Timmy Failure: Sanitized for Your Protection

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Timmy Failure: Sanitized for Your Protection Page 3

by Stephan Pastis


  “Rollo, the girl commits half the crimes in

  our state. Only a fool would be surprised by

  —”

  There is a loud crash.

  I look up and see that Total has dropped

  the mini-fridge.

  “

  See

  what happens?” I shout at my bear.

  “

  See

  what happens when you do that?”

  The motel stocks the mini-fridge with

  candy bars, nuts, and soda. All of which Total

  ate. So every few minutes, he turns the fridge

  upside down and shakes it to make sure he

  hasn’t missed anything.

  Only now he has dropped it.

  “What’s going on?” asks Rollo over the

  phone.

  “It’s my former business partner. He ate

  everything in the mini-fridge, and now he’s

  broken it.”

  “Oh, they definitely charge for the stuff in

  the mini-fridge,” says Rollo. “Not to mention

  the broken refrigerator.”

  “Did you hear that?” I shout at the bear.

  “You’ve ruined us!”

  Embarrassed, Total hides.

  “So what’s so surprising about Molly

  Moskins committing another crime?” I ask

  Rollo.

  “Oh, yeah, I was gonna tell you that.”

  “So tell me.”

  “Well, it’s really weird.”

  “Say it, Rollo.”

  Rollo clears his throat.

  “Nunzio Benedici confessed to the whole

  thing.”

  Before I can react, there is a second loud

  crash.

  But this time, it’s not Total.

  The sound is from the next room. And it sounds

  like an ice chest has dropped.

  I can hear the scooping up of ice. Followed

  by voices.

  I know all this because I am using my

  high-tech listening device.

  I hear two people. One of them is my mom.

  She is yammering about something.

  The other is a man. It is not Mr. Moskins.

  I know this because he is not talking about

  maps.

  Then I hear “Chicago” and “job.”

  And applying my oversize brain, I realize

  the second voice is Doorman Dave.

  Then the two of them talk about other stuff.

  So I grab a motel notepad and write down

  everything I hear.

  I know, I know.

  You want to know why I cut all that stuff

  out of the memo at the end of the last chapter.

  Well, first off, my mother deserves her pri-

  vacy. She’s a civilian, and she didn’t

  ask

  to be

  the mother of a world-famous detective.

  And second, you don’t have to know

  everything.

  And third, it wasn’t important.

  Really.

  Though what happens next is.

  “I’ve boarded up the door!” I shout.

  “You WHAT?” yells my mother from out-

  side our motel room.

  “I’ve boarded up the door!” I repeat.

  “You didn’t.”

  “I did,” I reply. “The bear’s out of control.

  So I’ve trapped him in here with me.”

  “Timmy, open this door right now!” shouts

  my mother.

  “I can’t,” I answer. “The wood I found in

  the motel’s maintenance shed is quite solid. It

  won’t budge.”

  “You

  really

  boarded up the door?!”

  “Why do you make it sound like a nega-

  tive?” I reply. “I’m preventing the bear from

  causing more damage. He’s already broken the

  mini-fridge, you know.”

  I hear what sounds like the pounding of

  her fist upon the outside of the motel door.

  “Timmy, tell me this is a joke,” she shouts.

  “Tell me you didn’t really nail the door shut!”

  “Detectives don’t joke, Mother. I boarded

  up the door. And I’d call that pretty respon-

  sible on my part.”

  “Responsible? How is that responsible?”

  “Because if it weren’t boarded up, that polar

  bear would have pushed the ice machine into the

  pool by now. And besides, being trapped in here

  gives me time to focus on the YIP YAP case.”

  “The

  what

  ?” she cries, pounding on the

  door again.

  “The YIP YAP case. There was a confes-

  sion. Two confessions, really. It’s all very

  strange.”

  I hear footsteps outside the door, followed

  by voices.

  “He boarded up the door,” says my mother.

  “He did

  what

  ?” answers a man’s voice, fol-

  lowed by more pounding on the door, this time

  heavier.

  “Timmy, this is Dave. Please open up the

  door.”

  “Oh, goodness,” I reply. “This is getting

  repetitive. The door is boarded up, Dave.”

  “We should have just let him go to Chicago

  with the Moskins,” I hear Dave mutter to my

  mother.

  “Now look what he’s done.”

  “I’m not going to Chicago with the

  Moskins,” I yell through the door.

  “How was I supposed to know he’d barricade

  a motel-room door?”

  barks my mother to Dave.

  “I’m not going to Chicago with the

  Moskins,” I repeat.

  “He’s a kid!” Dave replies to my mother.

  “In the middle of nowhere. Kids get bored!”

