The Dover Anthology of American Literature Volume II

Home > Other > The Dover Anthology of American Literature Volume II > Page 5
The Dover Anthology of American Literature Volume II Page 5

by Bob Blaisdell


  “Set her back on the stabboard! Ting-a-ling-ling! Chow! Ch-chow-wow! Chow!” His right hand, meantime, describing stately circles—for it was representing a forty-foot wheel.

  “Let her go back on the labboard! Ting-a-ling-ling! Chow-ch-chow-chow!” The left hand began to describe circles.

  “Stop the stabboard! Ting-a-ling-ling! Stop the labbord! Come ahead on the stabboard! Stop her! Let your outside turn over slow! Ting-a-ling-ling! Chow-ow-ow! Get out that head-line! Lively now! Come—out with your spring line—what’re you about there! Take a turn round that stump with the bight of it! Stand by that stage, now—let her go! Done with the engines, sir! Ting-a-ling-ling! Sh’t! sh’t! sh’t!” (trying the gauge cocks).

  Tom went on whitewashing—paid no attention to the steamboat. Ben stared a moment and then said:

  “Hi-yi! You’re up a stump, ain’t you!”

  No answer. Tom surveyed his last touch with the eye of an artist; then he gave his brush another gentle sweep and surveyed the result, as before. Ben ranged up alongside of him. Tom’s mouth watered for the apple, but he stuck to his work. Ben said:

  “Hello, old chap, you got to work, hey?”

  Tom wheeled suddenly and said:

  “Why it’s you, Ben! I warn’t noticing.”

  “Say—I’m going in a-swimming, I am. Don’t you wish you could? But of course you’d druther work—wouldn’t you? Course you would!”

  Tom contemplated the boy a bit, and said:

  “What do you call work?”

  “Why ain’t that work?”

  Tom resumed his whitewashing, and answered carelessly:

  “Well, maybe it is, and maybe it ain’t. All I know is, it suits Tom Sawyer.”

  “Oh come, now, you don’t mean to let on that you like it?”

  The brush continued to move.

  “Like it? Well, I don’t see why I oughtn’t to like it. Does a boy get a chance to whitewash a fence every day?”

  That put the thing in a new light. Ben stopped nibbling his apple. Tom swept his brush daintily back and forth—stepped back to note the effect—added a touch here and there—criticized the effect again—Ben watching every move and getting more and more interested, more and more absorbed. Presently he said:

  “Say, Tom, let me whitewash a little.”

  Tom considered, was about to consent; but he altered his mind:

  “No—no—I reckon it wouldn’t hardly do, Ben. You see, Aunt Polly’s awful particular about this fence—right here on the street, you know—but if it was the back fence I wouldn’t mind and she wouldn’t. Yes, she’s awful particular about this fence; it’s got to be done very careful; I reckon there ain’t one boy in a thousand, maybe two thousand, that can do it the way it’s got to be done.”

  “No—is that so? Oh come, now—lemme just try. Only just a little—I’d let you, if you was me, Tom.”

  “Ben, I’d like to, honest injun; but Aunt Polly—well, Jim wanted to do it, but she wouldn’t let him; Sid wanted to do it, and she wouldn’t let Sid. Now don’t you see how I’m fixed? If you was to tackle this fence and anything was to happen to it—”

  “Oh, shucks, I’ll be just as careful. Now lemme try. Say—I’ll give you the core of my apple.”

  “Well, here—No, Ben, now don’t. I’m afeard—”

  “I’ll give you all of it!”

  Tom gave up the brush with reluctance in his face, but alacrity in his heart. And while the late steamer Big Missouri worked and sweated in the sun, the retired artist sat on a barrel in the shade close by, dangled his legs, munched his apple, and planned the slaughter of more innocents. There was no lack of material; boys happened along every little while; they came to jeer, but remained to whitewash. By the time Ben was fagged out, Tom had traded the next chance to Billy Fisher for a kite, in good repair; and when he played out, Johnny Miller bought in for a dead rat and a string to swing it with—and so on, and so on, hour after hour. And when the middle of the afternoon came, from being a poor poverty-stricken boy in the morning, Tom was literally rolling in wealth. He had, besides the things before mentioned, twelve marbles, part of a Jew’s-harp, a piece of blue bottle glass to look through, a spool cannon, a key that wouldn’t unlock anything, a fragment of chalk, a glass stopper of a decanter, a tin soldier, a couple of tadpoles, six fire-crackers, a kitten with only one eye, a brass door-knob, a dog collar—but no dog—the handle of a knife, four pieces of orange peel, and a dilapidated old window sash.

