AUGUSTA O’CLARE: Tellie Sullivan’s grandmother. Barrons took Isla O’Connor to her house the night the Sinsar Dubh escaped its prison beneath Arlington Abbey over twenty years ago.
KAYLEIGH O’REILLY: Rowena’s daughter, Nana’s granddaughter, best friend of Isla O’Connor. She was killed twenty-some years ago, the night the Sinsar Dubh escaped the abbey.
NANA O’REILLY: Rowena’s mother, Kayleigh’s grandmother. Old woman living alone by the sea, prone to nodding off in the middle of a sentence. She despised Rowena, saw her for what she was, and was at the abbey the night the Sinsar Dubh escaped more than twenty years ago. Though many have questioned her, none have ever gotten the full story of what happened that night.
KATARINA (KAT) MCLAUGHLIN (MCLOUGHLIN): Daughter of a notorious crime family in Dublin, her gift is extreme empathy. She feels the pain of the world, all the emotions people work so hard to hide. Considered useless and a complete failure by her family, she was sent to the abbey at a young age, where Rowena manipulated and belittled her until she became afraid of her strengths and impeded by fear. Levelheaded, highly compassionate, with serene gray eyes that mask her constant inner turmoil, she wants desperately to learn to be a good leader and help the other sidhe-seers. She turned her back on her family mafia business to pursue a more scrupulous life. When Rowena was killed, Kat was coerced into becoming the next Grand Mistress, a position she felt completely unfit for. Although imprisoned beneath the abbey, Cruce is still able to project a glamour of himself, and in dreams he seduces Kat nightly, shaming her and making her feel unfit to rule, or be loved by her longtime sweetheart, Sean O’Bannion. Kat has a genuinely pure heart and pure motives but lacks the strength, discipline, and belief in herself to lead. In Burned, she approaches Ryodan and asks him to help her become stronger, more capable of leading. After warning her to be careful what she asks him for, he locks her beneath Chester’s in a suite of rooms with the silent Kasteo.
JO BRENNAN: Mid-twenties, petite, with delicate features and short, spiky dark hair, she descends from one of the six famous Irish bloodlines that can see the Fae (O’Connor, O’Reilly, Brennan, the McLaughlin or McLoughlin, O’Malley, and the Kennedy). Her special talent is eidetic or sticky memory for facts, but unfortunately by her mid-twenties she has so many facts in her head, she can rarely find the ones she needs. She has never been able to perfect a mental filing system. When Kat clandestinely dispatches her to get a job at Chester’s so they can spy on the Nine, Jo allows herself to be coerced into taking a waitressing job at the nightclub by the immortal owner, Ryodan, and when he gives her his famous nod, inviting her to his bed, she’s unable to resist even though she knows it’s destined for an epic fail. In Burned, Jo turns to Lor (who is allegedly Pri-ya at the time and won’t remember a thing) after she breaks up with Ryodan to “scrape the taste of him out of her mouth.” She learns, too late, that Lor was never Pri-ya and he has no intention of forgetting any of the graphically sexual things that happened between them. Although, frankly, he’d like to be able to.
PATRONA O’CONNOR: Mac’s biological grandmother. Little is known of her to date.
THE NINE
Little is known about them. They are immortals who were long ago cursed to live forever and be reborn every time they die at precisely the same unknown geographic location. They have an alternate beast form that is savage, bloodthirsty, and atavistically superior. It is believed they were originally human from the planet Earth, but that is unconfirmed. There were originally ten, counting Barrons’s young son. The names we know which they currently go by are Jericho Barrons, Ryodan, Lor, Kasteo, Fade. In Burned we discover one is named Daku. There’s a rumor that one of the Nine is a woman.
