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by Seamus Heaney

In the coffered

  riches of grammar

  and declensions

  I found ban-bus,

  its fire, benches,

  wattle and rafters,

  where the soul

  fluttered a while

  in the roofspace.

  There was a small crock

  for the brain,

  and a cauldron

  of generation

  swung at the centre:

  love-den, blood-holt,

  dream-bower.

  IV

  Come back past

  philology and kennings,

  re-enter memory

  where the bone's lair

  is a love-nest

  in the grass.

  I hold my lady's head

  like a crystal

  and ossify myself

  by gazing: I am screes

  on her escarpments,

  a chalk giant

  carved upon her downs.

  Soon my hands, on the sunken

  fosse of her spine

  move towards the passes.

  V

  And we end up

  cradling each other

  between the lips

  of an earthwork.

  As I estimate

  for pleasure

  her knuckles' paving,

  the turning stiles

  of the elbows,

  the vallum of her brow

  and the long wicket

  of collar-bone,

  I have begun to pace

  the Hadrian's Wall

  of her shoulder, dreaming

  of Maiden Castle.

  VI

  One morning in Devon

  I found a dead mole

  with the dew still beading it.

  I had thought the mole

  a big-boned coulter

  but there it was

  small and cold

  as the thick of a chisel.

  I was told 'Blow,

  blow back the fur on his head.

  Those little points

  were the eyes.

  And feel the shoulders.'

  I touched small distant Pennines,

  a pelt of grass and grain

  running south.

  Come to the Bower

  My hands come, touched

  By sweetbriar and tangled vetch,

  Foraging past the burst gizzards

  Of coin-hoards

  To where the dark-bowered queen,

  Whom I unpin,

  Is waiting. Out of the black maw

  Of the peat, sharpened willow

  Withdraws gently.

  I unwrap skins and see

  The pot of the skull,

  The damp tuck of each curl

  Reddish as a fox's brush,

  A mark of a gorget in the flesh

  Of her throat. And spring water

  Starts to rise around her.

  I reach past

  The riverbed's washed

  Dream of gold to the bullion

  Of her Venus bone.

  Bog Queen

  I lay waiting

  between turf-face and demesne wall,

  between heathery levels

  and glass-toothed stone.

  My body was braille

  for the creeping influences:

  dawn suns groped over my head

  and cooled at my feet,

  through my fabrics and skins

  the seeps of winter

  digested me,

  the illiterate roots

  pondered and died

  in the cavings

  of stomach and socket.

  I lay waiting

  on the gravel bottom,

  my brain darkening,

  a jar of spawn

  fermenting underground

  dreams of Baltic amber.

  Bruised berries under my nails,

  the vital hoard reducing

  in the crock of the pelvis.

  My diadem grew carious,

  gemstones dropped

  in the peat floe

  like the bearings of history.

  My sash was a black glacier

  wrinkling, dyed weaves

  and phoenician stitchwork

  retted on my breasts'

  soft moraines.

  I knew winter cold

  like the nuzzle of fjords

  at my thighs---

  the soaked fledge, the heavy

  swaddle of hides.

  My skull hibernated

  in the wet nest of my hair.

  Which they robbed.

  I was barbered

  and stripped

  by a turfcutter's spade

  who veiled me again

  and packed coomb softly

  between the stone jambs

  at my head and my feet.

  Till a peer's wife bribed him.

  The plait of my hair,

  a slimy birth-cord

  of bog, had been cut

  and I rose from the dark,

  hacked bone, skull-ware,

  frayed stitches, tufts,

  small gleams on the bank.

  The Grauballe Man

  As if he had been poured

  in tar, he lies

  on a pillow of turf

  and seems to weep

  the black river of himself.

  The grain of his wrists

  is like bog oak,

  the ball of his heel

  like a basalt egg.

  His instep has shrunk

  cold as a swan's foot

  or a wet swamp root.

  His hips are the ridge

  and purse of a mussel,

  his spine an eel arrested

  under a glisten of mud.

