End Games - 11

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End Games - 11 Page 27

by Michael Dibdin


  ‘Subito, signore!’

  Once Arnone had left, Zen called his wife.

  ‘It looks as though I’ll be home soon,’ he said.

  ‘Shall I put on the pasta?’ Gemma asked.

  ‘Not that soon, silly. But I’ve been reliably informed that my temporary posting here has just about reached the end of its shelf life.’

  ‘Good. I’ve been rather missing you. You’re an awful person to have around, Aurelio, but when you aren’t here life seems a bit boring.’

  ‘Accidie is a mortal sin, my child, a wilful failure to delight in God’s creation.’

  ‘On second thoughts, can’t you get transferred somewhere else? Maybe Iraq.’

  ‘I imagine that one of the few things the Iraqis don’t have to worry about at present is feeling bored.’

  ‘What kind of sauce do you want on the pasta?’

  ‘Anything you like, my love, as long as no tomatoes are involved.’

  Mirella and Tom were walking up an inclined alley in the old town when the attack occurred. The evening had been a success so far, in Tom’s opinion, and he was looking forward to the rest of it. Mirella had suggested a restaurant he hadn’t known about, in the cellars of an ancient building in a mediaeval suburb called Arenella, outside the original city walls on the far side of the river. As soon as they entered the wide, low vaulted space, Tom realised that this was where he should have been eating all along.

  How does one tell, he thought as they were shown to a table at the centre of the action, yet just far enough away from the glowing bed of hardwood embers covered by a wrought-iron grill where gigantic steaks were sizzling. In some indefinable way everything just felt and smelt right. There was an air of seriousness about both the diners and the waiters, although neither were in any obvious sense taking themselves seriously. Whatever that quality was, it was as much taken for granted on both sides as the silverware and glasses on the tables, or indeed the vaccination scar on Mirella’s arm. Her hair was loose and frizzy this evening, and she was wearing a sleeveless black satin top which displayed her bosom and those magnificent arms, on one of which, high up, appeared a tiny pale star that would never tan: shiny, almost translucent, infinitely touching and lovely.

  No sooner were they seated than cuts of air-cured ham and other antipasti appeared on the table, together with freshly baked breadsticks and a carafe of water ‘from my own spring in the mountains’, the owner proclaimed with just the right air of arrogant nonchalance. He then announced that today he had managed to procure a supply of early mushrooms brought on by the recent unseasonable rain in the beech forests all around, and proposed a salad of òvali and rositi – ‘the finest for flavour’ – followed by pasta with more mushrooms and then a shared fiorentina steak, ‘since you are a couple, so young, so handsome and with such healthy appetites!’ His virtual commands having been approved, the owner bustled off to boss some other guests around while Tom and Mirella ate their way through shaved raw white and pink mushrooms sprinkled with oil and lemon juice, ribbons of home-made egg pasta overlaid with chunks of unctuous porcini, the best beef Tom had ever tasted, a fabulous salad, aged ewe’s-milk cheese and the slabs of Amedei dark chocolate – ‘seventy per cent pure cocoa’ the owner informed them – that came with their coffees.

  It was all fabulous and shockingly nude, each course explicitly and proudly just what it was, no messing about. Tom was personally ecstatic and professionally envious. The restaurants where he had worked were capable of good things, but there was always a tendency to go that little bit too far, so as not to be left behind by other gastro-brothels in town that went way, way too far. These people had more dignity. The food they served not only tasted good, it was in good taste.

  But Tom’s abiding memory of that evening, the one he knew would linger long after all else was forgotten, had nothing to do with their meal. The thunderstorm that had rocked the city that afternoon had been brief but extremely violent, and it had seemed reasonable to assume that the wrath of whichever vengeful gods ruled the region had been assuaged for that day. In Calabria, however, it was not always wise to let reason be your guide. Mirella and Tom were in the middle of their pasta course when the ‘Tuba mirum’ from Verdi’s Requiem resonated thrillingly through the tomb-like cavern of the restaurant. There was a flutter of nervous laughs all around and then everyone started eating again, but a moment later all the lights went out for the second time that day. In a brief harangue from the darkness, the owner informed his customers that alternative illumination would be provided immediately.

