The Classic Sci-Fi Collection

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The Classic Sci-Fi Collection Page 56

by Ayn Rand


  All the evidence had been before him. The automatized factory, with its transplanted minds—why not transplant a mind into a humanoid robot, give it its original owner’s features and form?

  Could it know that it was a robot?

  “All of us,” Burckhardt said, hardly aware that he spoke out loud. “My wife and my secretary and you and the neighbors. All of us the same.”

  “No.” The voice was stronger. “Not exactly the same, all of us. I chose it, you see. I—” this time the convulsed lips were not a random contortion of the nerves—"I was an ugly woman, Mr. Burckhardt, and nearly sixty years old. Life had passed me. And when Mr. Dorchin offered me the chance to live again as a beautiful girl, I jumped at the opportunity. Believe me, I jumped, in spite of its disadvantages. My flesh body is still alive—it is sleeping, while I am here. I could go back to it. But I never do.”

  “And the rest of us?”

  “Different, Mr. Burckhardt. I work here. I’m carrying out Mr. Dorchin’s orders, mapping the results of the advertising tests, watching you and the others live as he makes you live. I do it by choice, but you have no choice. Because, you see, you are dead.”

  “Dead?” cried Burckhardt; it was almost a scream.

  The blue eyes looked at him unwinkingly and he knew that it was no lie. He swallowed, marveling at the intricate mechanisms that let him swallow, and sweat, and eat.

  He said: “Oh. The explosion in my dream.”

  “It was no dream. You are right—the explosion. That was real and this plant was the cause of it. The storage tanks let go and what the blast didn’t get, the fumes killed a little later. But almost everyone died in the blast, twenty-one thousand persons. You died with them and that was Dorchin’s chance.”

  “The damned ghoul!” said Burckhardt.

  * * *

  The twisted shoulders shrugged with an odd grace. “Why? You were gone. And you and all the others were what Dorchin wanted—a whole town, a perfect slice of America. It’s as easy to transfer a pattern from a dead brain as a living one. Easier—the dead can’t say no. Oh, it took work and money—the town was a wreck—but it was possible to rebuild it entirely, especially because it wasn’t necessary to have all the details exact.

  “There were the homes where even the brains had been utterly destroyed, and those are empty inside, and the cellars that needn’t be too perfect, and the streets that hardly matter. And anyway, it only has to last for one day. The same day—June 15th—over and over again; and if someone finds something a little wrong, somehow, the discovery won’t have time to snowball, wreck the validity of the tests, because all errors are canceled out at midnight.”

  The face tried to smile. “That’s the dream, Mr. Burckhardt, that day of June 15th, because you never really lived it. It’s a present from Mr. Dorchin, a dream that he gives you and then takes back at the end of the day, when he has all his figures on how many of you responded to what variation of which appeal, and the maintenance crews go down the tunnel to go through the whole city, washing out the new dream with their little electronic drains, and then the dream starts all over again. On June 15th.

  “Always June 15th, because June 14th is the last day any of you can remember alive. Sometimes the crews miss someone—as they missed you, because you were under your boat. But it doesn’t matter. The ones who are missed give themselves away if they show it—and if they don’t, it doesn’t affect the test. But they don’t drain us, the ones of us who work for Dorchin. We sleep when the power is turned off, just as you do. When we wake up, though, we remember.” The face contorted wildly. “If I could only forget!”

  Burckhardt said unbelievingly, “All this to sell merchandise! It must have cost millions!”

  The robot called April Horn said, “It did. But it has made millions for Dorchin, too. And that’s not the end of it. Once he finds the master words that make people act, do you suppose he will stop with that? Do you suppose—”

  The door opened, interrupting her. Burckhardt whirled. Belatedly remembering Dorchin’s flight, he raised the gun.

  “Don’t shoot,” ordered the voice calmly. It was not Dorchin; it was another robot, this one not disguised with the clever plastics and cosmetics, but shining plain. It said metallically: “Forget it, Burckhardt. You’re not accomplishing anything. Give me that gun before you do any more damage. Give it to me now.”

