by Sally Cline
description in, 1, 2;
‘Drouth and the Flood, The’, 1;
‘Duck Supper’, 1;
fallen aviator theme, 1, 2;
‘Getting Away From It AH’, 1;
‘Girl The Prince Liked, The’, 1, 2, 3;
‘Girl With Talent, The’, 1, 2, 3;
‘Gods and Little Fishes’, 1;
‘House, The’, 1;
influence on, 1;
journalism, 1, 2;
‘Millionaire’s Girl, A’, 1, 2, 3, 4, 5, 6, 7;
‘Miss Bessie’ (later ‘Miss Ella’), 1;
‘Miss Ella’, 1, 2, 3;
‘Nanny, A British Nurse’, 1;
‘One And Two And’, 1;
‘Original Follies Girl, The’, 1, 2, 3;
‘Our Own Movie Queen’, 1, 2;
‘Poor Working Girl’, 1, 2;
post-breakdown, 1;
Save Me The Waltz, 1, 2, 3, 4, 5
autobiographical links, 1, 2, 3, 4;
dancers portrayed in, 1, 2;
dedication, 1;
flower images, use, 1;
FSF insists on cuts, 1, 2;
FSF portrayed, 1, 2;
hero’s name, 1, 2, 3;
Jozan portrayed, 1, 2, 3;
plot, 1;
publication, 1, 2;
reviews of, 1;
revisions, 1, 2, 3;
royalties, 1;
sales, 1;
and Tender Is The Night, 1;
title, 1, 2;
ZSF sends to Scribner’s, 1
Scandalabra
local production, 1, 2;
plot, 1
‘Show Mr and Mrs F. to Number-’, 1, 2;
‘Southern Girl’, 1, 2, 3;
speed, 1, 2;
‘Story Thus Far, The’, 1;
style, 1, 2;
‘Sweet Chariot’, 1;
‘There’s a Myth in a Moral’ (later ‘Couple of Nuts’), 1;
‘Workman, A’, 1
Art: 1, 2, 3, 4, 5, 6, 7, 8, 9;
after FSF’s death 1, 2;
Alice in Wonderland illustrations, 1, 2;
art therapy, 1, 2, 3;
Arthurian legends, 1;
artistic development through art therapy, 1;
ballet paintings, 1, 2, 3;
Bermuda and, 1;
Biblical Tableaux, 1;
Biggs, Anna, ZSF gives painted tray to, 1;
Biggs, John Jnr on, 1;
book jacket for Beautiful and Damned, 1;
Brooks, Romaine and, 1, 2, 3, 4;
Brownell, Pauline (Phil), ZSF gives painting to, 1;
Campbell, Lawton, ZSF gives painting to, 1;
canvases, preparation, 1;
Capri and, 1, 2;
Carroll, Robert, invites ZSF to paint screens, 1, 2;
Chinese style, 1;
cityscapes, 1, 2;
critical acclaim, 1, 2, 3;
Cubism, 1, 2;
dance figures, 1, 2;
Dos Passos, John, and, 1;
Ellerslie, ZSF painting at, 1, 2, 3, 4;
exhibitions: American Art Association at Anderson Gallery, 1;
Asheville Artists’ Guild, 1;
Cary Ross Gallery, 1;
Mrs Maude King’s Sketch Club, 1;
Museum of Fine Arts, Montgomery, 1, 2, 3;
Women’s Club, Montgomery, 1
fairy tales, 1, 2, 3, 4;
Federal Art Project, Alabama, ZSF donates paintings to, 1;
flowers, 1, 2, 3, 4, 5, 6;
Gatsby, ZSF draws pictures of, 1;
Gill, Brendan, on, 1;
Haardt, Sara, buys ZSF paintings, 1;
Highland Hospital, painted screens, 1, 2;
historical figures, 1, 2;
influences on, 1, 2, 3, 4, 5;
interior design, 1, 2;
Kalman, Xandra, ZSF gives painting to, 1;
lampshades, 1, 2;
landscapes, 1;
