Praise for
ALICE
“I loved falling down the rabbit hole with this dark, gritty tale. A unique spin on a classic and one wild ride!”
—Gena Showalter, New York Times bestselling author of The Darkest Torment
“Alice takes the darker elements of Lewis Carroll’s original, amplifies Tim Burton’s cinematic reimagining of the story and adds a layer of grotesquery from [Henry’s] own alarmingly fecund imagination to produce a novel that reads like a Jacobean revenge drama crossed with a slasher movie.”
—The Guardian (UK)
“A psychotic journey through the bowels of magic and madness. I, for one, thoroughly enjoyed the ride.”
—Brom, author of The Child Thief
“A horrifying fantasy that will have you reexamining your love for this childhood favorite.”
—RT Book Reviews (top pick)
Praise for
RED QUEEN
“Even though Red Queen is less in-your-face than Alice, it has impact. Follow it. It won’t lead you down the Yellow Brick Road, but its chess moves will keep you in check all the way to the endgame.”
—Kings River Life Magazine
“Henry takes the best elements from Carroll’s iconic world and mixes them with dark fantasy elements . . . [Her] writing is so seamless you won’t be able to stop reading.”
—Pop Culture Uncovered
“Alice’s ongoing struggle is to distinguish reality from illusion, and Henry excels in mingling the two for the reader as well as her characters. The darkness in this book is that of fairy tales, owing more to Grimm’s matter-of-fact violence than to the underworld of the first book.”
—Publishers Weekly (starred review)
TITLES BY CHRISTINA HENRY
Lost Boy
THE CHRONICLES OF ALICE
Alice
Red Queen
THE BLACK WINGS NOVELS
Black Wings
Black Night
Black Howl
Black Lament
Black City
Black Heart
Black Spring
BERKLEY
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375 Hudson Street, New York, New York 10014
Copyright © 2017 by Tina Raffaele
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Library of Congress Cataloging-in-Publication Data
Names: Henry, Christina, 1974–, author. | Barrie, J. M. (James Matthew), 1860–1937. Peter Pan.
Title: Lost boy : the true story of Captain Hook / Christina Henry.
Description: First edition. | New York : Berkley, 2017.
Identifiers: LCCN 2017003070 (print) | LCCN 2017008682 (ebook) | ISBN 9780399584022 (softcover) | ISBN 9780399584039 (ebook)
Subjects: LCSH: Peter Pan (Fictitious character)—Fiction. | Never-Never Land (Imaginary place)—Fiction. | BISAC: FICTION / Fantasy / Historical. | FICTION / Horror. | GSAFD: Fantasy fiction.
Classification: LCC PS3608.E568 L67 2017 (print) | LCC PS3608.E568 (ebook) | DDC 813/.6—dc23
LC record available at https://lccn.loc.gov/2017003070
First Edition: July 2017
Cover illustration © Pep Montserrat
Cover design by Judith Lagerman
Title page art © Sloth Astronaut / Shutterstock
Map by Laura K. Corless
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Version_1
For Henry and Jared and Dylan
For Xander and Sam and Jake and Logan
For all the boys I’ve known
May you never be lost
May you always find your way home
Contents
Praise for the Novels of Christina Henry
Titles by Christina Henry
Title Page
Copyright
Dedication
Map Prologue
Part I: Charlie Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Chapter 6
Chapter 7
Chapter 8
Part II: Battle Chapter 9
Chapter 10
Chapter 11
Part III: Sally Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Part IV: Peter & Jamie Chapter 18
Chapter 19
About the Author
prologue
Once I was young, and young forever and always, until I wasn’t. Once I loved a boy called Peter Pan.
Peter will tell you that this story isn’t the truth, but Peter lies. I loved him, we all loved him, but he lies, for Peter wants always to be that shining sun that we all revolve around. He’ll do anything to be that sun.
Peter will say I’m a villain, that I wronged him, that I never was his friend.
But I told you already. Peter lies.
This is what really happened.
PART I
CHARLIE
chapter 1
Sometimes I dreamed of blood. The blood on my hands and the empty eyes in a white-and-grey face. It wasn’t my blood, or blood I’d spilled—though there was plenty of that to go around. It was her blood, and I didn’t know who she was.
Her eyes were dead and blue and her hands were thrown out, like she was reaching for someone, like she was reaching for me before that great slash was put in her throat. I didn’t know why. I didn’t even rightly know whether it was a dream, or something that happened in the Other Place, before I went away with Peter.
If that girl was real it must have happened there, because there were no girls on the island except the mermaids, and they didn’t really count, being half fish.