  * * *

  Burckhardt bellowed angrily. The gleam on this robot torso was steel; Burckhardt was not at all sure that his bullets would pierce it, or do much harm if they did. He would have put it to the test—

  But from behind him came a whimpering, scurrying whirlwind; its name was Swanson, hysterical with fear. He catapulted into Burckhardt and sent him sprawling, the gun flying free.

  “Please!” begged Swanson incoherently, prostrate before the steel robot. “He would have shot you—please don’t hurt me! Let me work for you, like that girl. I’ll do anything, anything you tell me—”

  The robot voice said. “We don’t need your help.” It took two precise steps and stood over the gun—and spurned it, left it lying on the floor.

  The wrecked blonde robot said, without emotion, “I doubt that I can hold out much longer, Mr. Dorchin.”

  “Disconnect if you have to,” replied the steel robot.

  Burckhardt blinked. “But you’re not Dorchin!”

  The steel robot turned deep eyes on him. “I am,” it said. “Not in the flesh—but this is the body I am using at the moment. I doubt that you can damage this one with the gun. The other robot body was more vulnerable. Now will you stop this nonsense? I don’t want to have to damage you; you’re too expensive for that. Will you just sit down and let the maintenance crews adjust you?”

  Swanson groveled. “You—you won’t punish us?”

  The steel robot had no expression, but its voice was almost surprised. “Punish you?” it repeated on a rising note. “How?”

  Swanson quivered as though the word had been a whip; but Burckhardt flared: “Adjust him, if he’ll let you—but not me! You’re going to have to do me a lot of damage, Dorchin. I don’t care what I cost or how much trouble it’s going to be to put me back together again. But I’m going out of that door! If you want to stop me, you’ll have to kill me. You won’t stop me any other way!”

  The steel robot took a half-step toward him, and Burckhardt involuntarily checked his stride. He stood poised and shaking, ready for death, ready for attack, ready for anything that might happen.

  Ready for anything except what did happen. For Dorchin’s steel body merely stepped aside, between Burckhardt and the gun, but leaving the door free.

  “Go ahead,” invited the steel robot. “Nobody’s stopping you.”

  * * *

  Outside the door, Burckhardt brought up sharp. It was insane of Dorchin to let him go! Robot or flesh, victim or beneficiary, there was nothing to stop him from going to the FBI or whatever law he could find away from Dorchin’s synthetic empire, and telling his story. Surely the corporations who paid Dorchin for test results had no notion of the ghoul’s technique he used; Dorchin would have to keep it from them, for the breath of publicity would put a stop to it. Walking out meant death, perhaps—but at that moment in his pseudo-life, death was no terror for Burckhardt.

  There was no one in the corridor. He found a window and stared out of it. There was Tylerton—an ersatz city, but looking so real and familiar that Burckhardt almost imagined the whole episode a dream. It was no dream, though. He was certain of that in his heart and equally certain that nothing in Tylerton could help him now.

  It had to be the other direction.

  It took him a quarter of an hour to find a way, but he found it—skulking through the corridors, dodging the suspicion of footsteps, knowing for certain that his hiding was in vain, for Dorchin was undoubtedly aware of every move he made. But no one stopped him, and he found another door.

  It was a simple enough door from the inside. But when he opened it and st
epped out, it was like nothing he had ever seen.

  First there was light—brilliant, incredible, blinding light. Burckhardt blinked upward, unbelieving and afraid.

  He was standing on a ledge of smooth, finished metal. Not a dozen yards from his feet, the ledge dropped sharply away; he hardly dared approach the brink, but even from where he stood he could see no bottom to the chasm before him. And the gulf extended out of sight into the glare on either side of him.

  * * *

  No wonder Dorchin could so easily give him his freedom! From the factory, there was nowhere to go—but how incredible this fantastic gulf, how impossible the hundred white and blinding suns that hung above!

  A voice by his side said inquiringly, “Burckhardt?” And thunder rolled the name, mutteringly soft, back and forth in the abyss before him.

  Burckhardt wet his lips. “Y-yes?” he croaked.

