Madame Cheron had a long conversation with Valancourt, and, when she returned to the chateau, her countenance expressed ill-humour, but not the degree of severity, which Emily had apprehended. ‘I have dismissed this young man, at last,’ said she, ‘and I hope my house will never again be disturbed with similar visits. He assures me, that your interview was not preconcerted.’
‘Dear madam!’ said Emily in extreme emotion, ‘you surely did not ask him the question!’
‘Most certainly I did; you could not suppose I should be so imprudent as to neglect it.’
‘Good God!’ exclaimed Emily, ‘what an opinion must he form of me, since you, Madam, could express a suspicion of such ill conduct!’
‘It is of very little consequence what opinion he may form of you,’ replied her aunt, ‘for I have put an end to the affair; but I believe he will not form a worse opinion of me for my prudent conduct. I let him see, that I was not to be trifled with, and that I had more delicacy, than to permit any clandestine correspondence to be carried on in my house.’
Emily had frequently heard Madame Cheron use the word delicacy, but she was now more than usually perplexed to understand how she meant to apply it in this instance, in which her whole conduct appeared to merit the very reverse of the term.
‘It was very inconsiderate of my brother,’ resumed Madame Cheron, ‘to leave the trouble of overlooking your conduct to me; I wish you was well settled in life. But if I find, that I am to be further troubled with such visitors as this M. Valancourt, I shall place you in a convent at once;—so remember the alternative. This young man has the impertinence to own to me,—he owns it! that his fortune is very small, and that he is chiefly dependent on an elder brother and on the profession he has chosen! He should have concealed these circumstances, at least, if he expected to succeed with me. Had he the presumption to suppose I would marry my niece to a person such as he describes himself!’
Emily dried her tears when she heard of the candid confession of Valancourt; and, though the circumstances it discovered were afflicting to her hopes, his artless conduct gave her a degree of pleasure, that overcame every other emotion. But she was compelled, even thus early in life, to observe, that good sense and noble integrity are not always sufficient to cope with folly and narrow cunning; and her heart was pure enough to allow her, even at this trying moment, to look with more pride on the defeat of the former, than with mortification on the conquests of the latter.
Madame Cheron pursued her triumph. ‘He has also thought proper to tell me, that he will receive his dismission from no person but yourself; this favour, however, I have absolutely refused him. He shall learn, that it is quite sufficient, that I disapprove him. And I take this opportunity of repeating,—that if you concert any means of interview unknown to me, you shall leave my house immediately.’
‘How little do you know me, madam, that you should think such an injunction necessary!’ said Emily, trying to suppress her emotion, ‘how little of the dear parents, who educated me!’
Madame Cheron now went to dress for an engagement, which she had made for the evening; and Emily, who would gladly have been excused from attending her aunt, did not ask to remain at home lest her request should be attributed to an improper motive. When she retired to her own room, the little fortitude, which had supported her in the presence of her relation, forsook her; she remembered only that Valancourt, whose character appeared more amiable from every circumstance, that unfolded it, was banished from her presence, perhaps, for ever, and she passed the time in weeping, which, according to her aunt’s direction, she ought to have employed in dressing. This important duty was, however, quickly dispatched; though, when she joined Madame Cheron at table, her eyes betrayed, that she had been in tears, and drew upon her a severe reproof.
Her efforts to appear cheerful did not entirely fail when she joined the company at the house of Madame Clairval, an elderly widow lady, who had lately come to reside at Tholouse, on an estate of her late husband. She had lived many years at Paris in a splendid style; had naturally a gay temper, and, since her residence at Tholouse, had given some of the most magnificent entertainments, that had been seen in that neighbourhood.
These excited not only the envy, but the trifling ambition of Madame Cheron, who, since she could not rival the splendour of her festivities, was desirous of being ranked in the number of her most intimate friends. For this purpose she paid her the most obsequious attention, and made a point of being disengaged, whenever she received an invitation from Madame Clairval, of whom she talked, wherever she went, and derived much self-consequence from impressing a belief on her general acquaintance, that they were on the most familiar footing.
