“If you have work more important than carrying my message . . .” She held up a shilling. “I’ll find another messenger and leave you in peace.”
“I’ll send it. I’ll send it. Didn’t say I wouldn’t.” The apple seller made a grab for the coin.
The shilling stayed in hand. “Here’s my message. ‘The old man in the red castle asks a favor.’”
“‘Man in a castle arsks a favor.’”
“‘The old man in the red castle.’ Then say, ‘I need four trustworthy and discreet men for three days.’”
“Keep going on, don’cha? I ain’t the bloody post office.”
“Twenty words.” Because she was tired, her mind started turning the words into the simplest of substitution ciphers . . . URW HGCKN . . . before she stopped herself. “That’s not heavy as messages go. Say it back to me.”
“You want four men and they keep their gob shut.”
“That’s not the message.”
The apple seller fingered across the basket, apple to apple, with a surprisingly delicate touch and repeated the message, word for word, without flaw or hesitation, catching the original accent and intonation. “I don’t forgit things.” She smiled sarcastically. “And I don’t go to that part of town in the dark. After it gits light, then I’ll carry it.”
“Good enough.” She flipped the coin and watched it disappear into layers of rags. “Where can I sit for three or four hours, out of sight?”
The Coach House taught many lessons. Nobody died of being tired was one. One can sleep sitting up was another. Even three hours of sleep would improve this coming day no end.
The rags rearranged themselves. Another apple came out of the basket to be shined against the skirt. “I’m not a bloody inn. Try the man what sells beets and carrots up that way. Fowler, his name is.”
“Where should I wait for a reply? And how long?”
“Dunno. Go where you please. They’ll find you when they wants you.”
Twenty-one
Know what a man lies about and you know the man.
A BALDONI SAYING
“So that’s the Merchant.”
“A reasonable likeness.” Pax smudged white into the black line of the underjaw, pulling three dimensions out of the shadow. Then thin charcoal to define the chin. This was the seventh copy he’d made. He was fast now, sketching.
Hawker said, “I’ve seen him.”
“You chased him from the Moravian church.”
“Not that. I know the face from somewhere.”
The finished drawings were spread out over the tables, still damp from the fixative. Hawk studied the copies, then helped himself to one of the quills and stroked it back and forth between his fingers, pacing fireplace to window and back, crossing between two of the big, shabby leather chairs. Finally he stopped at the window and looked out, keeping well back so he couldn’t be seen from the street. “It’ll come to me.”
“France, maybe.”
Hawker shook his head. “Somewhere. He doesn’t look like a Frenchman anyhow.”
White chalk brought the bridge of the nose out. “He passed for French sometimes.” Making copies of a face meant catching the little tricks of the likeness again and again. Not easy. “I don’t know where he came from. He told different stories.”
“Handsome fellow.” Hawk came to stand behind him and watch him work, not blocking his light.
“People find him charming. He uses that.” He’d fought the temptation to reveal the monster. He’d forced himself to set down only the surface of the man. The shape of the eyebrows, the width of the nostrils. The face he drew was just a face, absent arrogance and cold disdain. Absent the evil.
He sharpened his lead and etched thin pencil lines at eye and mouth. Added a touch of white to the eyelids to show the first puffiness. He hadn’t seen these details in that glimpse in the Moravian church. This was his guess of how age had changed a monster.
Done. Anything else was just playing with it. With chalks, you had to know when to stop.
Hawk was right. This was a pleasant face. The Merchant smiled and smiled and was a villain. My mother wasn’t the only woman he destroyed.
Hawk leaned next to him, across the back of the chair. “You’re damn good. He almost breathes.” With one finger, not touching the surface of the paper, he circled the calm eyes, the mouth with the almost smile on it. “You think this Caché woman of yours finds him charming?”
“Not in the least.”
“She’s working for him,” Hawk said.
“If I thought that, I wouldn’t have let her get away.”
“Or else you would have.” Hawker shrugged. “We make mistakes about women.”
“I don’t.”
“You haven’t before. Doesn’t mean you won’t now.” Hawk shifted to view the sketch from a different angle. “The whole of the city of London’s full of women harmless and beautiful as kittens and you consort with Death’s Handmaiden.”
Laughter welled up out of his chest, surprising him. “Cami’s not a kitten, thank God.”
“More like . . .” Hawker frowned. “What was the name of that Greek chit who chased men down and drank their blood? Head of a woman, body of a snake. If Doyle weren’t downstairs organizing a search of Soho he’d provide the Classical allusion.”
“I cut that knife wound on myself. That’s not her work.”
“You are a man of deep mendacity and I already figured it out about the knife cut.”
Of course Hawk had known. Doyle probably did, too. “That’s only one of the lies I’m telling. Hawk, I’m going to . . .” He couldn’t finish that. “I’m in trouble with the Service already and it’s going to get worse. You will keep out of it.”
“I doubt that, somehow. It’s a novel experience, trying to keep you out of trouble instead of the other way around. You’ve annoyed Galba in ways even I don’t attempt. Hard to believe you’re being stupid over a woman. I thought you were an island of sanity in a sea of rutting dogs. You aren’t going to let go of her, are you?”