  “This is Dorchin. Not a robot this time, but Dorchin in the flesh, talking to you on a hand mike. Now you have seen, Burckhardt. Now will you be reasonable and let the maintenance crews take over?”

  Burckhardt stood paralyzed. One of the moving mountains in the blinding glare came toward him.

  It towered hundreds of feet over his head; he stared up at its top, squinting helplessly into the light.

  It looked like—

  Impossible!

  The voice in the loudspeaker at the door said, “Burckhardt?” But he was unable to answer.

  A heavy rumbling sigh. “I see,” said the voice. “You finally understand. There’s no place to go. You know it now. I could have told you, but you might not have believed me, so it was better for you to see it yourself. And after all, Burckhardt, why would I reconstruct a city just the way it was before? I’m a businessman; I count costs. If a thing has to be full-scale, I build it that way. But there wasn’t any need to in this case.”

  From the mountain before him, Burckhardt helplessly saw a lesser cliff descend carefully toward him. It was long and dark, and at the end of it was whiteness, five-fingered whiteness....

  “Poor little Burckhardt,” crooned the loudspeaker, while the echoes rumbled through the enormous chasm that was only a workshop. “It must have been quite a shock for you to find out you were living in a town built on a table top.”

  VI

  It was the morning of June 15th, and Guy Burckhardt woke up screaming out of a dream.

  It had been a monstrous and incomprehensible dream, of explosions and shadowy figures that were not men and terror beyond words.

  He shuddered and opened his eyes.

  Outside his bedroom window, a hugely amplified voice was howling.

  Burckhardt stumbled over to the window and stared outside. There was an out-of-season chill to the air, more like October than June; but the scent was normal enough—except for the sound-truck that squatted at curbside halfway down the block. Its speaker horns blared:

  “Are you a coward? Are you a fool? Are you going to let crooked politicians steal the country from you? NO! Are you going to put up with four more years of graft and crime? NO! Are you going to vote straight Federal Party all up and down the ballot? YES! You just bet you are!“

  Sometimes he screams, sometimes he wheedles, threatens, begs, cajoles ... but his voice goes on and on through one June 15th after another.

  —FREDERIK POHL

  OMNILINGUAL

  ~

  H. Beam Piper

  To translate writings, you need a key to the code—and if the last writer of Martian died forty thousand years before the first writer of Earth was born ... how could the Martian be translated...?

  Martha Dane paused, looking up at the purple-tinged copper sky. The wind had shifted since noon, while she had been inside, and the dust storm that was sweeping the high deserts to the east was now blowing out over Syrtis. The sun, magnified by the haze, was a gorgeous magenta ball, as large as the sun of Terra, at which she could look directly. Tonight, some of that dust would come sifting down from the upper atmosphere to add another film to what had been burying the city for the last fifty thousand years.

  The red loess lay over everything, covering the streets and the open spaces of park and plaza, hiding the small houses that had been crushed and pressed flat under it and the rubble that had come down from the tall buildings when roofs had caved in and walls had toppled outward. Here, where she stood, the ancient streets were a hundred to a hundred and fifty feet below the surface; the breach they had made in the wall of the building behind her had opened into the sixth story. She could look down on the cluster of prefabricated huts and sheds, on the brush-grown flat that had been the waterfront when this place had been a seaport on the ocean that was now Syrtis Depression; already, the bright metal was thinly coated with red dust. She thought, again, of what clearing this city would mean, in terms of time and labor, of people and supplies and equipment brought across fifty million miles of space. They’d have to use machinery; there was no other way it could be done. Bulldozers and power shovels and draglines; they were fast, but they were rough and indiscriminate. She remembered the digs around Harappa and Mohenjo-Daro, in the Indus Valley, and the careful, patient native laborers—the painstaking foremen, the pickmen and spademen, the long files of basketmen carrying away the earth. Slow and primitive as the civilization whose ruins they were uncovering, yes, but she could count on the fingers of one hand the times one of her pickmen had damaged a valuable object in the ground. If it hadn’t been for the underpaid and uncomplaining native laborer, archaeology would still be back where Wincklemann had found it. But on Mars there was no native labor; the last Martian had died five hundred centuries ago.

