by Robert Stone
Fun with Problems
Robert Stone
* * *
HOUGHTON MIFFLIN HARCOURT
BOSTON NEW YORK 2010
* * *
For Jane and Emily
* * *
Copyright © 2010 by Robert Stone
ALL RIGHTS RESERVED
For information about permission to reproduce selections from this book,
write to Permissions, Houghton Mifflin Harcourt Publishing Company,
215 Park Avenue South, New York, New York 10003.
www.hmhbooks.com
Library of Congress Cataloging-in-Publication Data
Stone, Robert, date.
Fun with problems : stories / Robert Stone.
p. cm.
ISBN 978-0-618-38625-3
I. Title.
PS3569.T6418F86 2010
813'.54—dc22 2009013748
Book design by Brian Moore
Printed in the United States of America
DOC 10 9 8 7 6 5 4 3 2 1
The following stories in this collection originally appeared elsewhere: The
New Yorker: "Fun with Problems." Playboy: "Honeymoon," "Charm City,"
"The Archer." Open City: "High Wire."
* * *
Overcoming difficulties can present spiritual opportunities.
It is actually possible to have fun with problems.
—REHAB VIDEO, CALIFORNIA, 1999
* * *
Contents
FUN WITH PROBLEMS 1
HONEYMOON 29
CHARM CITY 33
THE WINE-DARK SEA 56
FROM THE LOWLANDS 101
HIGH WIRE 123
THE ARCHER 169
Fun with Problems
HAMPTON COUNTY LOCKED them down in a nineteenth-century brick fortress of a jail, a penitential fantasy of red brick keeps and crenellations. The sight of it had twisted many a cocky smile. Citizens waiting at its marble stoop could contemplate the solipsisms of razor wire and the verse of all-weather civic poetry on the rosy keystone: LEARN TO LABOR AND TO WAIT.
Most of the time, Peter Matthews, an aging attorney with the public defender's office, liked the place for its spooky melodrama. On the days his presence was required there, he had a six-mile country drive to town. In summer or fall, when the weather was nice, it could be very pleasant. The unimproved road followed a high wooded ridge that enfolded the oxbows of a wide, slow-moving river. Corn and shade tobacco grew along the banks, and two of the switchbacks had preserved wooden bridges. In ice or wintry weather, the drive was work.
One Monday, toward the end of the football season, Matthews took a call from a young Cape Cod burglar called Georgie Laplace. Laplace, who was heedless and unlucky, had involved himself in the theft and disposal of some turquoise Hopi jewelry. To clear their books, the police on the Cape had constructed a useful narrative around him. Then they had transported Georgie clear across the state to Hampton's monster jail, where, it was hoped, he would succumb to homesickness and fear and endorse their version in court.
It was an outrage. In spite of the weather, Matthews decided to drive in.
On television, they were advertising the game later that night with file footage from Miami. Matthews lingered at the tube just long enough to glimpse the sunny margin of the field and get a blimp's-eye view of the shoreline. Since his divorce, he had been renting two rooms in a former bed-and-breakfast, a big farmhouse secured from the road by an absentee farmer's cornfields. It was a quiet place, comfortable enough when his mood was right. His fellow tenants were a couple of retired New York schoolteachers who lived upstairs and a tall man named Stokely, a locksmith on salary from a local hardware store who drove the company car. Everyone got on well. Nodded greetings and agreeable observations were exchanged. The owners of the property, Mr. and Mrs. Esquivel, lived in another farmhouse, fifty yards off: they had fled Colombia in the grip of La Violencia and had little tolerance for conflict.
On his way to the carport, Matthews noticed Mrs. Esquivel's cold, experienced eye on him. Little escaped her.