  And so it was. By the light of the huge bed of glowing embers under the grill, the waiters carried candles to every table until little by little the place came to life again, but a finer, gentler, subtler life, more intimate and complicit than before.

  ‘Beeswax,’ remarked Mirella, leaning over to sniff and touch the honey-coloured column with its oval tip of flame.

  Tom didn’t reply. He’d just realised that the hackneyed phrase ‘falling in love’ means precisely what it says. It felt just like falling, a blissful abandonment edged with shame and panic. God, she was beautiful! But it wasn’t about that. He felt an instinctive revulsion – what the Italians called pudore – at the idea of enumerating and rating her physical attributes, even to himself. Yeah, she had good stuff, but so did lots of other women. What they didn’t have was the mantle that surrounded Mirella like a saint’s halo. Tom had never understood that musty old artistic convention, but he realised now that it was simply a means of expressing the fact that the person portrayed was exceptional in some way which we can neither define nor deny. He also realised that he was nuts, and maybe a little bit drunk.

  ‘I hate the smell of those cheap paraffin candles,’ Mirella said. ‘The light they give is cheap too, thin and soulless. Luce industriale.’

  She laughed at her own joke. Maybe she’s a little drunk too, thought Tom. Maybe this might be going someplace. So when Mirella said that she’d heard of a good club in the perched city looming over them, one of the new locali which had opened in an attempt to restore some life to what was increasingly a ghost town, he enthusiastically endorsed the idea. They crossed the river on a narrow planked bridge, then proceeded across the road that ran along the right bank of the Crati and up several flights of very steep steps which brought them out at the end of a dimly lit, reeking alley that led up the hillside between two rows of unremarkable buildings that seemed to lean slightly towards each other, like old people seeking moral if not physical support.

  When the man appeared from a doorway just ahead and dashed straight at them, Tom assumed that he must be late for an urgent appointment. Like the well-brought-up West Coast boy he was, he turned aside to let the other man pass and so the knife merely gashed his lower ribs rather than puncturing his bowels. In fact he was only aware of it when he touched his shirt to make sure it had not been disarranged by the encounter and his hand came away sticky red. Even then it took him some time to realise whose blood it was, largely because he was watching, with some dismay, what his date was doing to the poor man who had inadvertently bumped into him and had now turned back, no doubt to apologise for his clumsiness.

  With a series of snarls and grunts that didn’t even sound human, never mind female, Mirella pushed the man’s outstretched arm aside, broke his nose with the heel of her hand, skewered him in the eyes with the long, delicately rounded fingernails that Tom had admired earlier, kneed him hard between the legs and then, when he bent over shrieking, in the face. Something fell to the cobblestones with a metallic ring. A hunting knife, it looked like. Gee, thought Tom, where did that come from?

  ‘Police!’ Mirella shouted. ‘You’re under arrest.’

  She took a canister from her handbag and handed it to Tom.

  ‘I need to call in. Give him a dose of this if he shows any signs of activity. Eyes, nose, mouth. Oh my God! Are you all right?’

  ‘Sure, no problem.’

  She tore his shirt apart and examined h
is flesh, exploring the region with intricate, intimate palpations, then got on her mobile and started talking in a way Tom had never heard her do: curt, concise and commanding. He couldn’t make out much of what she said, she was talking so fast, but she sounded like she was in the military or something. No, police she had said. Police?

  Tom might not have been able to understand what Mirella was saying, but it had an invigorating effect on the man, who had been exploring the alley on his hands and knees but now started staring around muzzily and trying to stagger to his feet. Tom administered a dose of the pepper spray, but he was standing downwind and even the mild whiff he got just about knocked him out. The assailant, who had taken it straight in the eyes, started howling and clawing at his face. And then there were sirens, winding up through the streets from the new city. Within a minute the alley was full of uniforms and paramedics in green who gave Tom a check-up on the spot before stretchering him into the back of an ambulance that had somehow managed to reverse down the narrow alley without fouling any of the police cars which had arrived earlier. Italians always seemed to know where they were in space, Tom reflected as the ambulance drove off, siren beeping in a loud, cartoonish way. Maybe that was why they were so good at art.