  Something started banging like a machine gun, four or five hundred yards to her left. A solenoid jack-hammer; Tony Lattimer must have decided which building he wanted to break into next. She became conscious, then, of the awkward weight of her equipment, and began redistributing it, shifting the straps of her oxy-tank pack, slinging the camera from one shoulder and the board and drafting tools from the other, gathering the notebooks and sketchbooks under her left arm. She started walking down the road, over hillocks of buried rubble, around snags of wall jutting up out of the loess, past buildings still standing, some of them already breached and explored, and across the brush-grown flat to the huts.

  * * *

  There were ten people in the main office room of Hut One when she entered. As soon as she had disposed of her oxygen equipment, she lit a cigarette, her first since noon, then looked from one to another of them. Old Selim von Ohlmhorst, the Turco-German, one of her two fellow archaeologists, sitting at the end of the long table against the farther wall, smoking his big curved pipe and going through a looseleaf notebook. The girl ordnance officer, Sachiko Koremitsu, between two droplights at the other end of the table, her head bent over her work. Colonel Hubert Penrose, the Space Force CO, and Captain Field, the intelligence officer, listening to the report of one of the airdyne pilots, returned from his afternoon survey flight. A couple of girl lieutenants from Signals, going over the script of the evening telecast, to be transmitted to the Cyrano, on orbit five thousand miles off planet and relayed from thence to Terra via Lunar. Sid Chamberlain, the Trans-Space News Service man, was with them. Like Selim and herself, he was a civilian; he was advertising the fact with a white shirt and a sleeveless blue sweater. And Major Lindemann, the engineer officer, and one of his assistants, arguing over some plans on a drafting board. She hoped, drawing a pint of hot water to wash her hands and sponge off her face, that they were doing something about the pipeline.

  She started to carry the notebooks and sketchbooks over to where Selim von Ohlmhorst was sitting, and then, as she always did, she turned aside and stopped to watch Sachiko. The Japanese girl was restoring what had been a book, fifty thousand years ago; her eyes were masked by a binocular loup, the black headband invisible against her glossy black hair, and she was picking delicately at the crumbled page with a hair-fine wire set in a handle of copper tubing. Finally, loo
sening a particle as tiny as a snowflake, she grasped it with tweezers, placed it on the sheet of transparent plastic on which she was reconstructing the page, and set it with a mist of fixative from a little spraygun. It was a sheer joy to watch her; every movement was as graceful and precise as though done to music after being rehearsed a hundred times.

  “Hello, Martha. It isn’t cocktail-time yet, is it?” The girl at the table spoke without raising her head, almost without moving her lips, as though she were afraid that the slightest breath would disturb the flaky stuff in front of her.

  “No, it’s only fifteen-thirty. I finished my work, over there. I didn’t find any more books, if that’s good news for you.”

  Sachiko took off the loup and leaned back in her chair, her palms cupped over her eyes.

  “No, I like doing this. I call it micro-jigsaw puzzles. This book, here, really is a mess. Selim found it lying open, with some heavy stuff on top of it; the pages were simply crushed.” She hesitated briefly. “If only it would mean something, after I did it.”

  There could be a faintly critical overtone to that. As she replied, Martha realized that she was being defensive.

  “It will, some day. Look how long it took to read Egyptian hieroglyphics, even after they had the Rosetta Stone.”

  Sachiko smiled. “Yes. I know. But they did have the Rosetta Stone.”

  “And we don’t. There is no Rosetta Stone, not anywhere on Mars. A whole race, a whole species, died while the first Crò-Magnon cave-artist was daubing pictures of reindeer and bison, and across fifty thousand years and fifty million miles there was no bridge of understanding.

  “We’ll find one. There must be something, somewhere, that will give us the meaning of a few words, and we’ll use them to pry meaning out of more words, and so on. We may not live to learn this language, but we’ll make a start, and some day somebody will.”

 

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