Besides, he did all his best thinking among his toys, and had invented ways of working out results at which he could not possibly have arrived by a purely mental process. He could add and subtract, for instance, with the bits of wood, and, by a laborious method, he could even do simple multiplication, quite beyond him with paper and pencil. Above all, he could name the tin soldiers after people he had met, and make them do anything he pleased, by a sort of rudimentary theatrical instinct that was not altogether childish.
To-day he built a house as usual, and, as usual, after some reflexion as to the best means of ruining it by taking out a single block, he pulled it down with a crash. But he did not at once begin another. On the contrary, he sat looking at the ruins for a long time in a rather disconsolate way, and then all at once began to pack all the toys into the box again.
“I don’t suppose it matters,” he said aloud. “But of course Sylvia would think me a baby if she saw me playing with blocks.”
And he made haste to pack them all away, locking the box and putting the key into his pocket. Then he went and looked through the half-closed blinds into the sunny street, and he could see the new bridge not far away.
“I don’t care what mother thinks!” he exclaimed. “I’m going to find her again.”
He opened his door softly, and a moment later he was in the street, walking rapidly towards the bridge. At a distance he looked well. It was only when quite near to him that one was aware of an undefinable ungainliness in his face and figure — something blank and meaningless about him, that suggested a heavy wooden doll dressed in good clothes. In military countries one often receives that impression. A fine-looking infantry soldier, erect, broad shouldered, bright eyed, spotless, and scrupulously neat, comes marching along and excites one’s admiration for a moment. Then, when close to him, one misses something which ought to go with such manly bearing. The fellow is only a country lout, perhaps, hardly able to read or write, and possessed of an intelligence not much beyond the highest development of instinct. Drill, exercise, and the fear of black bread and water under arrest, have produced a fine piece of military machinery, but they could not create a mind, nor even the appearance of intelligence, in the wooden face. In a year or two the man will lay aside his smart uniform and go back to the class whence he came. One may give iron the shape and general look of steel, but not the temper and the springing quality.
Archie Harmon looked straight ahead of him as he crossed the bridge and followed the long street that runs beside the water, past the big hotels and the gaudy awnings of the provincially smart shops. At first he only looked along the pavement, searching among the many people who passed. Then as he remembered how Colonel Wimpole had seen him through a shop window, he stopped before each of the big plate glass ones and peered curiously into the shadows within.
At last, in a milliner’s, he saw Sylvia and Miss Wimpole, and his heavy face grew red, and his eyes glared oddly as he stood motionless outside, under the awning, looking in. His lips went out a little, as he pronounced his own especial word very softly.
“Jukes!”
He stood first on one foot and then on the other, like a boy at a pastry cook’s, hesitating, while devouring with his eyes. He could see that Sylvia was buying a hat. She turned a little each way as she tried it on before a big mirror, putting up her hands and moving her arms in a way that showed all the lines of her perfect figure.
Archie went in. He had been brought up by his mother, and chiefly by women, and he had none of that shyness about entering a women’s establishment, like a milliner’s, which most boys and many men feel so strongly. He walked in boldly and spoke as soon as he was within hearing.
“Miss Sylvia! I say! Miss Sylvia — don’t you know me?”
The question was a little premature, for Sylvia had barely caught sight of him when he asked it. When she had recognized him, she did not look particularly pleased.
“It’s poor Archie Harmon, my dear,” said Miss Wimpole, in a low voice, but quite audibly.
“Oh, I have not forgotten you!” said Sylvia, trying to speak pleasantly as she gave her hand. “But where in the world did you come from? And what are you doing in a milliner’s shop?”
“I happened to see you through the window, so I just came in to say how do you do. There’s no harm in my coming in, is there? You look all right. You’re perfectly lovely.”
His eyes were so bright that Sylvia felt oddly uncomfortable.
“Oh no,” she answered, with an indifference she did not feel. “It’s all right — I mean — I wish you would go away now, and come and see us at the hotel, if you like, by and by.”
