The lion swiped at him. It struck Buster right in the face, knocking him down the stairs.
Buster had learned to take a fall as a young child, when he was part of his father’s vaudeville act. Usually these weren’t after being hit by the extremely heavy stone arm of a gargoyle, but he remained professional the entire way down. Somebody who wasn’t Buster Keaton would have broken at least two arms, three ribs, and one neck, but Buster bounced his way down with nary a bruise. Except for the horrific bruise on his face from the gargoyle slap.
“Makeup!” shouted the producer.
The makeup girl hurried over and applied some pancake makeup to Buster’s face to cover the damage. He knew that if he took the time to think about his actions, he’d stay safely at the bottom of the stairs, so he ran back up there.
As he ran, it occurred to him that maybe taking a little bit of time to think about his actions would’ve been appropriate, since he was rushing up there without a weapon or a plan for how to defeat these creatures. “Things will just work out” had resulted in many excellent motion pictures, but this was by far the most dangerous thing he’d ever done, and it might’ve been helpful to figure out how one might destroy a living gargoyle before confronting four of them head-on.
As he reached the top of the stairs, the ape looked at him with its cold dead eyes (obviously, any eyes made out of stone would be cold and dead, but somehow these were even colder and deader than you’d expect) and then grabbed Buster by the neck. Buster thought the gargoyle was going to pop his head right off, which might or might not have turned out to be an amusing sight gag, depending on the amount of blood.
The gargoyle flung him back down the stairs. Again, Buster was more than equipped to take a tumble down a staircase, but it usually didn’t happen when he was airborne first. He crashed to the bottom. He lifted each of his appendages in turn to make sure they weren’t broken, while the makeup girl dusted more makeup onto his face.
“That looked like it really hurt,” said the producer. “That much pain isn’t funny. Audiences like pratfalls but they don’t like getting the impression that every bone in your body shattered.”
Buster nodded and stood up. He was feeling a bit wobbly. He wobbled almost to the floor, then back up, then almost to the floor again, much to the delight of the crew.
During his fall down the stairs he’d constructed a plan. Human flesh and bone were not useful against stone . . . but stone was! (Diamond would be even better, but he did not have any giant diamonds available.) He marched back up the stairs, still maintaining his stone face, ready to teach these fiends a valuable lesson about messing with a silent comedy movie star.
The lion took another swipe at him. By this time, the shock of seeing living gargoyles had worn off and Buster was ready. He ducked. He was excellent at ducking, having done it in many of his films. The lion’s stone paw struck the ape’s wing, knocking off a chunk of it.
The ape looked furious. Unfortunately, its fury was aimed at Buster rather than the lion who’d actually done the damage. It threw a brutal punch. Buster dodged, and the ape punched the panther in the side, leaving a crack.
The gargoyles all attacked at once.
But, though the mansion was spacious, there wasn’t enough room at the top of the stairs for four giant gargoyles to be attacking somebody simultaneously. Wings crashed into wings. Paws struck paws. Teeth accidentally snapped down on tails. Pieces of stone flew everywhere.
Buster leapt around, keeping himself from having large chunks of flesh torn from his body. He really hoped the cameras were in focus, because this was the best stunt work of his career. He bounced, jumped, and did flips as the gargoyles knocked pieces off each other. The entire lower jaw of the demon came off.
He heard a creaking sound.
He looked confused, the way movie comedians did when the floor was about to collapse beneath their feet.
When constructing the mansion, nobody had considered the structural integrity that would be necessary to support four giant gargoyles in a violent scuffle. The floor beneath them, along with the entire staircase, came down with a deafening crash that Buster assumed would be represented by a title card reading: Crash!
He sat in a pile of rubble.
The producer applauded. “Well done, well done. This will be your finest cinematic moment! Nobody will believe that . . . ” He glanced around. “Uh-oh.”
None of the crew members had died, or even been severely injured. The camera equipment had not been so fortunate.
“Well, that’s disappointing,” said the producer. “Still, at least the gargoyle menace has been vanquished, right Mr. Keaton?”
Buster kept his stone face.
It was decided that since they couldn’t prove what had happened, and nobody wanted to be locked in an insane asylum, that they would say nothing. It will forever remain a mystery whether Buster Keaton saved humanity, or if the gargoyles would’ve just stayed in the mansion and not really done anything to anybody, but his bravery and comedic genius cannot be questioned.
THE RETURN OF THE THIN WHITE DUKE
NEIL GAIMAN
He was The Monarch of all he surveyed, even when he stood out on the palace balcony at night listening to reports and he glanced up into the sky at the bitter twinkling clusters and whorls of stars. He ruled the worlds. He had tried for so long to rule wisely, and well, and to be a good monarch, but it is hard to rule, and wisdom can be painful. And it is impossible, he had found, if you rule, to do only good, for you cannot build anything without tearing something down, and even he could not care about every life, every dream, every population of every world.
Bit by bit, moment by moment, death by little death, he ceased to care.
He would not die, for only inferior people died, and he was the inferior of no one.
Time passed. One day, in the deep dungeons, a man with blood on his face looked at the Duke and told him he had become a monster.