Nobody like Hawker for the delicate approach. “I’m using her to—”
“She’s using you. And you’re not going to see that till it’s too late.”
“We’re using each other.” But it didn’t feel like that. Nothing calculated had happened between them. Nothing wise and thin and careful. He’d swear she was no more able to stop what flared between them than he was.
He dropped the last chalks into the box and closed the lid.
Hawker went back to the window and pushed the curtain aside half an inch. “I was barely out of bed this morning when I got my orders. I’m supposed to see you don’t kill the Merchant when we get close to him. That and some other minor injunctions.” Hawk’s attention remained fixed on Meeks Street. “I am to be the voice of reason. I told Doyle that was not my forte.”
“That must have amazed him.”
“I’m supposed to follow you today when you leave, sticking to your trail through the byways and alleys of London. The theory is, you won’t do anything suicidally stupid if I’m there to be a good influence. Yes, I thought you’d find a chuckle in that.”
That was the deft hand of Doyle, ordering Hawker to do what he’d do anyway. Doyle sent a flanking column of artillery and the light infantry, when he sent Hawker after him.
He wiped his hands on the damp cloth, getting the last of the charcoal off, rolled his cuffs down, and buttoned them. He was stiff from sitting so long. He stood and linked his fingers and stretched.
A horse stopped outside the house. There was a low murmur of voices on the steps. Visitors.
“He’s back.” Hawker’s voice held relief and amusement in the two words. “Grey. And he’s brought his French spy with him, tra la. Just what we need, more French spies about the place.”
Grey, Hawker, and Doyle. All the men from that last mission were home now. “They were worried about you three, in Paris. When I left, they weren’t sure whether any of you were going to make it to England.”
That was one last man to face and admit treason to. Grey, Head of Section for Britain. The man he’d worked for these last six years.
“Grey’s dallied and been lackadaisical in returning from France, for which no one shall blame him, considering the company he keeps.” Even before knocking sounded below, Hawk was away from the window and out the door of the study. At the top of the stairs he stopped short and held his arm out to block the path. “Wait.”
They stood overlooking the hall. Below, Giles came at a run and unlocked the door to the front parlor. A minute later, Grey came through, grimly determined, pushing a young, dark-haired girl ahead of him, protesting, lovely and panicked and fiercely courageous. The two passed without looking up, headed for the back of the house, toward Galba’s office.
“We got her away,” Hawker said under his breath. “And she has not given him the slip, despite having some skill in that activity. They’re safe. Both of them. Sometimes we get lucky.”
“Who is she?”
“Not one of your Cachés, so you don’t need to fabricate complicated lies for her. How nice to deal with French spies who aren’t Cachés.” Hawker spun on his heel and strode back down the hall, stripping off his coat as he went. “I have to get down there and see she isn’t bullied. The shirt’s good enough, but I need a different waistcoat. A different coat, too. I need clothes.” He swung into the second-floor staircase and took the steps two at a time.
“Hawk, if there were ever a man not in need of clothes—” He caught the coat Hawk threw at him from the top of the stairs.
“My baggage is strewn around the German countryside. Long story. That was my eventful July. I barely touched foot in England before they sent me to Paris. Then I escaped France with the clothes on my back, which were not improved by immersion in seawater, thank you very much. I’ve been borrowing from Giles, who dresses like a schoolboy.”
“He is a schoolboy.”
“No excuse. You, however, left a trunk of clothes up in the attic, in the slops chest. I recall one waistcoat and jacket. It’s not one of your usual shades of mud color, and it’s well cut.”
“I was pretending to be a very bad artist. Hawk, I hate to be the one to tell you this—”
“But they won’t fit?” Hawker turned back and grinned. For about ten seconds he looked his age. “They’re clothes from before you got so unnecessarily tall. Pax—” He stopped, hand on the newel post.
“What?”
Hawker’s face didn’t change at all. “I’ll be five minutes, getting into a waistcoat. Then I’ll go to Galba’s office. No telling how long I’ll be there. Plenty of time for you to just walk out of here.”
“You’re determined to get yourself into trouble, aren’t you?”
“I think of it as my area of expertise.”
If Cami goes to the Merchant alone, he’ll kill her. The Merchant didn’t leave witnesses alive behind him.
He stared at the wall for a minute, seeing the exact color, the tiny imperfections in the plasterwork, the hard, unbreakable reality of it. There was no way out of this choice he had to make. He said, “I’ll be in Berkeley Square at noon, meeting Cami. Follow her when she leaves. If I’m not there to keep her alive, it’s your job.”
“I’d just as soon not.”
“Hawk . . .”
“Yes. Yes. I’ll keep her breathing. I am continually doing work I don’t enjoy.”
And so he gave Cami to the Service and pulled Hawker neck deep into this mess. “If they ask you where I am, don’t lie.”
Hawker said, “I’ll make sure they don’t ask me.”
Twenty-two
Do not forget there is evil in the world.
A BALDONI SAYING
The coach was sturdily built, a little shabby, and entirely anonymous. It could have rolled down any street in London without attracting a second glance. Soon, it would.