The entertainments of this evening consisted of a ball and supper; it was a fancy ball, and the company danced in groups in the gardens, which were very extensive. The high and luxuriant trees, under which the groups assembled, were illuminated with a profusion of lamps, disposed with taste and fancy. The gay and various dresses of the company, some of whom were seated on the turf, conversing at their ease, observing the cotillons, taking refreshments, and sometimes touching sportively a guitar; the gallant manners of the gentlemen, the exquisitely capricious air of the ladies; the light fantastic steps of their dances; the musicians, with the lute, the hautboy, and the tabor, seated at the foot of an elm, and the sylvan scenery of woods around were circumstances, that unitedly formed a characteristic and striking picture of French festivity. Emily surveyed the gaiety of the scene with a melancholy kind of pleasure, and her emotion may be imagined when, as she stood with her aunt, looking at one of the groups, she perceived Valancourt; saw him dancing with a young and beautiful lady, saw him conversing with her with a mixture of attention and familiarity, such as she had seldom observed in his manner. She turned hastily from the scene, and attempted to draw away Madame Cheron, who was conversing with Signor Cavigni, and neither perceived Valancourt, or was willing to be interrupted. A faintness suddenly came over Emily, and, unable to support herself, she sat down on a turf bank beneath the trees, where several other persons were seated. One of these, observing the extreme paleness of her countenance, enquired if she was ill, and begged she would allow him to fetch her a glass of water, for which politeness she thanked him, but did not accept it. Her apprehension lest Valancourt should observe her emotion made her anxious to overcome it, and she succeeded so far as to re-compose her countenance. Madame Cheron was still conversing with Cavigni; and the Count Bauvillers, who had addressed Emily, made some observations upon the scene, to which she answered almost unconsciously, for her mind was still occupied with the idea of Valancourt, to whom it was with extreme uneasiness that she remained so near. Some remarks, however, which the Count made upon the dance obliged her to turn her eyes towards it, and, at that moment, Valancourt’s met hers. Her colour faded again, she felt, that she was relapsing into faintness, and instantly averted her looks, but not before she had observed the altered countenance of Valancourt, on perceiving her. She would have left the spot immediately, had she not been conscious, that this conduct would have shewn him more obviously the interest he held in her heart; and, having tried to attend to the Count’s conversation, and to join in it, she, at length, recovered her spirits. But, when he made some observation on Valancourt’s partner, the fear of shewing that she was interested in the remark, would have betrayed it to him, had not the Count, while he spoke, looked towards the person of whom he was speaking. ‘The lady,’ said he, ‘dancing with that young Chevalier, who appears to be accomplished in every thing, but in dancing, is ranked among the beauties of Tholouse. She is handsome, and her fortune will be very large. I hope she will make a better choice in a partner for life than she has done in a partner for the dance, for I observe he has just put the set into great confusion; he does nothing but commit blunders. I am surprised, that, with his air and figure, he has not taken more care to accomplish himself in dancing.’
‘Here is the Chevalier Valancourt, madam,’ said she in a whisper, ‘pray let us go.’ Her aunt immediately moved on, but not before Valancourt had reached them, who bowed lowly to Madame Cheron, and with an earnest and dejected look to Emily, with whom, notwithstanding all her effort, an air of more than common reserve prevailed. The presence of Madame Cheron prevented Valancourt from remaining, and he passed on with a countenance, whose melancholy reproached her for having increased it. Emily was called from the musing fit, into which she had fallen, by the Count Bauvillers, who was known to her aunt.
‘I have your pardon to beg, ma’amselle,’ said he, ‘for a rudeness, which you will readily believe was quite unintentional. I did not know, that the Chevalier was your acquaintance, when I so freely criticised his dancing.’ Emily blushed and smiled, and Madame Cheron spared her the difficulty of replying. ‘If you mean the person, who has just passed us,’ said she, ‘I can assure you he is no acquaintance of either mine, or ma’amselle St. Aubert’s: I know nothing of him.’
‘O! that is the Chevalier Valancourt,’ said Cavigni carelessly, and looking back. ‘You know him then?’ said Madame Cheron. ‘I am not acquainted with him,’ replied Cavigni. ‘You don’t know, then, the reason I have to call him impertinent;—he has had the presumption to admire my niece!’
‘If every man deserves the title of impertinent, who admires ma’amselle St. Aubert,’ replied Cavigni, ‘I fear there are a great many impertinents, and I am willing to acknowledge myself one of the number.’
‘O Signor!’ said Madame Cheron, with an affected smile, ‘I perceive you have learnt the art of complimenting, since you came into France. But it is cruel to compliment children, since they mistake flattery for truth.’
Cavigni turned away his face for a moment, and then said with a studied air, ‘Whom then are we to compliment, madam? for it would be absurd to compliment a woman of refined understanding; she is above all praise.’ As he finished the sentence he gave Emily a sly look, and the smile, that had lurked in his eye, stole forth. She perfectly understood it, and blushed for Madame Cheron, who replied, ‘You are perfectly right, signor, no woman of understanding can endure compliment.’
