by Amanda Vaill
Graham, Sheilah, [>]–[>], [>]
Great Gatsby, The (Fitzgerald), [>], [>]
Green Hills of Africa (Hemingway), [>]–[>]
Griffith, Helen Sherman, [>]
Grimm, Karl, [>]
Gris, Juan, [>], [>], [>]
Groesbeck, Mary, [>]–[>], [>]
Guerard, Roland, [>]
Guillaumin, Armand, [>]
Guinzburg, Harold, [>]
Gunzbourg, Baron Niki de, [>]
Haggin, Ben Ali, [>]–[>]
Hall, Alice, [>]
Hallelujah! (Vidor film), [>]–[>], [>]–[>]
Hammett, Dashiell, [>], [>], [>]–[>]
Hanna, Leonard, [>], [>], [>]
Harriman, Averell, [>], [>]
Harriman, Marie, [>]
“Harry’s Bar,” Murphys’ version of, [>]–[>], [>]
Hart, Lorenz, [>]
Hart, Moss, [>]
Harvard School of Landscape Architecture, GCM attends, [>], [>], [>], [>]–[>]
Haskins, Noel. See Murphy, Noel
Hauptmann, Bruno Richard, [>]
Hayes, Helen, [>]
Headfort, marquess and marchioness of, [>], [>]
Heller, Harold, [>], [>]
Hellman, Lillian, [>], [>], [>]; and The Spanish Earth, [>]; The Little Foxes (opening), [>], [>]; on Parker’s predicting GCM’s interest in Hopkins, [>]; and Parker on GCM, [>]; and SWM’s food poisoning, [>]; and Hammett bail, [>]; Parker to on SWM’s condition, [>]
Hemingway, Clarence, [>], [>], [>], [>]
Hemingway, Ernest, [>], [>], [>]–[>]; relationship with Fitzgerald, [>], [>], [>], [>], [>], [>], [>]–[>], [>]; and Paris, [>], [>]; and Dos Passos, [>], [>], [>], [>], [>]–[>], [>], [>]; and Pamplona, [>], [>], [>], [>], [>]–[>]; and parents, [>], [>], [>]–[>]; change of publishers, [>], [>]; on courage as “grace under pressure,” [>], [>]–[>]; separation and divorce from Hadley, [>]–[>], [>]–[>]; and MacLeish, [>], [>], [>], [>]; marriage to Pauline, [>]; and homosexuality, [>]–[>], [>]; return to U.S., [>], [>]; and father’s suicide, [>], [>]; Fitzgerald letters to, [>], [>]–[>]; on Tender Is the Night, [>]; and Quintanilla paintings, [>]; in Key West, [>]; and Jane Mason, [>]; fishing off Cuba, [>]; and The Crack-Up, [>]; and composite characters, [>]; political involvement of, [>]–[>]; and The Spanish Earth, [>]; and Spanish civil war, [>], [>]; Hellman introduced to, [>]; meets Gellhorn, [>]; marriage to Gellhorn, [>]; on Fitzgerald and Murphys, [>]; in WWII fighting, [>]; divorce and remarriage to Welsh, [>]; gap in writing, [>]; on death of peers, [>]; in plane crashes, [>]; bullfighting article by, [>]; health problems of, [>]–[>]; death of, [>]
WORKS OF: The Sun Also Rises, [>], [>], [>], [>], [>], [>]; “The Snows of Kilimanjaro,” [>], [>], 4i9n; In Our Time, [>], [>]; “My Old Man,” [>]; The Torrents of Spring, [>]–[>]; “A Simple Enquiry,” [>]; A Farewell to Arms, [>], [>]; Green Hills of Africa, [>]–[>]; To Have and Have Not, [>]; The Garden of Eden, [>]; A Moveable Feast, [>]–[>]
AND MURPHYS, [>], [>], [>]–[>]; at Antibes, [>]–[>], [>], [>], [>], [>], [>]; relationship with GCM, [>], [>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>]–[>], [>], [>], [>], [>]–[>]; relationship with SWM, [>], [>], [>], [>], [>], [>], [>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>], [>], [>]–[>], [>]; ski trip, [>]–[>], [>]–[>]; and Murphys’ largesse, [>]; in Pamplona, [>]–[>]; GCM letters to, [>], [>], [>]; Hemingway letters to SWM, [>]–[>]; Murphys plan to visit in Spain, [>]–[>]; offer to put up Baoth Murphy, [>]; at Swiss health resort, [>]; as U.S. friend, [>]; Montana vacation with, [>]–[>]; Mediterranean postcard to, [>]; trophy heads to Patrick, [>]–[>], [>], [>]; illness and death of Baoth, [>]–[>]; letter to Patrick, [>]; SWM invites to Saranac, [>]–[>], [>]; SWM letter to, [>]; visits Patrick at Camp Adeline, [>]; on SWM-Hoytie fight, [>]; letters from in Cheer Hall, [>]; SWM’s letters from requested, [>]–[>]
