Book Read Free

Design Literacy

Page 35

by Steven Heller


  Beatles, The, 280

  Beaton, Cecil, 66, 67

  Beat the Whites with the Red Wedge (Lissitzky), 134, 178

  Beck, Harry, 224

  Beckett, Samuel, 73, 80

  Bee, 278

  Beggarstaff Brothers, 195

  Behrens, Peter, 189, 190, 191

  Belew, Ruth, 105

  Bel Geddes, Norman, 237

  Bell Laboratories, 220

  Bell System, 160, 162, 208

  Benchley, Robert, 220

  Benguiat, 133

  Benguiat, Ed, 72

  Benton, Morris Fuller, 118

  Benton, Robert, 72

  Benz and Odol, 193

  Berg, John, 199, 200

  Berliner Illustrirte Zeitung (BIZ), 47–48, 47

  Berliner Plakat, 275

  Bernays, Edward, 17

  Bernhard, 133

  Bernhard, Lucian, 24, 45, 190, 192, 273–75

  Bernstein, Leonard, 280

  Bernstein, Richard, 93

  Berthold, 138–141

  Bertsch, Fred, 118

  Bertsch & Cooper, 118

  Best of Jazz poster (Scher), 179–181, 180

  bestseller book jackets, 168–172. see also book design

  Bevans, Tom, 168, 170

  Beyer, Mark, 101

  Beyond the Mexique Bay (Huxley), 164

  Biennale Internazionale delle Arti Decorative, 146

  Bifur, 202

  Big Book Look, 168, 172

  Big Brother and the Holding Company, 88, 173, 278

  Big Idea, 153, 154

  Bildjournalismus, 47, 50

  Bill, Max, 198

  Bill Stern Studios, 205

  Binder, Joseph, 45, 204

  biological weapons, 20–21

  Bitch, 125, 126

  BIZ (Berliner Illustrirte Zeitung), 47–48, 47

  Black, Roger, 92

  black face, 241

  blackletter, 108–9, 108, 112, 232

  Blackletter: Type and National Identity, 108–9

  Blackman, Honour, 126, 127

  Black Power/White Power (Ungerer), 29, 29, 30

  Blackville, 241

  Blade to the Heart (Scher poster), 213

  Blechman, R.O., 72

  Blind Spot, 52

  Blue, 245

  Blue Note Records, 170

  Blues Project poster (Moscoso), 173–74, 173

  Blunt, Anthony, 196

  Bodoni, 66, 119, 133

  Bohème, La (Steinweiss cover), 277

  Bohemian secession, 42

  Bolle Dairy, 192

  Bolshevik Revolution, 138

  Bond, James, 126

  book design

  Armitage, 149–151

  Bacon, 168–172

  children’s, 134–37

  Dell Mapbacks, 104–5

  dust jackets, 281–82

  Dwiggins, 254–55

  Dynamic America (Nitsche), 284

  futurist, 146

  Gorey, 55–58

  Lover, The, 261–63, 262

  Lustig, 147–48

  Massin, 182–85, 185

  McLuhan and Fiore, 219–221

  paperback books, 104–5, 147–48, 163–67, 197–98

  quality paperbacks, 163–67

  “Book Jackets of Alvin Lustig, The” (Laughlin), 147

  Book of Battles, The (Chwast), 32

  “Book of Ecclesiasticus,” 141

  Book of Kells, The, 264

  Book of Oz Cooper, The (Standard), 118

  Book of Signs (Koch), 28

  Books for Our Times (Lee), 281

  Bormann, Martin, 108

  Boston Evening Transcript, 254

  Boston Phoenix, 92

  Bradley, Will, 76, 281

  branding, 189–193

  “branding narrative,” 17

  Brassaï (Gyula Halász), 50, 65

  Breakdowns (Spiegelman), 98

  Brecht, Bertolt, 51

  Bring in da Noise, Bring in da Funk, 213

  “Bringing Up Father” (McManus), 124

  Broadway, 129

  Brodovitch, Alexey

  Cato and, 280

  Garretto and, 257

  Liberman and, 65, 67

  Peignot and, 115

  Portfolio, 59–60, 61

  Zachary and, 63–64

  Brody, Neville, 103

  Brokaw, Claire Booth, 256

  “Broken Images: Blackletter between Faith and Mysticism” (Schemer-Scheddin), 109

  Brooklyn Ash Removal Company, 235

  Brooks, Walter, 105

  Brown, Margaret Wise, 136

  Brownjohn, Robert, 153, 204

  Brownjohn Chermayeff Geismar, 152, 153, 153

