The day after, De Marsay came again to walk on the Terrasse des Feuillants, and saw Paquita Valdes; already passion had embellished her for him. Seriously, he was wild for those eyes, whose rays seemed akin to those which the sun emits, and whose ardor set the seal upon that of her perfect body, in which all was delight. De Marsay was on fire to brush the dress of this enchanting girl as they passed one another in their walk; but his attempts were always vain. But at one moment, when he had repassed Paquita and the duenna, in order to find himself on the same side as the girl of the golden eyes, when he returned, Paquita, no less impatient, came forward hurriedly, and De Marsay felt his hand pressed by her in a fashion at once so swift and so passionately significant that it was as though he had received the emotions surged up in his heart. When the two lovers glanced at one another, Paquita seemed ashamed, she dropped her eyes lest she should meet the eyes of Henri, but her gaze sank lower to fasten on the feet and form of him whom women, before the Revolution, called their conqueror.
"I am determined to make this girl my mistress," said Henri to himself.
As he followed her along the terrace, in the direction of the Place Louis XV., he caught sight of the aged Marquis de San-Real, who was walking on the arm of his valet, stepping with all the precautions due to gout and decrepitude. Dona Concha, who distrusted Henri, made Paquita pass between herself and the old man.
"Oh, for you," said De Marsay to himself, casting a glance of disdain upon the duenna, "if one cannot make you capitulate, with a little opium one can make you sleep. We know mythology and the fable of Argus."
Before entering the carriage, the golden-eyed girl exchanged certain glances with her lover, of which the meaning was unmistakable and which enchanted Henri, but one of them was surprised by the duenna; she said a few rapid words to Paquita, who threw herself into the coupe with an air of desperation. For some days Paquita did not appear in the Tuileries. Laurent, who by his master's orders was on watch by the hotel, learned from the neighbors that neither the two women nor the aged marquis had been abroad since the day upon which the duenna had surprised a glance between the young girl in her charge and Henri. The bond, so flimsy withal, which united the two lovers was already severed.
Some days later, none knew by what means, De Marsay had attained his end; he had a seal and wax, exactly resembling the seal and wax affixed to the letters sent to Mademoiselle Valdes from London; paper similar to that which her correspondent used; moreover, all the implements and stamps necessary to affix the French and English postmarks.
He wrote the following letter, to which he gave all the appearances of a letter sent from London:—
"MY DEAR PAQUITA,—I shall not try to paint to you in words the passion with which you have inspired me. If, to my happiness, you reciprocate it, understand that I have found a means of corresponding with you. My name is Adolphe de Gouges, and I live at No. 54 Rue de l'Universite. If you are too closely watched to be able to write to me, if you have neither pen nor paper, I shall understand it by your silence. If then, to-morrow, you have not, between eight o'clock in the morning and ten o'clock in the evening, thrown a letter over the wall of your garden into that of the Baron de Nucingen, where it will be waited for during the whole of the day, a man, who is entirely devoted to me, will let down two flasks by a string over your wall at ten o'clock the next morning. Be walking there at that hour. One of the two flasks will contain opium to send your Argus to sleep; it will be sufficient to employ six drops; the other will contain ink. The flask of ink is of cut glass; the other is plain. Both are of such a size as can easily be concealed within your bosom. All that I have already done, in order to be able to correspond with you, should tell you how greatly I love you. Should you have any doubt of it, I will confess to you, that to obtain an interview of one hour with you I would give my life."
"At least they believe that, poor creatures!" said De Marsay; "but they are right. What should we think of a woman who refused to be beguiled by a love-letter accompanied by such convincing accessories?"
This letter was delivered by Master Moinot, postman, on the following day, about eight o'clock in the morning, to the porter of the Hotel San-Real.
In order to be nearer to the field of action, De Marsay went and breakfasted with Paul, who lived in the Rue de la Pepiniere. At two o'clock, just as the two friends were laughingly discussing the discomfiture of a young man who had attempted to lead the life of fashion without a settled income, and were devising an end for him, Henri's coachman came to seek his master at Paul's house, and presented to him a mysterious personage who insisted on speaking himself with his master.