Hemingway, Gregory, [>]–[>]
Hemingway, Hadley, [>]–[>], [>]–[>]; at Antibes, [>], [>], [>]–[>], [>], [>]; and Paris apartment, [>]–[>]; on attractiveness of Ernest, [>]; GCM to on Hemingway’s success, [>]; in Pamplona, [>], [>], [>]; and Moveable Feast, [>]
Hemingway, John (“Bumby”), [>], [>]–[>], [>]–[>], [>], [>], [>]
Hemingway, Martha. See Gellhorn, Martha
Hemingway, Mary, [>], [>], [>]–[>]
Hemingway, Patrick, [>], [>], [>]–[>]
Hemingway, Pauline (formerly Pauline Pfeiffer): at Antibes, [>], [>]; Murphys’ fondness for, [>], [>], [>]; on ski trip, [>]; and Pamplona trip, [>], [>], [>]–[>], [>]; and Hadley’s divorce, [>]; with Murphys in New York, [>], [>]; marriage of, [>]; at Villa America, [>]; pregnant, [>]; move to Key West, [>]; at Swiss health resort, [>]; in U.S., [>]; Montana vacation with, [>]–[>]; and ranch life, [>], [>]; in Key West, [>]; Mediterranean postcard to, [>]; code name for, [>]; SWM invites to Saranac, [>]–[>], [>]; as independently wealthy, [>]; meets with SWM and Dos Passos, [>]; marriage failing, [>], [>]; SWM letters to, [>], [>]; GCM letter to, [>]; SWM birthday with, [>]; separation from Ernest, [>]; Murphys as companions for, [>]–[>]; and Moveable Feast accusation, [>]
Henry (prince of Prussia), [>]
Herbert, George, [>]
Herman, Simone, [>], [>], [>]
Herrera, Hayden, [>]
Holdridge, Elizabeth. See Dos Passos, Elizabeth
Hollywood Ten, [>]
Honneger, Arthur, [>], [>]
Honoria (GCM sloop), [>], [>]–[>], [>], [>], [>]
Hook Pond, [>], [>], [>], [>], [>]
Hook Pond Cottage, [>], [>]
Hopkins, Gerard Manley: GCM’s interest in, [>]–[>], [>]; and GCM-Jarvis relation, [>]; and GCM facing death, [>]
Horse racing, Hemingway and GCM interest in, [>]
Hotchkiss, Helen, [>]
Hotchkiss School, and GCM, [>]
Houlgate, summer vacation in, [>]
Howe, Arthur, [>]
Hoyt, Colgate, [>]
Hoyt, Elizabeth, [>], [>]
HUAC (House Un-American Activities Committee), [>]
Hugo, Jean, [>], [>]
Huidobro, Vincente, [>]
Hunt, Richard Morris, [>]
Hu-Tsi (dowager empress of China), [>]
Independent Citizens Committee of the Arts, Science and Professions, GCM joins, [>]–[>]
Ingram, Rex, [>]
Ingres, Jean-Auguste-Dominique, [>]
Ivens, Joris, [>]
Jacob, Polly. See Crosby, Caresse
James, Alice, [>], [>], [>]
James, William, Jr., [>], [>], [>], [>]
Janis, Elsie, [>]
Jarvis, Alan, [>]–[>], [>]–[>], [>], [>]–[>]
J.B. (MacLeish), [>], [>]–[>]
Jekyll, Gertrude, [>]
Johns, Jasper, [>]
Joyce, James, [>], [>], [>], [>]
Joyce, Lucia, [>]
Joyce, Peggy Hopkins, [>]
Jozan, Edouard, [>]–[>]
July, Frau (cook), [>]
Kahn, Maude, [>]
Kalman, C. O., [>]
Kamerny Theater, [>]–[>], [>]
Karinska, Barbara, [>]
Kaufman, George S., [>], [>]
Kazin, Alfred, [>], [>]–[>], [>]
Kensett, J. F., [>]
King Lear, and GCM’s inheritance, [>]–[>]
Kittredge, Ben, [>]
Kochno, Boris, [>], [>]
Koechlin, Charles, [>]
Kokhlova, Olga. See Picasso, Olga
Krehbiel, Henry, [>]
Kroll, Frances, [>]–[>]
Laboratoire (GCM painting), [>], [>], [>], [>]
La Garoupe beach, Antibes, [>], [>], [>], [>], [>], [>], [>]
