Burn (The Pure Trilogy)

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Burn (The Pure Trilogy) Page 38

by Julianna Baggott


  But there are El Capitan and Helmud—soot streaked and pained. When El Capitan sees Pressia, he stops and falls to his knees. A white piece of paper is clenched in his fist. He raises it over his head like a small white flag.

  There is no victory. There’s always loss.

  This is his surrender.

  This is her surrender.

  Her heart is saying, Enough, enough, enough. I give.

  And she expects her heart to stop beating.

  She’s lost too much.

  And she knows that out there, she will find Bradwell’s body. It will hit her again and again that he’s dead. How many blows can she take?

  But her heart beats in her chest and keeps beating.

  It beats her back to life.

  Her own heart will not surrender.

  And so this isn’t the end.

  This is only another start.

  She stops and looks back over her shoulder. Walking through the black snow toward her are Beckley, carrying her grandfather, alive after all, on his back, and Lyda and the baby inside of her, protected under her handmade armor. She turns back to El Capitan. He staggers to his feet, Helmud weighty on his back, and walks toward Pressia. He hugs her. When they were in the fog surrounded by creatures they thought would kill them, El Capitan said, If you were the person standing there with me, I’d always, always stay. This is the promise she needs to believe in. Stand with me. Stay.

  This is her family now.

  She and El Capitan and Helmud turn and look at the Pures who are heading into the fields, the green soy leaves shimmering around their ankles. They’re pale and wide-eyed, moving like timid ghosts toward the broken edge of their world.

  Somewhere, Partridge and Iralene are sitting at a table in a fake kitchen swollen bright with fake sunlight—while batteries inside of orbs are slowly winding down. If people come after them, she hopes that they’ll at least fight. This is the final bit of faith that she must have in him.

  But she’s chosen this truth—grotesquely beautiful and beautifully grotesque—this world.

  “What are we going to do now?” El Capitan whispers.

  “What now?” Helmud says.

  “No more blood,” Pressia says.

  Her heart beats and beats and beats—each time like a detonation in her own chest—and every moment from here on out is a new world.

  The End

  ACKNOWLEDGMENTS

  I want to thank so many people who endured this ashen world with me for so many years—my spouse, my kids, my loving and generous parents, especially my lead researcher, Bill Baggott; it’s been a lot of welding and soldering and making from cinders. Thank you for your patience.

  I’m thankful to my editors, Beth de Guzman, Selina McLemore, and Jaime Levine, as well as all of my overseas editors, especially Hannah Sheppard, Frankie Gray, Florence Lottin, Louise Loiselle, and Patricia Escalona, and my translators who bring this work to life in other languages, in particular Laurent Strim. Thank you to the voices in the audio version—Khristine Hvam, Joshua Swanson, Kevin T. Collins, and Casey Holloway—for adding layers to the narrative. And of course, I’m deeply thankful to the art departments for creating such striking covers. Thank you to the publicists who put so much heart and muscle into getting these books into the world—Linda Duggins and Ben Willis most of all. And I’m thankful for Clare Anne Darragh—for all of her sisterhood and support! I’m thankful to Karen Rosenfelt, Rodney Ferrell, Emmy Castlen, and all of those at Fox 2000 for their vision and conviction. And, welcome in, James Ponsoldt. I’m so glad you’re here.

  I want to thank Cheryl Fitch at Florida State University’s Biological Science Department in the Molecular Cloning Facility for letting me see firsthand the work they do. I’m thankful to Margaret McKeown Henihan, who once told me an old Irish tale that made me tear up; it never left.

  I’m deeply indebted to Nat Sobel, Judith Weber, the whole crew at Sobel Weber, and Justin Manask. A million times, thank you.

  ABOUT THE AUTHOR

  Julianna Baggott, critically acclaimed, bestselling author who also writes under the pen names Bridget Asher and N. E. Bode, has published eighteen books, including novels for adults and younger readers, and collections of poetry. Her work has appeared in the New York Times, Washington Post, Boston Globe, Best American Poetry, Best Creative Nonfiction, Real Simple, and been read on NPR’s Talk of the Nation and All Things Considered. Her novels include an ALA Alex Award winner, book-pick selections by People magazine’s summer reading, a Washington Post book-of-the-week, a Book Sense selection, and have been on the New York Times’s Notable Books of the Year and Kirkus Reviews Best Books of the Year lists. Her novels have been published in over seventy-five overseas editions. She’s a professor in the College of Motion Picture Arts at Florida State University and the cofounder of the nonprofit Kids in Need—Books in Deed.