La Paix paintings, 1;
lessons, 1, 2, 3, 4, 5, 6, 7;
Livingston, Jane S. on, 1;
Mayfield, Sara on, 1;
ZSF gives painting to, 1;
Mencken, H. L., buys ZSF paintings, 1, 2;
Modernists, 1;
Murphy, Gerald and, 1, 2, 3;
Murphy, Honoria on, 1;
Murphy, Sara on, 1;
buys ZSF painting, 1;
New York, ZSF’s cityscapes of, 1, 2;
O’Keeffe, Georgia and, 1, 2, 3;
painted bowls, trays and baskets, 1;
paintings and drawings Antheriums, 1;
Au Claire de la Lune, 1;
Ballerinas Dressing, 1, 2;
Ballet Figures, 1;
Crossing Roses, 1,
Diving Platform, 1;
Etude Arabesque, 1;
Ellerslie, 1;
Ferns, 1;
Chinese Theater, 1;
Cornet Player, The, 1;
Football, 1;
Girl With Orange Dress, 1;
Hope, 1;
Laurel, 1;
Mediterranean Midi, 1;
La Nature, 1;
Plaid Shirt, The, 1;
Portrait of a Russian, 1;
Rams, 1;
Red Devil, 1;
Russian Stable, 1, 2;
Scott in Thorns, 1;
Le Sport, 1;
Spring in the Country, 1;
Tiger Lilies, 1;
Tulips, 1;
Two Figures, 1;
Untitled dogwood blossoms, 1;
Untitled flower painting, 1;
White Flowers in a Vase, 1
paints hospital screens, 1, 2;
paper dolls (early), 1, 2, 3;
paper dolls (late), 1;
paper dolls, plans to publish book of, 1;
Paris, experimental art scene, 1, 2, 3;
ZSF’s cityscapes of, 1;
Parker, Dorothy on, 1, 2;
Parker, Mary on, 1;
Picasso and, 1;
Ringling School of Art, Sarasota, 1;
Salies-de-Béam, ZSF paints in, 1;
Sayre, Minnie and, 1, 2;
Scottie: artworks for, 1, 2, 3, 4, 5;
illustrated letters to, 1, 2;
on, 1;
self-portraits, 1, 2, 3, 4;
Shafer, Carolyn on, 1;
Stein, Gertrude, FSF gives ZSF paintings to, 1;
Stewart, Donald Ogden and, 1;
Van Gogh, Vincent, influence on, 1, 2;
Wertham, Frederick, 1, 2
Character: 1, 2, 3;
compassion, 1, 2, 3;
courage, 1, 2;
dignity, 1;
and domesticity, 1, 2, 3, 4, 5, 6, 7;
effort, 1, 2, 3, 4;
egotism, 1, 2, 3;
emotional attachment to women, 1, 2, 3;
emotional bond with FSF, 1;
emotional dependence, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10;
extravagance, 1, 2, 3, 4, 5;
extreme frankness, 1;
generosity, 1, 2;
impropriety, 1, 2, 3, 4, 5, 6, 7, 8;
independence, need for, 1, 2, 3, 4, 5, 6, 7;
jealousy, 1, 2, 3, 4, 5, 6, 7;
loneliness and confusion, 1;
loyalty, 1, 2;
nervousness, 1, 2;
pride, 1;
rebelliousness, 1, 2, 3, 4, 5, 6;
repressed anger, 1;
‘romantic readiness’, 1;
secrecy and reflectiveness, 1;
self-confidence, 1;
self-destructiveness, 1, 2, 3, 4;
self-discipline, 1, 2, 3, 4, 5, 6;
self-dramatization, 1;
self-esteem, 1, 2, 3
Dance: ambitions, 1, 2, 3, 4, 5, 6, 7;
declines ballet company offer, 1, 2, 3, 4;
Diaghilev, death of, 1, 2;
early lessons, 1, 2;
early roles, 1;
Egorova on, 1, 2;