  “Oh, for heaven’s sake!” cries my mother.

  “Listen to me, Timmy. You stand far away

  from that door. We’re going to get someone

  from the motel to pry it open.”

  “I’m not going to Chicago with the

  Moskins,” I repeat.

  “I’m not kidding around, Timmy,” she

  says. “Are you standing away from the door?”

  “I’m not going to Chicago with the

  Moskins,” I answer.

  I’m going to Chicago with the Moskins.

  For as fate would have it, the Moskins

  were not thrilled with their E-Z Daze accom-

  modations and wanted to leave. (I’m guessing

  Esther Moskins did not like the poor reception

  her beloved smartphone got in the middle of

  nowhere.)

  So while I am no longer in Nowhere-ville,

  I am now someplace worse.

  In the backseat of a car, bookended by my

  two favorite people.

  And it’s an uncomfortable place to be.

  Because Molly is not speaking to me.

  And Snot

  is

  speaking to me.

  And Esther Moskins is singing sanitized

  road songs.

  And Mr. Moskins is saying things about

  roads.

  It is as though my vengeful mother has

  calculated exactly how to make me the most

  uncomfortable traveler on our nation’s high-

  way system.

  Or at least the second most uncomfortable.

  “It’s a lie-detector test,” I tell Molly Moskins.

  “It sounds exciting,” she answers.

  It is a rainy morning in Chicago. I am

  stuck in a hotel room with Molly Moski
ns. She

  is in a better mood than in the car, so I am

  using the opportunity to get to the bottom of

  the now messy YIP YAP case.

  “What do I do?” she asks.

  “Well, first I tie this string to your fin-

  ger. Then I ask you a question. And when you

  answer, you pull the string.”

  “All right,” she says.

  “Okay,” I tell her. “Did you, Molly Moskins,

  steal YIP YAP’s money?”

  She giggles.

  “You can’t giggle, Molly Moskins. This is a

  felony investigation.”

  “Okay,” she says. “Ask me again.”

  “Did you, Molly Moskins, steal YIP YAP’s

  money?”

  “Yes,” she answers, and pulls the string.

  “The cow says MOOOOOO,”

  says the lie-

  detector equipment.

  “What’s that mean?” asks Molly.

  “I think it means you’re lying,” I answer.

  “Let’s do it again,” says Molly.

  I reset the lie-detector machine by turning

  the farmer in the center to twelve o’clock.

  “Okay, get ready,” I say. “Did you, Molly

  Moskins, steal YIP YAP’s money?”

  “No,” she answers, and pulls the string.

  “The cow says MOOOOOO,”

  says the lie

  detector.

  “You can’t say ‘No,’

  ” I tell her. “You just

  said ‘Yes’ to the exact same question!”

  “I changed my mind,” she says.

  “But you handed me the stolen money at

  the E-Z Daze Motel!”

  “That might have been my brother’s birth-

  day money,” she whispers. “Or it might have

  not.”

  “Make up your mind, Molly Moskins!” I

  tell her. “Did you steal the money or not?”

  “Well, the machine doesn’t seem to know

  the difference. It says I was lying both times.”

  Of course.

  She is using psychological gamesmanship

  to outwit the machine. It is shrewdly calculat-

  ing. Boldly devious. And it is precisely what

  separates her from the common criminal.

  “Let’s take a break,” I tell her.

  “Okay,” she says. “We should probably

  play with You-Know-Who, anyway.”

  “You-Know-Who” being her little brother,

  Snot.

  Who is currently standing on the ironing

  board.

  “What’s he doing?” I ask Molly.

  “I don’t know,” she answers.

  And that’s when I see the pen in his hand.

  “I think he’s trying to write his name on

  the ceiling,” I tell Molly.

  “Micah, NO!” she says, running toward him.

  Seeing her approach, Snot sprints down

  the length of the ironing board like it’s an

  Olympic springboard, leaps off the end, and

  yells something that sounds like:

  “INO WUD DADOO MINSES!”

  I have no idea what it means, or if he even

  said it. He might have been reciting the Pledge

  of Allegiance for all I know.

  But I do know that as he said it, Mr.

  Moskins walked into the room.

  And I do know the result of the dive:

  And oh, yeah.

  One more result, too:

  “Meriwether Lewis and William Clark were

  two explorers who President Thomas Jefferson

  sent to explore the Louisiana Purchase and

  find a water route to the Pacific Ocean. They

  traveled from St. Louis to what is now Oregon

  with their Shoshone guide Sacagawea and . . .”

  “You’re boring me,” I tell Rollo.

  I am on the free hotel phone making calls

  during Molly’s absence, and Rollo is talking

  about a man named Meriwether.

