The Best New Horror 2

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The Best New Horror 2 Page 46

by Ramsay Campbell


  “I have Mozart,” Peter replied, a little scared by what he was revealing from within. “Maybe we could go with him.”

  “Does your Mozart know that he’s here? Does he know that you’re here? Or Susie? No. You’re playing games, Peter. Mozart’s dead, and you and your sister are catching up with him.”

  “Stop it,” Peter said. He stopped walking. The “voice” went away. It hadn’t been his father at all. He turned and saw how far from the house he had gone in just a few minutes. He had nearly reached the other end of the street and the arrow sign he had put up. From there, the house looked no different than any of the other uninhabited dwellings surrounding it. Hurriedly, he walked back toward it. Look at the place. Without the sign how could the tourists know in which house Mozart played? No wonder the crowds had thinned out. He’d been so busy with Susanne’s care that he had let the house rot around him.

  As he neared, he could hear Maria Lipp singing repeatedly, “Resurrexit,” then both she and Mozart launched into a series of joyous “Allelujahs”.

  Peter closed the door, then stood leaning against it, as if to keep something evil out. His breathing wheezed and little sparkles danced in the air. He couldn’t believe such a short run had drained him so much.

  The beautiful voice floated through “Ora pro nobis Deum.” Peter thought, please, yes, pray for us to God.

  He hung on there until the last “allelujah” was sung. Susanne began clapping gaily. Peter peered through the doorway at her, as Mozart came running only to vanish just before reaching her. He wondered, did Mozart know she was there? Could he, from his side of time, see a bit of the present?

  Seeming to sense his presence, Susanne glanced back at him. “Hello, Petey,” she said. “Would you like some of my chocolate lace? It ought to be hard now.”

  He nodded. His face had gone dull with dissembling to hide from all the fears that churned inside him. He watched her climb up to shuffle across to the kitchen, obviously in great pain. The feather duster fell from her lap but she made no attempt to pick it up. She looked more withered than when she had sat down, only minutes before. When she was out of sight, he took off his coat and hung it back in the hallway.

  “We can share it with Mozart, okay?” she called out to him.

  “Fine.” The word squeaked out of his knotted throat.

  Susanne came shambling out of the kitchen, nearly doubled over with the effort of supporting her treat. It lay, a dark doily across her hands. Delight glistened in her cataracted eyes, senility blocking pain. “Lookit, isn’t it nice?”

  Peter stared at her and saw no one that he recognized. The sister he knew had gone into the kitchen; this creature had emerged, cut loose finally from his memories of her. What had happened to his sister? “Susie,” he lamented. He walked swiftly forward, reaching out to take the chocolate.

  Susanne’s brows knitted. She glanced down at her breastbone. “Bee bite,” she said. Uncomprehending, Peter drew up for a moment. Then Susanne swayed and her head went back with a look like that of ecstasy on her face.

  Peter cried out and rushed forward. The chocolate lace slid off her hand and dropped. The fragile, woven strands shattered as they hit the floor, scattering fragments in every direction. Peter clutched her to him, his feet crunching on the glassy bits of caramel. “No, Susanne.”

  “Petey, I’m funny,” she said. Tellier dragged her to her chair and set her down in it. “Where’s momma, she here?” Her voice had gone thick. One side of her mouth twisted up as if trying to grin.

  “She’s coming,” he answered quickly, searching her softening face for a hint of the little sister he could barely remember. “Be here in a minute.”

  For all the death he’d experienced, for all that he knew this would come, Peter Tellier retained a childlike incomprehension of how someone so close could slip away while he watched, while he held her.

  She was only dozing between performances, he told himself. She often did that. She would be all right. He straightened her up, tucked the afghan across her lap. He found a few large pieces of the chocolate lace and placed them on her lap, too.

  Behind him, the clavichord fluttered into being. He turned and stared at it as at some horrible and totally alien object. He could not stand to hear that music again. Not ever again.

  He forgot his jacket but climbed down into the snow like a figure out of history himself, in lace and velvet and trousers that buttoned just below the knee. The lights of civilization lay across the water, down the hill. He wondered if he would survive the walk.