studies with, 1, 2, 3, 4;
FSF’s attitude to, 1, 2, 3, 4, 5, 6, 7;
> Gavrilov, Alexandra, 1;
lessons: in Paris, 1, 2, 3, 4, 5;
in Philadelphia, 1, 2, 3;
in Nice, 1, 2;
in Montgomery, 1;
Littlefield, Catherine, 1, 2;
Murphy, Gerald on, 1, 2, 3;
Nemchinova, 1, 2;
Nevalskaya, 1, 2;
Nijinsky, 1;
practice, 1, 2, 3, 4;
professional engagements, 1;
Rosenberg, Amelia Harper, 1;
as route to independence, 1, 2, 3;
San Carlo Opera Ballet, 1, 2;
Scottie, ballet classes, 1, 2, 3, 4;
Sedowa, Julie, 1;
seen as cause of breakdown, 1, 2
Health (mental): in Biskra, 1;
breakdowns, 1, 2;
(1930-1) 1, 2, 3, 4;
(1932), 1, 2, 3;
(1934-40), 1;
(1940s) 1, 2, 3
in clinics: Craig House, 1, 2, 3;
Highland Hospital, 1, 2, 3, 4, 5, 6, 7, 8, 9;
Malmaison, 1, 2, 3;
Phipps, 1, 2, 3, 4, 5, 6, 7, 8, 9;
Prangins, 1, 2, 3, 4, 5;
Sheppard Pratt, 1, 2, 3, 4, 5;
Valmont, 1
dance seen as cause of breakdown, 1, 2;
depression, 1, 2;
marital discord and, 1, 2, 3;
nervous attacks, 1, 2, 3, 4, 5;
schizophrenia: diagnosed, 1, 2, 3, 4, 5, 6, 7;
treatment, 1, 2, 3, 4, 5;
speech style seen as connected with mental illness, 1, 2, 3;
suicide attempts, 1, 2, 3;
symptoms catalogued, 1;
see also mental illness; mental hospitals
Health (physical): abortions, 1, 2, 3;
asthma, 1, 2;
‘burn-out’, 1;
colitis, 1, 2, 3, 4, 5;
conception, failure, 1, 2;
eczema, 1, 2, 3, 4, 5, 6, 7;
eyesight, 1, 2, 3, 4;
ovarian problems, 1, 2, 3, 4, 5, 6
Other references: and abstract thought, 1;
ambitions, 1, 2, 3, 4;
artistic fruition (1929-31), 1, 2;
and bathing, 1, 2, 3, 4;
and city life, 1;
in competition with FSF, 1, 2;
and conception, 1, 2;
debts, 1;
diary, 1, 2;
drinking, 1, 2, 3, 4, 5, 6;
earnings, 1;
financial dependence, 1, 2, 3, 4;
and Fitzgerald family, 1, 2;
and flowers, 1, 2, 3;
and French language, 1;
friendships, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14;
and FSF’s drinking, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11;
and golf, 1, 2, 3;
as grandmother, 1, 2;
and Hemingway, 1, 2, 3, 4, 5;
on Hemingway, 1, 2, 3, 4, 5;
on Hollywood, 1;
on homosexuality, 1, 2;
identity, 1, 2, 3, 4;
inspirational and editorial role, 1, 2, 3, 4, 5, 6, 7, 8;
instability, 1;
intellect, 1, 2, 3;
lesbianism, 1, 2, 3, 4, 5, 6, 7, 8, 9; on love, 10;
marital discord, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12;
marital relationship, 1, 2, 3, 4, 5, 6, 7;
marital sexual relations, 1, 2, 3, 4, 5, 6, 7, 8;
men, attitude to, 1, 2, 3;
mother-daughter relationship, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25, 26, 27;
personal appearance, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19;
