Reynard, as well as the other men, was petrified by a feeling of astonishment and consternation so extreme as almost to preclude terror. Voiceless and motionless, they beheld the demoniac intrusion; and the consternation of Reynard, in particular, was mingled with an element of unspeakable surprise, together with a dreadful recognizance. But the girl Nicolette, with a mad scream of horror, turned and started to flee across the room.
As if her cry had been the one provocation needed, the two demons swooped upon their victims. One, with a ferocious slash of its outstretched claws, tore open the throat of Jean Villom, who fell with a gurgling, blood-choked groan; and then, in the same fashion, it assailed Raoul Coupain. The other, in the meanwhile, had pursued and overtaken the fleeing girl, and had seized her in its bestial forearms, with the ribbed wings enfolding her like a hellish drapery.
The room was filled by a moaning whirlwind, by a chaos of wild cries and tossing, struggling shadows. Reynard heard the guttural snarling of the murderous monster, muffled by the body of Coupain, whom it was tearing with its teeth; and he heard the lubricous laughter of the incubus, above the shrieks of the hysterically frightened girl. Then the grotesquely flaring tapers went out in a gust of swirling air, and Reynard received a violent blow in the darkness — the blow of some rushing object, perhaps of a passing wing, that was hard and heavy as stone. He fell, and became insensible.
Dully and confusedly, with much effort, Reynard struggled back to consciousness. For a brief interim, he could not remember where he was nor what had happened. He was troubled by the painful throbbing of his head, by the humming of agitated voices about him, by the glaring of many lights and the thronging of many faces when he opened his eyes; and above all, by the sense of nameless but grievous calamity and uttermost horror that weighed him down from the first dawning of sentiency.
Memory returned to him, laggard and reluctant; and with it, a full awareness of his surroundings and situation. He was lying on the tavern floor, and his own warm, sticky blood was rilling across his face from the wound on his aching head. The long room was half filled with people of the neighborhood, bearing torches and knives and halberds, who had entered and were peering at the corpses of Villom and Coupain, which lay amid pools of wine-diluted blood and the wreckage of the shattered furniture and tableware.
Nicolette, with her green gown in shreds, and her body crushed by the embraces of the demon, was moaning feebly while women crowded about her with ineffectual cries and questions which she could not even hear or understand. The two cronies of Villom, horribly clawed and mangled, were dead beside their over-turned table.
Stupefied with horror, and still dizzy from the blow that had laid him unconscious, Reynard staggered to his feet, and found himself surrounded at once by inquiring faces and voices. Some of the people were a little suspicious of him, since he was the sole survivor in the tavern, and bore an ill repute, but his replies to their questions soon convinced them that the new crime was wholly the work of the same demons that had plagued Vyones in so monstrous a fashion for weeks past.
Reynard, however, was unable to tell them all that he had seen, or to confess the ultimate sources of his fear and stupefaction. The secret of that which he knew was locked in the seething pit of his tortured and devil-ridden soul.
Somehow, he left the ravaged inn, he pushed his way through the gathering crowd with its terror-muted murmurs, and found himself alone on the midnight streets. Heedless of his own possible peril, and scarcely knowing where he went, he wandered through Vyones for many hours; and somewhile in his wanderings, he came to his own workshop. With no assignable reason for the act, he entered, and re-emerged with a heavy hammer, which he carried with him during his subsequent peregrinations. Then, driven by his awful and unremissive torture, he went on till the pale dawn had touched the spires and the house-tops with a ghostly glimmering.
By a half-conscious compulsion, his steps had led him to the square before the cathedral. Ignoring the amazed verger, who had just opened the doors, he entered and sought a stairway that wound tortuously upward to the tower on which his own gargoyles were ensconced.
In the chill and livid light of sunless morning, he emerged on the roof; and leaning perilously from the verge, he examined the carven figures. He felt no surprise, only the hideous confirmation of a fear too ghastly to be named, when he saw that the teeth and claws of the malign, cat-headed griffin were stained with darkening blood; and that shreds of apple-green cloth were hanging from the talons of the lustful, bat-winged satyr.
