New Haven Noir

by Amy Bloom

  Table of Contents

  ___________________

  Introduction by Amy Bloom

  PART I: SKULLS & BONES

  Crossing Harry

  by Chris Knopf

  Union Station

  Callback

  by Sarah Pemberton Strong

  Audubon Arts District

  A Woe for Every Season

  by Hirsh Sawhney

  Dwight

  Sure Thing

  by David Rich

  Long Wharf

  I’ve Never Been to Paris

  by Amy Bloom

  East Rock

  PART II: DOWN AND OUT IN ELM CITY

  The Secret Societies

  by Roxana Robinson

  Beinecke Library

  The Boy

  by Karen E. Olson

  Fair Haven

  Evening Prayer

  by Stephen L. Carter

  Dixwell Avenue

  Second Act

  by Jessica Speart

  Food Terminal Plaza

  The Gauntlet

  by Jonathan Stone

  Edgewood Avenue

  PART III: DEATH OR GLORY

  Innovative Methods

  by Alice Mattison

  Lighthouse Point Park

  Spring Break

  by John Crowley

  Yale University

  Silhouettes

  by Chandra Prasad

  Wooster Square

  The Man in Room Eleven

  by Michael Cunningham

  Chapel Street

  The Queen of Secrets

  by Lisa D. Gray

  Bradley Street

  About the Contributors

  Bonus Materials

  Excerpt from USA NOIR edited by Johnny Temple

  Also in Akashic Noir Series

  Akashic Noir Series Awards & Recognition

  About Akashic Books

  Copyrights & Credits

  To New Haven, our town

  Introduction

  Noir Haven

  New Haven is not a tourist town. You could come for the food trucks down by the harbor, for the loaf of olive sourdough at the Wooster Square farmer’s market, for a wild-eyed hockey game at the Whale, for concerts on the Green with entertainers whom you feared were dead. Some people do. More people come for something to do with Yale—students, staff, faculty, spouses of all kinds; the university has long arms—for something to do with the hospitals (split-liver transplant, anyone?), or for something to do with pizza. (I was surprised that the Sally’s/Pepe’s/Modern Apizza war didn’t feature more heavily in this anthology’s stories. It’s no joke.)

  Our history is bound up with the original king-killers, three guys who signed the death warrant for the murder of King Charles I in 1649 and fled to New England, because even then (pre-Connecticut), payback was a bitch. In New Haven, we love Edward, Charles, and John—the regicides. We even have a trail named after them.

  We had Billy Grasso, a garden-variety crook and shakedown artist. We had Charlie “the Blade” Tourine, imported from Jersey. The city had a long run of Midge Renault, who was only 5'3" and not any kind of Frenchman (Salvatore Annunziato), and he, short and crazy, was a one-man crime wave for many years. Midge was the kind of guy to track you down, beat you up, run you over with your own car, and then pick you up so he could hit you again. He’d bribed everyone in New Haven who could be bribed. If you couldn’t be bribed, he burned down your house or your restaurant. When he was in jail, the guards let him go home, just to be on the safe side. Everybody knows that story.

  If noir is about corruption, absurdity, anxiety, the nightmare of bureaucracy, New Haven, with multiple universities and multiple clinics and multiple, and sometimes clashing, neighborhoods, is a noir town. If it’s about sex, money, and revenge, we have a lot of that, played out against the backdrop of the stately homes in East Rock, or the food carts ringing the hospital, or a bocce game played by trash-talking centenarians who believe that murder is a better solution than divorce. New Haven is a noir town.

  We invented the first steamboat, the first cotton gin, the lollipop, the hamburger, and the automatic revolver. That’s noir country. We have a large, deep harbor and two traprock ridges (East and West Rock). People disappear into and under these geographic features often.