  Books by Julianna Baggott

  Pure

  Fuse

  The Ever Breath, for younger readers

  The Prince of Fenway Park, for younger readers

  Compulsions of Silkworms and Bees, poetry

  Lizzie Borden in Love, poetry

  This Country of Mothers, poetry

  Which Brings Me to You, co-written with Steve Almond

  The Madam

  The Miss America Family

  Girl Talk

  Under the Pen Name Bridget Asher

  The Provence Cure for the Brokenhearted

  The Pretend Wife

  My Husband’s Sweethearts

  Under the Pen Name N. E. Bode

  The Amazing Compendium of Edward Magorium, for younger readers

  The Slippery Map, for younger readers

  The Anybodies Trilogy, for younger readers

  THE PURE TRILOGY

  Pure

  Fuse

  Burn

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  For more about this book and author, visit Bookish.com.

  Contents

  Cover

  Title Page

  Welcome

  Dedication

  Prologue: Bradwell

  Pressia: Key

  Partridge: Grief

  El Capitan: Armor

  Partridge: In Memoriam

  Lyda: Origami

  Partridge: Contagion

  Pressia: Duty

  El Capitan: Bacterium

  Lyda: Seventeen

  Partridge: Train

  Pressia: Teeth and Heartbeats

  Lyda: A Fairy Tale

  Pressia: Looking Glass

  Partridge: Lucky Us

  El Capitan: Crazy John-Johns

  Partridge: Coal

  Pressia: Fresh Smoke

  Partridge: Squall

  Partridge: Lovebird

  Lyda: Second Skin

  El Capitan: Flutter

  Pressia: Calling, Calling

  Partridge: Pill

  Pressia: Migratory Birds

  Lyda: Nursery

  Partridge: A Beaut

  El Capitan: Boy

  Pressia: Home

  El Capitan: Saint

  Partridge: Promise

  Pressia: Rustling

  Lyda: Becoming

  Pressia: Mothers

  Partridge: Strawberry

  Partridge: Risks

  El Capitan: Better Off

  Partridge: Knowing

  Pressia: Hollow Reed

  Lyda: Glowing

  Pressia: Doors

  Partridge: Impersonation

  Pressia: Weak

  El Capitan: Name

  Partridge: Confetti

  Pressia: Jumpers

  Pressia: Mother and Daughter

  Lyda: Proof

  Pressia: Cygnus

  Partridge: Brass Beds
r />   El Capitan: Hell Yes

  Partridge: Gunshot Wound

  Lyda: Wheels

  El Capitan: Angel

  Partridge: Dream

  Pressia: Another Sky

  El Capitan: Word from on High

  Partridge: Everywhere

  El Capitan: Fitting

  Pressia: Doll Head

  El Capitan: Heart

  Partridge: Tied with String

  Pressia: Sacred

  El Capitan: Eyes

  Partridge: Rooms

  Acknowledgments

  About the Author

  The Pure Trilogy

  Newsletters

  Copyright

  This book is a work of fiction. Names, characters, places, and incidents are the product of the author’s imagination or are used fictitiously. Any resemblance to actual events, locales, or persons, living or dead, is coincidental.

  Copyright © 2014 by Julianna Baggott

  Cover design by Anne Twomey and Elizabeth Connor.

  Cover photographs © Herman Estevez. Origami swan based on an original design by Hoang Tien Quyet.

  Cover © 2014 by Hachette Book Group, Inc.

  All rights reserved. In accordance with the U.S. Copyright Act of 1976, the scanning, uploading, and electronic sharing of any part of this book without the permission of the publisher is unlawful piracy and theft of the author’s intellectual property. If you would like to use material from the book (other than for review purposes), prior written permission must be obtained by contacting the publisher at [email protected]. Thank you for your support of the author’s rights.

  Grand Central Publishing

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  New York, NY 10017

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  twitter.com/grandcentralpub

  First ebook edition: February 2014

  Grand Central Publishing is a division of Hachette Book Group, Inc.

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  ISBN: 978-1-4555-0302-5

  E3

 

 

 


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