“Can’t I stay and talk to you? Why can’t I stay and talk to her, Miss Wimpole?” he asked, appealing to the latter. “I want to stay and talk to her. We are awfully old friends, you know; aren’t we, Sylvia? You don’t mind my calling you Sylvia, instead of Miss Sylvia, do you?”
“Oh no! I don’t mind that!” Sylvia laughed a little. “But do please go away now!”
“Well — if I must—” he broke off, evidently reluctant to do as she wished. “I say,” he began again with a sudden thought, “you like that hat you’re trying on, don’t you?”
Instantly Sylvia, who was a woman, though a very young one, turned to the glass again, settled the hat on her head and looked at herself critically.
“The ribbons stick up too much, don’t they?” she asked, speaking to Miss Wimpole, and quite forgetting Archie Harmon’s presence. “Yes, of course they do! The ribbons stick up too much,” she repeated to the milliner in French.
A brilliant idea had struck Archie Harmon. He was already at the desk, where a young woman in black received the payments of passing customers with a grieved manner.
“She says the ribbons stick up too much,” he said to the person at the desk. “You get them to stick up just right, will you? The way she wants them. How much did you say the hat was? Eighty francs? There it is. Just say that it’s paid for, when she asks for the bill.”
The young woman in black raked in the note and the bits of gold he gave her, catching them under her hard, thin thumb on the edge of the desk, and counting them as she slipped them into her little drawer. She looked rather curiously at Archie, and there was still some surprise in her sour face when he was already on the pavement outside. He stopped under the awning again, and peered through the window for a last look at the grey figure before the mirror, but he fled precipitately when Sylvia turned as though she were going to look at him. He was thoroughly delighted with himself. It was just what Colonel Wimpole had done about the miniature, he thought; and then, a hat was so much more useful than a piece of painted ivory.
In a quarter of an hour he was in his own room again, sitting quite quietly on a chair by the window, and thinking how happy he was, and how pleased Sylvia must be by that time.
But Sylvia’s behaviour when she found out what he had done would have damped his innocent joy, if he had been looking through the windows of the shop, instead of sitting in his own room. Her father, the admiral, had a hot temper, and she had inherited some of it.
“Impertinent young idiot!” she exclaimed, when she realized that he had actually paid for the hat, and the angry blood rushed to her face. “What in the world—” She could not find words.
“He is half-witted, poor boy,” interrupted Miss Wimpole. “Take the hat, and I will manage to give his mother the money.”
“Betty Foy and her idiot boy over again!” said Sylvia, with all the brutal cruelty of extreme youth. “‘That all who view the idiot in his glory’—” As the rest of the quotation was not applicable, she stopped and stamped her little foot in speechless indignation.
“The young gentleman doubtless thought to give Mademoiselle pleasure,” suggested the milliner, suavely. “He is doubtless a relation—”
“He is not a relation at all!” exclaimed Sylvia in English, to Miss Wimpole. “My relations are not idiots, thank Heaven! And it’s the only one of all those
hats that I could wear! Oh, Aunt Rachel, what shall I do? I can’t possibly take the thing, you know! And I must have a hat. I’ve come all the way from Japan with this old one, and it isn’t fit to be seen.”
“There is no reason why you should not take this one,” said Miss Wimpole, philosophically. “I promise you that Mrs. Harmon shall have the money by to-night, since she is here. Your Uncle Richard will go and see her at once, of course, and he can manage it. They are on terms of intimacy,” she added rather primly, for Helen Harmon was the only person in the world of whom she had ever been jealous.
“You always use such dreadfully correct language, Aunt Rachel,” answered the young girl. “Why don’t you say that they are old friends? ‘Terms of intimacy’ sounds so severe, somehow.”
“You seem impatient, my dear,” observed Miss Wimpole, as though stating a fact about nature.