  Our murder rate is up only a little, and way down from where it used to be. Our victims range from children to old folks. The number of shots fired is much lower. Our aim has improved. We have our favorite unsolved crimes: Our town’s Whitey Tropiano, a mobster shot dead on the street. The Yale senior killed and found on a quiet street corner (various amateurs have devoted years to this search; one guy is pretty sure it’s part of a 9/11 conspiracy, but he belongs in a different anthology). A lot of people were riveted by the headless torso found in an abandoned building, the handless arms found near the State Street commuter station. (See Chris Knopf’s story, which may owe something to this tragedy.) The pieces were part of a well-liked homeless guy and, eighteen months later, no one knows anything more about it.

  In the place where I get coffee:

  Guy buying a muffin: “You know the arms with no hands?”

  Woman stirring her coffee: “You mean the legs in the train station?”

  Man behind the counter: “It was Ray Roberson.”

  Guy: “Bobo? I know Bobo.”

  Woman: “Not now. Poor Bobo.”

  The twelve people in the coffee shop stop what they’re doing and a young woman behind the counter starts singing “His Eye Is on the Sparrow,” and everyone either joins in or drops their heads. An older man in a suit clasps his hands in prayer.

  We may be a noir town but, even though noir usually manages not to, we have heart.

  The chance to bring together some of my favorite writers, in my adopted hometown (in every place I bartended, the cook or the manager carried a .38 in his waistband, and I can still make ten kinds of boilermakers), was a joy and a privilege. Every single story is a noir gem, among them:

  Alice Mattison breaks the mold. In her Lighthouse Point Park story, she gives the femme fatale a twist from which I hope the genre never recovers. This time, the hopeful, lovesick dim bulb is a young woman and the sexy, manipulative devil with the irresistible body is a man. Mattison throws in a double twist, in which the dreams of glory and money are all at the most unremarkable levels.

  Chandra Prasad’s “Silhouettes” takes classic 1940s noir for a perverse spin around a drought- and war-addled Wooster Square, far from its modern charms. The young man with a limp is shy. The girls are flirts. The boss does seem to be looking, all the time. The wife doesn’t know much. All I can say is, Strouse Adler Corset factory—and I didn’t see that coming.

  Michael Cunningham and John Crowley take us to noir-beyond-time, to worlds that have a whiff of the uncanny. Cunningham creates a nightmarish hotel of disturbances, “The Man in Room Eleven.” Crowley assaults all of our senses, Clockwork Orange–style, in his exploration of a Yale we haven’t seen yet.

  The writers in this volume find noir in the seventies, the eighties, and the nineties, from college boys to Italian widows. Roxana Robinson finds noir in the world of biographers and Beinecke Library. Classic noir returns to our modern lives in Sarah Pemberton Strong’s “Callback,” in which we get the no-good dame, theatrical rivalry, and a stage-door romance as well. In “Evening Prayer,” Stephen L. Carter lets us see truth emerging as a knife in the heart. In New Haven Noir, everyone lies—and when they tell the truth, it’s even worse.

  If you are an optimist, noir may be an antidote, a crisp, dry balance for your sunny outlook. If you are a pessimist (or, as we say, a realist), noir is your home ground, your tribe. It’s not just that you expect ants to come to the picnic; you know damned
well that there will be ants at the picnic. When they come, you’re relieved. When they crawl up your brother’s leg, you’re reassured and possibly delighted. But the other side of noir is the moral center. The center may be shabby, frayed, and in serious need of a facelift, but it is a center. It’s not necessarily heroic. It’s likely to be cynical, and its resilience is not the showy kind. Mean streets, as Raymond Chandler once said, but not mean.

  That’s New Haven.

  Amy Bloom

  New Haven, CT

  May 2017

  PART I

  Skulls & Bones

  Crossing Harry

  by Chris Knopf

  Union Station

  People tend to not like me because they think I smell bad, and I talk a lot, though not to them, but to other people they don’t know are there. I personally don’t see a problem with this, though there’s always somebody trying to fix me, or get me inside some building, or stick a bunch of drugs in me to make me better. When I don’t even think I’m sick from anything.

  Though usually I’m pretty much left alone, because as a general rule people don’t even see me.