The next moment, the man was no more; a footnote in a history book.
The Duke gave this conversation much thought over the next several days, and eventually he nodded his head. “The traitor was right,” he said. “I have become a monster. Ah well. I wonder if any of us set out to be monsters?”
Once, long ago, there had been lovers, but that had been in the dawn days of the Dukedom. Now, in the dusk of the world, with all pleasures available freely (but what we attain with no effort we cannot value), and with no need to deal with any issues of succession (for even the notion that another would one day succeed the Duke bordered upon blasphemy), there were no more lovers, just as there were no challenges. He felt as if he were asleep while his eyes were open and his lips spoke, but there was nothing to wake him.
The day after it had occurred to the Duke that he was now a monster was the Day of Strange Blossoms, celebrated by the wearing of flowers brought to the Ducal Palace from every world and every plane. It was a day that all in the Ducal Palace, which covered a continent, were traditionally merry, and in which they cast off their cares and darknesses, but the Duke was not happy.
“How can you be made happy?” asked the information beetle on his shoulder, there to relay his master’s whims and desires to a hundred hundred worlds. “Give the word, Your Grace, and empires will rise and fall to make you smile. Stars will flame novae for your entertainment.”
“Perhaps I need a heart,” said the Duke.
“I shall have a hundred hundred hearts immediately plucked, ripped, torn, incised, sliced and otherwise removed from the chests of ten thousand perfect specimens of humanity,” said the information beetle. “How do you wish them prepared? Shall I alert the chefs or the taxidermists, the surgeons or the sculptors?”
“I need to care about something,” said the Duke. “I need to value life. I need to wake.”
The beetle chittered and chirrupped on his shoulder; it could access the wisdom of ten thousand worlds, but it could not advise its master when he was in this mood, so it said nothing. It
relayed its concern to its predecessors, the older information beetles and scarabs, now sleeping in ornate boxes on a hundred hundred worlds, and the scarabs consulted among themselves with regret, because, in the vastness of time, even this had happened before, and they were prepared to deal with it.
A long-forgotten subroutine from the morning of the worlds was set into motion. The Duke was performing the final ritual of the Day of Strange Blossoms with no expression on his thin face, a man seeing his world as it was and valuing it not at all, when a small winged creature fluttered out from the blossom in which she had been hiding.
“Your Grace,” she whispered. “My mistress needs you. Please. You are her only hope.”
“Your mistress?” asked the Duke.
“The creature comes from Beyond,” clicked the beetle on his shoulder. “From one of the places that does not acknowledge the Ducal Overlordship, from the lands beyond life and death, between being and unbeing. It must have hidden itself inside an imported off-world orchid blossom. Its words are a trap, or a snare. I shall have it destroyed.”
“No,” said the Duke. “Let it be.” He did something he had not done for many years, and stroked the beetle with a thin white finger. Its green eyes turned black and it chittered into perfect silence.
He cupped the tiny thing in his hands, and walked back to his quarters, while she told him of her wise and noble Queen, and of the giants, each more beautiful than the last, and each more huge and dangerous and more monstrous, who kept her Queen a captive.
And as she spoke, the Duke remembered the days when a lad from the stars had come to World to seek his fortune (for in those days there were fortunes everywhere, just waiting to be found); and in remembering he discovered that his youth was less distant than he had thought. His information beetle lay quiescent upon his shoulder.
“Why did she send you to me?” he asked the little creature. But, her task accomplished, she would speak no more, and in moments she vanished, as instantly and as permanently as a star that had been extinguished upon Ducal order.
He entered his private quarters, and placed the deactivated information beetle in its case beside his bed. In his study, he had his servants bring him a long black case. He opened it himself, and, with a touch, he activated his master advisor. It shook itself, then wriggled up and about his shoulders in viper form, its serpent tail forking into the neural plug at the base of his neck.
The Duke told the serpent what he intended to do.
“This is not wise,” said the master advisor, the intelligence and advice of every Ducal advisor in memory available to it, after a moment’s examination of precedent.
“I seek adventure, not wisdom,” said the Duke. A ghost of a smile began to play at the edges of his lips; the first smile that his servants had seen in longer than they could remember.
“Then, if you will not be dissuaded, take a battle-steed,” said the advisor. It was good advice. The Duke deactivated his master advisor and he sent for the key to the battle-steeds’ stable. The key had not been played in a thousand years: its strings were dusty.
There had once been six battle-steeds, one for each of the Lords and Ladies of the Evening. They were brilliant, beautiful, unstoppable, and when the Duke had been forced, with regret, to terminate the career of each of the Rulers of the Evening, he had declined to destroy their battle-steeds, instead placing them where they could be of no danger to the worlds.
The Duke took the key and played an opening arpeggio. The gate opened, and an ink-black, jet-black, coal-black battle-steed strutted out with feline grace. It raised its head and stared at the world with proud eyes.
“Where do we go?” asked the battle-steed. “What do we fight?”
“We go Beyond,” said the Duke. “And as to whom we shall fight . . . well, that remains to be seen.”
“I can take you anywhere,” said the battle-steed. “And I will kill those who try to hurt you.”
