“So much the better,” replied the Cardinal. “But we must see the work before deciding. You seem to have great faith in your brother’s good intentions, Don Paolo. Is it not true? Dear me! You were almost angry with me for suggesting that he might be too busy to undertake my commission.”
“Angry! I angry? Your Eminence is unjust. Marzio puts much conscience into his work. That is all.”
“Ah, he is a man of conscience? I did not know. But, being your brother, he should be, Don Paolo.” The prelate’s bright brown eyes twinkled.
Paolo was silent, though he bowed his head in acknowledgment of the indirect praise.
“You do not say anything,” observed the Cardinal, looking at his secretary with a smile.
“He is a man of convictions,” answered Paolo, at last.
“That is better than nothing, better than being lukewarm. ‘Because thou art lukewarm,’ you know the rest.”
“Incipiam te evomere,” replied the priest mechanically. “Marzio is not lukewarm.”
“Frigidusne?” asked the Cardinal.
“Hardly that.”
“An calidus?”
“Not very, Eminence. That is, not exactly.”
“But then, in heaven’s name, what is he?” laughed the prelate. “If he is not cold, nor hot, nor lukewarm, what is he? He interests me. He is a singular case.”
“He is a man who has his opinions,” answered Don Paolo. “What shall I say? He is so good an artist that he is a little crazy about other things.”
“His opinions are not ours, I suppose. I have sometimes thought as much from the way you speak of him. Well, well — he is not old; his opinions will change. You are very much attached to your brother, Don Paolo, are you not?”
“We are brothers, Eminence.”
“So were Cain and Abel, if I am not mistaken,” observed the Cardinal. Paolo looked about the room uneasily. “I only mean to say,” continued the prelate, “that men may be brothers and yet not love each other.”
“Come si fà? What can one do about it?” ejaculated Paolo.
“You must try and influence him. You must do your best to make him change his views. You must make an effort to bring him to a better state of mind.”
“Eh! I know,” answered the priest. “I do my best, but I do not succeed. He thinks I interfere. I am not San Filippo Neri. Why should I conceal the matter? Marzio is not a bad man, but he is crazy about what he calls politics. He believes in a new state of things. He thinks that everything is bad and ought to be destroyed. Then he and his friends would build up the ideal state.”
“There would soon be nothing but equality to eat — fried, roast and boiled. I have heard that there are socialists even here in Rome. I cannot imagine what they want.”
“They want to divide the wealth of the country among themselves,” answered Don Paolo. “What strange ideas men have!”
“To divide the wealth of the country they have only to subtract a paper currency from an inflated national debt. There would be more unrighteousness than mammon left after such a proceeding. It reminds me of a story I heard last year. A deputation of socialists waited upon a high personage in Vienna. Who knows what for? But they went. They told him that it was his duty to divide his wealth amongst the inhabitants of the city. And he said they were quite right. ‘Look here,’ said he, ‘I possess about seven hundred thousand florins. It chances that Vienna has about seven hundred thousand inhabitants. Here, you have each one florin. It is your share. Good-morning.’ You see he was quite just. So, perhaps, if your brother had his way, and destroyed everything, and divided the proceeds equally, he would have less afterwards than he had before. What do you think?”
“It is quite true, Eminence. But I am afraid he will never understand that. He has very unchangeable opinions.”
“They will change all the more suddenly when he is tired of them. Those ideas are morbid, like the ravings of a man in a fever. When the fever has worn itself out, there comes a great sense of lassitude, and a desire for peace.”
“Provided it ever really does wear itself out,” said Don Paolo, sadly.
“Eh! it will, some day. With such political ideas, I suppose your brother is an atheist, is he not?”
“I hope he believes in something,” replied the priest evasively.
“And yet he makes a good living by manufacturing vessels for the service of the Church,” continued the Cardinal, with a smile. “Why did you never tell me about your brother’s peculiar views, Don Paolo?”
“Why should I trouble you with such matters? I am sorry I have said so much, for no one can understand exactly what Marzio is, who does not know him. It is an injury to him to let your Eminence know that he is a freethinker. And yet he is not a bad man, I believe. He has no vices that I know of, except a sharp tongue. He is sober and works hard. That is much in these days. Though he is mistaken, he will doubtless come to his senses, as you say. I do not hate him; I would not injure him.”
“Why do you think it can harm him to let me about him? Do you think that I, or others, would not employ him if we knew all about him?”
“It would seem natural that your Eminence should hesitate to do so.”
“Let us see, Don Paolo. There are some bad priests in the world, I suppose; are there not?”
“It is to be feared—”
“Yes, there are. There are bad priests in all forms of religion. Yet they say mass. Of course, very often the people know that they are bad. Do you think that the mass is less efficacious for the salvation of those who attend it, provided that they themselves pray with the same earnestness?”
“No; certainly not. For otherwise it would be necessary that the people should ascertain whether the priest is in a state of grace every time he celebrates; and since their salvation would then, depend upon that, they would be committing a sin if they did not examine the relative morality of different priests and select the most saintly one.”