  My house is this nice little spot under the railroad tracks that mostly keeps out the rain and snow. I got it from a guy who died there, and I only had to drag his body out to the street to take possession, and the dead-guy odor went away pretty quickly. I have room for my sleeping bag, books, lantern, some extra clothes for the cold weather, and other things, like a bag of bottles and cans I usually forget to turn in, and a cat that doesn’t take up hardly any space at all.

  It’s not the world’s greatest existence, but I’m alive and free to move around the neighborhood, so things could be a lot worse. Eating is a bit of a problem, since I’m not keen on rotting food, which is plentiful but likely to land you in the hospital, where there’s a danger the psych people will trundle you off to a place where they feed you full of drugs and bore you with talk, talk, talk.

  But I’ve got maybe a half-dozen restaurant dumpsters around New Haven that serve quite a lovely cuisine, delivered daily, fresh enough, and meticulously prepared. You have to be careful with your timing, though after a few years of this, I’m pretty good at it.

  My friend Harry is a most excellent guide. He absolutely knows what gets tossed out, when, and where. Better yet, he never eats anything, since he lives in a different dimension, so I don’t have to share. Though I always offer.

  My favorite place in the world is Union Station. It’s always warm in the winter and cool in the summer and the architecture is so soothing. It only takes about fifteen minutes to walk there from my house under the tracks, but it’s always worth the effort. My goal is to sit on the long wooden benches, comfy and smooth on the ass, for at least an hour before one of the transit cops tells me to get lost. I always go quietly, since their German shepherds look so kind and apologetic, and tell me through Harry that I really don’t have to worry. They know I’m only enjoying a little of the luxury of the inside world and have no animus toward anyone, man or beast.

  It was one of those times, sitting happily on the bench, that the man in the beautiful dark-blue cashmere overcoat came through the doors leading from the tracks. He had excellent posture, and his shoes were very nicely polished. I didn’t see a single scuff. He carried an overstuffed canvas bag, zipped closed, on the side of which was a huge logo of a resort in Jamaica. Since it was February, I really liked examining the palm trees and the girl in a bikini, fake as they were.

  He had the high cheekbones and swept-back gray hair of a European nobleman, but Harry said there was something wrong with his eyes. I said to him, too blue? He said too empty.

  I kept staring at his face as he walked by, but he didn’t look back, probably for the same reason no one else looked at me. Except for the transit cops, who kicked me out of the station soon after that. With nothing else to do, I wandered down Church Street toward New Haven Harbor. Before I got there, I saw the cashmere coat coming toward me. He was carrying his Jamaica bag, though it looked a lot lighter. Harry told me to duck into a doorway and stay out of view. I said to Harry, why do that, since the guy wouldn’t see me anyway? Harry got a little testy about that, and told me to just shut up and do it.

  It wasn’t until spring, when things had warmed up a lot, that I saw the stylish guy again. This time I was down along the harbor’s waterline, trying to catch a fish or two for the evening’s meal. A tall guy with a full head of gray hair, he was still dressed like a duke, with silk pants and a suede jacket that hung on him like it was draped there. I wondered how he managed to stay so fit, since he could eat anything he wanted, any time he wanted.

  Harry reminded me that people like him could afford private fitness instructors, and I said, of course. That’s how he did it.

  He still had the big canvas bag with the Jamaica tourism logo. I didn’t think he’d recognize me, especially since I’d shed my winter ensemble, so I didn’t try to hide myself. I just fished and watched him walk up to the edge of the water and open the canvas bag. He knelt down and pulled out a big sous vide bag.

  You probably don’t know what that is, but one of my favorite dumpster stops is a French restaurant where they toss out these vacuum-packed plastic bags with the planet’s best food inside that you just drop in boiling water. I know, you’re thinking cheap rice meals and crap from the convenience store. But you’d be wrong. Sous vide is at the other end of the spectrum. It comes from France, a place that knows a thing or two about tasty food.