“I am,” answered Sylvia. “I know I am. You would be impatient if an escaped lunatic rushed into a shop and paid for your gloves, or your shoes, or your hat, and then rushed off again, goodness knows where. Wouldn’t you? Don’t you think I am right?”
“You had better tell them to send the hat to the hotel,” suggested Aunt Rachel, not paying the least attention to Sylvia’s appeal for justification.
“If I must take it, I may as well wear it at once, and look like a human being,” said Sylvia. “That is, if you will really promise to send Mrs. Harmon the eighty francs at once.”
“I promise,” answered Miss Wimpole, solemnly, and as she had never broken her word in her life, Sylvia felt that the difficulty was at an end.
The milliner smiled sweetly, and bowed them out.
“All the same,” said Sylvia, as she walked up the street with the pretty hat on her head, “it is an outrageous piece of impertinence. Idiots ought not to be allowed to go about alone.”
“I should think you would pity the poor fellow,” said Miss Wimpole, with a sort of severe kindliness, that was genuine but irritating.
“Oh yes! I will pity him by and by, when I’m not angry,” answered the young girl. “Of course — it’s all right, Aunt Rachel, and I’m not depraved nor heartless, really. Only, it was very irritating.”
“You had better not say anything about it to your Uncle Richard, my dear. He is so fond of Archie’s mother that he will feel very badly about it. I will break it to him gently.”
“Would he?” asked Sylvia, in surprise. “About herself, I should understand — but about that boy! I can’t see why he should mind.”
“He ‘minds,’ as you call it, everything that has to do with Mrs. Harmon.”
Sylvia glanced at her companion, but said nothing, and they walked on in silence for some time. It was still hot, for the sun had not sunk behind the mountains; but the street was full of people, who walked about indifferent to the temperature, because Switzerland is supposed to be a cold country, and they therefore thought that it was their own fault if they felt warm. This is the principle upon which nine people out of ten see the world when they go abroad. And there was a fine crop of European and American varieties of the tourist taking the air on that afternoon, men, women, and children. The men who had huge field-glasses slung over their shoulders by straps predominated, and one, by whom Sylvia was particularly struck, was arrayed in blue serge knickerbockers, patent-leather walking-boots, and a very shiny high hat. But there were also occasional specimens of what she called the human being — men in the ordinary garments of civilization, and not provided with opera-glasses. There were, moreover, young and middle-aged women in short skirts, boots with soles half an inch thick, complexions in which the hue of the boiled lobster vied with the deeper tone of the stewed cherry, bearing alpenstocks that rang and clattered on the pavement; women who, in the state of life to which Heaven had called them, would have gone to Margate or Staten Island for a Sunday outing, but who had rebelled against providence, and forced the men of their families to bring them abroad. And the men generally walked a little behind them and had no alpenstocks, but carried shawls and paper bundles, badges of servitude, and hoped that they might not meet acquaintances in Lucerne, because their women looked like angry cooks and had no particular luggage. Now and then a smart old gentleman with an eyeglass, in immaculate grey or white, threaded his way along the pavement, with an air of excessive boredom; or a young couple passed by, in the recognizable newness of honeymoon clothes, the young wife talking perpetually, and evidently laughing at the ill-dressed women, while the equally young husband answered in monosyllables, and was visibly nervous lest his bride’s remarks should be overheard and give offence.
Then there were children, obtrusively English children, taken abroad to be shown the miserable inferiority of the non-British world, and to learn that every one who had not yellow hair and blue eyes was a ‘nasty foreigner,’ — unless, of course, the individual happened to be English, in which case nothing was said about hair and complexion. And also there were the vulgar little children of the not long rich, repulsively disagreeable to the world in general, but pathetic in the eyes of thinking men and women. They are the sprouting shoots of the gold-tree, beings predestined never to enjoy, because they will be always able to buy what strong men fight for, and will never learn to enjoy what is really to be had only for money; and the measure of value will not be in their hands and heads, but in bank-books, out of which their manners have been bought with mingled affection and vanity. Surely, if anything is more intolerable than a vulgar woman, it is a vulgar child. The poor little thing is produced by all nations and races, from the Anglo-Saxon to the Slav. Its father was happy in the struggle that ended in success. When it grows old, its own children will perhaps be happy in the sort of refined existence which wealth can bring in the third generation. But the child of the man grown suddenly rich is a living misfortune between two happinesses: neither a worker nor an enjoyer; having neither the satisfaction of the one, nor the pleasures of the other; hated by its inferiors in fortune, and a source of amusement to its ethic and æsthetic betters.
