“Nonsense,” cried Boyce, indignantly.“I heard a piano being played in this very house for hours last night!”
“You may enter,” said the old woman, with an accent more vicious than hospitable.
Boyce almost burst into the drawing-room. It was a dusty and forbidding place, with ugly furniture and gaudy walls. No piano nor any other musical instrument stood in it. The intruder turned an angry and baffled face to the old woman, who was smiling with ill-concealed exultation.
“I shall see the other rooms,” he announced. The old woman did not appear to be surprised at his impertinence.
“As you please,” she said.
So, with the hobbling creature, with her bandaged head, for a guide, he explored every room of the house, which being identical with his own, he could do without fear of leaving any apartment unentered. But no piano did he find!
“Explain,” roared Boyce at length, turning upon the leering old hag beside him. “Explain! For surely I heard music more beautiful than I can tell.”
“I know nothing,” she said.“But it is true I once had a lodger who rented the front room, and that he played upon the piano. I am poor at hearing, but he must have played well, for all the neighbours used to come in front of the house to listen, and sometimes they applauded him, and sometimes they were still. I could tell by watching their hands. Sometimes little children came and danced. Other times young men and women came and listened. But the young man died. The neighbours were angry. They came to look at him and said he had starved to death. It was no fault of mine. I sold his piano to pay his funeral expenses—and it took every cent to pay for them too, I’d have you know. But since then, sometimes—still, it must be nonsense, for I never heard it—folks say that he plays the piano in my room. It has kept me out of the letting of it more than once. But the family doesn’t seem to mind—the family that lives here, you know. They will be back in September. Yes.”
Boyce left her nodding her thanks at what he had placed in her hand, and went home to write it all to Babette—Babette who would laugh so merrily when she read it!
The Room of the Evil Thought
They called it the room of the Evil Thought. It was really the pleasantest room in the house, and when the place had been used as the rectory, was the minister’s study. It looked out on a mournful clump of larches, such as may often be seen in the old-fashioned yards in Michigan, and these threw a tender gloom over the apartment.
There was a wide fireplace in the room, and it had been the young minister’s habit to sit there hours and hours, staring ahead of him at the fire, and smoking moodily. The replenishing of the fire and of his pipe, it was said, would afford him occupation all the day long, and that was how it came about that his parochial duties were neglected so that, little by little, the people became dissatisfied with him, though he was an eloquent young man, who could send his congregation away drunk on his influence. However, the calmer pulsed among his parish began to whisper that it was indeed the influence of the young minister and not that of the Holy Ghost which they felt, and it was finally decided that neither animal magnetism nor hypnotism were good substitutes for religion. And so they let him go.
The new rector moved into a smart brick house on the other side of the church, and gave receptions and dinner parties, and was punctilious about making his calls. The people therefore liked him very much—so much that they raised the debt on the church and bought a chime of bells, in their enthusiasm. Everyone was lighter of heart than under the ministration of the previous rector. A burden appeared to be lifted from the community. True, there were a few who confessed the new man did not give them the food for thought which the old one had done, but, then, the former rector had made them uncomfortable! He had not only made them conscious of the sins of which they were already guilty, but also of those for which they had the latent capacity. A strange and fatal man, whom women loved to their sorrow, and whom simple men could not understand! It was generally agreed that the parish was well rid of him.
“He was a genius,” said the people in commiseration. The word was an uncomplimentary epithet with them.
When the Hanscoms moved in the house which had been the old rectory, they gave Grandma Hanscom the room with the fireplace. Grandma was well pleased. The roaring fire warmed her heart as well as her chill old body, and she wept with weak joy when she looked at the larches, because they reminded her of the house she had lived in when she was first married. All the forenoon of the first day she was busy putting things away in bureau drawers and closets, but by afternoon she was ready to sit down in her high-backed rocker and enjoy the comforts of her room.
She nodded a bit before the fire, as she usually did after luncheon, and then she awoke with an awful start and sat staring before her with such a look in her gentle, filmy old eyes as had never been there before. She did not move, except to rock slightly, and the Thought grew and grew till her face was disguised as by some hideous mask of tragedy.
By and by the children came pounding at the door.
“Oh, grandma, let us in, please. We want to see your new room, and mamma gave us some ginger cookies on a plate, and we want to give some to you.”
The door gave way under their assaults, and the three little ones stood peeping in, waiting for permission to enter. But it did not seem to be their grandma—their own dear grandma—who arose and tottered toward them in fierce haste, crying:
“Away, away! Out of my sight! Out of my sight before I do the thing I want to do! Such a terrible thing! Send someone to me quick, children, children! Send someone quick!”
They fled with feet shod with fear, and their mother came, and Grandma Hanscom sank down and clung about her skirts and sobbed:
“Tie me, Miranda. Make me fast to the bed or the wall. Get someone to watch me. For I want to do an awful thing!”
They put the trembling old creature in bed, and she raved there all the night long and cried out to be held, and to be kept from doing the fearful thing, whatever it was—for she never said what it was.