  Within, the house stood silent for a time.

  Dust motes dancing in the sunbeams settled on the clavichord. The girl with the feather duster skipped over to it and began whisking at the surfaces, the keys, the bench, until young Mozart in red waistcoat came marching out and angrily ordered her away. Mozart shooed her along as if herding a cow. She pranced ahead of him, smiling blissfully as if he were proclaiming undying love. Mozart vanished as she settled into the Beidermeier chair with coquettish grace. In the other chair, the ghost of Michael Haydn glanced reprovingly her way.

  Mozart returned from behind the chair and headed for the clavichord. To the right of it, with both hands clasped beneath her bosom, Maria Lipp watched him for her cue to begin.

  Susanne heard a little noise behind her and looked around to find her older brother closing the doors with great care. He was dressed in a wonderful costume just like Mozart’s, but he put one finger to his lips to silence any outburst she might have had, then tiptoed into the shadows. She glanced surreptitiously at Haydn but he hadn’t noticed Peter’s arrival.

  Susanne leaned down and placed her feather duster on the floor. Her feet dangled above it. She gripped the arms of her chair tightly, as if the chair were about to soar into the sky and carry her away to fabulous lands. “Regina coeli,” she named herself, then closed her eyes as Mozart’s slender hands descended upon the keys.

  F. PAUL WILSON

  Pelts

  F. PAUL WILSON had his first short fiction first published in 1971, while he was still studying to become a doctor. Since then he has gone on to appear in most of the major science fiction and fantasy magazines, and over two million copies of his books are in print in America.

  His novels include The Keep (unsuccessfully filmed in 1983), The Tomb, The Touch, Black Wind, The Tery, Sibs, Reborn and its sequel, Reprisals, while his short fiction has been collected in Soft & Others.

  “Pelts” was originally published as an individual booklet, and all royalties from the novella are being donated by the author to the charity Friends of Animals. An assured chiller that doesn’t let its message get in the way of the horror, it was nominated for a Bram Stoker Award by the Horror Writers of America.

  “I ’M SCARED, PA.”

  “Shush!” Pa said, tossing the word over his shoulder as he walked ahead.

  Gary shivered in the frozen predawn dimness and scanned the surrounding pines and brush for the thousandth time. He was heading for his twentieth year and knew he shouldn’t be getting the willies like this but he couldn’t help it. He didn’t like this place.

  “What if we get caught?”

  “Only way we’ll get caught is if you keep yappin’, boy,” Pa said. “We’re almost there. Wouldna brought you along ’cept I can’t do all the carryin’ myself! Now hesh up!”

  Their feet crunched though the half-inch shroud of frozen snow that layered the sandy ground. Gary pressed his lips tightly together, kept an extra tight grip on the Louisville Slugger, and followed Pa through the brush. But he didn’t like this one bit. Not that he didn’t favor hunting and trapping. He liked them fine. Loved them, in fact. But he and Pa were on Zeb Foster’s land today. And everybody knew that was bad news.

  Old Foster owned thousands of acres in the Jersey Pine Barrens and didn’t allow nobody to hunt them. Had “Posted” signs all around the perimeter. Always been that way with the Fosters. Pa said old Foster’s granpa had started the no-trespassing foolishnes
s and that the family was likely to hold to the damn stupid tradition till Judgment Day. Pa didn’t think he should be fenced out of any part of the Barrens. Gary could go along with that most anywheres except old Foster’s property.

  There were stories . . . tales of the Jersey Devil roaming the woods here, of people poaching Foster’s land and never being seen again. Those who disappeared weren’t fools from Newark or Trenton who regularly got lost in the Pines and wandered in circles till they died. These were experienced trackers and hunters, Pineys just like Pa . . . and Gary.

  Never seen again.

  “Pa, what if we don’t come out of here?” He hated the whiny sound in his voice and tried to change it. “What if somethin’ gets us?”

  “Ain’t nothin gonna get us! Didn’t I come in here yesterday and set the traps? And didn’t I come out okay?”