  Sitting out on the patio of his villa the next morning, savouring a cup of Earl Grey tea and a slice of bread smeared with apricot jam, soaking up the sun and admiring the magnificent view, Nicola Mantega couldn’t help but admit that he had been rather clever, if he did say so himself. It crossed his mind for a moment that he might have been a bit too clever, but after reviewing his plans time and time again he still hadn’t found any serious flaw.

  The deal he had made with Martin Nguyen, negotiated in a mishmash of his own small stock of English and Nguyen’s crude but comprehensible Italian, was a thing of beauty. The American had apparently bought a full-scale replica of the menorah from an artisan in Israel and had it air-freighted to Calabria. The thing was constructed out of hollow steel with a gilt patina to a plausible approximation of the original design and dimensions, part of the beauty of the scheme being that no one knew for sure what these were. Nguyen intended to pass this off to his employer as the genuine article, supposedly looted by the tomb robbers who had first located Alaric’s resting place. To do so successfully, he needed Mantega to have some cosmetic work done on the too-perfect replica and then present it to the purchaser in a suitably convincing way. Oh, and one other thing. For these services, he would pay Mantega a quarter of a million euros in cash.

  But the real beauty of this new arrangement was that it cut Giorgio completely out of the picture. Of course, Mantega would need to lure him to a meeting where the police would be lying in wait to arrest him, but that could be done later as a quite separate operation. Or not. The word on the streets was that Gaetano Monaco would be returning shortly from sick leave to take over the position of police chief from this northern intruder who had substituted for him during his recovery from a serious injury to his foot, incurred during a heroic personal intervention in one of the cases he was dealing with. Nicola Mantega had never had any dealings with Monaco during the latter’s previous posting to the neighbouring province of Catanzaro, but on the basis of what he had been told by various contacts who had, he was likely to be a much more approachable proposition than this Aurelio Zen. It wasn’t that he was overtly corrupt, rather that he understood the infinite nuances necessary to the facilitation of all business in Calabria and was prepared to play within that set of rules.

  Mantega checked his watch. No problem, there was still almost an hour before the charade got under way. He was slightly surprised not to have heard from Rocco Battista, the Cosenza low-life he had employed to execute the ‘one other thing’ that Signor Nguyen needed done. Mantega hadn’t wanted to be a party to this, but Nguyen had been both insistent and persuasive. ‘All he needs to do is walk up to my boss and say, “I think there’s something you ought to know,” and we’re both looking at jail time.’ At least Mantega had been able to talk him out of having the young man killed, pointing out that the violent death of two generations of the Newman family would be bound to produce huge publicity and a massive police intervention, neither of which was in their joint interests. Mantega’s real reasons had been moral. Killing someone who had betrayed you was honourable; killing someone because you feared that he might betray you was not. On the contrary, it suggested weakness and was therefore despicable. Besides, Mantega quite liked Tom Newman. But the Chinese or Japanese or whatever brand of Oriental Nguyen was wouldn’t be capable of understanding the finer points of Calabrian ethics, so he’d stuck to the practicalities of the matter. In the end Nguyen had settled for a serious but non-fatal wound that would look like a mugging gone wrong and put the kid in hospital until the deal was complete and the money laundered.

  After their lunch down on the coast, Mantega had returned to Cosenza and done the round of various bars until he tracked down a suitable individual for this operation. Rocco Battista was a low-level thug with an equine member, a heart of gilt and the brains of a quail who was employed as a hired spacciatore to sell the illegal drugs that Giorgio imported and distributed. From Giorgio’s point of view, Rocco was the cut-out, the fall guy. He had expendable written all over his tattooed, metal-pierced, razor-chop-side-burned face, and as far as Mantega was concerned the sooner he was expended the better. But given that he was still around, he had hired the little scumbag to do the necessary to Tom Newman, who would be dining that night at that fancy restaurant in Arenella with some hottie he’d picked up. Rocco was to call him from a payphone once the job was done with a coded message signifying that all had gone according to plan, and then he would be paid. But Rocco hadn’t called, which was odd. He was such a greedy, needy little fuck that normally he would have called even if he’d screwed it up. Ma pazienza! Life was full of anomalies. The important thing was to keep your eye on the ball, and in that respect Mantega felt himself to be way ahead of the game.