  “Well, I saw the grade you got on Mr.

  Jenkins’s history test, and it wasn’t very

  good,” says Rollo.

  “Oh, please, Rollo. Grades matter to nor-

  mal people. I am not a normal people.”

  “Normal

  person,

  ” Rollo corrects me.

  “That does it. I’m hanging up.”

  “Don’t hang up.”

  “Well, then stop wasting my time. I’ve had

  a trying couple of days and my nerves are shot.

  If you have something to say, say it.”

  “It wasn’t Nunzio.”

  “What wasn’t Nunzio?”

  “The person who stole the YIP YAP money.

  It wasn’t Nunzio.”

  “You said he confessed! What’s happening

  over there? It’s like the whole town falls apart

  when I’m gone!”

  “Well, I guess Nunzio was talking to Max

  Hodges the other day, and Nunzio said . . .”

  “But when Max Hodges was talking to

  Jimmy Weber, Max told him that Nunzio

  said . . .”

  “And when Jimmy Weber was talking to

  Gunnar, it became . . .”

  “And when Gunnar was discussing it with

  Mr. Jenkins, it turned into . . .”

  “And when Mr. Jenkins mentioned it to

  me, I could have sworn he said . . .”

  “That’s it!” I tell Rollo.

  “What’s it?”

  “Nunzio!” I shout. “He’s molding all the

  bunnies.”

  “No, Timmy, you

  —”

  “Now the only question is

  why

  !”

  “Timmy, Nunzio wasn’t

  —”

  “Stop talking, Rollo. I need to

  think

  .”

  But I can’t.

  Because there’s an interruption at the

  hotel door.

  It’s Mr. Moskins, and he’s holding a cell phone.

  “It’s your mother, Tim.”

  It’s as though she has radar for when

  detective work needs to be interrupted.

  I take the phone from Mr. Moskins.

  “Hello, Mother. I’m very busy.”

  “Hi, sweetheart. How are you?”

  “Busy,” I repeat. “My Chicago work has

  me swamped.”

  “Well, I just called to say the car is fixed.

  The tow-truck man was able to do the repairs

  himself. So we should be there early this

  afternoon.”

  “There’s no rush,” I answer.

  “Don’t get so excited,” she says. “Are you

  going to do anything with the Moskins today?”

  “It’s raining, Mother. There’s nothing we

  can do.”

  “Oh, Timmy, it’s a big city. Maybe you can

  go to a museum.”

  “A museum?” I snap. “Mother, I’m in the

  middle of an investigation that’s taken me

  halfway across the continent. I have conflict-

  ing reports from eyewitnesses. I have a bear

  who’s eating my profits. I have a roommate

  who’s a felon. And I’m with a family that

  —”

  I see Mr. Moskins standing at the end of

  the hall.

  I lower my voice.

  “I’m with a family that makes

  ours

  look

  ideal.”

  “Timmy,” she says, “be nice. That was

  very kind of them to take you to Chicago.”

  “Kind?”

  I answer. “It w
as torture.”

  “Why don’t we talk about this when I get

  there?”

  “Fine. But my appointment book is filled

  through next week.”

  “We’ll talk about this when I get there,

  Timmy. Hand the phone to Mr. Moskins.”

  “Okay. But don’t go giving him any ideas

  about things to do in Chicago. I’m strapped for

  time as it is.”

  “Hand the phone to Mr. Moskins,” she

  repeats.

  So I hand the phone to Mr. Moskins and

  go back into the hotel room and shut the door.

  And there’s another knock.

  From Mr. Moskins again.

  And he looks much too excited about the

  thing he says next.

  “Tim, we’re going to a museum!”

  I know nothing about art.

  But if my mother is going to punish me by

  furthering my misery with the Moskins, I am

  going to make the most of it.

  So when we get to the museum, I hand the

  museum woman my business card.

  “What is this?” she asks.

  “I’m Timmy Failure,” I answer.

  “Okay,” she says.

  “This is in case your art is ever stolen,”

  I add.

  She stares at the card.

  “I wrote my number on the back. It’s

  the Timmyline. Call anytime. But if a bear

  answers, hang up. He’s not supposed to be

  answering the phone.”

  “Enjoy the museum,” she says.

  I walk through the turnstile and see Mr.

  Moskins on the other side.

  He is studying a map.

  “Okay,” he says, talking to no one. “If we

  walk down this center hall, we can make a

  left at the end and see the Modern wing. Then

  we’ll circle clockwise to cover the rest of this

  floor. Then we can go up these stairs over here

  to the next floor and circle it in the same clock-

  wise fashion. How does that sound?”

  He looks up absentmindedly.

 

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