  The head lifts,

  the chin is a visor

  raised above the vent

  of his slashed throat

  that has tanned and toughened.

  The cured wound

  opens inwards to a dark

  elderberry place.

  Who will say 'corpse'

  to his vivid cast?

  Who will say 'body'

  to his opaque repose?

  And his rusted hair,

  a mat unlikely

  as a foetus's.

  I first saw his twisted face

  in a photograph,

  a head and shoulder

  out of the peat,

  bruised like a forceps baby,

  but now he lies

  perfected in my memory,

  down to the red horn

  of his nails,

  hung in the scales

  with beauty and atrocity:

  with the Dying Gaul

  too strictly compassed

  on his shield,

  with the actual weight

  of each hooded victim,

  slashed and dumped.

  Punishment

  I can feel the tug

  of the halter at the nape

  of her neck, the wind

  on her naked front.

  It blows her nipples

  to amber beads,

  it shakes the frail rigging

  of her ribs.

  I can see her drowned

  body in the bog,

  the weighing stone,

  the floating rods and boughs.

  Under which at first

  she was a barked sapling

  that is dug up

  oak-bone, brain-firkin:

  her shaved head

  like a stubble of black corn,

  her blindfold a soiled bandage,

  her noose a ring

  to store

  the memories of love.

  Little adulteress,

  before they punished you

  you were flaxen-haired,

  undernourished, and your

  tar-black face was beautiful.

  My poor scapegoat,

  I almost love you

  but would have cast, I know,
/>   the stones of silence.

  I am the artful voyeur

  of your brain's exposed

  and darkened combs,

  your muscles' webbing

  and all your numbered bones:

  I who have stood dumb

  when your betraying sisters,

  cauled in tar,

  wept by the railings,

  who would connive

  in civilized outrage

  yet understand the exact

  and tribal, intimate revenge.

  Strange Fruit

  Here is the girl's head like an exhumed gourd.

  Oval-faced, prune-skinned, prune-stones for teeth.

  They unswaddled the wet fern of her hair

  And made an exhibition of its coil,

  Let the air at her leathery beauty.

  Pash of tallow, perishable treasure:

  Her broken nose is dark as a turf clod,

  Her eyeholes blank as pools in the old workings.

  Diodorus Siculus confessed

  His gradual ease among the likes of this:

  Murdered, forgotten, nameless, terrible

  Beheaded girl, outstaring axe

  And beatification, outstaring

  What had begun to feel like reverence.

  Kinship

  I

  Kinned by hieroglyphic

  peat on a spreadfield

  to the strangled victim,

  the love-nest in the bracken,

  I step through origins

  like a dog turning

  its memories of wilderness

  on the kitchen mat:

  the bog floor shakes,

  water cheeps and lisps

  as I walk down

  rushes and heather.

  I love this turf-face,

  its black incisions,

  the cooped secrets

  of process and ritual;

  I love the spring

  off the ground,

  each bank a gallows drop,

  each open pool

  the unstopped mouth

  of an urn, a moon-drinker,

  not to be sounded

  by the naked eye.

  II

  Quagmire, swampland, morass:

  the slime kingdoms,

  domains of the cold-blooded,

  of mud pads and dirtied eggs.

  But bog

  meaning soft,

  the fall of windless rain,

  pupil of amber.

  Ruminant ground,

  digestion of mollusc

  and seed-pod,

  deep pollen-bin.

  Earth-pantry, bone vault,

  sun-bank, embalmer

  of votive goods

  and sabred fugitives.

  Insatiable bride.

  Sword-swallower,

  casket, midden,

  floe of history.

  Ground that will strip

  its dark side,

  nesting ground,

  outback of my mind.

  III

  I found a turf-spade

  hidden under bracken,

  laid flat, and overgrown

  with a green fog.

  As I raised it

  the soft lips of the growth

  muttered and split,

  a tawny rut

  opening at my feet

  like a shed skin,

  the shaft wettish

  as I sank it upright

  and beginning to

  steam in the sun.