personal appearance (after illness), 1, 2, 3;
plagiarized by FSF, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15;
popularity, 1;
poverty, 1;
quarrels over Hemingway, 1, 2, 3, 4, 5;
reading tastes, 1, 2, 3, 4, 5, 6, 7;
and religion, 1, 2, 3, 4, 5, 6, 7, 8;
responsibility, 1, 2;
and Russia, 1;
on Scottie’s career, 1;
and Scottie’s nannies/governesses, 1, 2, 3, 4, 5;
self-expression, attempts, 1;
sexuality, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10;
Southern heritage, ch. 1, ch. 2, 3, 4, 5;
speech, style of, 1, 2, 3, 4, 5, 6;
spelling, 1, 2;
subordinate role, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16
Fitzgerald family, 1, 2, 3, 4
Flagg, James Montgomery, 1
Flanner, Janet, 1, 2
Flappers, 1, 2, 3, 4, 5, 6, 7
Flynn, Lewis ‘Lefty’, 1
Follies, 1, 2, 3
Forel, Auguste, 1
Forel, Oscar, 1, 2, 3, 4, 5, 6, 7, 8;
calls in Bleuler, 1, 2;
on FSF’s drinking, 1;
and ZSF’s dance, 1
Fort Leavenworth, Kansas, 1
Fortune magazine, 1
Fowler, Ludlow, 1, 2, 3, 4, 5, 6
at FSF’s funeral, 1, 2
Frame, Janet, 1
Fréjus air base, 1
Fuller, Rosalinde, 1, 2, 3
Furies, The (play), 1
Galsworthy, John, 1, 2, 3
Garfield, SS, 1
Garland, Julia, 1, 2
Gatsby, The Great, see Fitzgerald, Francis Scott Key, Writing
Gavrilov, Alexandre, 1
Genoa, Fitzgeralds in (1929), 1
Giafferri, Paul Louis de, 1
Gill, Brendan, 1
Gingrich, Arnold, 1
Gish, Lillian, 1, 2
Goldwyn, FSF freelances for (1938), 1
Goncharova, Natalia, 1, 2
Goodrich, Aaron, 1
Goodrich Avenue, St Paul, 1, 2, 3
Gordon, Caroline, 1, 2, 3
Goucher College, Baltimore, 1, 2, 3
Graham, Sheilah, 1, 2, 3, 4, 5
Great Neck, Long Island, 1
Green Hat, The (Arlen), 1, 2
Greenwich Village, New York, 1;
Follies curtain, 1
Greenwood, Grace (later Machen), 1
Grimms Park Hotel, Hyères, 1
Gris, Juan, 1, 2
Gunter, Grace, 1, 2, 3
Haardt, Ida, 1, 2, 3
Haardt, Sara, 1, 2, 3, 4, 5;
buys ZSF’s paintings, 1;
on Fitzgeralds at La Paix, 1;
friendship with ZSF, 1, 2;
on FSF, 1, 2;
health, 1, 2, 3, 4, 5, 6;
and Hemingway, 1;
marriage, 1, 2;
relationship with Mencken, 1, 2, 3, 4;
scriptwriting, 1;
on Southern life, 1, 2;
as teacher, 1, 2;
on Tender Is The Night, 1;
work rejected by Mencken, 1, 2;
writing, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10;
Southern fiction, 1, 2;
stories and novels: ‘Alabama’, 1,
The Diary of an Old Maid, 1,
‘Joe Moore and Carrie Balsingame’, 1,
The Making of a Lady, 1, 2,
‘Mendelian Dominant’, 1,
‘Miss Rebecca’, 1,
‘Strictly Southern’, 1;
on ZSF, 1, 2, 3, 4, 5
Hackl, Lloyd C., 1, 2
Hall, Radclyffe, 1, 2
Hall, Willie May, 1
Harper’s Bazaar, 1, 2
Harris, Sam M., 1, 2