He eased the car over the wet double track to the paved road and started on his way to town. The ride was faster and easier by interstate, but Matthews had his ritual commitment to the two-lane road. That wet afternoon, it gave him little pleasure. The horizon had closed around him, and he moved in the face of an icy rain that thickened on his windshield wipers. At the first stop sign, he skidded, ending up at a crazy angle to the yellow line. After that, he turned up the radio for company, but there were only call-ins. Whiners, know-it-alls, Christers. An alienated lot.
In the depths of his soul, Matthews hated Hampton County. The local press sometimes idealized the place as the Happy Valley. Matthews liked to amuse his friends by calling it the Unhappy Valley, and he had a repertory of cruel, funny anecdotes about it. At the same time, the Valley was a particularly easy jurisdiction in which to make a living. His ambitions had faded, and life could be various and perversely satisfying in Hampton. When Matthews launched into his Unhappy Valley routine it was his own life and fortunes he was describing, and most days he could tolerate those well enough.
In fact, the Valley was his native place, and he had been watching it all his life: its preachifying and its secret horrors. The recently arrived professionals, academics and technologists, had brought to Hampton a self-conscious blessed assurance, unaware of the beatings, arson and murder that thrived in the hills around their white-trim shutters. Matthews knew the place's black heart. It was his living. Where the road descended to the river, a mile short of the first covered bridge, there stood a lone wooden tenement, the survivor of a company street of mill houses dating from the industrial age. All its companion houses had burned to the ground years before. Nearly every time Matthews passed the house, he saw children, a squadron of little whitey tow-heads who, in the time he had lived at the Esquivels', seemed never to change in age or approximate numbers. The house was unpainted and usually had one of its windows glazed in plastic.
Through the sleet, he saw one of the children standing in an open doorway, dressed for a summer afternoon. It was a girl of about ten, in baggy jeans and a yellowing, ragged hand-me-down T-shirt. She stood absolutely still, indifferent to the stings of the weather, unblinking. She wore a necklace of glass stones and shiny metal. Her stare was profound and uneasy-making.
He waved to her, and she was gone. When he pulled out to cross the intersection, it was as though she had not been there.
He thought perhaps the solitude was finally getting to him, leaving him impulsive and eccentric, even on his sober days. Especially on his sober days, each one marked with small errors of judgment. The sight of children sometimes made him homesick for his married past, getting his son to school, drinking a beer with his wife.
During the seventies, everyone had said it was a tough time to bring up children; in fact, it went on being that way. The eighties and the nineties were no better. He and his wife had been lucky. Their only boy was sensible and decent, partaking of his mother's rectitude and perhaps a little too much of his own "pessimism." So there was that at least. He called the thing he had pessimism.
Halfway up a hillside, a turn-of-the-century Volvo passed him with cheery disregard. Its bumper sticker read "We Are One Family," the town motto—the reference was to the imagined relationship between Hampton's inhabitants and those of the great globe itself, which was displayed in congenial artsy abstract, a smiley-face Planet Earth complete with latitudes and longitudes. Was it more frightening to raise children in the place Hampton had become? He could hardly say; his perspective was that of a criminal lawyer who knew the annals of wickedness.
A couple of miles farther on, Matthews came in sight of town. The famous jail, t
he red brick rat-house minarets attached to a new wing of frosted Martian glass, stood beside the river between a pair of old paper mills, whose lofts were now mainly occupied by artists in flight from the city. There were also a few shabby offices, headquarters to some social-services organizations. These were relics of the age of concern, grown decadent with underfunding, long on ideology and short on practical solutions. One scarred band specialized in raiding the migrant-pickers' cockfights. A crazy poet did children's theater the children dreaded.
Matthews parked his car in the sheriff's lot and eased up the marble steps to the old entrance. In a worn canvas case he had the recorded life and works of George Edgar Laplace. Settled in the lawyers' area, Matthews checked his records. At his previous arrest, the kid had been still too young for Hampton; the conditions of his sentencing specified some form of juvenile detention. This time they could keep him there.