  Brunhoff, Jean de, 50

  Buchanan & Co., 158

  Burns, Aaron, 152

  Burns, Charles, 101

  Burroughs, William, 80

  Burtin, Will, 45, 68–70

  Bush, George W., 18

  Buster Brown, 285

  buttons, 32

  Byrne, David, 244

  C

  Caffe Aragno, 256

  CalArts, 129, 130

  Calder, Alexander, 178

  California Bell, 160

  Calkins, Earnest Elmo, 156, 264

  Calligrammes (Apollinaire), 183

  Callot, Jacques, 32

  Camel Cigarettes, 19–20, 19, 287

  cameras, 46–47

  Campaign for Nuclear Disarmament (CND), 27, 28, 31

  Campari, 146

  Campisi, Ronn, 92

  Camus, Albert, 163, 167

  Canetti, Elias, 112

  Cantatrice Chauve, La. see Bald Soprano, The

  Capa, Robert, 50, 65

  Capp, Al, 286

  “Captain Piss Gums and his Perverted Pirates” (Wilson), 89

  Carlu, Jean, 257

  Carmen Jones (Preminger), 158, 204

  Carnegie Tech, 56

  Caro, Robert, 168

  Carroll, Celia, 58

  Carroll, Lewis, 134, 137

  Carson, Carol, 263

  Carson, David, 102–3, 153

  Carter, Matthew, 130

  Casa d’Arte Futurist, 146

  Caslon, 133, 202

  Caslon, William, 118, 129, 202

  Cassandre, A.M., 50, 115–16, 133, 194, 257

  Catalog Design (Sutnar and Lönberg-Holm), 217

  Catalog Design Progress (Sutnar and Lönberg-Holm), 217

  Catch-22 (Bacon cover), 168, 170, 171

  Catholicism, 17

  Cato, Bob, 199, 280

  Cavell, James, 168

  CBS (Columbia Broadcasting System), 154–55

  CBS Records, 179, 213, 280

  CD covers. see album covers

  Cendrars, Blaise, 175

  Central Intelligence Agency (CIA), 79, 80, 82

  Central Park, 225

  Century Schoolbook, 137

  CF Rühl Schriftgießerei, 138

  Champion, The (Douglas), 158

  Chant du Rossignol, Le, 146

  Chantry, Art, 267

  Chap Book (Bradley), 76

  Chaplin, Charles, 285

  Charlie, 123

  Chartpak Velvet Touch, 120

  Chase, Edna, 65, 66

  Cheap Thrills (Crumb cover), 278–290, 279

  “Checkered Demon” (Wilson), 88, 89

  chemical weapons, 20–21

  Chermayeff, Ivan, 152, 153, 163, 163, 166

  Chicago Reader, 92

  children, typography for, 134–37

  Chimp on My Shoulder (Bacon cover), 169

  Chrysler Corporation, 237

  Churchill, Caryl, 211

  Chwast, Seymour

  Artone, 259–260

  book covers, 163, 167

  End Bad Breath, 31–34, 33

  Push Pin Studios, 76, 77, 78, 82

  CIA (Central Intelligence Agency), 79, 80, 82

  Cifuentes, Beatriz, 225

  cigarettes, 19–20, 19, 287

  cigar-store Indian, 240
/>   Circus, 121

  City Lights bookstore, 90

  Cleland, T.M., 149

  Cleveland Indians, 240

  clip art, 233–34, 233, 234

  Clockers (Lee), 159

  Closing Time (Heller), 171

  Club du Meilleur Livre, 184

  Club Français du Livre, 184

  CND (Campaign for Nuclear Disarmament), 27, 28, 31

  Cocteau, Jean, 54

  Cohen, Arthur A., 164, 164–65

  Cohen, Stephen, 84

  Colgate-Palmolive Company, 240

  collage, 54

  Colored Museum, The, 211

  colors, 177–78

  Colour, 195

  Columbia Broadcasting System (CBS), 154–55

  Columbia Records, 199, 276, 280

  Come Home to Jazz (Lubalin), 152

  comics

  advertising, 285–87, 286, 287

  Cheap Thrills (Crumb cover), 278–290, 279

  EVO, 84–85

  RAW, 98–101

  Swarte, 122–24

  Zap Comix, 86–90

  Comics Code Authority, 86, 278

  comix. see comics

  commercial art. see advertising

  Commercial Art, 53

  Communication Arts, 181, 263

  Compacta Light, 120, 121

  Composing Room, The, 44, 152

  Compugraphic, 120

  Compulsion (Bacon cover), 168, 170