JERICHO BARRONS: Main character. One of a group of immortals who reside in Dublin, many of them at Chester’s nightclub, and is their recognized leader, although Ryodan issues and enforces most of Barrons’s orders. Six feet three inches tall, black hair, brown eyes, 245 pounds, date of birth October 31, allegedly thirty-one years old, his middle initial is Z, which stands for Zigor, meaning either “the punished” or “the punisher,” depending on dialect. He is adept in magic, a powerful warder, fluent in the druid art of Voice, an avid collector of antiquities and supercars. He despises words, believes in being judged by one’s actions alone. No one knows how long the Nine have been alive, but references seem to indicate in excess of ten thousand years. If Barrons is killed, he is reborn at an unknown location precisely the same as he was the first time he died. Like all of the Nine, Barrons has an animal form, a skin he can don at will or if pushed. He had a son who was also immortal, but at some point in the distant past, shortly after Barrons and his men were cursed to become what they are, the child was brutally tortured and became a permanent, psychotic version of the beast. Barrons kept him caged below his garage while he searched for a way to free him, hence his quest to obtain the most powerful Book of magic ever created, the Sinsar Dubh. He was seeking a way to end his son’s suffering. In Shadowfever, Mac helps him lay his son to final rest by using the ancient Hunter, K’Vruck, to kill him.
RYODAN: Main character. Six feet four inches, 235 pounds, lean and cut, with silver eyes and dark hair nearly shaved at the sides, he has a taste for expensive clothing and toys. He has scars on his arms and a large, thick one that runs from his chest up to his jaw. Owner of Chester’s and the brains behind the Nine’s business empire, he manages the daily aspects of their existence. Each time the Nine have been visible in the past, he was king, ruler, pagan god, or dictator. Barrons is the silent command behind the Nine, Ryodan is the voice. Barrons is animalistic and primeval, Ryodan is urbane and professional. Highly sexual, he likes sex for breakfast and eats early and often.
LOR: Six feet two inches, 220 pounds, blond, green eyes, with strong Nordic features, he promotes himself as a caveman and likes it that way. Heavily muscled and scarred. Lor’s life is a constant party. He loves music, hot blondes, and likes to chain his women to his bed so he can take his time with them, willing to play virtually any role in bed for sheer love of the sport. Long ago, however, he was called the Bonecrusher, feared and reviled throughout the Old World.
KASTEO: Tall, dark, scarred, and tattooed, with short, dark, nearly shaved hair, he hasn’t spoken to anyone in a thousand years. There is a rumor floating around that others of the Nine killed the woman he loved.
FADE: Not much is known about him to date. During events in Shadowfever, the Sinsar Dubh possessed him briefly and used him to kill Barrons and Ryodan, then threaten Mac. Tall, heavily muscled, and scarred like the rest of the Nine.
FAE
Also known as the Tuatha De Danann or Tuatha De (TUA day dhanna or Tua DAY). An advanced race of otherworldly creatures that possess enormous powers of magic and illusion. After war destroyed their own world, they colonized Earth, settling on the shores of Ireland in a cloud of fog and light. Originally the Fae were united and there were only the Seelie, but the Seelie king left the queen and created his own court when she refused to use the Song of Making to grant his concubine immortality. He became the Unseelie king and created a dark, mirror image court of Fae castes. While the Seelie are golden, shining, and beautiful, the Unseelie, with the exception of royalty, are dark-haired and -skinned, misshapen, hideous abominations with sadistic, insatiable desires. Both Seelie and Unseelie have four royal houses of princes and princesses that are sexually addictive and highly lethal to humans.
UNSEELIE
UNSEELIE KING: The most ancient of the Fae, no one knows where he came from or when he first appeared. The Seelie don’t recall a time the king didn’t exist, and despite the court’s matriarchal nature, the king predates the queen and is the most complex and powerful of all the Fae—lacking a single enormous power that makes him the Seelie queen’s lesser: she alone can use the Song of Making, which can call new matter into being. The king can create only from matter that already exists, sculpting galaxies and universes, even on occasion arranging matter so that life springs from it.
Countless worlds call him God. His view of the universe is so enormous and complicated by a vision that sees and weighs every detail, every possibility, that his vast intellect is virtually inaccessible. In order to communicate with humans he has to reduce himself into multiple human parts. When he walks in the mortal realm, he does so as one of these human “skins.” He never wears the same skins twice after his involvement in a specific mortal episode is through.