  He had had a nice, good, idle time all the while, plenty of company—and the fence had three coats of whitewash on it! If he hadn’t run out of whitewash, he would have bankrupted every boy in the village.

  Tom said to himself that it was not such a hollow world, after all. He had discovered a great law of human action, without knowing it—namely, that in order to make a man or a boy covet a thing, it is only necessary to make the thing difficult to attain. If he had been a great and wise philosopher, like the writer of this book, he would now have comprehended that Work consists of whatever a body is obliged to do, and that Play consists of whatever a body is not obliged to do. And this would help him to understand why constructing artificial flowers or performing on a treadmill is work, while rolling tenpins or climbing Mont Blanc is only amusement. There are wealthy gentlemen in England who drive four-horse passenger coaches twenty or thirty miles on a daily line, in the summer, because the privilege costs them considerable money; but if they were offered wages for the service, that would turn it into work and then they would resign.

  The boy mused awhile over the substantial change which had taken place in his worldly circumstances, and then wended toward headquarters to report.

  SOURCE: Mark Twain. The Adventures of Tom Sawyer. Hartford: The American Publishing Company, 1876.

  Adventures of Huckleberry Finn (1885)

  Whether Adventures of Huckleberry Finn is the most important or most controversial or best loved of American novels, it is extraordinary. It is about so many topics, among them friendship, freedom, slavery and conscience. As a sequel to The Adventures of Tom Sawyer, Adventures of Huckleberry Finn contradicts the adage about sequels always being less good than the originals. The comic and rollicking Huck Finn has a depth and heft that Twain did not attempt in Tom Sawyer. Published in 1885, it has been banned over the years (into the present) by particular libraries and schools for any number of reasons, all of them thickheaded. We quote Twain’s “Explanatory” note to the 1885 edition: “In this book a number of dialects are used, to wit: the Missouri negro dialect; the extremest form of the backwoods Southwestern dialect; the ordinary ‘Pike County’ dialect; and four modified varieties of this last. The shadings have not been done in a haphazard fashion, or by guesswork; but painstakingly, and with the trustworthy guidance and support of personal familiarity with these several forms of speech. I make this explanation for the reason that without it many readers would suppose that all these characters were trying to talk alike and not succeeding.” He announced the scene as “the Mississippi Valley . . . forty to fifty years ago.” The novel’s plot is simple: Huckleberry narrates how he helped Jim, a slave, escape the South. On the other hand, the adventures—of which there are many—are complicated. We present a few.

  Chapter 1

  You don’t know about me, without you have read a book by the name of The Adventures of Tom Sawyer; but that ain’t no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied, one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly—Tom’s Aunt Polly, she is—and Mary, and the Widow Douglas, is all told about in that book—which is mostly a true book; with some stretchers, as I said before.

  Now the way that the book winds up, is this: Tom and me found the money that the robbers hid in the cave, and it made us rich. We got six thousand dollars apiece—all gold. It was an awful sight of money when it was pi
led up. Well, Judge Thatcher, he took it and put it out at interest, and it fetched us a dollar a day apiece, all the year round—more than a body could tell what to do with. The Widow Douglas, she took me for her son, and allowed she would sivilize me; but it was rough living in the house all the time, considering how dismal regular and decent the widow was in all her ways; and so when I couldn’t stand it no longer, I lit out. I got into my old rags, and my sugar-hogshead again, and was free and satisfied. But Tom Sawyer, he hunted me up and said he was going to start a band of robbers, and I might join if I would go back to the widow and be respectable. So I went back.

  The widow she cried over me, and called me a poor lost lamb, and she called me a lot of other names, too, but she never meant no harm by it. She put me in them new clothes again, and I couldn’t do nothing but sweat and sweat, and feel all cramped up. Well, then, the old thing commenced again. The widow rung a bell for supper, and you had to come to time. When you got to the table you couldn’t go right to eating, but you had to wait for the widow to tuck down her head and grumble a little over the victuals, though there warn’t really anything the matter with them. That is, nothing only everything was cooked by itself. In a barrel of odds and ends it is different; things get mixed up, and the juice kind of swaps around, and the things go better.