This individual was a mulatto, who would assuredly have given Talma a model for the part of Othello, if he had come across him. Never did any African face better express the grand vengefulness, the ready suspicion, the promptitude in the execution of a thought, the strength of the Moor, and his childish lack of reflection. His black eyes had the fixity of the eyes of a bird of prey, and they were framed, like a vulture's, by a bluish membrane devoid of lashes. His forehead, low and narrow, had something menacing. Evidently, this man was under the yoke of some single and unique thought. His sinewy arm did not belong to him.
He was followed by a man whom the imaginations of all folk, from those who shiver in Greenland to those who sweat in the tropics, would paint in the single phrase: He was an unfortunate man. From this phrase, everybody will conceive him according to the special ideas of each country. But who can best imagine his face—white and wrinkled, red at the extremities, and his long beard. Who will see his lean and yellow scarf, his greasy shirt-collar, his battered hat, his green frock coat, his deplorable trousers, his dilapidated waistcoat, his imitation gold pin, and battered shoes, the strings of which were plastered in mud? Who will see all that but the Parisian? The unfortunate man of Paris is the unfortunate man in toto, for he has still enough mirth to know the extent of his misfortune. The mulatto was like an executioner of Louis XI. leading a man to the gallows.
"Who has hunted us out these two extraordinary creatures?" said Henri.
"Faith! there is one of them who makes me shudder," replied Paul.
"Who are you—you fellow who look the most like a Christian of the two?" said Henri, looking at the unfortunate man.
The mulatto stood with his eyes fixed upon the two young men, like a man who understood nothing, and who sought no less to divine something from the gestures and movements of the lips.
"I am a public scribe and interpreter; I live at the Palais de Justice, and am named Poincet."
"Good!... and this one?" said Henri to Poincet, looking towards the mulatto.
"I do not know; he only speaks a sort of Spanish patois, and he has brought me here to make himself understood by you."
The mulatto drew from his pocket the letter which Henri had written to Paquita and handed it to him. Henri threw it in the fire.
"Ah—so—the game is beginning," said Henri to himself. "Paul, leave us alone for a moment."
"I translated this letter for him," went on the interpreter, when they were alone. "When it was translated, he was in some place which I don't remember. Then he came back to look for me, and promised me two louis to fetch him here."
"What have you to say to me, nigger?" asked Henri.
"I did not translate nigger," said the interpreter, waiting for the mulatto's reply....
"He said, sir," went on the interpreter, after having listened to the unknown, "that you must be at half-past ten to-morrow night on the boulevard Montmartre, near the cafe. You will see a carriage there, in which you must take your place, saying to the man, who will wait to open the door for you, the word cortejo—a Spanish word, which means lover," added Poincet, casting a glance of congratulation upon Henri.
"Good."
The mulatto was about to bestow the two louis, but De Marsay would not permit it, and himself rewarded the interpreter. As he was paying him, the mulatto began to speak.
"What is he saying?"
"He is warning me," replied the unfortunate, "that if I commit a single indiscretion he will strangle me. He speaks fair and he looks remarkably as if he were capable of carrying out his threat."
"I am sure of it," answered Henri; "he would keep his word."
"He says, as well," replied the interpreter, "that the person from whom he is sent implores you, for your sake and for hers, to act with the greatest prudence, because the daggers which are raised above your head would strike your heart before any human power could save you from them."
"He said that? So much the better, it will be more amusing. You can come in now, Paul," he cried to his friend.
The mulatto, who had not ceased to gaze at the lover of Paquita Valdes with magnetic attention, went away, followed by the interpreter.
"Well, at last I have an adventure which is entirely romantic," said Henri, when Paul returned. "After having shared in a certain number I have finished by finding in Paris an intrigue accompanied by serious accidents, by grave perils. The deuce! what courage danger gives a woman! To torment a woman, to try and contradict her—doesn't it give her the right and the courage to scale in one moment obstacles which it would take her years to surmount of herself? Pretty creature, jump then! To die? Poor child! Daggers? Oh, imagination of women! They cannot help trying to find authority for their little jests. Besides, can one think of it, Paquita? Can one think of it, my child? The devil take me, now that I know this beautiful girl, this masterpiece of nature, is mine, the adventure has lost its charm."