Hart, Livye, 1, 2, 3, 4, 5, 6, 7, 8
Hayes, Helen, 1, 2, 3
Hearne, Laura Guthrie, 1
Hearst, William Randolph, 1
Hearst’s International, 1
Hellman, Lillian, 1, 2, 3, 4
Hemingway, ‘Bumby’ (John H.), 1, 2, 3, 4
Hemingway, Clarence, 1
Hemingway, Ernest, 1;
career, 1;
Catholicism, 1;
character, 1;
childhood, 1;
drinking, 1;
as father, 1;
Fitzgeralds quarrel over, 1, 2, 3, 4, 5, 6;
friendship with FSF, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12;
and homosexuality, 1, 2, 3, 4, 5, 6, 7;
on Jozan, 1;
literary rivalry, 1, 2;
and marriage, 1;
marriage to Hadley Richardson, 1, 2, 3;
marriage to Martha Gellhorn, 1;
marriage to Pauline Pfeiffer, 1, 2, 3, 4;
and Mencken, 1;
poverty, 1, 2, 3;
quarrels with FSF, 1, 2, 3;
on Riviera (1926), 1, 2;
sexuality, 1, 2;
in Spain (1926), 1;
sparring match, 1;
on Tender Is The Night, 1;
on ZSF, 1, 2, 3, 4, 5, 6
Hemingway, Grace Hall, 1, 2
Hemingway, Hadley Richardson, 1, 2, 3;
childhood, 1;
divorce, 1;
health, 1, 2;
on Jozan, 1;
in Juan-les-Pins (1926), 1, 2;
marital role, 1, 2, 3;
marriage, 1;
and Pauline Pfeiffer, 1, 2;
and ZSF, 1, 2
Hemingway, Marcelline, 1
Hemingway, Patrick, 1
Hendersonville, N. Carolina, 1, 2
Hergesheimer, Joseph, 1, 2, 3, 4
Hersey, Marie, 1, 2, 3, 4, 5
Highland Hospital, Asheville; cost, 1, 2;
fire (1948), 1;
painted screens, 1, 2;
regime, 1;
ZSF enters (1936), 1, 2, 3;
ZSF returns to (1944), 1;
ZSF returns to (1946-1948), 1, 2, 3
Hill, W. E., 1, 2
Histoire du Costume Feminin Frangais … (Giafferri), 1
Hitchcock, Tommy, 1, 2, 3
Hollywood; Fitzgeralds in (1927), 1, 2;
FSF in (1931), 1, 2;
FSF in (1937), 1;
Sara Haardt in, 1, 2
homosexuality: attitudes to, 1, 2;
Benson, E. E., 1;
Brooks, John Ellingham, 1;
Capri, literary homosexual colony on, 1;
Douglas, Norman, 1;
FSF, 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12;
Hemingway, Ernest, 1, 2, 3, 4, 5, 6, 7;
Maugham, Somerset, 1;
Murphy, Gerald, 1, 2, 3;
in Southern culture, 1, 2;
in Tender Is The Night, 1, 2;
Van Vechten, Carl, 1;
ZSF, preoccupation with, 1, 2
Hopkins, Arthur, 1
Howard, Leslie, 1
Hoyt, Nancy, 1, 2
Hyères, Fitzgeralds in (1924), 1
Immoral Isabella (Campbell), 1
In Defense of Women (Mencken), 1
Independent Artists’ Exhibition, Baltimore, 1
In Our Time (Hemingway), 1, 2
Italy, Fitzgeralds in, 1, 2, 3
I Thought of Daisy (Wilson), 1
James, Will, 1
Jarvis, Alan, 1
Jazz Age, 1, 2
Jazz Singer, The (film), 1
Johns Hopkins Hospital, Baltimore, 1, 2, 3, 4, 5
Jolson, Al, 1, 2
Joyce, James, 1, 2, 3
Jozan, Edouard; and FSF, 1;
FSF and, 1, 2, 3, 4, 5, 6, 7;
ZSF and, 1, 2, 3, 4, 5, 6, 7
Juan-les-Pins, Côte d’Azur, 1, 2