DREAMY-EYED GUY (aka DEG, see also Unseelie king): The Unseelie king is too enormous and complex to exist in human form unless he divides himself into multiple “skins.” The Dreamy-Eyed Guy is one of the Unseelie king’s many human forms and first appeared in Darkfever when Mac was searching a local museum for objects of power. Mac later encounters him at Trinity College in the Ancient Languages department, where he works with Christian MacKeltar, and frequently thereafter when he takes a job bartending at Chester’s after the walls fall. Enigma shrouded in mystery, he imparts cryptic bits of useful information. Mac doesn’t know the DEG is a part of the Unseelie king until she and the others are reinterring the Sinsar Dubh beneath Arlington Abbey and all of the king’s skins arrive to coalesce into a single entity.
CONCUBINE (originally human, now Fae, see also Aoibheal, Seelie queen, Unseelie king, Cruce): The Unseelie king’s mortal lover and unwitting cause of endless war and suffering. When the king fell in love with her, he asked the Seelie queen to use the Song of Making to make her Fae and immortal, but the queen refused. Incensed, the Seelie king left Faery, established his own icy realm, and became the dark, forbidding Unseelie king. After building his concubine the magnificent shining White Mansion inside the Silvers where she would never age so long as she didn’t leave its labyrinthine walls, he vowed to re-create the Song of Making, and spent eons experimenting in his laboratory while his concubine waited. The Unseelie Court was the result of his efforts: dark, ravenous, and lethal, fashioned from an imperfect Song of Making. In Shadowfever, the king discovers his concubine isn’t dead, as he has believed for over half a million years. Unfortunately, the cup from the Cauldron of Forgetting that Cruce forced upon the concubine destroyed her mind and she doesn’t retain a single memory of the king or their love. It is as if a complete stranger wears her skin.
CRUCE (Unseelie, but has masqueraded for over half a million years as the Seelie prince V’Lane): Powerful, sifting, lethally sexual Fae. Believes himself to be the last and finest Unseelie prince the king created. Cruce was given special privileges at the dark court, working beside his liege to perfect the Song of Making. He was the only Fae ever allowed to enter the White Mansion, so he might carry the king’s experimental potions to the concubine while the king continued with his work. Over time, Cruce grew jealous of the king, coveted his concubine and kingdom, and plotted to take it from him. Cruce resented that the king kept his dark court secret from the Seelie queen and wanted the dark and light courts to be joined into one, which he then planned to rule himself. He petitioned the king to go to the Seelie Court and present his “children,” but the king refused, knowing the queen would only subject his imperfect creations to endless torture and humiliation. Angry that the king would not fight for them, Cruce went to the Seelie queen himself and told her of the dark court. Incensed at the king’s betrayal and quest for power, which was matriarchal, the queen locked Cruce away in her bower and summoned the king. With the help of the illusion amulets Cruce and the king had created, Cruce wove the glamour that he was the Seelie prince, V’lane. Furious to learn the king had disobeyed her, and jealous of his love for the concubine, the queen summoned Cruce (who was actually her own prince, V’lane) and killed him with the sword of light to show the king what she would do to all his abominations. Enraged, the king stormed the Seelie Court with his dark Fae and killed the queen. When he went home to his icy realm, grieving the loss of his trusted and much-loved prince Cruce, he found his concubine was also dead. She’d left him a note saying she’d killed herself to escape what he’d become. Unknown to the king, while he’d fought with the Seelie queen, Cruce slipped back to the White Mansion and gave the concubine another “potion,” which was actually a cup stolen from the Cauldron of Forgetting. After erasing her memory, he used the power of the three lesser illusion amulets to convince the king she was dead. He took her away and assumed the role of V’lane, in love with a mortal at the Seelie Court, biding time to usurp the rule of their race, both light and dark courts. As V’lane, he approached MacKayla Lane and was using her to locate the Sinsar Dubh. Once he had it, he planned to acquire all the Unseelie king’s forbidden dark knowledge, finally kill the concubine who had become the current queen, and, as the only vessel holding both the patriarchal and matriarchal power of their race, become the next, most powerful, Unseelie king ever to rule. At the end of Shadowfever, when the Sinsar Dubh is reinterred beneath the abbey, he reveals himself as Cruce and absorbs all the forbidden magic from the king’s Dark Book. But before Cruce can kill the current queen and become the ruler of both light and dark courts, the Unseelie king imprisons him in a cage of ice beneath Arlington Abbey. In Burned, we learn Dani/Jada somehow removed the cuff of Cruce from his arm while he was imprisoned in the cage. Her disruption of the magic holding him weakened the spell. With magic she learned Silverside, she was able to close the doors on the cavernous chamber, and now only those doors hold him.