“Well then, so much the more is it indifferent whether the inanimate vessels we use are chiselled by a saint or an unbeliever. Their use sanctifies them, not the moral goodness of the artist. For, by your own argument, we should otherwise he committing a sin if we did not find out the most saintly men and set them to silver-chiselling instead of ordaining them bishops and archbishops. It would take a long time to build a church if you only employed masons who were in a state of grace.”
“Well, but would you not prefer that the artist should be a good man?”
“For his own sake, Don Paolo, for his own sake. The thing he makes is not at all less worthy if he is bad. Are there not in many of our churches pillars that stood in Roman temples? Is not the canopy over the high altar in Saint Peter’s made of the bronze roof of the Pantheon? And besides, what is goodness? We are all bad, but some are worse than others. It is not our business to judge, or to distribute commissions for works of art to those whom we think the best among men, as one gives medals and prizes to industrious and well-behaved children.”
“That is very clear, and very true,” answered the priest.
He did not really want to discuss the question of Marzio’s belief or unbelief. Perhaps, if he had not been disturbed in mind by the events of the morning he would have avoided the subject, as he had often done before when the Cardinal had questioned him. But to-day he was not quite himself, and being unable to tell a falsehood of any kind he had spoken more of idle truth than he had wished. He felt that he had perhaps been unjust to his brother. He looked ill at ease, and the Cardinal noticed it, for he was a kindly man and very fond of his secretary.
“You must not let the matter trouble you,” said the prelate, after a pause. “I am an inquisitive old man, as you know, and I like to be acquainted with my friends’ affairs. But I am afraid I have annoyed you—”
“Oh! Your Eminence could never—”
“Never intentionally,” interrupted the Cardinal. “But it is human to err, and it is especially human to bore one’s fellow-creatures with inquisiti
ve questions. We all have our troubles, Don Paolo, and I am yours. Some day, perhaps, you will be a cardinal yourself — who knows? I hope so. And then you will have an excellent secretary, who will be much too good, even for you, and whom you can torture by the hour together with inquiries about his relations. Well, if it is only for your sake, Sor Marzio shall never have any fewer commissions, even if he turn out more in earnest with his socialism than most of those fellows.”
“You are too kind,” said Paolo simply.
He was very grateful for the kindly words, for he knew that they were meant and not said merely in jest. The idea that he had perhaps injured Marzio in the Cardinal’s estimation was very painful to him, in spite of what he had felt that morning. Moreover, the prelate’s plain, common-sense view of the case reassured him, and removed a doubt that had long ago disturbed his peace of mind. On reflection it seemed true enough, and altogether reasonable, but Paolo knew in his heart what a sensation of repulsion, not to say loathing, he would experience if he should ever be called upon to use in the sacred services a vessel of his brother’s making. The thought that those long, cruel fingers of Marzio’s had hammered and worked out the delicate design would pursue him and disturb his thoughts. The sound of Marzio’s voice, mocking at all the priest held holy, would be in his ears and would mingle with the very words of the canon.
But then, provided that he himself were not obliged to use his brother’s chalices, what could it matter? The Cardinal did not know the artist, and whatever picture he might make to himself of the man would be shadowy and indistinct. The feeling, then, was his own and quite personal. It would be the height of superstitious folly to suppose that any evil principle could be attached to the silver and gold because they were chiselled by impious hands. A simple matter this, but one which had many a time distressed Don Paolo.
There was a long pause after the priest’s last words, during which the prelate looked at him from time to time, examined his own white hands, and turned his great ruby ring round his finger.
“Let us go to work,” he said at length, as though dismissing the subject of the conversation from his mind.
Paolo fetched a large portfolio of papers and established himself at the writing-table, while the Cardinal examined the documents one by one, and dictated what he had to say about them to his secretary. During two hours or more the two men remained steadily at their task. When the last paper was read and the last note upon it written out, the Cardinal rose from his arm-chair and went to the window. There was no sound in the room but that of the sand rattling upon the stiff surface, as Paolo poured it over the wet ink in the old-fashioned way, shook it about and returned it to the little sandbox by the inkstand. Suddenly the old churchman turned round and faced the priest.
“One of these days, when you and I are asleep out there at San Lorenzo, there will be a fight, my friend,” he said.
“About what, Eminence?” asked the other.
“About silver chalices, perhaps. About many things. It will be a great fight, such as the world has never seen before.”
“I do not understand,” said Don Paolo.
“Your brother represents an idea,” answered the Cardinal. “That idea is the subversion of all social principle. It is an idea which must spread, because there is an enormous number of depraved men in the world who have a very great interest in the destruction of law. The watchword of that party will always be ‘there is no God,’ because God is order, and they desire disorder. They will, it is true, always be a minority, because the greater part of mankind are determined that order shall not be destroyed. But those fellows will fight to the death, because they know that in that battle there will be no quarter for the vanquished. It will be a mighty struggle and will last long, but it will be decisive, and will perhaps never be revived when it is once over. Men will kill each other where-ever they meet, during months and years, before the end comes, for all men who say that there is a God in Heaven will be upon the one side, and all those who say there is no God will be upon the other.”
“May we not be alive to see anything so dreadful!” exclaimed Don Paolo devoutly.