  computers, 201–3, 220

  Comtemporary Arts Center, 161

  Conal, Robbie, 35–37

  Condé Nast, 50, 65–66, 93, 220, 257

  Conga, La (Steinweiss cover), 277

  Congregatio de Proagand a Fide, 17

  Conrad, Joseph, 57

  Consolidated Edison, 237

  “Contemporary Book Design” (Lustig), 148

  Cook, Sian, 126

  Cooper, 118, 133

  Cooper, Oswald, 117–19

  Cooper Black, 117, 119

  Cooper Black Condensed, 117, 119

  Cooper Black Italic, 117, 119

  Cooper Fullface, 119

  Cooper Hilite, 119

  Cooper Italic, 119

  Cooper Modern, 119

  Cooper Old Style, 118

  Cooper Union, 76, 108, 174, 182

  Cotton, William, 256

  Countess Kade (Gorey cover), 58

  Country Joe and the Fish, 34, 279

  Covarrubias, Miguel, 256

  cover art. see album covers; book design

  Coyne, Dick, 181

  Cranach, Lucas, 189

  Cranbrook, 130

  Crawfords, 196

  Cream of Wheat, 240, 286

  Crictor (Ungerer), 30, 134

  Crime and Punishment (Dostoyevsky), 56

  Crimean War, 46

  Crime for a Lady (Gregg cover), 105

  Crowds and Power (Canetti), 112

  Crowninshield, Frank, 66

  “crow’s foot,” 28

  Crucial Decade and After, The (Goldman), 166

  Crumb, R.

  Cheap Thrills, 278–280, 279

  EVO, 84

  Zap Comix, 86, 87, 88, 89, 90

  CSA Archive Catalog of Stock Art, 267

  Cubist Bold, 133

  “Cult of the Ugly, The” (Vignelli), 97

  Cummins Engine Company Museum, 197

  Currier and Ives, 241

  D

  Dachau concentration camp, 67

  DAF (Deutsche Arbeitsfront), 232

  Daily Graphic. see New York Daily Graphic

  D’Albisola, Tulio, 146

  Dame, Die, 47

  Darkie Toothpaste, 240–42, 241

  Darktown, 241

  Darlie, 240

  Davidson, Bruce, 73

  da Vinci, Leonardo, 69

  Davis, Paul, 82, 209–10, 209, 211

  Day the Earth Caught Fire (film), 27

  Deardorf, Ken, 82

  Death of Hitler, The, 132

  Deberny and Peignot Foundry, 45, 50, 115, 115

  Deck, Barry, 129, 130

  decoupage, 233

  Deepdeen, 133

  Defense Departmen, 18–19

  Deffke, Wilhelm F., 189–193, 189, 192

  de Harak, Rudolph, 56, 72, 163, 166, 197–98, 197

  Deitch, Kim, 84, 86

  Delacorte, George, Jr., 104

  Delacorte Theater, 212

  Delfin, 121

  Dell Books, 104–5, 104, 105

  Department of Homeland Security, 18

  Depero, Fortunato, 145–46, 145

  Depero, Rossetta, 146

  Depero: Futurista, 145, 146

  Depero’s Futurist House, 146

  Descendants, The (Hemmings), 265

  Design Quarterly, 130

  Design: Vignelli (Vignelli), 222

  Desky, Donald, 237

  Details, 94

  Deutsche Arbeitsfront (DAF), 232

  de Wilde, Barbara, 263

  Diaghilev, Sergei, 146, 149, 151

  Didot, 185

  digital typography, 95–97

  Dinamo, 146

  Direction, 53–54, 53

  Dirty Dog, 86

  Disappearance of Childhood, The (Postman), 136

  disarmament, 27, 32

  Disasters of War (Goya), 32

  Disney, Walt, 89

  Disrespect Law, 83

  Diva Is Dismissed, The (Scher poster), 213

  Dix, Otto, 26

  Doctorow, E.L., 168, 171

  Doisneau, Robert, 185

  Do It! (Rubin), 221

  “Dominate” (Dorfsman), 154–55

  Dorfsman, Lou, 154–55, 155, 157

  Dorland, 257

  Dostoyevsky, Fyodor, 56

  Doubleday, 56, 198

  Double Take, 52

  Douglas, Kirk, 158

  Douglas, William O., 71

  Doury, Pascal, 101

  Dover Books, 183

  Dracula (Gorey design), 55

  Drescher, Henrik, 102

  Dreyfuss, Henry, 220, 235, 237

  Dr. Strangelove: Or How I Learned to Stop Worrying and Love the Bomb (Ferro titles), 204, 205–6, 205