  After supper she got out her book and learned me about Moses and the Bulrushers; and I was in a sweat to find out all about him; but by-and-by she let it out that Moses had been dead a considerable long time; so then I didn’t care no more about him; because I don’t take no stock in dead people.

  Pretty soon I wanted to smoke, and asked the widow to let me. But she wouldn’t. She said it was a mean practice and wasn’t clean, and I must try to not do it any more. That is just the way with some people. They get down on a thing when they don’t know nothing about it. Here she was a bothering about Moses, which was no kin to her, and no use to anybody, being gone, you see, yet finding a power of fault with me for doing a thing that had some good in it. And she took snuff too; of course that was all right, because she done it herself.

  Her sister, Miss Watson, a tolerable slim old maid, with goggles on, had just come to live with her, and took a set at me now, with a spelling-book. She worked me middling hard for about an hour, and then the widow made her ease up. I couldn’t stood it much longer. Then for an hour it was deadly dull, and I was fidgety. Miss Watson would say, “Don’t put your feet up there, Huckleberry;” and “Don’t scrunch up like that, Huckleberry—set up straight;” and pretty soon she would say, “Don’t gap and stretch like that, Huckleberry—why don’t you try to behave?” Then she told me all about the bad place, and I said I wished I was there. She got mad, then, but I didn’t mean no harm. All I wanted was to go somewheres; all I wanted was a change, I warn’t particular. She said it was wicked to say what I said; said she wouldn’t say it for the whole world; she was going to live so as to go to the good place. Well, I couldn’t see no advantage in going where she was going, so I made up my mind I wouldn’t try for it. But I never said so, because it would only make trouble, and wouldn’t do no good.

  Now she had got a start, and she went on and told me all about the good place. She said all a body would have to do there was to go around all day long with a harp and sing, forever and ever. So I didn’t think much of it. But I never said so. I asked her if she reckoned Tom Sawyer would go there, and, she said, not by a considerable sight. I was glad about that, because I wanted him and me to be together.

  Miss Watson she kept pecking at me, and it got tiresome and lonesome. By-and-by they fetched the niggers in and had prayers, and then everybody was off to bed. I went up to my room with a piece of candle and put it on the table. Then I set down in a chair by the window and tried to think of something cheerful, but it warn’t no use. I felt so lonesome I most wished I was dead. The stars was shining, and the leaves rustled in the woods ever so mournful; and I heard an owl, away off, who-whooing about somebody that was dead, and a whippowill and a dog crying about somebody that was going to die; and the wind was trying to whisper something to me and I couldn’t make out what it was, and so it made the cold shivers run over me. Then away out in the woods I heard that kind of a sound that a ghost makes when it wants to tell about something that’s on its mind and can’t make itself understood, and so can’t rest easy in its grave and has to go about that way every night grieving. I got so down-hearted and scared, I did wish I had some company. Pretty soon a spider went crawling up my shoulder, and I flipped it off and it lit in the candle; and before I could budge it was all shriveled up. I didn’t need anybody to tell me that that was an awful bad sign and would fetch me some bad luck, so I was scared and most shook the clothes off of me. I got up and turned around in my tracks three times and crossed my breast every time; and then I tied up a little lock of my hair with a thread to keep witches away. But I hadn’t no confidence. You do that when you’ve lost a horse-shoe that you’ve found, instead of nailing it up over the door, but I hadn’t ever heard anybody say it was any way to keep off bad luck when you’d killed a spider.

  I set down again, a shaking all over, and got out my pipe for a smoke; for the house was all as still as death, now, and so the widow wouldn’t know. Well, after a long time I heard the clock away off in the town go boom—boom—boom—twelve licks; and all still again—stiller than ever. Pretty soon I heard a twig snap, down in the dark amongst the trees—something was a stirring. I set still and listened. Directly I could just barely hear a “me-yow! me-yow!” down there. That was good! Says I, “me-yow! me-yow!” as soft as I could, and then I put out the light and scrambled out of the window onto the shed. Then I slipped down to the ground and crawled in amongst the trees, and sure enough there was Tom Sawyer waiting for me.

  Chapter 4

  Well, three or four months run along, and it was well into the winter, now. I had been to school most all the time, and could spell, and read, and write just a little, and could say the multiplication table up to six times seven is thirty-five, and I don’t reckon I could ever get any further than that if I was to live forever. I don’t take no stock in mathematics, anyway.