Sylvia had never thought much about the people she passed in a crowd. Thought is generally the result of suffering of some kind, bodily or intellectual, and she had but little acquaintance with either. She had travelled much, and had been very happy until the present time, having been shown the world on bright days and by pleasant paths. But to-day she was not happy, and she began to wonder how many of the men and women in the street had what she had heard called a ‘secret care.’ Her eyes had been red when she had at last yielded to Miss Wimpole’s entreaties to open the door, but the redness was gone already, and when she had tried on the hat before the glass she had seen with a little vanity, mingled with a little disappointment, that she looked very much as usual, after all. Indeed, there had been more than one moment when she had forgotten her troubles because the ribbons on the new hat stuck up too much. Yet she was really unhappy, and sad at heart. Perhaps some of the people she passed, even the women with red faces, dusty skirts, and clattering alpenstocks, were unhappy too.
She was not a foolish girl, nor absurdly romantic, nor full of silly sentimentalities, any more than she was in love with Colonel Wimpole in the true sense of the word. For she knew nothing of its real meaning, and, apart from that meaning, what she felt for him filled all the conditions proposed by her imagination. If one could classify the ways by which young people pass from childhood to young maturity, one might say that they are brought up by the head, by the imagination, or by the heart, and one might infer that their subsequent lives are chiefly determined by that one of the three which has been the leading-string. Sylvia’s imagination had generally had the upper hand, and it had been largely fed and cultivated by her guardian, though quite unintentionally on his part. His love of artistic things led him to talk of them, and his chivalric nature found sources of enthusiasm in lofty ideals, while his own life, directed and moved as it was by a secret, unchanging and self-sacrificing devotion to one good woman, might have served as a model for any man. Modest,
and not much inclined to think of himself, he did not realize that although the highest is quite beyond any one’s reach, the search after it is always upward, and may lead a good man very far.
Sylvia saw the result, and loved it for its own sake with an attachment so strong that it made her blind to the more natural sort of humanity which the colonel seemed to have outgrown, and which, after all, is the world as we inherit it, to love it, or hate it, or be indifferent to it, but to live with it, whether we will or not. He fulfilled her ideal, because it was an ideal which he himself had created in her mind, and to which he himself nearly approached. Logically speaking, she was in a vicious circle, and she liked what he had taught her to like, but liked it more than he knew she did.
Sylvia glanced at Miss Wimpole sideways. She knew her simple story, and wondered whether she herself was to live the same sort of life. The idea rather frightened her, to tell the truth, for she knew the aridity of the elderly maiden lady’s existence, and dreaded anything like it. But it was very simple and logical and actual. Miss Wimpole had loved a man who had been killed. Of course she had never married, nor ever thought of loving any one else. It was perfectly simple. And Sylvia loved, and was not loved, as she told herself, and she also must look forward to a perpetually grey life.
Then, suddenly, she felt how young she was, and she knew that the colonel was almost an old man, and her heart rebelled. But this seemed disloyal, and she blushed at the word ‘unfaithful,’ which spoke itself in her sensitive conscience with the cruel power to hurt which such words have against perfect innocence. Besides, it was as if she were quarrelling with what she liked, because she could not have it, and she felt as though she were thinking childishly, which is a shame in youth’s eyes.
Complete Works of F Marion Crawford Page 865