She made no answer, gave no gesture of assent or denial. But when he had done, she regarded him strangely; whether with love or pity, sadness or joy, he could not tell. Then, swiftly, she bent forward and kissed his brow with her pallid lips. Their kiss was like the searing of fire or ice. But, mad with his supreme longing, Tortha strove rashly to embrace the Sybil.
Dreadfully, unutterably, she seemed to change in his arms as he clasped her—to become a frozen corpse that had lain for ages in a floe-built tomb—a leper-white mummy in whose frosted eyes he read the horror of the ultimate void. Then she was a thing that had no form or name—a dark corruption that flowed and eddied in his arms—a hueless dust, a flight of gleaming atoms, that rose between his evaded fingers. Then there was nothing-and the faery-tinted flowers about him were changing also, were crumbling swiftly, were falling beneath flurries of white snow. The vast and violet heaven, the tall slim trees, the magic, unreflecting stream—the very ground under him—all had vanished amid the universal, whirling flakes.
It seemed to Tortha that he was plunging dizzily into some deep gulf together with that chaos of driven snows. Gradually, as he fell, the air grew clear about him, and he appeared to hang suspended above the receding, dissolving storm. He was alone in a still, funereal, starless heaven; and below, at an awesome and giddying distance, he saw the dimly glittering reaches of a land sheathed with glacial ice from horizon to far-curved horizon. The snows had vanished from the dead air; and a searing cold, like the breath of the infinite ether, was about Tortha.
All this he saw and felt for a timeless instant. Then, with the swiftness of a meteor, he resumed his fall toward the frozen continent. And like the rushing flame of a meteor, his consciousness dimmed and went out on the bleak air even as he fell.
Tortha had been seen by the half-savage people of the mountains as he disappeared in the sudden storm that had come mysteriously from Polarion. Later, when the blinding flurries had died down, they found him lying on the glacier. They tended him with rough care and uncouth skill, marvelling much at the white mark that had been imprinted like a fiery brand on his sun-swart brow. The flesh was seared deeply; and the mark was shaped like the pressure of lips. But they could not know that the never-fading mark had been left by the kiss of the White Sybil. Slowly, Tortha won back to some measure of his former strength. But ever afterward there was a cloudy dimness in his mind, a blur of unresolving shadow, like the dazzlement in eyes that have looked on some insupportable light.
Among those who tended him was a pale maiden, not uncomely; and Tortha took her for the Sybil in the darkness that had come upon him. The maiden's name was Illara, and Tortha loved her in his delusion; and, forgetful of his kin and his friends in Cerngoth, he dwelt with the mountain people thereafter, taking Illara to wife and making the songs of the little tribe. For the most part, he was happy in his belief that the Sybil had returned to him; and Illara, in her way, was content, being not the first of mortal women whose lover had remained faithful to a divine illusion.
THE WILLOW LANDSCAPE
The picture was more than five hundred years old; and time had not changed its colors, unless to touch them with the mellow softness of ancient hours, with the gathering morbidezza of bygone things. It had been painted by a great artist of the Sung dynasty, on silk of the finest weave, and mounted on rollers of ebony tipped with silver. For twelve generations it had been one of the most cherished possessions of the forefathers of Shih Liang. And it was equally cherished by Shih Liang himself, who, like all his ancestors, was a scholar, a poet, and a lover of both art and nature. Often, in his dreamiest or most meditative moods, he would unroll the painting and gaze upon its idyllic loveliness with the feeling of one who retires to the seclusion and remoteness of a mountain-warded valley. It consoled him in a measure for the bustle and blare and intrigue of the imperial court, where he held an official post of no small honor; since he was not altogether native to such things and would have preferred, like the olden sages, the philosophic peace of a leaf-embowered hermitage.