“No, you and I shall not see it. But those little children who are playing with chestnuts down there in the court — they will see it. The world is uneasy and dreads the very name of war, lest war should become universal if it once breaks out. Tell your brother that.”
“It is what he longs for. He is always speaking of it.”
“Then it is inevitable. When many millions like him have determined that there shall be evil done, it cannot long be warded off. Their blood be on their own heads.”
When Don Paolo had climbed again to his lonely lodging, half an hour later, he pondered long upon what the Cardinal had said to him, and the longer he thought of it, the more truth there seemed to be in the prediction.
CHAPTER X
GIANBATTISTA REACHED THE church in which he was to do his work, and superintended the unloading of the carts. It was but a little after one o’clock, and he expected to succeed in putting up the grating before night. The pieces were carefully carried to the chapel where they were to be placed, and laid down in the order in which they would be needed. It took a long time to arrange them, and the apprentice was glad he had advised Maria Luisa and Lucia to come late. It would have wearied them, he reflected, to assist at the endless fitting and screwing of the joints, and they would have had no impression of the whole until they were tired of looking at the details.
For hours he laboured with the men, not allowing anything to be done without his supervision, and doing more himself than any of the workmen. He grew hot and interested as the time went on, and he began to doubt whether the work could be finished before sunset. The workmen themselves, who preferred a job of this kind to the regular occupation of the studio, seemed in no hurry, though they did what was expected of them quietly and methodically. Each one of them was calculating, as nearly as possible, the length of time needed to drive a screw, to lift a piece into position, to finish off a shank till it fitted closely in the prepared socket. Half an hour wasted by driblets to-day, would ensure them for the morrow the diversion of an hour or two in coming to the church and returning from it.
From time to time Gianbattista glanced towards the door, and as the hours advanced his look took the same direction more often. At last, as the rays of the evening sun fell through the western window, he heard steps, and was presently rewarded by the appearance of the Signora Pandolfi, followed closely by Lucia. They greeted Gianbattista from a distance, for the church being under repairs was closed to the public, and had not been in use for years, so that the sound of voices did not seem unnatural nor irreverent.
“It is not finished,” said Gianbattista, coming forward to meet them; “but you can see what it will be like. Another hour will be enough.”
At that moment Don Paolo suddenly appeared, walking fast up the aisle in pursuit of the two women. They all greeted him with an exclamation of surprise.
“Eh!” he exclaimed, “you are astonished to see me? I was passing and saw you go in, and as I knew about the grating, I guessed what you came for and followed you. Is Marzio here?”
“No,” answered Gianbattista. “He said he might perhaps come, but I doubt it. I fancy he wants to be alone.”
“Yes,” replied Don Paolo thoughtfully, “I daresay he wants to be alone.”
“He has had a good many emotions to-day,” remarked Gianbattista. “We shall see how he will be this evening. Of course, you have heard the news, Don Paolo? Besides, you see I am at work, so that the first great difference has been settled. Lucia managed it — she has an eloquence, that young lady! She could preach better than you, Don Paolo.”
“She is a little angel,” exclaimed the priest, tapping his niece’s dark cheek with his white hand.
“That is four to-day!” cried Lucia, laughing. “First mamma, then papa — figure to yourself papa! — then Tista, and now Uncle Paolo. Eh! if the wings don’t grow before the A
ve Maria—”
She broke off with a pretty motion of her shoulders, showing her white teeth and turning to look at Gianbattista. Then the young man took them to see the grating. A good portion of it was put up, and it produced a good effect. The whole thing was about ten or twelve feet high, consisting of widely-set gilt bars, between which were fastened large arabesques and scrolls. On each side of the gate, in the middle, an angel supported a metal drapery, of which the folds were in reality of separate pieces, but which, as it now appeared, all screwed together in its place, had a very free and light effect. It was work of a conventional kind and of a conventional school, but even here Marzio’s great talent had shown itself in his rare knowledge of effects and free modelling; the high lights were carefully chosen and followed out, and the deep shadows of the folds in dull gold gave a richness to the drapery not often found in this species of decoration. The figures of the angels, too, were done by an artist’s hand — conventional, like the rest, but free from heaviness or anatomical defects.
“It is not bad,” said Don Paolo, in a tone which surprised every one. He was not often slow to praise his brother’s work.
“How, not bad? Is that all you say?” asked Gianbattista, in considerable astonishment. He felt, too, that as Marzio and he worked together, he deserved acme part of the credit. “It is church decoration of course, and not a ‘piece,’ as we say, but I would like to see anybody do better.”
“Well, well, Tista, forgive me,” he answered, “The fact is, Marzio showed me something to-day so wonderful, that I see no beauty in anything else — or, at least, not so much beauty as I ought to see. I went in to find him again, you know, just as Lucia was leaving, and he showed me a crucifix — a marvel, a wonder! — he said he had had it a long time, put away in a box.”
“I never saw it,” said Tista.
“I did!” exclaimed Lucia. She regretted the words as soon as she had spoken them, and bit her lip. She had not told her mother what she had told Gianbattista.
Complete Works of F Marion Crawford Page 250