As a child, George had been incorrectly diagnosed as retarded and spent years in the State School, equipped with all too much of the self-awareness he was supposed to have been spared. Some of the more dedicated teachers there had befriended him. But the school was run not by its staff but by inmate youths of perfectly adequate intelligence, eccentric only in their cruelty and unwanted at home. George inclined to drugs for self-medication. The drugs placed him in a criminal milieu, a quarter badly suited for such an unadventurous, asthmatic, overimaginative person.
Of course, Matthews thought, the system required Georgies. It might be that justice itself required Georgies.
He became a punk, a snitch, a white rat, the man never to be used honorably, since he respected only the threat of violence, who could, for the good vainly done him, return only treachery. Fear was his only friend and master. The wise hard-hearted English politician had correctly foretold Georgie Laplace—his soul was a slave's.
Poor Georgie, thought Matthews, fishing through the young man's paper. The guy's worst affliction was his sharp comprehension. He scudded around the state's jail system with his intelligence soldered to his back like a bottle rocket pinned by a State School sadist to a frog. He even had the wit not to ask why. It made him interesting company. It made him worth fighting for sometimes.
Matthews and his client conferred in a chapel in the jail's old wing, a relic of gentler days. The chapel had been temporarily divided by partitions of wallboard and Plexiglas that reached a third of the way to the ceiling and were being slowly vandalized.
There were a couple of conferences in progress that afternoon, and quarters were close. The two guards, whom the inmates called "hacks," could hear every conversation from their station. Matthews's young client, across the misted plastic and dirty wallboard, looked frightened out of his wits.
Thirty-five feet away, at another partition, a maniac called Brand was in what looked like flirtatious conversation with a tall toothy red-headed woman. It was of Brand that Georgie Laplace was particularly frightened.
"He's gonna break my fingers, man," Georgie told his lawyer. "He said that. He told me he was gonna break my fingers at lunch."
Georgie's half-whispered, stuttering terror was distracting to Matthews, who was trying to extract Georgie's particulars from a welter of false and misleading documents.
Matthews put his glasses on to look at Brand, a kind of local character, though quite a dangerous one. Matthews had seen him before: a man about thirty, powerfully built. He had curly blond hair that cascaded over his brows with cavalier deviltry. In spite of his silly fair mustache, girls, often to their subsequent regret, found him wicked cute.
Brand, without question, was destined for the hospital. The word on the block was that to get into the hospital you had to do something queer enough to make the tabloids. If you pulled weird shit, maimed some fuck, you might get hospital time. Matthews was also taken with the man's visitor, who seemed to represent the educated classes.
"Brand's gonna break my fingers, no shit," Georgie was saying.
Brand's visitor had laid out a set of tarot cards on the surface provided on her side of the barrier. She seemed to be charting her patient's destiny.
"Did he tell you he'd break your fingers?" Matthews asked.
"Fuckin'-A right he told me! He says, 'What you bet I can break your fingers? Not everybody could do it,' he says. 'Most wouldn't do it,' he says."
"So what did you say to that?" Matthews asked.
"What did I say? What would you say?"
"Keep your voice down," Matthews said.
The young woman sat very tall. She wore an ankle-length suede skirt and boots and a turtleneck top that favored, in Matthews's view, the swell of her small breasts and firm shoulders.
Matthews watched them. The woman was laughing at something Brand had said, and Matthews felt a rush of what he thought might be a very basic form of sexual jealousy. Here, safely confined, we had self-selected alpha man, recognizable by his readiness to snap off your digits on a whim, exchanging a few sexual signifiers with the condescending female of the species. It wasn't pretty, but it was the real thing.
"Hey, counselor," Georgie wailed. Instinctively, he lowered his voice. "How about gettin' me out of this tank?"
"Lay low for a while," Matthews whispered. They both watched Brand. "You know how it's done. Hey, who's the broad with him? Not his wife?"
Georgie almost smiled. "She's a shrink, man. She's his shrink."
"With tarot cards?"
"She's, like, telling his fortune," Georgie explained.