It seemed to Reynard, in the dim ashen light, that a look of unspeakable triumph, of intolerable irony, was imprinted on the face of this latter creature. He stared at it with fearful and agonizing fascination, while impotent rage, abhorrence, and repentance deeper than that of the damned arose within him in a smothering flood. He was hardly aware that he had raised the iron hammer and had struck wildly at the satyr's horned profile, till he heard the sullen, angry clang of impact, and found that he was tottering on the edge of the roof to retain his balance.
The furious blow had merely chipped the features of the gargoyle, and had not wiped away the malignant lust and exultation. Again Reynard raised the heavy hammer.
It fell on empty air; for, even as he struck, the stone-carver felt himself lifted and drawn backward by something that sank into his flesh like many separate knives. He staggered helplessly, his feet slipped, and then he was lying on the granite verge, with his head and shoulders over the dark, deserted street.
Half swooning, and sick with pain, he saw above him the other gargoyle, the claws of whose right foreleg were firmly embedded in his shoulder. They tore deeper, as if with a dreadful clenching. The monster seemed to tower like some fabulous beast above its prey; and he felt himself slipping dizzily across the cathedral gutter, with the gargoyle twisting and turning as if to resume its normal position over the gulf. Its slow, inexorable movement seemed to be part of his vertigo. The very tower was tilting and revolving beneath him in some unnatural nightmare fashion.
Dimly, in a daze of fear and agony, Reynard saw the remorseless tiger-face bending toward him with its horrid teeth laid bare in an eternal rictus of diabolic hate. Somehow, he had retained the hammer. With an instinctive impulse to defend himself, he struck at the gargoyle, whose cruel features seemed to approach him like something seen in the ultimate madness and distortion of delirium.
Even as he struck, the vertiginous turning movement continued, and he felt the talons dragging him outward on empty air. In his cramped, recumbent position, the blow fell short of the hateful face and came down with a dull clangor on the foreleg whose curving talons were fixed in his shoulder like meat-hooks. The clangor ended in a sharp cracking sound; and the leaning gargoyle vanished from Reynard's vision as he fell. He saw nothing more, except the dark mass of the cathedral tower, that seemed to soar away from him and to rush upward unbelievably in the livid, starless heavens to which the belated sun had not yet risen.
It was the archbishop Ambrosius, on his way to early Mass, who found the shattered body of Reynard lying face downward in the square. Ambrosius crossed himself in startled horror at the sight; and the, when he saw the object that was still clinging to Reynard's shoulder, he repeated the gesture with a more than pious promptness.
He bent down to examine the thing. With the infallible memory of a true art-lover, he recognized it at once. Then, through the same clearness of recollection, he saw that the stone foreleg, whose claws were so deeply buried in Reynard's flesh, had somehow undergone a most unnatural alteration. The paw, as he remembered it, should have been slightly bent and relaxed; but now it was stiffly outthrust and elongated, as if, like the paw of a living limb, it had reached for something, or had dragged a heavy burden with its ferine talons.
THE MALAY KRISE
"Sahib," said the sword-dealer, "this blade, which came from far Singapore, has not its equal for sharpness in all Delhi."
He handed me the blade for inspection. It was a long
krise, or Malay knife, with a curious boat-shaped hilt, and, as he had said, was very keen.
"I bought it of Sidi Hassen, a Singapore dealer into whose possession it came at the sale of Sultan Sujah Au's weapons and effects after the Sultan's capture by the British. Hast heard the tale, Sahib? No? It runs thus:
"Sujah Au was the younger son of a great Sultan. There being little chance of his ever coming to the throne, he left his father's dominions, and becoming a pirate, set out to carve for himself a name and an empire. Though having at first but a few prahus (boats) and less than a hundred men, he made up this lack by his qualities of leadership, which brought him many victories, much plunder and considerable renown. His fame caused many men to join him, and his booty enabled him to build more prahus. Adding continually to his fleets, he soon swept the rivers of the Peninsula, and then began to venture upon the sea. In a few years his ships were held in fear and respect by every Dutch merchantman or Chinese junk whose sails loomed above the waters of the China Sea. Inland he began to overrun the dominions of the other Sultans, conquering, amongst others, that of his older brother, who had succeeded to his father's throne. Sujah Ali's fame reached far, and its shadow lay upon many peoples.