UNSEELIE PRINCES: Highly sexual, insatiable, dark counterpart to the golden Seelie princes. Long blue-black hair, leanly muscled dark-skinned bodies tattooed with brilliant complicated patterns that rush beneath their skin like kaleidoscopic storm clouds. They wear black torques like liquid darkness around their necks. They have the starved cruelty and arrogance of a human sociopath. There are four royal princes: Kiall, Rath, Cruce, and an unnamed prince slain by Danielle O’Malley in Dreamfever. In the way of Fae things, when one royal is killed, another becomes, and Christian MacKeltar is swiftly becoming the next Unseelie prince.
UNSEELIE PRINCESSES: The princesses have not been heard of and were presumed dead until recent events brought to light that one or more were hidden away by the Unseelie king either in punishment or to contain a power he didn’t want loose in the world. At least one of them was locked in the king’s library inside the White Mansion until either Dani or Christian MacKeltar freed her. Highly sexual, a powerful sifter, this princess is stunningly beautiful, with long black hair, pale skin, and blue eyes. In Burned we learn the Sweeper tinkered with the Unseelie princess(es) and changed her (them) somehow. Unlike the Unseelie princes, who are prone to mindless savagery, the princess is quite rational about her desires, and logically focused on short-term sacrifice for long-term gain. It is unknown what her end goal is but, as with all Fae, it involves power.
ROYAL HUNTERS: A caste of Unseelie sifters, first introduced in The Immortal Highlander, this caste hunts for both the king and the queen, relentlessly tracking their prey. Tall, leathery skinned, with wings, they are feared by all Fae.
CRIMSON HAG: One of the Unseelie king’s earliest creations, Dani O’Malley inadvertently freed this monster from a stoppered bottle at the king’s fantastical library inside the White Mansion. Psychopathically driven to complete her unfinished, tattered gown of guts, she captures and kills anything in her path, using insectile, lancelike legs to slay her prey and disembowel them. She then perches nearby and knits their entrails into the ragged hem of her bloodred dress. They tend to rot as quickly as they’re stitched, necessitating an endless, futile hunt for more. Rumor is, the Hag once held two Unseelie princes captive, killing them over and over for nearly 100,000 years before the Unseelie king stopped her. She reeks of the stench of rotting meat, has matted, blood-drenched hair, an ice-white face with black eye sockets, a thin gash of a mouth, and crimson fangs. Her upper body is lovely and voluptuous, encased in a gruesome corset of bone and sinew. She prefers to abduct Unseelie princes because they are immortal and afford an unending supply of guts, as they regenerate each time she kills them. In Iced, she kills Barrons and Ryodan the
n captures Christian MacKeltar (the latest Unseelie prince) and carries him off.
FEAR DORCHA: One of the Unseelie king’s earliest creations, this seven-foot-tall, gaunt Unseelie wears a dark pin-striped tailcoat suit that is at least a century out of date and has no face. Beneath an elegant, cobwebbed black top hat is a swirling black tornado with various bits of features that occasionally materialize. Like all the Unseelie, created imperfectly from an imperfect Song of Making, he is pathologically driven to achieve what he lacks—a face and identity—by stealing faces and identities from humans. The Fear Dorcha was once the Unseelie king’s personal assassin and traveling companion during his liege’s time of madness after the concubine’s death. In Fever Moon, the Fear Dorcha is defeated by Mac when she steals his top hat, but it is unknown if the Dorcha is actually deceased.
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