For all his light words, the youth in Henri had reappeared. In order to live until the morrow without too much pain, he had recourse to exorbitant pleasure; he played, dined, supped with his friends; he drank like a fish, ate like a German, and won ten or twelve thousand francs. He left the Rocher de Cancale at two o'clock in the morning, slept like a child, awoke the next morning fresh and rosy, and dressed to go to the Tuileries, with the intention of taking a ride, after having seen Paquita, in order to get himself an appetite and dine the better, and so kill the time.
At the hour mentioned Henri was on the boulevard, saw the carriage, and gave the counter-word to a man who looked to him like the mulatto. Hearing the word, the man opened the door and quickly let down the step. Henri was so rapidly carried through Paris, and his thoughts left him so little capacity to pay attention to the streets through which he passed, that he did not know where the carriage stopped. The mulatto let him into a house, the staircase of which was quite close to the entrance. This staircase was dark, as was also the landing upon which Henri was obliged to wait while the mulatto was opening the door of a damp apartment, fetid and unlit, the chambers of which, barely illuminated by the candle which his guide found in the ante-chamber, seemed to him empty and ill furnished, like those of a house the inhabitants of which are away. He recognized the sensation which he had experienced from the perusal of one of those romances of Anne Radcliffe, in which the hero traverses the cold, sombre, and uninhabited saloons of some sad and desert spot.
At last the mulatto opened the door of a salon. The condition of the old furniture and the dilapidated curtains with which the room was adorned gave it the air of the reception-room of a house of ill fame. There was the same pretension to elegance, and the same collection of things in bad taste, of dust and dirt. Upon a sofa covered with red Utrecht velvet, by the side of a smoking hearth, the fire of which was buried in ashes, sat an old, poorly dressed woman, her head capped by one of those turbans which English women of a certain age have invented and which would have a mighty success in China, where the artist's ideal is the monstrous.
The room, the old woman, the cold hearth, all would have chilled love to death had not Paquita been there, upon an ottoman, in a loose voluptuous wrapper, free to scatter her gaze of gold and flame, free to show her arched foot, free of her luminous movements. This first interview was what every rendezvous must be between persons of passionate disposition, who have stepped over a wide distance quickly, who desire each other ardently, and who, nevertheless, do not know each other. It is impossible that at first there should not occur certain discordant notes in the situation, which is embarrassing until the moment when two souls find themselves in unison.
If desire gives a man boldness and disposes him to lay restraint aside, the mistress, under pain of ceasing to be woman, however great may be her love, is afraid of arriving at the end so promptly, and face to face with the necessity of giving herself, which to many women is equivalent to a fall into an abyss, at the bottom of which they know not what they shall find. The involuntary coldness of the woman contrasts with her confessed passion, and necessarily reacts upon the most passionate lover. Thus ideas, which often float around souls like vapors, determine in them a sort of temporary malady. In the sweet journey which two beings undertake through the fair domains of love, this moment is like a waste land to be traversed, a land without a tree, alternatively damp and warm, full of scorching sand, traversed by marshes, which leads to smiling groves clad with roses, where Love and his retinue of pleasures disport themselves on carpets of soft verdure. Often the witty man finds himself afflicted with a foolish laugh which is his only answer to everything; his wit is, as it were, suffocated beneath the icy pressure of his desires. It would not be impossible for two beings of equal beauty, intelligence, and passion to utter at first nothing but the most silly commonplaces, until chance, a word, the tremor of a certain glance, the communication of a spark, should have brought them to the happy transition which leads to that flowery way in which one does not walk, but where one sways and at the same time does not lapse.
Such a state of mind is always in proportion with the violence of the feeling. Two creatures who love one another weakly feel nothing similar. The effect of this crisis can even be compared with that which is produced by the glow of a clear sky. Nature, at the first view, appears to be covered with a gauze veil, the azure of the firmament seems black, the intensity of light is like darkness. With Henri, as with the Spanish girl, there was an equal intensity of feeling; and that law of statics, in virtue of which two identical forces cancel each other, might have been true also in the moral order. And the embarrassment of the moment was singularly increased by the presence of the old hag. Love takes pleasure or fright at all, all has meaning for it, everything is an omen of happiness or sorrow for it.