"Then the English came to the Peninsula and built Singapore. Sujah Ali despatched ships to prey upon their vessels, many of whom he succeeded in capturing. The English sent big ships after him, bearing many heavy guns and many armed men.
"The Sultan went to meet them in person, with the greater part of his fleet. It was a disastrous day for him. When the red sun sank into the sea, fully fifty of his best prahus, and thousands of his men, amongst whom he mourned several of his most noted captains, lay beneath the waters. He fled inland with the shattered remnant of his fleet.
"The British resolved to crush him decisively, sent boats up the rivers, and in numerous hard-fought battles they sunk most of Sujah Ali's remaining prahus, and cleared land and water of the infesting pirates. The Sultan himself, however, they sought in vain. He had fled to a well-nigh inaccessible hiding-place—a small village deep in a network of creeks, swamps, and jungle-covered islands. Here he remained with a few fighting-men while the English hunted unsuccessfully for the narrow, winding entrances.
"Amina, his favorite wife, was among those who had accompanied him to this refuge. She was passionately attached to the Sultan, and, although such was his wish, had positively refused to be left behind.
"There was a beautiful girl in the village, with whom Sujah Ali became infatuated. He finally married her, and she exercised so great an influence over him that Amina, who had hitherto considered herself first in her husband's estimation, grew jealous. As time passed, and she perceived more clearly how complete was his infatuation, her jealousy grew more intense and violent, and at last prompted her to leave the village secretly one night, and to go to the captain of a British vessel which had been cruising up and down the river for weeks. To this man, one Rankling Sahib, she revealed the secret of Sujah Ali's hiding place. In thus betraying him, her desire was probably more for revenge upon her rival than upon the Sultan.
"Rankling Sahib, guided by Amina, passed at midnight through the network of creeks and jungles. He landed his crew and entered the village. The Malays, taken completely by surprise, offered little or no resistance. Many awoke only to find themselves confronted by loaded rifles, and surrendered without opposition.
"Sujah Ali, who had lain awake all evening wondering as to the cause of Amina's absence, rushed out of his hut with half a score of his men, and made a futile attempt at escape. A desperate fight ensued, in which he used his krise, the same that thou seest, with deadly effect. Two of the English he stretched dead, and a third he wounded severely.
"Rankling Sahib had given orders that the Sultan be taken alive, if possible. Finally, wounded, weary and surrounded by his foes on all sides, the Sultan was made prisoner. And the next morning he was taken down the river to Singapore.
"This is the krise you see on the wall."
THE MANDRAKES
Gilies Grenier the sorcerer and his wife Sabine, coming into lower Averoigne from parts unknown or at least unverified, had selected the location of their hut with a careful forethought.
The hut was close to those marshes through which the slackening waters of the river Isoile, after leaving the great fosest, had overflowed in sluggish, reed-clogged channels and sedge-hidden pools mantled with scum like witches' oils. It stood among osiers and alders on a low, mound-shaped elevation; and in front, toward the marshes, there was a loamy meadow-bottom where the short fat stems and tufted leaves of the mandrake grew in lush abundance, being more plentiful and of greater size than elsewhere through all that sorcery-ridden province. The fleshly, bifurcated roots of this plant, held by many to resemble the human body, were used by Gilles and Sabine in the brewing of love-philtres. Their potions, being compounded with much care and cunning, soon acquired a marvelous renown among the peasants and villagers, and were even in request among people of a loftier station, who came privily to the wizard's hut. They would rouse, people said, a kindly warmth in the coldest and most prudent bosom, would melt the armor of the most obdurate virtue. As a result, the demand for these sovereign magistrals became enormous.
