Just One Look (2004)

by Harlan Coben

  His grandmother used to spew Yiddish quotes all the time. Stu Perlmutter's personal favorite had been this: "Man plans and God laughs." Marion, the only woman he had ever loved, died of a sudden embolism when she was thirty-one. She'd been in the kitchen, making Sammy--that was their son, their only child--a sandwich when the embolism hit. She was dead before she landed on the linoleum.

  Perlmutter's life pretty much ended that day. He did what he could to raise Sammy, but the truth was, his heart was never really in it. He loved the boy and enjoyed his job, but he had lived for Marion. This precinct, his work, had become his solace. Home, being with Sammy, reminded him of Marion and all they'd never have. Here, alone, he could almost forget.

  All of that was a long time ago. Sammy was in college now. He had turned into a good man, despite his father's inattentiveness. There was something to be said for that, but Perlmutter did not know what.

  Perlmutter signaled for Daley to sit down. "So what's up?"

  "That woman. Grace Lawson."

  "Ah," Perlmutter said.

  "Ah?"

  "I was just thinking about her too."

  "Something about her case bothering you, Captain?"

  "Yep."

  "I thought it was just me."

  Perlmutter tipped his chair back. "Do you know who she is?"

  "Ms. Lawson?"

  "Yup."

  "She's an artist."

  "More than that. You notice the limp?"

  "Yes."

  "Her married name is Grace Lawson. But once upon a time, her name--her maiden name, I guess--was Grace Sharpe."

  Daley looked at him blankly.

  "You ever hear of the Boston Massacre?"

  "Wait, you mean that rock concert riot?"

  "More a stampede, but yeah. Lot of people died."

  "She was there?"

  Perlmutter nodded. "Badly injured too. In a coma for a while. Press gave her the full fifteen minutes and then some."

  "How long ago was that?"

  "What, fifteen, sixteen years ago maybe."

  "But you remember?"

  "It was big news. And I was a big fan of the Jimmy X Band."

  Daley looked surprised. "You?"

  "Hey, I wasn't always an old fart."

  "Heard their CD. It was pretty damn good. Radio still plays 'Pale Ink' all the time."

  "One of the best songs ever."

  Marion had liked the Jimmy X Band. Perlmutter remembered her constantly blasting "Pale Ink" on an old Walkman, her eyes closed, her lips moving as she silently sang along. He blinked the image away.

  "So what happened to them?"

  "The massacre destroyed the band. They broke up. Jimmy X--I don't remember his real name anymore--was the front man and wrote all the songs. He just up and quit." Perlmutter pointed to the piece of paper in Daley's hand. "So what's that?"

  "That's what I wanted to talk to you about."

  "Something to do with the Lawson case?"

  "I don't know." Then: "Yeah, maybe."

  Perlmutter put his hands behind his head. "Start talking."

  "DiBartola got a call early tonight," Daley said. "Another missing husband case."

  "Similarities to Lawson?"

  "No. I mean, not at first. This guy wasn't even her husband anymore. An ex. And he isn't exactly squeaky clean."

  "He's got a record?"

  "Did time for assault."

  "Name?'

  "Rocky Conwell."

  "Rocky? For real?"

  "Yep, that's what it says on his birth certificate."

  "Parents." Perlmutter made a face. "Wait, why does that name ring a bell?"

  "He played a little pro ball."

  Perlmutter searched the memory banks, shrugged. "So what's the deal?"

  "Okay, like I said, this case looks even more cut-and-dry than Lawson. Ex-husband who was supposed to take his wife out shopping this morning. I mean, it's nothing. It's less than nothing. But DiBartola sees the wife--her name is Lorraine--well, she's a royal babe. So you know DiBartola."

  "A pig," Permutter said with a nod. "Ranked in the top ten by both the AP and UPI."

  "Right, so he figures, what the hell, humor her, right? She's separated, so you never know. Maybe something would swing his way."

  "Very professional." Perlmutter frowned. "Go on."

  "This is where it gets weird." Daley licked his lips. "DiBartola, he does the simple thing. He runs the E-ZPass."

  "Like you."

  "Exactly like me."

  "What do you mean?"

  "He gets a hit." Daley took another step into the room. "Rocky Conwell crossed the tollbooth off Exit 16 on the New York Thruway. At exactly ten-twenty-six last night."

  Perlmutter looked at him.

  "Yeah, I know. Exact same time and place as Jack Lawson."

  Perlmutter scanned the report. "You're sure about this? DiBartola didn't accidentally run the same number we did or something?"

  "Checked it twice. There's no mistake. Conwell and Lawson crossed the toll at the exact same time. They had to be together."