  He checked his watch again and reluctantly got to his feet. When it came to appointments, Americans were notoriously terribili: they always arrived on time. He went back into the house, showered, shaved, dressed soberly to impress and then descended to the basement garage. With some trepidation, he turned on the overhead lighting, fearing to be shocked by what met his eyes. But instead of shock, he was almost tempted to go down on his knees, although he wasn’t sure that was what Jews did and as far as he was aware he hadn’t a drop of Jewish blood in him, but who knew? No, it was a purely aesthetic response to an amazing artefact, taller than he was, glowing as though from within and branching out like a well-pruned tree, or an orrery at that fateful moment when all the planets are aligned.

  After engaging the services of Rocco Battista the day before, Mantega had hired a local man who did small haulage jobs around the area to pick up the freight shipment that Martin Nguyen had cleared through customs and bring it to Mantega’s villa. There it was unloaded, the wooden frame levered off, the plastic bubble-wrap removed and the candelabrum erected on its two-tiered hexagonal stand. At that point the gold-plated replica had looked impressive, finely detailed but rather raw and new. Mantega had also secured the services of a renowned goldsmith whose artisanal skills were unquestioned but who had fallen foul of the law some time ago over a delicate issue involving the precise provenance of the gold that he used to create his masterpieces. Mantega had been able to help Michele Biafora extricate himself from that self-inflicted injury, and in return for that and a thousand-euro sweetener, Biafora had agreed to come to the villa late the previous evening with one of his apprentices and spend the entire night treating the replica menorah to various toxic chemical substances and a terrifying variety of pointed and edged tools that reminded Mantega of youthful visits to the dentist.

  All was now in readiness for the inspection by Nguyen and his boss. The local carrier’s van was parked in the forecourt, and his two brawny sons were skulking about looking exactly like members of the gang that h
ad supplied the goods. But there was one final refinement to add. He set the three oil lamps that Gina used to create ‘atmosphere’ for their outdoor dinner parties down on the concrete floor of the garage, fired them into life and then threw the breaker on the fuse box supplying the basement. In the lambent, uncertain radiance of the lanterns, the menorah looked even better. In fact it looked perfect.

  The two Americans arrived at precisely one minute before the appointed hour. Mantega had already seen the one that Nguyen referred to as his employer, although he found this hard to believe. He had privately dubbed him ‘the ape’, and felt almost aggrieved on behalf of his employee. Mantega didn’t like Martin Nguyen, much less trust him, but he respected him as a type of man he recognised, someone who knew how to get things done. So why was he working for the creature that now slouched in wearing a T-shirt that displayed his beefy tattooed forearms, a pair of torn jeans and some garish orange sports shoes? His gait, manners, expression and communication skills suggested that he was the lost sibling of the two haulage kids outside, but Nguyen had assured him that the ape was good for the one point eight million they had agreed to stick him for.

  The fact that Tom Newman wasn’t present confirmed that although Rocco Battista hadn’t been in touch, he had done the business. Unfortunately it also meant that Mantega’s carefully prepared speech in Italian about the power being out – one of those storms last night must have hit a pylon somewhere, happens all the time out here in the country, we’ll just have to make do with these old-fashioned lamps I found – went for nothing. It didn’t matter. Whatever Mantega’s doubts about the ape, the latter evidently had none whatsoever about the merchandise being offered for sale. The visit was less of an inspection than an adoration. Mantega was reminded of a nonna venerating the miracle-working statue of some saint which was displayed once a year on his feast day, except that such devout elderly women would never disport themselves like this. Casting a huge hunched shadow in the wavering lamplight, the ape danced triumphantly about the golden trophy, uttering inarticulate cries and ejaculations and running his paws over the various knobs and curves as though he wanted to have sex with it right there and then.

 

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