Lambert, Gerard Barnes, [>], [>]–[>], [>], [>], [>], [>], [>]
Lambert, Rachel (“Ray”), [>], [>], [>], [>], [>], [>]
Lanahan, Samuel, [>]
Landscape architecture, GCM’s study of, [>], [>], [>], [>]–[>]
Lang, Fritz, [>], [>]
Lanvin, Jeanne, [>]
Larionov, Michel, [>], [>], [>], [>], [>]
>
La Touche, John, [>]
LeClerq, Jacques, [>]
Le Corbusier, [>]
Léger, Fernand, [>], [>], [>], [>]–[>]; and dada performance, [>]; as cubist, [>]; at Salon des Indépendents, [>]; and Murphys’ apartment, [>]; and de Maré ballet, [>]–[>], [>]; praise for GCM from, [>]; and MacLeishes, [>]; GCM in exhibit with, [>]; on GCM paintings, [>]; and Hemingway prose, [>]; and Colombe d’Or restaurant, [>]–[>]; and Ballet Méconique (film), [>]; and Vidor perspectives, [>]; and GCM eagerness for film, [>]; GCM uses device of, [>]; and Villa America, [>]; as Ramgut visitor, [>]; in New York, [>]; and Mistigris, [>]; and Weatherbird cruise, [>]; U.S. trip of, [>]–[>]; Hellman introduced to, [>]; mistresses of, [>]; with Murphys, [>], [>]; escape from Nazis, [>]–[>]; on utility cabinet as art, [>]
Léger, Jeanne, [>], [>], [>]–[>]
Leray, Ernestine (“Titine”), [>], [>], [>]–[>], [>]
Liagre, Alfred de, Jr., [>]
Lieven, Countess (tutor), [>]
Lifar, Serge, [>]
Lindbergh, Charles, [>]
Lindbergh baby trial, [>]
Liveright, Horace, [>]
“Living Well Is the Best Revenge” (Tomkins’s New Yorker profile), [>]
Longworth, Nicholas, [>], [>]–[>]
Loos, Anita, [>]
Loring, Eugene, [>]
Loriol, Gérard de, [>]
“Lost generation,” [>], [>]
Lovett, Adèle, [>], [>]
Lovett, Robert, [>]
Lowe, Rachel. See Lambert, Rachel
Lowell, Amy, [>]–[>], [>], [>], [>]
Lowndes, Lloyd and Marion, [>], [>], [>], [>]
Loy, Mina, [>]
Lozowick, Louis, [>]
Luce, Lila (Mrs. Henry), [>]
Lucinge, Johnny. See Faucigny-Lucinge, prince and princesse Jean-Louis de
Lusitania, and Fitzgeralds, [>]; SWM a passenger on, [>]
Lyttelton, Edith, [>]
MacAgy, Douglas, [>], [>]
McAlmon, Robert, [>], [>], [>]
MacArthur, Charles, [>], [>], [>]
McCarthyism, [>]–[>]
McGowan, Eugene, [>]
Mackay, Clarence, [>], [>]
McKinney, Nina Mae, [>]
MacLeish, Ada, [>]–[>]; at Antibes, [>], [>], [>], [>]; singing career of, [>], [>], [>]; and GCM’s acquaintance with composers, [>]; and Marcelle Meyer, [>]; and Honoria, [>]; pregnancy of, [>]; on Weatherbird refrigerator, [>]; and Hemingway, [>], [>], [>]; in song recital for ballet project, [>]; with SWM on trip from Key West, [>]; at Panic run, [>]; at Camp Adeline, [>]; at SWM birthday party in New York, [>]; singing in Washington home, [>]
MacLeish, Archibald, [>], [>], [>]–[>]; and League of Nations Opium Commission, [>], [>]; on Murphys, [>], [>]; and Paris, [>], [>]; and Murphys as Europeans, [>]; at Antibes, [>]; return of from Persia, [>]; and Hemingway, [>], [>], [>], [>], [>]; in fight with Fitzgerald, [>]–[>]; on death of Hemingway’s father, [>]–[>]; and poetry of William Blake, [>]; and homosexuality, [>]; financial reverses of, [>]; and ballet project, [>]–[>]; letter to Patrick from, [>]; with Baoth in hospital, [>]; and death of Baoth, [>]; on SWM’s unhappiness, [>]; on time passing, [>]; off-color stories of, [>]; Hemingway letters to, [>], [>], [>], [>]; political involvement of, [>], [>]–[>]; and The Spanish Earth, [>]; and Hellman, [>]; as Nieman Fellowship director, [>]; as Librarian of Congress, [>], [>]; Dos Passos letter to, [>]; as head of Office of Facts and Figures/OWI, [>], [>]; as assistant secretary of state, [>]–[>]; postwar jobs of, [>]–[>]; on postwar writing difficulty, [>]; ‘“A kind of boding,”’ [>]; Harvard professorship of, [>]; sermon given by, [>]–[>], [>]; Pulitzer Prizes of, [>]; Hemingway messages through, [>]–[>]; and SWM’s hearing of Hemingway plane crash, [>]; on “featureless horizon,” [>]–[>]