The picture represented a pastoral scene of the most ideal and visionary beauty. In the background arose lofty mountains rendered vague by the slow withdrawal of morning mists; in the foreground there ran a little stream, descending in mimic turbulence to a tranquil lake, and crossed on its way by a rustic bridge of bamboo, more charming than if it were made of royal lacquer. Beyond the stream and around the lake were willows of vernal green more lovely and delicious than anything that was ever beheld except in vision or memory. Incomparable was their grace, ineffable their waving: they were like the willows of Shou Shan, the Taoist Paradise; and they trailed their foliage as leaning women trail their unbound hair. And partly hidden among them was a tiny hut; and a maiden dressed in peony pink and white was crossing the little bamboo bridge. But somehow the picture was more than a painting, was more than a veritable scene: it possessed the enchantment of far-off things for which the heart has longed in vain, of years and of places that are lost beyond recall. Surely the artist had mingled with its hues the diviner iris of dream or of retrospect, and the wine-sweet tears of a nostalgia long denied.
Shih Liang felt that he knew the landscape more intimately than any actual scene. Each time that he gazed upon it, his sensations were those of a returning wanderer. It became to him the cool and sequestered retreat in which he found a never-failing refuge from the weariness of his days. And though he was of an ascetic turn and had never married nor sought the company of women, the presence of the peony maiden on the bridge was by no means exceptionable: in fact, her tiny figure, with its more than mortal charm, was somehow an essential part of the composition and was no less important to its perfection than the stream, the willows, the lake, and the far-off mountains with their riven veils of mist. And she seemed to companion him in the visits and sojournings of reverie, when he would imagine himself repairing to the little hut or roaming beneath the delicate foliage.
In truth, Shih Liang had need of such refuge and of such companionship, illusory though they were. For, aside from his younger brother, Po Lung, a boy of six-teen, be was alone and without living relatives or comrades; and the fortunes of the family, declining through several generations, had left him the heritor of many debts and little cash or property, except a number of priceless art-treasures. His life was increasingly sad, and oppressed by ill-health and poverty; for much of the stipend from his secretarial post at the court was necessarily devoted to the canceling of inherited obligations; and the remainder was barely enough for his own sustenance and the education of his brother.
Shih Liang was approaching middle-age; and his honorable heart was rejoicing over the payment of the last family debt, when there came a fresh stroke of misfortune. Through no fault or remissness of his own, but the machinations of an envious fellow-scholar, Shih Liang was suddenly deprived of his position and found himself without means of support. No other position offered itself; for a certain amount of unmerited dis-grace was attached to the imperial dismissal. In order to procure the necessities of life, and continue his brother's education, Shih Liang was now forced to sell one by one many of the irreplaceable heirlooms, the antique carvings of jade and ivory, the rare porcelains and paintings of the ancestral collection. This he did with extreme reluctance, with a sense of utter shame and profanation, such as could be felt only by a true lover of such things, and by one whose very soul was consecrated to the past and to the memory of his fathers.
The days and years went by, the collection dwindled piece by piece; and the time drew near when the studies of Po Lung would be completed, when he would be a scholar versed in all the classics and eligible for a position of both honor and profit. But, alas! the porcelains and lacquers, the jades and ivories had all been sold; and the paintings were likewise gone, all except the willow landscape so dearly cherished by Shih Liang.
A mortal and inassuageable sorrow, a dismay that was colder than the chill of death itself, entered the heart of Shih Liang when he realized the trut
h. It seemed to him that he could no longer live if he should sell the picture. But if he did not sell it, how could he complete the fraternal duty which he owed to Po Lung. There was but one possible course; and he sent word at once to the Mandarin Mung Li, a connoisseur who had purchased other pieces of the old collection, telling him that the willow picture was now for sale.
Mung Li had long coveted this picture. He came in person, his eyes gleaming in his fat face with the avidity of a collector who scents a bargain; and the transaction was soon concluded. The money was paid immediately; but Shih Liang begged leave to retain the picture for another day before delivering it to the mandarin. And knowing that Shih Liang was a man of honor, Mung Li assented readily to this request.
When the mandarin had gone, Shih Liang unrolled the landscape and hung it on the wall. His stipulation to Mung Li bad been prompted by the irresistible feeling that he must have one more hour of communion with the beloved scene, must repair once more in reverie to its inviolate retreat. After that, he would be as one without a home or a sanctuary; for he knew that in all the world there was nothing that could take the place of the willow picture or afford a like asylum for his dreams.