  “Yeah, but—”

  “Yeah, but nothin’! The Fosters done a good job of spreadin’ stories for generations to scare folk off. But they don’t scare me. I know bullshit when I hear it.”

  “Is it much farther?”

  “No. Right yonder over the next rise. A whole area crawlin’ with coon tracks.”

  Gary noticed they were passing through a thick line of calf-high vegetation, dead now; looked as if it’d been dark and ferny before winterkill had turned it brittle. It ran off straight as a hunting arrow into the scrub pines on either side of them.

  “Looky this, Pa. Look how straight this stuff runs. Almost like it was planted.”

  Pa snorted. “That wasn’t planted. That’s spleenwort—ebony spleenwort. Only place it grows around here is where somebody’s used lime to set footings for a foundation. Soil’s too acid for it otherwise. Find it growin’ over all the vanished towns.”

  Gary knew there were lots of vanished towns in the Barrens, but this must have been one hell of a foundation. It was close to six feet wide and ran as far as he could see in either direction.

  “What you think used to stand here, Pa?”

  “Who knows, who cares? People was buildin’ in the Barrens afore the Revolutionary War. And I hear tell there was crumblin’ ruins already here when the Indians arrived. There’s some real old stuff around these parts but we ain’t about to dig it up. We’re here for coon. Now hesh up till we get to the traps!”

  Gary couldn’t believe their luck. Every damn leg-hold trap had a coon in it! Big fat ones with thick, silky coats the likes of which he’d never seen. A few were already dead, but most of them were still alive, lying on their sides, their black eyes wide with fear and pain; panting, bloody, exhausted from trying to pull loose from the teeth of the traps, still tugging weakly at the chains that linked the trap to its stake.

  He and Pa took care of the tuckered-out ones first by crushing their throats. Gary flipped them onto their backs and watched their striped tails come up protectively over their bellies. I ain’t after your belly, Mr Coon. He put his heel right over the windpipe, and kicked down hard. If he was in the right spot he heard a satisfying crunch as the cartilage collapsed. The coons wheezed and thrashed and flopped around awhile in the traps trying to draw some air past the crushed spot but soon enough they choked to death. Gary had had some trouble doing the throat crush when he started at it years ago, but he was used to it by now. It was just the way it was done. All the trappers did it.

  But you couldn’t try that on the ones that still had some pepper in them. They wouldn’t hold still enough for you to place your heel. That was where the Gary and his Slugger came in. He swung at one as it snapped at him.

  “The head! The head, dammit!” Pa yelled.

  “Awright, awright!”

  “Don’t mess the pelts!”

  Some of those coons were tough suckers. Took at least half a dozen whacks each with the Slugger to kill them dead. They’d twist and squeal and squirm around and it wasn’t easy to pound a direct hit on the head every single time. But they weren’t going nowhere, not with one of their legs caught in a steel trap.

  By the time he and Pa reached the last trap, Gary’s bat was drippy red up to the taped grip, and his bag was so heavy he could barely lift it. Pa’s was just about full too.

  “Damn!” Pa said, standing over the last trap. “Empty!” Then he knelt for a closer look. “No, wait! Lookit that! It’s been sprung! The paw’s still in it! Musta chewed it off!”

  Gary heard a rustle in the brush to his right and caught a glimpse of a gray-and-black striped tail slithering away.

  “There it is!”

  “Get it!”

  Gary dropped the sack and went after the last coon. No sweat. It was missing one of its rear paws and left a trail of blood behind on the snow wherever it went. He came upon it within twenty feet. A fat one, waddling and gimping along as fast as its three legs would carry it. He swung but the coon partially dodged the blow and squalled as the bat glanced off its skull. The next shot got it solid but it rolled away. Gary kept after it through the brush, hitting it again and again, until his arms got tired. He counted nearly thirty strikes before he got in a good one. The big coon rolled over and looked at him with glazed eyes, blood running from its ears. He saw the nipples on its belly—a female. As he lifted the Slugger again, it raised its two front paws over its face—an almost human gesture that made him hesitate for a second. Then he clocked her with a winner. He bashed her head ten more times for good measure to make sure she wouldn’t be going anywhere. The snow around her was splattered with red by the time he was done.