  Perlmutter mulled it over and shook his head. "No."

  Daley looked confused. "You think it's a coincidence?"

  "Two separate cars, crossing the toll at the same time? Not likely."

  "So how do you figure it?"

  "I'm not sure," Perlmutter said. "Let's say they, I don't know, ran away together. Or Conwell kidnapped Lawson. Or hell, Lawson kidnapped Conwell. Whatever. They'd be in the same car. There would be only one E-ZPass hit, not two."

  "Right, okay."

  "But they were in two separate cars. That's what's throwing me. Both men in separate cars cross the toll at the same time. And now both men are missing."

  "Except Lawson called his wife," Daley added. "He needed space, remember?"

  They both thought about it.

  Daley said, "You want me to call Ms. Lawson? See if she knows this Conwell guy?"

  Perlmutter plucked on his bottom lip and thought about it. "Not yet. Besides it's late. She's got kids."

  "So what should we do?"

  "A little more investigating. Let's talk to Rocky Conwell's ex-wife first. See if we dig up a connection between Conwell and Lawson. Put his car out there, see if we get a hit."

  The phone rang. Daley was working the switchboard as well. He picked it up, listened, and then turned to Perlmutter.

  "Who was that?"

  "Phil over at the Ho-Ho-Kus station."

  "Something wrong?"

  "They think an officer might be down. They want our help."

  Chapter 20

  Beatrice Smith was a fifty-three-year-old widow.

  Eric Wu was back in the Ford Windstar. He took Ridgewood Avenue to the Garden State Parkway north. He headed east on Interstate 287 toward the Tappan Zee Bridge. He exited at Armonk in New York. He was on side roads now. He knew exactly where he was going. He had made mistakes, yes, but the basics were still with him.

  One of those basics: Have a backup residence lined up.

  Beatrice Smith's husband had been a popular cardiologist, even serving a term as town mayor. They'd had lots of friends, but they were all "couple" friends. When Maury--that was her husband's name--died of a sudden heart attack, the friends stayed around for a month or two and then faded away. Her only child, a son, and a doctor like his father, lived in San Diego with his wife and three children. She kept the house, the same house she had shared with Maury, but it was big and lonely. She was thinking about selling it and moving into Manhattan, but the prices were just too steep right now. And she was afraid. Armonk was all she knew. Would it be jumping from the frying pan into the fire?

  She had confided all of this online to the fictional Kurt McFaddon, a widower from Philadelphia who was considering relocating to New York City. Wu pulled onto her street and slowed. The surroundings were quiet and woodsy and very private. It was late. A fake delivery would not work at this hour. There would be no time or even need for subtlety. Wu would not be a
ble to keep this host alive.

  There could be nothing to connect Beatrice Smith to Freddy Sykes.

  In short, Beatrice Smith could not be found. Not ever.

  Wu parked the car, put on his gloves--no fingerprints this time--and approached the house.

  Chapter 21

  At 5 A.M., Grace threw on a bathrobe--Jack's robe--and headed downstairs. She always wore Jack's clothes. He'd kindly request lingerie, but she preferred his pajama tops. "Well?" she'd ask, modeling the top. "Not bad," he'd reply, "but why not try wearing just the bottoms instead. Now that would be a look." She shook her head at the memory and reached the computer room.

  The first thing Grace did was check the e-mail address they were using to receive replies from their spam of the photograph. What she saw surprised her.

  They were no replies.

  Not one.

  How could that be? It was conceivable, she guessed, that nobody recognized the women in the photograph. She'd been prepared for that possibility. But by now they had sent out hundreds of thousands of e-mails to people. Even with spam blocks and all that, someone should have responded with at the very least an expletive, some crackpot with time on his hands, someone fed up with the overflow of spam who'd need to vent.

  Someone.

  But she had not received even one reply.

  What should she make of that?

  The house was quiet. Emma and Max were still asleep. So too was Cora. Cora was snoring, stretched out on her back, her mouth open.

  Switch gears, Grace thought.

  She knew that Bob Dodd, the murdered reporter, was now her best, perhaps only, lead, and let's face it, it was a pretty flimsy one. She had no phone contact for him, no next of kin, not even a street address. Still, Dodd had been a reporter for a fairly major newspaper, the New Hampshire Post. She decided that was the best place to start.

  Newspapers don't really close--at least, that was what Grace figured. Someone has to be manning the Post desk in case a big story broke. It also figured that the reporter stuck working at 5 A.M. might be bored and more apt to talk to her. So she picked up the phone.

  Grace was not sure how to approach this. She considered various angles, pretending, for example, to be a reporter doing a story, asking for collegial assistance, but she wasn't sure she'd be able to talk the talk.