WORKS OF: J.B., [>], [>]–[>]; “Sketch for a Portrait of Mme. G——M——,” [>], [>]–[>], [>]; “Ars Poetica,” [>]–[>]; “Cinema of a Man,” [>]; “American Letter,” [>]–[>], [>]; Einstein, [>]; Conquistador, [>]; Panic (verse play), [>]; Frescoes for Mr. Rockefellers City, [>]
AND GCM, [>], [>]–[>], [>]; Watch purchased, [>]; quarrels, [>], [>], [>], [>], [>]; on GCM-Hemingway quarrel, [>]–[>]; and “American Letter,” [>]; GCM letters, [>]–[>], [>], [>], [>], [>]–[>], [>], [>], [>], [>], [>], [>], [>]; and GCM’s self-examination, [>]–[>], [>]; and Union Pacific ballet, [>]–[>]; and GCM’s sensory deprivation, [>]; Wasp and Pear exchanged for Watch, [>]; GCM’s letter of introduction for Jarvis, [>]; and MacLeish in Washington, [>]–[>]; shipping of GCM’s paintings, [>]; GCM to on memories, [>]; and MOMA acquisition of Wasp and Pear, [>]–[>]; and GCM retrospective at MOMA, [>]
WITH ADA AS COUPLE: as Paris neighbors of Murphys, [>], [>]; Murphy friends introduced to, [>], [>], [>]; at Antibes, [>], [>], [>], [>], [>], [>], [>]; and Hemingway in Paris, [>]; return to U.S., [>], [>], [>]; in Massachusetts for summer, [>]; and GCM’s confessional letter, [>]; visit from, [>]; in U.S., [>]; at Hook Pond Cottage, [>]; Christmas holiday with, [>]; Mediterranean tour with, [>]; twentieth wedding anniversary of, [>]; with Murphys in New York, [>]; Washington life of, [>], [>]; GCM to on wish for old age, [>]; at GCM funeral, [>]–[>]; on SWM letters, [>]
MacLeish, Ishbel, [>]
MacLeish, Kenneth (“Ken”), [>]
MacLeish, Mary, (“Mimi”), [>], [>], [>]
MacLeish, Peter, [>]
MacLeish, William (formerly Peter), [>], [>], [>], [>], [>]–[>], [>], [>], [>], [>]–[>]
Marne, Aunt (sister of Frank Wiborg), [>], [>], [>]
Mann, Thomas, [>]
Manners, Lady Diana, [>], [>]
Mannes, David, [>], [>]
Mannes, Marya, [>]
Marbury, Elizabeth, [>]
Mark Cross company: and Patrick Murphy, [>], [>], [>], [>]; and Fred Murphy, [>], [>]–[>], [>], [>]; GCM works at, [>]–[>], [>], [>]–[>]; and razor in GCM painting, [>]–[>], [>]; GCM as head of, [>]–[>], [>]–[>], [>]–[>], [>] (see also under Murphy, Gerald Cleary)
Martin, Father William, [>]
Marx, Harpo, [>]
Mason, Jane, [>], [>]
Massine, Léonide, [>], [>], [>], [>], [>], [>]
Matisse, Henri, [>]
Mayo clinic: GCM with Fred at, [>]–[>]; Hemingway at, [>]
Mellon, Mrs. Paul, [>]
Mencken, H. L. [>]
Mendl, Sir Charles, [>], [>]
Merrill, Keith, [>]
Merritt, William, [>]
Metropolis (Lang film), [>]
Meyer, Marcelle, [>], [>], [>], [>]
Miles, Nelson, [>], [>]
Milhaud, Darius, [>], [>], [>]–[>], [>]
Milhaud, Madame Darius, [>]
Miller, Arthur, [>]
Miró, Joan, [>], [>]
Miss Spence’s School, SWM at, [>]–[>]
Mistigris (pet monkey), [>], [>], [>]
Mistinguett, [>]
Mitchell, Ledyard, [>]–[>], [>]
Mitchell, Sara Sherman, [>], [>]–[>], [>], [>], [>], [>]
Mizener, Arthur, [>]
Modernism: and Murphy friends, [>]; and Paris of 1920s, [>]; of Murphys, [>]; of Within the Quota, [>]; in GCM’s Watch, [>]