The couple dealt also in other drugs and simples, in charms and divination; and Gilles, according to common belief, could read infallibly the dictates of the stars. Oddly enough, considering the temper of the Fifteenth Century, when magic and witchcraft were still so widely reprobated, he and his wife enjoyed a repute by no means ill or unsavory. No charges of malefice were brought against them; and because of the number of honest marriages promoted by the philtres, the local clergy were content to disregard the many illicit amours that had come to a successful issue through the same agency.
It is true, there were those who looked askance at Gilles in the beginning, and who whispered fearfully that he had been driven out of Blois, where all persons bearing the name Grenier were popularly believed to be werewolves. They called attention to the excessive hairiness of the wizard, whose hands were black with bristles and whose beard grew almost to his eyes. Such insinuations, however, were generally considered as lacking proof, insomuch as no other signs or marks of lycanthropy were ever displayed by Gilles. And in time, for reasons that have been sufficiently indicated, the few detractors of Gilles were wholly overborne by a secret but widespread sentiment of public favor.
Even by their patrons, very little was known regarding the strange couple, who maintained the reserve proper to those who dealt in mystery and enchantment. Sabine, a comely women with blue-gray eyes and wheat-colored hair, and no trace of the traditional witch in her appearance, was obviously much younger than Gilles, whose sable mane and beard were already touched with the white warp of time. It was rumored by visitors that she had oftentimes been overheard in sharp dispute with her husband; and people soon made a jest of this, remarking that the philtres might well be put to a domestic use by those who purveyed them. But aside from such rumors and ribaldries, little was thought of the matter. The connubial infelicities of Gilles and his wife, whether grave or trivial, in no wise impaired the renown of their love-potions.
Also, little was thought of Sabine's presence, when, five years after the coming of the pair into Averoigne, it became remarked by neighbors and customers that Gilles was alone. In reply to queries, the sorcerer merely said that his spouse had departed on a long journey, to visit relatives in a remote province. The explanation was accepted without debate, and it did not occur to any one that there had been no eye-witnesses of Sabine's departure.
It was then mid-autumn; and Gilles told the inquirers, in a somewhat vague and indirect fashion, that his wife would not return before spring. Winter came early that year and tarried late, with deeply crusted snows in the forest and on the uplands, and a heavy armor of fretted ice on the marshes. It was a winter of much hardship and privation. When the tardy spring had broken the silver buds of the willows and covered the alders with a folia
ge of chrysolite, few thought to ask Gilles regarding Sabine's return. And later, when the purple bells of the mandrake were succeeded by small orange-colored apples, her prolonged absence was taken for granted.
Gilles, living tranquilly with his books and cauldrons, and gathering the roots and herbs for his magical medicaments, was well enough pleased to have it taken for granted. He did not believe that Sabine would ever return; and his unbelief, it would seem, was far from irrational. He had killed her one evening in autumn, during a dispute of unbearable acrimony, slitting her soft, pale throat in self-defense with a knife which he had wrested from her fingers when she lifted it against him. Afterward he had buried her by the late rays of a gibbous moon beneath the mandrakes in the meadow-bottom, replacing the leafy sods with much care, so that there was no evidence of their having been disturbed other than by the digging of a few roots in the way of daily business.
After the melting of the long snows from the meadow, he himself could scarcely have been altogether sure of the spot in which he had interred her body. He noticed, however, as the season drew on, that there was a place where the mandrakes grew with even more than their wonted exuberance; and this place, he believed, was the very site of her grave. Visiting it often, he smiled with a secret irony, and was pleased rather than troubled by the thought of that charnel nourishment which might have contributed to the lushness of the dark, glossy leaves. In fact, it may well have been a similar irony that had led him to choose the mandrake meadow as a place of burial for the murdered witch-wife.
The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) Page 131