‘I have heard Signor Montoni say,’ rejoined Cavigni, ‘that he never knew but one woman who deserved it.’
‘Well!’ exclaimed Madame Cheron, with a short laugh, and a smile of unutterable complacency, ‘and who could she be?’
‘O!’ replied Cavigni, ‘it is impossible to mistake her, for certainly there is not more than one woman in the world, who has both the merit to deserve compliment and the wit to refuse it. Most women reverse the case entirely.’ He looked again at Emily, who blushed deeper than before for her aunt, and turned from him with displeasure.
‘Well, signor!’ said Madame Cheron, ‘I protest you are a Frenchman; I never heard a foreigner say any thing half so gallant as that!’
‘True, madam,’ said the Count, who had been some time silent, and with a low bow, ‘but the gallantry of the compliment had been utterly lost, but for the ingenuity that discovered the application.’
Madame Cheron did not perceive the meaning of this too satirical sentence, and she, therefore, escaped the pain, which Emily felt on her account. ‘O! here comes Signor Montoni himself,’ said her aunt, ‘I protest I will tell him all the fine things you have been saying to me.’ The Signor, however, passed at this moment into another walk. ‘Pray, who is it, that has so much engaged your friend this evening?’ asked Madame Cheron, with an air of chagrin, ‘I have not seen him once.’
‘He had a very particular engagement with the Marquis La Riviere,’ replied Cavigni, ‘which has detained him, I perceive, till this moment, or he would have done himself the honour of paying his respects to you, madam, sooner, as he commissioned me to say. But, I know not how it is—your conversation is so fascinating—that it can charm even memory, I think, or I should certainly have delivered my friend’s apology before.’
‘The apology, sir, would have been more satisfactory from himself,’ said Madame Cheron, whose vanity was more mortified by Montoni’s neglect, than flattered by Cavigni’s compliment. Her manner, at this moment, and Cavigni’s late conversation, now awakened a suspicion in Emily’s mind, which, notwithstanding that some recollections served to confirm it, appeared preposterous. She thought she perceived, that Montoni was paying serious addresses to her aunt, and that she not only accepted them, but was jealously watchful of any appearance of neglect on his part.—That Madame Cheron at her years should elect a second husband was ridiculous, though her vanity made it not impossible; but that Montoni, with his discernment, his figure, and pretensions, should make a choice of Madame Cheron—appeared most wonderful. Her thoughts, however, did not dwell long on the subject; nearer interests pressed upon them; Valancourt, rejected of her aunt, and Valancourt dancing with a gay and beautiful partner, alternately tormented her mind. As she passed along the gardens she looked timidly forward, half fearing and half hoping that he might appear in the crowd; and the disappointment she felt on not seeing him, told her, that she had hoped more than she had feared.
Montoni soon after joined the party. He muttered over some short speech about regret for having been so long detained elsewhere, when he knew he should have the pleasure of seeing Madame Cheron here; and she, receiving the apology with the air of a pettish girl, addressed herself entirely to Cavigni, who looked archly at Montoni, as if he would have said, ‘I will not triumph over you too much; I will have the goodness to bear my honours meekly; but look sharp, Signor, or I shall certainly run away with your prize.’
The supper was served in different pavilions in the gardens, as well as in one large saloon of the chateau, and with more of taste, than either of splendour, or even of plenty. Madame Cheron and her party supped with Madame Clairval in the saloon, and Emily, with difficulty, disguised her emotion, when she saw Valancourt placed at the same table with herself. There, Madame Cheron having surveyed him with high displeasure, said to some person who sat next to her, ‘Pray, who is that young man?’
‘It is the Chevalier Valancourt,’ was the answer. ‘Yes, I am not ignorant of his name, but who is this Chevalier Valancourt that thus intrudes himself at this table?’ The attention of the person, who whom she spoke, was called off before she received a second reply. The table, at which they sat, was very long, and, Valancourt being seated, with his partner, near the bottom, and Emily near the top, the distance between them may account for his not immediately perceiving her. She avoided looking to that end of the table, but whenever her eyes happened to glance towards it, she observed him conversing with his beautiful companion, and the observation did not contribute to restore her peace, any more than the accounts she heard of the fortune and accomplishments of this same lady.
Madame Cheron, to whom these remarks were sometimes addressed, because they supported topics for trivial conversation, seemed indefatigable in her attempts to depreciate Valancourt, towards whom she felt all the petty resentment of a narrow pride. ‘I admire the lady,’ said she, ‘but I must condemn her choice of a partner.’
The Gothic Terror MEGAPACK ™: 17 Classic Tales Page 69