The Duke clambered onto the battle-steed’s back, the cold metal yielding as live flesh between his thighs, and he urged it forward.
A leap and it was racing through the froth and flux of Underspace: together they were tumbling through the madness between the worlds. The Duke laughed, then, where no man could hear him, as they traveled together through Underspace, traveling forever in the Undertime (that is not reckoned against the seconds of a person’s life).
“This feels like a trap, of some kind,” said the battle-steed, as the space beneath galaxies evaporated about them.
“Yes,” said the Duke. “I am sure that it is.”
“I have heard of this Queen,” said the battle-steed, “or of something like her. She lives between life and death, and calls warriors and heroes and poets and dreamers to their doom.”
“That sounds right,” said the Duke.
“And when we return to real-space, I would expect an ambush,” said the battle-steed.
“That sounds more than probable,” said the Duke, as they reached their destination, and erupted out of Underspace back into existence.
The guardians of the palace were as beautiful as the messenger had warned him, and as ferocious, and they were waiting.
“What are you doing?” they called, as they came in for the assault.
“Do you know that strangers are forbidden here? Stay with us. Let us love you. We will devour you with our love.”
“I have come to rescue your Queen,” he told them.
“Rescue the Queen?” they laughed. “She will have your head on a plate before she looks at you. Many people have come to save her, over the years. Their heads sit on golden plates in her palace. Yours will simply be the freshest.”
There were men who looked like fallen angels and women who looked like demons risen. There were people so beautiful that they would have been all that the Duke had ever desired, had they been human, and they pressed close to him, skin to carapace and flesh against armor, so they could feel the coldness of him, and he could feel the warmth of them.
“Stay with us. Let us love you,” they whispered, and they reached out with sharp talons and teeth.
“I do not believe your love will prove to be good for me,” said the Duke. One of the women, fair of hair, with eyes of a peculiar translucent blue, reminded him of someone long forgotten, of a lover who had passed out of his life a long time before. He found her name in his mind, and would have called it aloud, to see if she turned, to see if she knew him, but the battle-steed lashed out with sharp claws, and the pale blue eyes were closed forever.
The battle-steed moved fast, like a panther, and each of the guardians fell to the ground, and writhed and was still.
The Duke stood before the Queen’s palace. He slipped from his battle-steed to the fresh earth.
“Here, I go on alone,” he said. “Wait, and one day I shall return.”
“I do not believe you will ever return,” said the battle-steed. “I shall wait until time itself is done, if need be. But still, I fear for you.”
The Duke touched his lips to the black steel of the steed’s head, and bade it farewell. He walked on to rescue the Queen. He remembered a monster who had ruled worlds and who would never die, and he smiled, because he was no longer that man. For the first time since his first youth he had something to lose, and the discovery of that made him young again. His heart began to pound in his chest as he walked through the empty palace, and he laughed out loud.
She was waiting for him, in the place where flowers die. She was everything he had imagined that she would be. Her skirt was simple and white, her cheekbones were high and very dark, her hair was long and the infinitely dark color of a crow’s wing.
“I am here to rescue you,” he told her.
“You are here to rescue yourself,” she corrected him. Her voice was almost a whisper, like the breeze that shook the dead blossoms.
He bowed his head, although she was as tall as he was.
“Three questions,” she whispered. “Answer them correctly, and all you des
ire shall be yours. Fail, and your head will rest forever on a golden dish.” Her skin was the brown of the dead rose petals. Her eyes were the dark gold of amber.
“Ask your three questions,” he said, with a confidence he did not feel.
The Queen reached out a finger and she ran the tip of it gently along his cheek. The Duke could not remember the last time that anybody had touched him without his permission.
“What is bigger than the universe?” she asked.
“Underspace and Undertime,” said the Duke. “For they both include the universe, and also all that is not the universe. But I suspect you seek a more poetic, less accurate answer. The mind, then, for it can hold a universe, but also imagine things that have never been, and are not.”
The Queen said nothing.
“Is that right? Is that wrong?” asked the Duke. He wished, momentarily, for the snakelike whisper of his master advisor, unloading, through its neural plug, the accumulated wisdom of his advisors over the years, or even the chitter of his information beetle.
“The second question,” said the Queen. “What is greater than a King?”
“Obviously, a Duke,” said the Duke. “For all Kings, Popes, Chancellors, Empresses and such serve at and only at my will. But again, I suspect that you are looking for an answer that is less accurate and more imaginative. The mind, again, is greater than a King. Or a Duke. Because, although I am the inferior of nobody, there are those who could imagine a world in which there is something superior to me, and something else again superior to that, and so on. No! Wait! I have the answer. It is from the Great Tree: Kether, the Crown, the concept of monarchy, is greater than any King.”
The Queen looked at the Duke with amber eyes, and she said, “The final question for you. What can you never take back?”
“My word,” said the Duke. “Although, now I come to think of it, once I give my word, sometimes circumstances change and sometimes the worlds themselves change in unfortunate or unexpected ways. From time to time, if it comes to that, my word needs to be modified in accordance with realities. I would say Death, but, truly, if I find myself in need of someone I have previously disposed of, I simply have them reincorporated . . . ”
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