Still, every night I dreamed of flashing silver and flowing red, and sometimes it startled me out of sleep and sometimes it didn’t. That night I had the dream same as usual, but something else woke me.
I’d heard a sound, a sound that was maybe a cry or moan or a bird squawking out in the night of the forest. It was hard to tell when you heard something while you were sleeping. It was like the noise came from a far-off mountain.
I wasn’t sorry to leave the dream. No matter how many times Peter told me to forget it, my mind returned over and over again to the same place: to the place where she was dead and her eyes asked something of me, though I didn’t know what that something might be.
I came awake all at once the way I usually did, for if you don’t sleep light in the forest you might open your eyes to find something sharp-jawed biting your legs off. Our tree was hidden and protected, but that didn’t mean there wasn’t danger. There was always danger on the island.
The piles of sleeping
boys huddled under their animal skins on the dirt floor. Light filtered in from the moon through the holes we’d cut like windows in the tree hollow—me and Peter had done it, long ago. Outside there was a steady buzz, the hum of the Many-Eyed in the plains carrying across the forest.
“It’s just Charlie,” Peter said dismissively from above.
He was curved into one of the holes, his body loose-limbed and careless, looking out over the forest. In his hands he held a small knife and a piece of wood that he was whittling. The blade flashed in the moonlight, dancing over the surface of the wood. His skin was all silver in that light and his eyes deep pools of shadow, and he seemed to be part of the tree and the moon and the wind that whispered through the tall grass outside.
Peter didn’t sleep much, and when he did it was just a quick nap. He would not waste a bit of his life in slumber, even though his life was already longer than most, and he hated the way the rest of us succumbed, dropping like biting flies in the summer heat while he pestered us for one more game.
I rose and tiptoed carefully over the other boys until I found Charlie. He was balled up in a knotted tree root like a baby in a cradle, and he was barely older than a baby at that. His face was covered in sweat that glittered like jewels, like a pirate’s treasure in the moonlight. He moaned, shifting restlessly in his sleep.
Young ones sometimes had a hard time adjusting when they first came over. Charlie was five, much younger than I had been when Peter had taken me, much younger than any boy he’d ever brought to the island before.
I bent and scooped the smaller boy from the tree root, holding him to my heart. Charlie kicked out once, then settled.
“You’re no help to him, you know,” Peter warned, watching me shuffle to and fro with Charlie in my arms. “Stop babying.”
“He’s too little,” I hissed. “I told you he was.”
I don’t know why I bothered, because there isn’t a point in saying things Peter won’t listen to anyhow.
Peter usually chose boys who were about the same age I was when he picked me—around eight or nine. Peter liked that age, for boys were old enough to have the spirit of rebellion and the will to follow it. By then a boy would have gotten a good taste of adulthood—through work or schooling, depending on his class—enough to know that he didn’t want to spend his days toiling at figures or in the fields or fetching water for some rich man.
The last time we went looking for new boys, Peter had spied this tiny one wandering through the piles of filth in the alleys. He declared that the child would be a splendid little playmate, and I argued that he would have been much better off in a home for orphans. Naturally, Peter won. He wanted the boy and Peter got what he wanted—always.
And now that he’d got him, Peter had no use for him. It wasn’t any fun to play with someone too small to fight and roughhouse with the bigger boys. Charlie couldn’t keep up when Peter trekked us through the forest on an adventure, either. More than once I’d suspected Peter of trying to leave Charlie somewhere so the little boy might get eaten, and then Peter would be free of the trouble of him. But I kept one eye on Charlie (though Peter didn’t like it), and as long as I watched out for him and carried him home there wasn’t much Peter could do about it but complain. Which he did.
“You should have left him by the crocodile pool,” Peter said. “Then his crying wouldn’t wake you up.”
I said nothing, because it wasn’t worth my breath. Peter never lost an argument—and not because he wasn’t wrong; he was, and pretty often too—but because he never got tired. He’d keep coming back at you no matter how right you were until you threw up your hands and let him win just so you’d have some peace.
Peter didn’t say anything else and I went on walking Charlie until his breathing told me he was properly asleep again. I tried to replace the boy in the pile of skins he’d been sleeping in, but he whimpered as soon as I tried to put him down. Peter sniggered.
“You’ll be up all night with him, walking him like a mama with her babe,” Peter said.
“What would you know about it?” I said, as I rubbed Charlie’s back again to get him to settle. “There’s never been a mama here, and you don’t remember yours.”