The next morning someone suggested taking her in the sitting-room where she would be with the family. So they laid her on the sofa, hemmed around with cushions, and before long she was her quiet self again, though exhausted, naturally, with the tumult of the previous night. Now and then, as the children played about her, a shadow crept over her face—a shadow as of cold remembrance—and then the perplexed tears followed.
When she seemed as well as ever they put her back in her room. But though the fire glowed and the lamp burned, as soon as ever she was alone they heard her shrill cries ringing to them that the Evil Thought had come again. So Hal, who was home from college, carried her up to his room, which she seemed to like very well. Then he went down to have a smoke before grandma’s fire.
The next morning he was absent from breakfast. They thought he might have gone for an early walk, and waited for him a few minutes. Then his sister went to the room that looked upon the larches, and found him dressed and pacing the floor with a face set and stern. He had not been in bed at all, as she saw at once. His eyes were bloodshot, his face stricken as if with old age or sin or—but she could not make it out. When he saw her he sank in a chair and covered his face with his hands, and between the trembling fingers she could see drops of perspiration on his forehead.
“Hal!” she cried, “Hal, what is it?”
But for answer he threw his arms about the little table and clung to it, and looked at her with tortured eyes, in which she fancied she saw a gleam of hate. She ran, screaming, from the room, and her father came and went up to him and laid his hands on the boy’s shoulders. And then a fearful thing happened. All the family saw it. There could be no mistake. Hal’s hands found their way with frantic eagerness toward his father’s throat as if they would choke him, and the look in his eyes was so like a madman’s that his father raised his fist and felled him as he used to fell men years before in the college fights, and then dragged him into the sitting-room and wept ove
r him.
By evening, however, Hal was all right, and the family said it must have been a fever,—perhaps from overstudy,—at which Hal covertly smiled. But his father was still too anxious about him to let him out of his sight, so he put him on a cot in his room, and thus it chanced that the mother and Grace concluded to sleep together downstairs.
The two women made a sort of festival of it, and drank little cups of chocolate before the fire, and undid and brushed their brown braids, and smiled at each other, understandingly, with that sweet intuitive sympathy which women have, and Grace told her mother a number of things which she had been waiting for just such an auspicious occasion to confide.
But the larches were noisy and cried out with wild voices, and the flame of the fire grew blue and swirled about in the draught sinuously, so that a chill crept upon the two. Something cold appeared to envelop them—such a chill as pleasure voyagers feel when a berg steals beyond Newfoundland and glows blue and threatening upon their ocean path.
Then came something else which was not cold, but hot as the flames of hell—and they saw red, and stared at each other with maddened eyes, and then ran together from the room and clasped in close embrace safe beyond the fatal place, and thanked God they had not done the thing that they dared not speak of— the thing which suddenly came to them to do.
So they called it the room of the Evil Thought. They could not account for it. They avoided the thought of it, being healthy and happy folk. But none entered it more. The door was locked.
One day, Hal, reading the paper, came across a paragraph concerning the young minister who had once lived there, and who had thought and written there and so influenced the lives of those about him that they remembered him even while they disapproved.
“He cut a man’s throat on board ship for Australia,” said he, “and then he cut his own, without fatal effect—and jumped overboard, and so ended it. What a strange thing!”
Then they all looked at one another with subtle looks, and a shadow fell upon them and stayed the blood at their hearts.
The next week the room of the Evil Thought was pulled down to make way for a pansy bed, which is quite gay and innocent, and blooms all the better because the larches, with their eternal murmuring, have been laid low and carted away to the sawmill.
The Shape of Fear
Tim O’Connor—who was descended from the O’Conors with one N—— started life as a poet and an enthusiast. His mother had designed him for the priesthood, and at the age of fifteen, most of his verses had an ecclesiastical tinge, but, somehow or other, he got into the newspaper business instead, and became a pessimistic gentleman, with a literary style of great beauty and an income of modest proportions. He fell in with men who talked of art for art’s sake,—though what right they had to speak of art at all nobody knew,—and little by little his view of life and love became more or less profane.
He met a woman who sucked his heart’s blood, and he knew it and made no protest; nay, to the great amusement of the fellows who talked of art for art’s sake, he went the length of marrying her. He could not in decency explain that he had the traditions of fine gentlemen behind him and so had to do as he did, because his friends might not have understood. He laughed at the days when he had thought of the priesthood, blushed when he ran across any of those tender and exquisite old verses he had written in his youth, and became addicted to absinthe and other less peculiar drinks, and to gaming a little to escape a madness of ennui.
As the years went by he avoided, with more and more scorn, that part of the world which he denominated Philistine, and consorted only with the fellows who flocked about Jim O’Malley’s saloon. He was pleased with solitude, or with these convivial wits, and with not very much else beside. Jim O’Malley was a sort of Irish poem, set to inspiring measure. He was, in fact, a Hibernian Mæcenas, who knew better than to put bad whiskey before a man of talent, or tell a trite tale in the presence of a wit. The recountal of his disquisitions on politics and other current matters had enabled no less than three men to acquire national reputations; and a number of wretches, having gone the way of men who talk of art for art’s sake, and dying in foreign lands, or hospitals, or asylums, having no one else to be homesick for, had been homesick for Jim O’Malley, and wept for the sound of his voice and the grasp of his hearty hand.