  And now they have twinned

  that obelisk:

  among the stones,

  under a bearded cairn

  a love-nest is disturbed,

  catkin and bog-cotton tremble

  as they raise up

  the cloven oak-limb.

  I stand at the edge of centuries

  facing a goddess.

  IV

  This centre holds

  and spreads,

  sump and seedbed,

  a bag of waters

  and a melting grave.

  The mothers of autumn

  sour and sink,

  ferments of husk and leaf

  deepen their ochres.

  Mosses come to a head,

  heather unseeds,

  brackens deposit

  their bronze.

  This is the vowel of earth

  dreaming its root

  in flowers and snow,

  mutation of weathers

  and seasons,

  a windfall composing

  the floor it rots into.

  I grew out of all this

  like a weeping willow

  inclined to

  the appetites of gravity.

  V

  The hand-carved felloes

  of the turf-cart wheels

  buried in a litter

  of turf mould,

  the cupid's bow

  of the tail-board,

  the socketed lips

  of the cribs:

  I deified the man

  who rode there,

  god of the waggon,

  the hearth-feeder.

  I was his privileged

  attendant, a bearer

  of bread and drink,

  the squire of his circuits.

  When summer died

  and wives forsook the fields

  we were abroad,

  saluted, given right-of-way.

  Watch our progress

  down the haw-lit hedges,

  my manly pride

  when he speaks to me.

  VI

  And you, Tacitus,

  observe how I make my grove

  on an old crannog

  piled by the fearful dead:

  a desolate peace.

  Our mother ground

  is sour with the blood

  of her faithful,

  they lie gargling

  in her sacred heart

  as the legions stare

  from the ramparts.

  Come back to this

  'island of the ocean'

  where nothing will suffice.

  Read the inhumed faces

  of casualty and victim;

  report us fairly,

  how we slaughter

  for the common good

  and shave the heads

  of the notorious,

  how the goddess swallows

  our love and terror.

  Ocean's Love to Ireland

  I

  Speaking broad Devonshire,

  Ralegh has backed the maid to a tree

  As Ireland is backed to England

  And drives inland

  Till all her strands are breathless:

  'Sweesir, Swatter! Sweesir, Swatter!'

  He is water, he is ocean, lifting

  Her farthingale like a scarf of weed lifting

  In the front of a wave.

  II

  Yet his superb crest inclines to Cynthia

  Even while it runs its bent

  In the rivers of Lee and Blackwater.

  Those are the plashy spots where he would lay

  His cape before her. In London, his name

  Will rise on water, and on these dark seepings:

  Smerwick sowed with the mouthing corpses

  Of six hundred papists, 'as gallant and good

  Personages as ever were beheld.'

  III

  The ruined maid complains in Irish,

  Ocean has scattered her dreams of fleets,

  The Spanish prince has spilled his gold

  And failed her. Iambic drums

  Of English beat the woods where her poets

  Sink like Onan. Rush-light, mushroom-flesh,

  She fades from their somnolent clasp

  Into ringlet-breath and dew,

  The ground possessed and repossessed.

  Aisling

  He courted her

  With a decadent sweet art

  Like the wind's vo
wel

  Blowing through the hazels:

  'Are you Diana...?'

  And was he Actaeon,

  His high lament

  The stag's exhausted belling?

  Act of Union

  I

  To-night, a first movement, a pulse,

  As if the rain in bogland gathered head

  To slip and flood: a bog-burst,

  A gash breaking open the ferny bed.

  Your back is a firm line of eastern coast

  And arms and legs are thrown

  Beyond your gradual hills. I caress

  The heaving province where our past has grown.

  I am the tall kingdom over your shoulder

  That you would neither cajole nor ignore.

  Conquest is a lie. I grow older

  Conceding your half-independent shore

  Within whose borders now my legacy

  Culminates inexorably.

  II

  And I am still imperially

  Male, leaving you with the pain,

 

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