“I’ve seen them at it,” Peter said. “In the Other Place. The little babies wail and the mamas walk to and fro and shush and jiggle them just like you’re doing now. And sometimes the babies quiet and sometimes they don’t and when they don’t the mamas will cry and cry themselves because those little wailing things won’t shut it. I don’t know why they don’t just put those babies under a blanket until they stop. It’s not as though they can’t make more.”
He didn’t mean it, not really. At least, I didn’t think he meant it. To Peter all children were replaceable (except himself). When he lost one here on the island he would go to the Other Place and get a new one, preferably an unwanted one, because then the boy didn’t miss the Other Place so much and he was happy to be here and to do what Peter wanted.
Those who didn’t listen so well or weren’t happy as the singing birds in the trees found themselves in the fields of the Many-Eyed without a bow or left near the pirate camp or otherwise forgotten, for Peter had no time for boys who didn’t want his adventures.
After a while I sat and leaned against the bark of the tree, humming a quiet tune that I learned once, long ago, before Peter, before this island. I didn’t know who had taught me that song, but it had stayed in my head all these long years. The song irritated Peter, and he told me to shut it, but I sang until Charlie’s breath grew soft and quiet and even, his chest rising and falling in time with mine.
I stared out the window, past Peter, to the untouchable moon. The moon was always full here, always looming like a watchful eye.
Two staring eyes. Small hands covered in blood.
I pushed the dream away. It did me no good to remember it. That was what Peter always said.
I had been with Peter longer than I’d been in the Other Place, longer than I could count, anyway. The seasons did not pass here and the days had no meaning. I would be here forever. I would never grow up.
Peter’s whittling knife danced in that white light until the moon disappeared behind my closed eyes.
• • •
I was smaller then, and Peter was big and brave and wonderful. He said, “Come away and we’ll have adventures and be friends always,” and I put my hand in his and he smiled and that smile went into my heart and stayed there.
We ran through the streets of the city where I lived, and Peter was so swift and silent I could hardly believe it. He ran like the wind was part of him and his feet barely touched the ground and I thought, watching him run in the dark, that he might take off and fly and take me with him. It would be lovely to fly away from the city and into the stars, for the city was dark and dirty and full of big people who would grab at you if you were small and say, “Here, now, what’s all this?” and cuff you around the head just because they could and they would take your bread and your apples and leave you with your insides all twisted up and then throw you back in the mud and laugh and laugh.
But Peter said he would take me away from all that; he was taking me to a place where there was all the food you could eat and no one would hit you and there was no one to tell you what to do and when to do it and to get out of the way and go sleep in the trash where you belong. He said that on his island you could sleep in the trees and taste the salt from the sea on the air and there was treasure and fun all day long.
I wanted to go there. I couldn’t wait to go there. But I was scared about getting on a ship to go to the island. I’d never been on a ship before, but I’d seen them in the port. Peter might not like me if I told him I was scared so I didn’t say anything, but I was certain that once we got out to sea a monster would come and break the ship into a thousand pieces and we would fall, fall, fall to the far bottom of the water and never be seen again.
Peter tugged me along and I was getting tired and he said, “Come on, Jamie, just a little more and we’ll be there,” and I wanted to make him happy so he would smile at me again, so I ran and tried to be as fast and quiet as he.
I thought we would go to the docks, but Peter was taking us away from there and I tugged on his hand and said, “Aren’t we going to a ship?”
And Peter laughed and said, “Why would we go to a ship, silly?” But he said it in a way that didn’t hurt and didn’t make me feel stupid—more like he had a secret and was laughing because he was going to share it with me soon.
We went away from the city, far away from the place where I slept, and I didn’t know where we were or if I would ever find my way home again, and then I remembered I didn’t want to go home anymore because home is where they hit you and you sleep in the dirty straw and she screams and screams and screams . . .
• • •
The scream was still in my ears when I was roused by Peter’s cock-crow just as the sun emerged over the mountains. His cry and her scream twisted together into one sound and then the scream faded away as my eyes opened and I saw him perched in the window.
He had ginger hair that was always dirty, for he hated to bathe, and was dressed in a shirt and leggings made from deerskin, the hide grown soft and white with age.
His feet were bare and filthy, the toenails broken and torn from scampering over rocks and through trees. Peter was silhouetted in the window, legs wide apart, hands on hips, crowing with great vigor.
“Cock-a-doodle-do! Cock-a-doodle-do!”
My eyes had opened immediately, accustomed to Peter’s morning antics. Several of the newer boys groaned and covered their heads with their arms.
Charlie blinked sleepy blue eyes at me. “Get up now, Jamie?”
Lost Boy Page 1