"Okay," Matthews told him. "Just stay away from him. Try not to attract his attention."
"Oh, yeah," Georgie said. "Good fuckin' luck."
"I'll have a word with the administration tomorrow. We'll get you moved. Trust me."
Georgie's face fell. "Tomorrow? I thought today. You got my hopes up."
"You're too much of an optimist. Some things can't be done in a day. Make it through the night," Matthews said. "You'll be okay tomorrow."
Matthews watched his client walk out of the chapel. And sure enough, the man called Brand, ignoring his pretty adviser, turned predatory eyes on Georgie Laplace.
The prison-rights people called the place a "zoo," but it was worse, Matthews thought; it was a fish tank, a vivarium. The men in it had been reduced beyond apes; they were devolving into the stuff under the pine needles on the forest floor. Some of them bit. The big ones ate the little ones.
So Matthews had to picture Brand and Laplace back there in the supposedly secure new wing. Jeopardy! on the box, Georgie Laplace sitting on his hands, ignoring his baloney sandwich, watching for his enemy. On one side, Brand, precognitive superman; on the other, Georgie Laplace, Baconian villain.
Matthews stuffed his papers in the case and started out. He felt depressed and edgy; angry, too. It was the wretched, dangerous time of day, and he was all the things the program said you should not be. Hungry. Angry. Alone.
The pretty counselor still had her tarot cards spread out on the surface of the barrier. She called after her client.
"Don't forget to take your meds, Mr. Brand."
Brand turned and laughed at her, possessor of a beautiful secret. Matthews shuddered. He stopped in the chapel doorway for a moment and felt something move against his foot. One of the jailhouse cats, a huge gray eunuch, wrapping itself against his calf and ankle. Part Persian, with a fluffy neck and huge stupid eyes, the cat was a survivor of milder, homelier days at the jail. The old main section had looked like the Big House in a Cagney movie, but had been in fact a reasonable place where the sheriff and his family lived with their cats. There were no family accommodations now, and the surviving cats simply made trouble.
Matthews pulled his foot away.
"Beat it," he told the thing. On the whole, he liked cats. "Scram."
A broad-breasted, tough-looking, gray-haired woman came through the door and took the cat in her arms.
"Jackie," she said to it. "Hey, Jackie, watcha doin' in the chapel?" She was wearing a ski outfit and a New England Patriots watch
cap. "Watcha doin', huh?"
A hack beside the chapel door said, "Hi, Sister."
"Hiya, Charlie." She stroked the cat under its chin and looked at Matthews. "Hiya, bub. Lawyer, are ya?"
"That's me," Matthews said.
The woman was called Sister Sophia. She was a nun or an ex-nun; Matthews had never got it quite clear. She functioned as a social worker, employed by one of the neighboring service agencies, and as the prison's Catholic chaplain. For her part, she seemed a jolly soul. She had seen him many times before but seemed never to be able to distinguish one lawyer from another.
With the cat slung across her forearm, she looked over the chapel, where the young psychologist was carefully wrapping her tarot deck in a beige silk handkerchief.
"I see something I don't like," the nun said. She carried the cat out through an open metal door, released it into the office area and came back. "I see a lot of superstitious—I don't want to use the S-word!"
"Are you talking to me?" the red-headed therapist asked.
"Yeah. I'm talking to you," the nun said. "What do you think you're doing, missy? Think you're playing cosmic Monopoly there?"
"Do you mean my Tarot Oracle?" the psychologist asked.
"That's right. I don't go for that kind of stuff."
"It's a therapeutic device," the young woman said. "The cards help them to talk about themselves." She turned for support to Matthews, who had been observing her. "It relaxes them."
Matthews thought her voice sounded local; her background was probably fairly humble, otherwise her family would have invested in some improving orthodontics for such a basically pretty girl.
"Maybe she's got something there," he told Sister Sophia, although he saw little point in making Brand crazier than he already was.