  At first I hated the school, but by-and-by I got so I could stand it. Whenever I got uncommon tired I played hookey, and the hiding I got next day done me good and cheered me up. So the longer I went to school the easier it got to be. I was getting sort of used to the widow’s ways, too, and they warn’t so raspy on me. Living in a house, and sleeping in a bed, pulled on me pretty tight, mostly, but before the cold weather I used to slide out and sleep in the woods, sometimes, and so that was a rest to me. I liked the old ways best, but I was getting so I liked the new ones, too, a little bit. The widow said I was coming along slow but sure, and doing very satisfactory. She said she warn’t ashamed of me.

  One morning I happened to turn over the salt-cellar at breakfast. I reached for some of it as quick as I could, to throw over my left shoulder and keep off the bad luck, but Miss Watson was in ahead of me, and crossed me off. She says, “Take your hands away, Huckleberry, what a mess you are always making.” The widow put in a good word for me, but that warn’t going to keep off the bad luck, I knowed that well enough. I started out, after breakfast, feeling worried and shaky, and wondering where it was going to fall on me, and what it was going to be. There is ways to keep off some kinds of bad luck, but this wasn’t one of them kind; so I never tried to do anything, but just poked along low-spirited and on the watch-out.

  I went down the front garden and clumb over the stile, where you go through the high board fence. There was an inch of new snow on the ground, and I seen somebody’s tracks. They had come up from the quarry and stood around the stile a while, and then went on around the garden fence. It was funny they hadn’t come in, after standing around so. I couldn’t make it out. It was very curious, somehow. I was going to follow around, but I stooped down to look at the tracks first. I didn’t notice anything at first, but next I did. There was a cross in the left boot-heel m
ade with big nails, to keep off the devil.

  I was up in a second and shinning down the hill. I looked over my shoulder every now and then, but I didn’t see nobody. I was at Judge Thatcher’s as quick as I could get there. He said:

  “Why, my boy, you are all out of breath. Did you come for your interest?”

  “No, sir,” I says; “is there some for me?”

  “Oh, yes, a half-yearly is in, last night. Over a hundred and fifty dollars. Quite a fortune for you. You better let me invest it along with your six thousand, because if you take it you’ll spend it.”

  “No sir,” I says, “I don’t want to spend it. I don’t want it at all—nor the six thousand, nuther. I want you to take it; I want to give it to you—the six thousand and all.”

  He looked surprised. He couldn’t seem to make it out. He says:

  “Why, what can you mean, my boy?”

  I says, “Don’t you ask me no questions about it, please. You’ll take it—won’t you?”

  He says:

  “Well, I’m puzzled. Is something the matter?”

  “Please take it,” says I, “and don’t ask me nothing—then I won’t have to tell no lies.”

  He studied a while, and then he says:

  “Oho-o! I think I see. You want to sell all your property to me—not give it. That’s the correct idea.”

  Then he wrote something on a paper and read it over, and says:

  “There—you see it says ‘for a consideration.’ That means I have bought it of you and paid you for it. Here’s a dollar for you. Now, you sign it.”

  So I signed it, and left.

  Miss Watson’s nigger, Jim, had a hair-ball as big as your fist, which had been took out of the fourth stomach of an ox, and he used to do magic with it. He said there was a spirit inside of it, and it knowed everything. So I went to him that night and told him pap was here again, for I found his tracks in the snow. What I wanted to know, was, what he was going to do, and was he going to stay? Jim got out his hair-ball, and said something over it, and then he held it up and dropped it on the floor. It fell pretty solid, and only rolled about an inch. Jim tried it again, and then another time, and it acted just the same. Jim got down on his knees and put his ear against it and listened. But it warn’t no use; he said it wouldn’t talk. He said sometimes it wouldn’t talk without money. I told him I had an old slick counterfeit quarter that warn’t no good because the brass showed through the silver a little, and it wouldn’t pass nohow, even if the brass didn’t show, because it was so slick it felt greasy, and so that would tell on it every time. (I reckoned I wouldn’t say nothing about the dollar I got from the judge.) I said it was pretty bad money, but maybe the hair-ball would take it, because maybe it wouldn’t know the difference. Jim smelt it, and bit it, and rubbed it, and said he would manage so the hair-ball would think it was good. He said he would split open a raw Irish potato and stick the quarter in between and keep it there all night, and next morning you couldn’t see no brass, and it wouldn’t feel greasy no more, and so anybody in town would take it in a minute, let alone a hair-ball. Well, I knowed a potato would do that, before, but I had forgot it.

 

‹ Prev