  As he lifted her by her tail to take her back, he got a look at the mangled stump of her hind leg. Chewed off. God, you really had to want to get free to do something like that.

  He carried her back to Pa, passing all the other splotches of crimson along the way. Looked like some bloody-footed giant had stomped through here.

  “Whooeee!” Pa said when he saw the last one. “That’s a beauty! They’re all beauties! Gary, m’boy, we’re gonna have money to burn when we sell these!”

  Gary glanced at the sun as he tossed the last one into the sack. It was rising brightly into a clear sky.

  “Maybe we shouldn’t spend it until we get off Foster’s land.”

  “You’re right,” Pa said, looking uneasy for the first time. “I’ll come back tomorrow and rebait the traps.” He slapped Gary on the back. “We found ourselfs a goldmine, son!”

  Gary groaned under the weight of the sack, but he leaned forward and struck off toward the sun. He wanted to be gone from here. Quick like.

  “I’ll lead the way, Pa.”

  “Look at these!” Pa said, holding up two pelts by their tails. “Thick as can be and not a scar or a bald spot anywhere to be seen! Primes, every single one of them!”

  He swayed as he stood by the skinning table. He’d been nipping at the applejack bottle steadily during the day-long job of cutting, stripping, and washing the pelts, and now he was pretty near blitzed. Gary had taken the knife from Pa early on, doing all the cutting himself and leaving the stripping for the old man. You didn’t have to be sober for stripping. Once the cuts were made—that was the hard part—a strong man could rip the pelt off like husking an ear of corn.

  “Yeah,” Gary said. “They’re beauts all right. Full winter coats.”

  The dead of winter was, naturally, the best time to trap any fur animal. That was when the coats were the thickest. And these were thick. Gary couldn’t remember seeing anything like these pelts. The light gray fur seemed to glow a pale metallic blue when the light hit it right. Touching it gave him a funny warm feeling inside. Made him want to find a woman and ride her straight on till morning.

  The amazing thing was that they were all identical. No one was going to have to dye these babies to make a coat. They all matched perfectly, like these coons had been one big family.

  These were going to make one hell of a beautiful full-length coat.

  “Jake’s gonna love these!” Pa said. “And he’s gonna pay pretty for ’em, too!”

  “Did you get ho
ld of him?” Gary asked, thinking of the shotgun he wanted to buy.

  “Yep. Be round first thing in the morning.”

  “Great, Pa. Whyn’t you hit the sack and I’ll clean up round here.”

  “You sure?”

  “Sure.”

  “You’re all right, son,” Pa said. He clapped him on the shoulder and staggered for the door.

  Gary shivered in the cold blast of wind that dashed past Pa on his way out of the barn. He got up and threw another log into the pot-bellied stove squatting in the corner, then surveyed the scene.

  There really wasn’t all that much left to be done. The furs had all been washed and all but a few were tacked up on the drying boards. The guts had been tossed out, and the meat had been put in the cold shed to feed to the dogs during the next few weeks. So all he had to—

  Gary’s eyes darted to the bench. Had something moved there? He watched a second but all was still. Yet he could have sworn one of the unstretched pelts piled there had moved. He rubbed his eyes and grinned.

  Long day.

  He went to the bench and spread out the remaining half dozen before stretching them. Most times they’d nail their catches to the barn door, but these were too valuable for that. He ran his hands over them. God, these were special. Never had he seen coon fur this thick and soft. That warm, peaceful, horny feeling slipped over him again. On a lark, he draped it over his arm. What a coat this was gonna—

  The pelt moved, rippled. In a single swift smooth motion its edges curled and wrapped snugly around his forearm. A gush of horror dribbled away before he could react, drowned in a flood of peace and tranquility.

  Nothing unusual here. Everything was all right . . . all right.

  He watched placidly as the three remaining unstretched furs rippled and began to move toward him. Nothing wrong with that. Nothing wrong with the way they crawled over his hands and wrists and wrapped themselves around his arms. Perfectly natural. He smiled. Looked like he had caveman arms.

 

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