When Tim O’Connor turned his back upon most of the things he was born to and took up with the life which he consistently lived till the unspeakable end, he was unable to get rid of certain peculiarities. For example, in spite of all his debauchery, he continued to look like the Beloved Apostle. Notwithstanding abject friendships he wrote limpid and noble English. Purity seemed to dog his heels, no matter how violently he attempted to escape from her. He was never so drunk that he was not an exquisite, and even his creditors, who had become inured to his deceptions, confessed it was a privilege to meet so perfect a gentleman.
The creature who held him in bondage, body and soul, actually came to love him for his gentleness, and for some quality which baffled her, and made her ache with a strange longing which she could not define. Not that she ever defined anything, poor little beast! She had skin the colour of pale gold, and yellow eyes with brown lights in them, and great plaits of straw-coloured hair. About her lips was a fatal and sensuous smile, which, when it got hold of a man’s imagination, would not let it go, but held to it, and mocked it till the day of his death. She was the incarnation of the Eternal Feminine, with all the wifeliness and the maternity left out—she was ancient, yet ever young, and familiar as joy or tears or sin.
She took good care of Tim in some ways: fed him well, nursed him back to reason after a period of hard drinking, saw that he put on overshoes when the walks were wet, and looked after his money. She even prized his brain, for she discovered that it was a delicate little machine which produced gold. By association with him and his friends, she learned that a number of apparently useless things had value in the eyes of certain convenient fools, and so she treasured the autographs of distinguished persons who wrote to him—autographs which he disdainfully tossed in the waste basket. She was careful with presentation copies from authors, and she went the length of urging Tim to write a book himself. But at that he balked.
“Write a book!” he cried to her, his gentle face suddenly white with passion. “Who am I to commit such a profanation?”
She didn’t know what he meant, but she had a theory that it was dangerous to excite him, and so she sat up till midnight to cook a chop for him when he came home that night.
He preferred to have her sitting up for him, and he wanted every electric light in their apartments turned to the full. If, by any chance, they returned together to a dark house, he would not enter till she touched the button in the hall, and illuminated the room. Or if it so happened that the lights were turned off in the night time, and he awoke to find himself in darkness, he shrieked till the woman came running to his relief, and, with derisive laughter, turned them on again. But when she found that after these frights he lay trembling and white in his bed, she began to be alarmed for the clever, gold-making little machine, and to renew her assiduities, and to horde more tenaciously than ever, those valuable curios on which she some day expected to realize when he was out of the way, and no longer in a position to object to their barter.
O’Connor’s idiosyncrasy of fear was a source of much amusement among the boys at the office where he worked. They made open sport of it, and yet, recognising him for a sensitive plant, and granting that genius was entitled to whimsicalities, it was their custom when they called for him after work hours, to permit him to reach the lighted corridor before they turned out the gas over his desk. This, they reasoned, was but a slight service to perform for the most enchanting beggar in the world.
“Dear fellow,” said Rick Dodson, who loved him, “is it the Devil you expect to see? And if so, why are you averse? Surely the Devil is not such a bad old chap.”
“You haven’t found him so?”
“Tim, by heaven, you know, you ought to explain to me. A citizen of the world and a student of its purlieus, like myself, ought to know what there is to know! Now you’re a man of sense, in spite of a few bad habits—such as myself, for example. Is this fad of yours madness?—which would be quite to your credit,—for gadzooks, I like a lunatic! Or is it the complaint of a man who has gathered too much data on the subject of Old Rye? Or is it, as I suspect, something more occult, and therefore more interesting?”
“Rick, boy,” said Tim, “you’re too—inquiring!” And he turned to his desk with a look of delicate hauteur.
It was the very next night that these two tippling pessimists spent together talking about certain disgruntled but immortal gentlemen, who, having said their say and made the world quite uncomfortable, had now journeyed on to inquire into the nothingness which they postulated. The dawn was breaking in the muggy east; the bottles were empty, the cigars burnt out. Tim turned toward his friend with a sharp breaking of sociable silence.
“Rick,” he said, “do you know that Fear has a Shape?”
“And so has my nose!”
“You asked me the other night what I feared. Holy father, I make my confession to you. What I fear is Fear.”
“That’s because you’ve drunk too much—or not enough.
Come, fill the cup, and in the fire of Spring
Your winter garment of repentance fling—
“My costume then would be too nebulous for this weather, dear boy. But it’s true what I was saying. I am afraid of ghosts.”
“For an agnostic that seems a bit—”
“Agnostic! Yes, so completely an agnostic that I do not even know that I do not know! God, man, do you mean you have no ghosts—no—no things which shape themselves? Why, there are things I have done—”
“Don’t think of them, my boy! See, ‘night’s candles are burnt out, and jocund day stands tiptoe on the misty mountain top.’”
The Collected Supernatural and Weird Fiction of Elia W. Peattie Page 13