice.
“Why do you think they send it?” I ask her.
She turns her face up to the sky. Flakes land in her hair and lashes. I look helplessly at the line of her cheek.
“To remind us of them,” she says, and there is no arguing with that.
“Master.”
I turn to the slave, take a deep breath, exhale. “Tycho.”
Tycho smiles, seeing me trying to rally. We’ve known each other a long time. “There’s a boy at the gate.”
Pythias gathers her skirts up from the whitening ground and sweeps into the house. “Your lady’s gone to the kitchen for some bread. Tell him he’ll get something in a minute.”
“He doesn’t look like a beggar.”
“Messenger?”
Tycho shrugs. “He asked for my lady.”
In the street, people are hurrying, heads down, through the snow. No one seems to have noticed Alexander standing alone by my gate. He wears sandals and a tunic; no cloak, no hat.
“Child, where’s your guard?” I ask.
“I slipped them.”
Tycho opens the gate and I hustle the prince into the courtyard just as Pythias re-emerges with a crust.
“Is that for me?”
Pythias instinctively draws up her veil. “Majesty.” Shock, pleasure.
“I followed you from court,” the boy says to me. “I wanted to see where you live.” He takes the bread from Pythias, bites, and stands there chewing, looking around.
“Tycho and I will escort you back to the palace.”
“No.” He swallows. “It’s too dark now. Not safe. You’ll have to send for my guard in the morning.”
“You’re staying the night?”
“Carolus said you wouldn’t mind.”
Pythias bows and withdraws into the house.
“I’m starving.” He puts his head back, as I did, and stares up into the sky. “I love snow.”
“They’ll be looking for you. I’ll send Tycho to the palace for your escort.”
“But I want to stay here. You can’t refuse me hospitality.”
“Your parents will worry.”
“They never worry when I spend time with Hephaestion,” the boy says. “His family’s very loyal.”
“That’s where they think you are? With Hephaestion?”
Our cock screams once; Pythias is working fast.
“Stop worrying. I’m perfectly safe here, and so are you. I haven’t brought anything bad into your house.” He looks around the courtyard some more, at my pots of winter leek and onion, and the lights in the windows. “Nice,” he says. “Cozy.”
“You’re cold.” He’s shivering. I
t’s dark now, blue dark beyond the pools of torchlight. “Would you like to see my study?”
“I want to see Pythias.”
I take him into the kitchen, where Pythias has every woman in the house putting together a meal. The cock lies on the chopping board, blood draining from its throat into a bowl. The fire roars high; it’s hot in here. When Pythias sees we mean to stay, she has two chairs pulled up in front of the fire. In front of Alexander’s chair she puts a basin of hot water.
“Take off your sandals,” she says.
While he soaks his feet and the women clatter, I take Tycho aside.
“Should I be armed?” he asks when I’ve finished.
“Just vigilant.”
He goes off to the gate to spend the night awake there, wrapped in a horse blanket.
In the kitchen, Alexander is eating a plate of cheese. It takes me a moment to realize he’s wearing my best snow-white wool.
“His clothes were soaked through,” Pythias murmurs behind me, touching my elbow. “I didn’t know what else to give him. Supper’s an hour off still, but he ate that bread so quickly.”
“You did right.” We stand together for a moment in the doorway, this thought between us: we would dote so on a son, worry the details of his feeding and clothing with such brow-furrowing tenderness. I brave a look at her face, but she can’t, won’t, look at me, and hurries back in to her women, flushing a little. It’s hot in here.
“These clothes of yours,” Alexander says when I take my seat across from him. “You don’t seem vain, but Pythias showed me your trunk when she was finding this. You could sell some of that cloth and buy a bigger house. Are you very sensitive to the feel of things?”
“Am I what?”
“I was. When I was a baby I couldn’t wear anything rough, my mother says. My skin went red and I cried all the time. Leonidas took all my nice things away. He said my baby skin needed to thicken before I could be a soldier. I like your clothes.”
“Thank you. I like them too.” Pythias’s work, all of it fine, fine, fine; I’ve learned my tastes from her. She’s made me a dandy, but I’ve lately had to hurt her feelings by buying coarser wear from the market. It’s one thing to be teased for effeminacy at court but another in the street, and I don’t go armed. “Would you like some more cheese? Bread? We’re an hour away from the meal still, Pythias tells me.”