Monnier, Adrienne, [>]
Montana-Vermala health resort: Murphys at, [>]–[>], [>]–[>], [>]–[>]; Antibes as contrast to, [>]
Morgan, Anne, [>], [>]
Morgan, J. Pierpont, Jr., [>]
Morgan, Mrs. J. Pierpont, [>]
Mosley, Oswald, [>]
Moveable Feast, A, (Hemingway), [>]–[>]
Murphy, Anna Ryan (mother of GCM), [>], [>]; and move to New York, [>]; depressions of, [>], [>]; and GCM’s school, [>], [>]; and GCM’s apparent scarlet fever, [>]; and GCM at Yale, [>]; and Esther on sea trip, [>]; as chaperon, [>]; and Fred’s illnesses [>], [>], [>]; and GCM’s engagement, [>]; and Honoria’s birth, [>]; and GCM in army, [>]; on Patrick’s illness, [>]; and husband’s estate, [>]; death of, [>]; and Catholicism, [>]
Murphy, Baoth Wiborg (son; later Baoth Wiborg): birth of, [>]; on voyage t
o Europe, [>]; in Easter egg hunt, [>]; and Vladimir’s stories, [>]; guitar for, [>], [>]; name legally changed, [>]; in California, [>]; tonsils removed, [>]; on return to France, [>]; and Hemingway offer of hospitality, [>]; at health resort, [>], [>]; on trip to U.S., [>]; in German boarding school, [>], [>], [>]; on vacation, [>]; and Weatherbird cruises, [>], [>]; removed from German boarding school, [>]; in Colorado school, [>]; Christmas holiday with MacLeishes, [>]; at Harvey School, [>]; at St. George’s prep school, [>]; illness and death of, [>]–[>]; annuity in honor of, [>]; memories of, [>], [>]; in GCM’s dreams, [>]; and SWM’s day-care work, [>]–[>]; and Murphys’ grandsons, [>]; avoidance of discussion on, [>]
Murphy, Esther (sister of GCM; later Esther Strachey), [>], [>]–[>]; childhood illness of, [>]; European trip of, [>]; at the Dunes, [>]; and racy novels, [>]; and mother’s depressions, [>]; and Fred’s illness, [>]; poetry of, [>]; and Fitzgeralds, [>]–[>]; in Paris, [>]; at Antibes, [>]; marriage of, [>]; and father’s estate, [>]; and MacLeish-Nabokov ballet, [>]; on Patrick’s tuberculosis, [>]; divorce and remarriage of, [>]–[>], [>]; Mark Cross loans from, [>]; death of, [>]–[>]
Murphy, Frederic Timothy (brother of GCM), [>], [>]; at Hotchkiss, [>], [>]; lyricist for Maidstone Club musical, [>], [>]; and Sara, [>], [>], [>], [>]; at Mark Cross, [>], [>]–[>], [>], [>]; formal relationship with GCM, [>]; health problems of, [>], [>], [>], [>]–[>], [>], [>]; and GCM in Skull and Bones, [>]; and father, [>]–[>]; and Gerald’s engagement, [>]; at wedding, [>]; in WWI, [>], [>], [>]; and GCM’s try for overseas service, [>]; and birth of Baoth, [>]; GCM cash infusion from, [>]; marriage of, [>]; death of, [>]–[>], [>]
Murphy, Gerald Cleary (GCM): birth of, [>]; and Boston, [>]–[>]; and father, [>], [>], [>]–[>], [>]–[>], [>] (see also under Murphy, Patrick Francis); boyhood of, [>]; at school, [>]–[>], [>], [>]; and Wiborg family, [>]; and Yale, [>], [>], [>]–[>], [>]–[>], [>]–[>]; as Skull and Bones member, [>], [>]–[>], [>], [>]; working at Mark Cross, [>]–[>], [>], [>]–[>]; on horseback expedition with Frank Wiborg, [>]; income of (1915), [>]; and Fred’s illness, [>]–[>], [>]; as sailor, [>]–[>], [>], [>]–[>], [>], [>] (see also Honoria; Picaflor; Weatherbird); and Léger film, [>]; as coexecutor of Frank Wiborg estate, [>]; self-examination of, [>]–[>]; multiple-exposure portrait of, [>]; hike to monastery, [>