This decrepit woman was there like a suggestion of catastrophe, and represented the horrid fish's tail with which the allegorical geniuses of Greece have terminated their chimeras and sirens, whose figures, like all passions, are so seductive, so deceptive.
Although Henri was not a free-thinker—the phrase is always a mockery—but a man of extraordinary power, a man as great as a man can be without faith, the conjunction struck him. Moreover, the strongest men are naturally the most impressionable, and consequently the most superstitious, if, indeed, one may call superstition the prejudice of the first thoughts, which, without doubt, is the appreciation of the result in causes hidden to other eyes but perceptible to their own.
The Spanish girl profited by this moment of stupefaction to let herself fall into the ecstasy of that infinite adoration which seizes the heart of a woman, when she truly loves and finds herself in the presence of an idol for whom she has vainly longed. Her eyes were all joy, all happiness, and sparks flew from them. She was under the charm, and fearlessly intoxicated herself with a felicity of which she had dreamed long. She seemed then so marvelously beautiful to Henri, that all this phantasmagoria of rags and old age, of worn red drapery and of the green mats in front of the armchairs, the ill-washed red tiles, all this sick and dilapidated luxury, disappeared.
The room seemed lit up; and it was only through a cloud that one could see the fearful harpy fixed and dumb on her red sofa, her yellow eyes betraying the servile sentiments, inspired by misfortune, or caused by some vice beneath whose servitude one has fallen as beneath a tyrant who brutalizes one with the flagellations of his despotism. Her eyes had the cold glitter
of a caged tiger, knowing his impotence and being compelled to swallow his rage of destruction.
"Who is that woman?" said Henri to Paquita.
But Paquita did not answer. She made a sign that she understood no French, and asked Henri if he spoke English.
De Marsay repeated his question in English.
"She is the only woman in whom I can confide, although she has sold me already," said Paquita, tranquilly. "My dear Adolphe, she is my mother, a slave bought in Georgia for her rare beauty, little enough of which remains to-day. She only speaks her native tongue."
The attitude of this woman and her eagerness to guess from the gestures of her daughter and Henri what was passing between them, were suddenly explained to the young man; and this explanation put him at his ease.
"Paquita," he said, "are we never to be free then?"
"Never," she said, with an air of sadness. "Even now we have but a few days before us."
She lowered her eyes, looked at and counted with her right hand on the fingers of her left, revealing so the most beautiful hands which Henri had ever seen.
"One, two, three—"
She counted up to twelve.
"Yes," she said, "we have twelve days."
"And after?"
"After," she said, showing the absorption of a weak woman before the executioner's axe, and slain in advance, as it were, by a fear which stripped her of that magnificent energy which Nature seemed to have bestowed upon her only to aggrandize pleasure and convert the most vulgar delights into endless poems. "After—" she repeated. Her eyes took a fixed stare; she seemed to contemplate a threatening object far away.
"I do not know," she said.
"This girl is mad," said Henri to himself, falling into strange reflections.
Paquita appeared to him occupied by something which was not himself, like a woman constrained equally by remorse and passion. Perhaps she had in her heart another love which she alternately remembered and forgot. In a moment Henri was assailed by a thousand contradictory thoughts. This girl became a mystery for him; but as he contemplated her with the scientific attention of the blase man, famished for new pleasures, like that Eastern king who asked that a pleasure should be created for him,—a horrible thirst with which great souls are seized,—Henri recognized in Paquita the richest organization that Nature had ever deigned to compose for love. The presumptive play of this machinery, setting aside the soul, would have frightened any other man than Henri; but he was fascinated by that rich harvest of promised pleasures, by that constant variety in happiness, the dream of every man, and the desire of every loving woman too. He was infuriated by the infinite rendered palpable, and transported into the most excessive raptures of which the creature is capable. All that he saw in this girl more distinctly than he had yet seen it, for she let herself be viewed complacently, happy to be admired. The admiration of De Marsay became a secret fury, and he unveiled her completely, throwing a glance at her which the Spaniard understood as though she had been used to receive such.
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