  Thing is, it wasn’t even legal then for restaurants to serve food prepared sous vide, and all the health inspector had to do was peak into the dumpster. Just shows you what people like me know about what really goes on in a city. Not that anybody would bother to ask.

  I watched the guy take a pair of little scissors out of his pocket and cut open the bag. Then he pulled out the stuff inside—it looked from a distance like nice veal cutlets or chicken marsala—and started chucking it into the water.

  This was very intriguing to me. Why throw a perfectly good, gourmet-prepared, sous vide meat course into New Haven Harbor?

  I don’t know what possessed me—unless it was Harry, who urged me in a pretty imperious way to walk up to the guy and ask him what the hell he was doing. I said no freaking way, but Harry kept at it. So I did, trying not to show how nervous I was.

  The guy just looked through me, like the first time I saw him in the train station, though he didn’t seem bothered by the question. Maybe because it was being asked by a smelly homeless person.

  “I’m concerned about the world’s crustaceans,” he said, turning back to his task.

  “Like crabs?”

  “Specifically crabs. They are in danger. Someone has to replenish the stock, return ecological vitality to their environments.”

  “I didn’t know crab food came vacuum packed,” I said, pointing at the plastic sous vide bag in his hand.

  He turned to peer down at me from his tall, haughty-guy perspective. “It doesn’t. I seal it myself. I am a virtuoso of the culinary arts, trained in France. Preparation and preservation is everything.”

  “Sure thing,” I said. “I get it.”

  He turned back to his work. “Of course you don’t,” he said. “How could you know that within a few days, all trace of this finely prepared select protein will be utterly consumed? Vanished, irretrievably. Could there be a more elegant, definitive resolution?”

  Harry said, “Huh?”

  I said, “That must be incredible food.”

  “Indeed,” he said, his voice a low grumble.

  I started to walk away, but he grabbed me by the arm, digging strong fingers into my bicep.

  “This work is highly confidential,” he said, staring at me with those crazy blue eyes. “Not a word to anyone or there will be consequences. You understand?”

  He let go of me when I said I did. Then I walked down the beach, acting like it all made sense, which of course it didn’t, since I’d studied crustaceans
as a biology major at Yale and knew that secretly feeding them gourmet meals in the New Haven Harbor would have little impact on the ultimate survival of species infraorder Brachyura.

  I began to spend a lot more time around Union Station, watching all the time for the gray-haired guy with the Jamaica tourism bag. This ultimately bore fruit, when one day I was in the station and saw him come through the doors that led from the tracks, holding his canvas bag and looking fresh as a daisy in a light-blue blazer, red-and-white-striped shirt, and pressed white pants.

  This time, I didn’t want him to see me, so I ducked into the newsstand and pretended to leaf through the magazines on the big rack. After a few minutes, I was able to follow him down Church Street, keeping about a block between us.

  As always, he went to the edge of the harbor, pulled out his sous vide bag, and tossed the contents into the water. I was close enough to hear the kerplunk, but far enough away to stay out of eyeshot. I have to admit, I was drooling a little over what was in those vacuum-packed bags, and determined this time to grab some of it before the so-called endangered crabs had a feast.

  My clever disguise when he walked by was to turn my back and act like I was staring off into the distance. It apparently worked, because he just kept on walking. As soon as he was out of sight, I ran like mad down to the harbor, pulled off my shoes, and waded right in. Being summer and all, this was not that heroic of a thing to do, though it meant I’d be drenched to the bone on my walk back to my place under the railroad tracks.

  Like before, I couldn’t find a thing, which didn’t surprise me, thinking that meat might be heavier than water, sinking pretty quickly. But I also had my feet, which I used to scrunch around the seabed, like I’d do to find clams. That’s how I struck gold, if you want to call it that.

  My first thought was chicken. The flesh was slippery, and full of crunchy bones and cartilage. I’m okay with chicken, though I was disappointed, since I’d been hoping for filet mignon or a nice boneless pork cutlet. I took it anyway and searched some more, but that’s all I found.