  “Dubious Achievement Awards,” 72, 73

  Dubonnet, 258

  Duchamp, Marcel, 200

  Duchin, Eddy, 277

  duct tape, 18

  Dunst, Larry, 31

  DuPont, 237

  Duras, Marguerite, 261

  Dürer, Albrecht, 189

  dust jackets, 281–82. see also book design

  Dwiggins, William Addison, 117, 151, 251, 254–55, 255

  Dylan, Bob, 133, 199–200

  Dynamic America (Nitsche), 284

  E

  Eastman Kodak Company, 46

  East Village Eye, 91, 93

  East Village Other (EVO), 84–85, 84, 86, 91, 278

  Eat (Ungerer), 31

  Eckmann, Otto, 43

  Eco, Umberto, 222

  Ecole des Beaux-Arts, 98

  Editions Gallimard, 185

  Ehmcke, F.H., 190

  Eisenstaedt, Alfred, 48

  Either/Or (Gorey cover), 58

  Electro Dynamic, 284

  Elektra Films, 205

  El Lissitzky. see Lissitzky, Lazar, see “El Lissitzky Book Designer” (Khadzhiev), 134

  El Producto, 205

  Emigre, 95–97, 95, 96, 102, 111, 130, 131

  Emigre Fonts, 96–97, 103, 131

  Emigre Graphics, 96–97

  Empire Litho, 271

  empower-yourself-with-color-psychology (website), 178

  Encyclopedia Judaica, 138

  End Bad Breath (Chwast), 31, 32, 33, 34

  “environmental portraiture,” 64

  E. P. Dutton, 169

  ephemerality, 11–12, 103

  Epstein, Jason, 56, 58

  Ermanox camera, 46–47

  Ernst, Max, 233

  Eros, 74–75, 75

  Esquire, 12, 71–73, 71, 82

  Evergreen, 79–80, 81, 82–83, 209–1
0

  “everyman his own football,” 26

  Everyman’s Library, 148

  EVO (East Village Other), 84–85, 84, 91, 278

  Exposition Internationale des Arts Decoratifs Industrieles Modernes, 253

  Eye, 97, 129

  F

  Fabian Society, 28

  Fail Safe, 204

  Fairey, Shepard, 113

  Family Dog, The, 174

  Fanal, 114

  Farrar, Straus & Giroux, 263

  fascism, 23, 114, 257

  fashion photography, 65–67

  FBI, 238–39

  FBI-Q, 239

  Federal Firearms QIT, 239

  Federico, Gene, 152, 153, 155–56, 156, 156

  Felker, Clay, 72

  Fellig, Arthur (Weegee), 60

  feminism, 82–83, 125–28

  Fenton, Roger, 46

  Ferlinghetti, Lawrence, 90

  Ferro, Pablo, 87, 204–6, 205

  Ferro Mogubgub Schwartz, 205

  Fetish, 93, 99

  Figaro, Le, 145

  Figgins, Vincent, 265

  Fili, Louise, 261–63, 262

  Fillmore East, 278

  film advertising, 158–59, 205–6

  film titles, 158–59, 204

  Fine Print on Type, 130

  Fiore, Quentin, 219, 220–21, 220

  Firmin Didot, 133

  First Amendment, 71, 90

  Fischer, Carl, 73, 82, 83

  Fisk, Jane, 61–62

  “Fixin’ to Die Rag” (song), 34

  Flagg, James Montgomery, 31

  Flight (Kauffer), 194, 194, 195

  flyers, 18–19

  Folon, Jean-Michel, 185

  Fontographer, 263

  fonts. see typography; specific names

  For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf (Davis poster), 210

  Ford, 237

  Ford, Harry, 165

  Ford Foundation, 220

  Formatt, 120

  Form of the Book, The (Tschichold), 111

  For the Voice (Mayakovsky), 161

  Fortune, 69, 169, 256, 257

  Foulihoux, J. Andre, 236

  Fourteenth Annual of Advertising Art, 286

  Fraioli, Tony, 137

  Fraktur, 76, 108, 109

  “Fraktur and Nationalism” (Willberg), 109

  François, Andre, 64, 185

  Frank, Cantor Rafael, 138

  Frank, Robert, 80

  Frankenheimer, John, 159

  Frankfurt, Steven, 204

  Frank Holme School of Illustration, 117

  Franklin Gothic, 66, 67, 198

  Frank Rühl, 138

  Franks, Bobby, 168

  Fraser, James, 136, 137

  Frederiksen, George, 104

  Freikorps, 23

  French Army, 30

  French Paper Company, 266, 267

  Freud, Sigmund, 17

  Friedman, Dan, 95

  Friedman, Drew, 101

  Fritz the Cat, 86, 278

  Frost, A.B., 241

  Fulbright, William, 82

  Fuller, Buckminster, 221

  Funny Folks from Gardentown (Fraioli), 137

  Fuse, 126

  Fusion, 92

  Futura, 115, 117, 136, 157, 198

 

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