  In the end she decided to try to keep as close to the truth as possible.

  She pressed *67 to block the Caller ID. The newspaper had a toll-free line. Grace didn't use it. You can't block Caller ID from toll-free numbers. She had learned that somewhere and stockpiled it in the back brain closet, the same closet where she stored information about Daryl Hannah being in Splash and Esperanza Diaz being the wrestler dubbed Little Pocahontas, the same closet that helped make Grace, in Jack's words, "Mistress of the Useless Factoid."

  The first two calls to the New Hampshire Post went nowhere. The guy at the news desk simply could not be bothered. He hadn't really known Bob Dodd and barely listened to her pitch. Grace waited twenty minutes and tried again. This time she got routed to Metro, where a woman who sounded very young informed Grace that she had just started at the paper, that this was her first job ever, that she didn't know Bob Dodd, but gee, wasn't it awful what happened to him?

  Grace checked the e-mails again. Still nothing.

  "Mommy!"

  It was Max.

  "Mommy, come quick!"

  Grace hurried up the stairs.

  "What is it, honey?"

  Max sat in his bed and pointed to his foot. "My toe is growing too fast."

  "Your toe?"

  "Look."

  She moved next to him and sat down.

  "See?"

  "See what, honey?"

  "My second toe," he began. "It's bigger than my big toe. It's growing too fast."

  Grace smiled. "That's normal, honey."

  "Huh?"

  "Lots of people have a second toe that's longer than their big one. Your daddy has that."

  "No way."

  "Yup, way. His second toe is longer than the big one on the end."

  That seemed to appease him. Grace felt another pang. "You want to watch The Wiggles?" she asked him.

  "That's a baby show."

  "Let's see what's on Playhouse Disney, okay?"

  Rolie Polie Olie was on, and Max settled into the couch to watch. He liked to use the cushions as blankets, making a total mess of the place. Grace was beyond caring. She tried the New Hampshire Post again. This time she asked for features.

  The man who answered had a voice like old tires on a gravel road. "What's up?"

  "Good morning," Grace said, too cheerfully, smiling into the phone like a dimwit.

  The man made a noise which, loosely translated, said: Get on with it.

  "I'm trying to get some information on Bob Dodd."

  "Who is this?"

  "I'd rather not say."

  "You're kidding, right? Look, sweetheart, I'm going to hang up now--"

  "Wait a second. I can't go into details, but if it turns into a major scoop--"

  "Major scoop? Did you just say major scoop?"

  "Yes."

  The man started cackling. "And what, you think I'm like Pavlov's dog or something. Say major scoop and I'll salivate."

  "I just need to know about Bob Dodd."

  "Why?"

  "Because my husband is missing and I think it might have something to do with his murder."

  That made him pause. "You're kidding me, right?"

  "No," Grace said. "Look, I just need to find someone who knew Bob Dodd."

  The voice was softer now. "I knew him."

  "Did you know him well?"

  "Well enough. What do you want?"

  "Do you know what he was working on?"

  "Look, lady, do you have information on Bob's murder? Because if you do, forget the major scoop crap and tell the police."

  "Nothing like that."

  "Then what?"

  "I was going through some old phone bills. My husband talked to Bob Dodd not long before he was murdered."

  "And your husband is?"

  "I'm not going to tell you that. It's probably just a coincidence."

  "But you said your husband is missing?"

  "Yes."

  "And you're concerned enough to be following up on this old phone call?"

  "I've got nothing else," Grace said.

  There was a pause. "You're going to have to do better than that," the man said.

  "I don't think I can."

  Silence.

  "Ah, what's the harm? I don't know anything. Bob didn't confide in me."

  "Who would he confide in?"

  "You can try his wife."

  Grace almost slapped herself in the head. How could she not have thought of something so obvious? Man, she was over her head here. "Do you know how I can locate her?"

  "Not sure. I only met her, what, once, maybe twice."

  "What's her name?"

  "Jillian. That's with a J, I think."

  "Jillian Dodd?"

  "I guess."

  She wrote it down.

  "There's another person you might try. Bob's father, Robert Senior. He must be in his eighties, but I think they were pretty close."

  "Do you have an address for him?"

  "Yeah, he's in some nursing home in Connecticut. We shipped Bob's stuff there."

  "Stuff?"

  "Cleaned out his desk myself. Put the stuff in a cardboard box for him."

  Grace frowned. "And you sent it to his father's nursing home?"

  "Yup."

  "Why not to Jillian, the wife?"

  There was a brief pause. "Don't know actually. I think she freaked after the murder. She was there, you know. Hold on a second, let me find the number of the nursing home. You can ask yourself."