They’d hidden it in the yard behind the cabinetmaker’s shop, between high stacks of wood, in the narrow space used for deliveries. The simple modifications needed had taken three days because the cabinetmaker, Moreau, could not be set to work at night. His neighbors would find it unusual to hear hammer and saw past the setting of the sun.
“Almost done.” The man called the Merchant spoke encouragingly. “There are only—Jacques, how many?—only a half dozen still to go.”
He listened, with every appearance of sympathy, to the boy’s complaint that no more kegs would fit.
“They must,” he said. “We have measured very carefully. Come, you can do this. I expect no less of you.”
He’d placed himself where he could watch the small kegs being carefully fitted under the seats. The boy was nimble enough to reach into every corner. He would accomplish this task.
It was not necessary to threaten. The boy was well aware that his parents and young sister and the servants of the household were already locked in the cellars.
“You see. And now just three more. Shift everything to the right, only an inch. You are almost there.”
Soho was a busy, noisy quarter of the city, with many men making deliveries to many workshops. The business here would be done before men passing by took interest in the ordinary task of unloading a wagon on the street.
Jacques and Hugues carried kegs of gunpowder in through the shop, out to the yard, and handed them one by one to the boy to put in place under the seats.
The Moreaus’ son was a brave boy, steady with his hands. He barely cried while he worked. In many ways, a child this age was the most satisfactory of all assistants.
“That is the last of it. See, it all fits neatly. I told you it would. Go with Jacques now. You have served France well, and no harm will come to you, I promise.”
The last delicate manipulations, he performed himself, checking every inch of the long fuse line that snaked back and forth, attached to the underside of the seat.
Jacques returned and stood outside the coach, waiting. “Do you want them dead?”
“None of them have seen my face, except the young boy. It’s better they live for a time.” Because it would do no harm to explain, he added, “Dead men begin to smell.”
Jacques nodded, understanding the principle.
He gave the connection of fuse to keg his intense concentration, then double-checked his work. Most mistakes are made in the small, easily skimped tasks.
“You are wondering why I leave matters unfinished? The Moreaus will continue to serve us. I have arranged for a letter to be posted in three days, accusing them of complicity in this outrage . . . of exactly what they have done, in fact. The authorities will find them in that cellar and discover the evidence we shall leave behind. They will doubtless hang at least some of them. They will be martyrs to the Revolution.”
He closed the cushioned seat top down and secured it in place with a padlock. Two inches of fuse emerged through a drilled hole, ready to light.
“A good reason to keep them alive,” Jacques said.
“Let us hope they die bravely when the time comes. You may leave them some water. We are not needlessly cruel. And reassure them that they will be safe.” The Merchant climbed from the coach and set the door closed behind him. “There is no more deeply satisfying work, no higher cause, than the Revolution.” He patted the side of the coach as if it were a great horse. “I feel honored sometimes.”
“We are very lucky,” Jacques said.
Twenty-three
A wise man is unwise in love.
A BALDONI SAYING
Baldoni make grand gestures. They paint a broad canvas, as it were. They drink deeply of life and frequently do not live to a great old age because of that tendency.
Cami carried misgivings and a loaded gun as she walked toward Gunter’s Tea Shop. Neither of these was likely to prove useful.
Last night, she’d kissed a man and been shaken by the suddenness and intensity of her desire. What she did not know was whether this came from fear and excitement and, frankly, a certain lack of clothing. Or was it
because he was a friend and she’d never kissed anyone she cared tuppence about?
She only knew that it had not happened to her before, and if she turned away now, it might never happen again. That was why she came to Berkeley Square. Not because she was foolish or because she calculated a use for Mr. Paxton of the British Service. She came because she was Baldoni.
Berkeley Square was a huge green space, surrounded by the great houses of the very rich, full of trees and benches and children playing with hoops or balls. A peaceful, pretty place. She’d come within sight of Gunter’s Tea Shop an hour early to sniff out traps and ambushes, but she was not surprised to find Pax there before her. They’d been trained by the same men, after all.
He must have been aware of her the moment she entered the square, but he gave no sign. He sat on his bench, sketching in a small book. He wore a coat, as drab as yesterday’s, and the same slouched and vaguely disreputable hat. His hair was drawn back neatly. His hat cast a crisp slice of darkness across his face. One did not see the jutting, emphatic bones of his face that hinted he was not English, exotic in this London square.
He’d made himself prosaic enough, with his legs stretched out before him into the path, holding the sketchbook in his left hand and a pencil angled in his right. He presented the appearance of one absorbed in his task. Anyone looking saw a thin, brown scholar, just on the edge of being shabby. A schoolteacher or young cleric. A man of intellect rather than action, ordinary and harmless.
What she saw was a canny, lean predator, at rest merely because this was not the moment to strike.
If she’d fallen into a British Service trap, it was already too late for her to escape. So she walked toward him and sat down by his side, touching almost. That was a good distance for exchanging confidences. Also, she would not mind touching him.
He tucked his sketchbook into the pocket of his coat and settled back, putting his arm around her shoulders, along the back of the bench. He did it as if they always sat together side by side in this intimate and easy way. Once, they had.
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