The mellowing rays of earliest eventide were sifted upon the silk volumen where it hung on the bare wall; but for Shih Liang, the painting was steeped in a light of supernal enchantment, was touched by more than the muted splendor of the falling sun. And it seemed to him that never before had the foliage been so tender with immortal spring, or the mist about the mountain so glamorous with eternally dissolving opal, or the maiden upon the rustic bridge so lovely with unfading youth. And somehow, by an unaccountable sorcery of perspective, the painting itself was larger and deeper than of yore, and had mysteriously assumed even more of reality, or the illusion of an actual place.
With unshed tears in his heart, like an exile who bids farewell to his natal valley, Shih Liang enjoyed the sorrowful luxury of looking upon the willow picture for the last time. Even as on a thousand former occasions. his fancy strayed beneath the branches and beside the mere, it inhabited the tiny hut whose roof was so tantalizingly revealed and concealed, it peered at the mountain-tops from behind the trailing foliage, or paused upon the bridge to converse with the peony maiden.
And now there happened a strange and inexplicable thing. Though the sun had gone down while Shih Liang continued to gaze and dream, and a twilight had gathered in the room, the picture itself was no less plain and luminous than before, as if it were ]it by another sun than that of contemporary time and space. And the landscape had grown even larger, till it seemed to Shih Liang that he was looking through an open door on the veritable scene itself.
Then, as bewilderment assailed him, he heard a whisper that was not an actual voice, but which seemed to emanate from the landscape and become audible as a thought in his inmost mind. And the whisper said:
"Because you have loved me so long and so dearly, and because your heart is native here but alien to all the world beside, it is now permitted that I should become for you the inviolable refuge of which you have dreamed, and a place wherein you can wander and abide forever."
So, with the surpassing joy of one whose fondest vision has been verified, the rapture of one who inherits the heaven of his reverie., Shih Liang passed from the twilight room into the morning picture. And the ground was soft with a flower-embroidered grass beneath his heel; and the leaves of the willows murmured in an April wind that blew from long ago; and he saw the door of the half-hidden hut as he had never seen it before except in fancy; and the peony maiden smiled and answered his greeting when he approached her; and her voice was like the speech of the willows and the blossoms.
The disappearance of Shih Liang was a matter of brief and passing concern to those who had known him. It was readily believed that his financial sorrows had driven him to suicide, probably by drowning in the great river that ran athwart the capital.
Po Lung, having received the money left by his brother from the sale of the last painting, was enabled to finish his education; and the willow landscape, which had been found hanging on the wall of Shih Liang's abode, was duly claimed by the Mandarin Mung Li, its purchaser.
Nlung Li was delighted with his acquisition; but there was one detail which puzzled him considerably when he unrolled the volumen and examined it. He could remember only one figure, a maiden in pink and white, on the little bamboo bridge; and now there were two figures! Mung Li inspected the second figure with much curiosity, and was more than surprised when he noted that it had a singular resemblance to Shih Liang. But it was very tiny, like that of the maiden; and his eyes were dim from peering at so many porcelains and lacquers and paintings; so he could not be entirely sure. At any rate, the picture was very old; and he must have been mistaken about the number of the figures. How-ever, it was undeniably peculiar.
Mung Li might have thought the matter stiff stranger, if he had looked more often at the painting. He might have found that the peony maiden and the person who resembled Shih Liang were sometimes engaged in other diversions than that of merely passing the time of day on the bamboo bridge!
THE WITCHCRAFT OF ULUA
Sabmon the anchorite was famed no less for his piety than for his prophetic wisdom and knowledge of the dark art of sorcery. He had dwelt alone for two generations in a curious house on the rim of the northern desert of Tasuun: a house whose floor and walls were built from the large bones of dromedaries, and whose roof was a wattling composed of the smaller bones of wild dogs and men and hyenas. These ossuary relics, chosen for their whiteness and symmetry, were bound securely together with well-tanned thongs, and were joined and fitted with marvelous closeness, leaving no space for the blown sand to penetrate. This house was the pride of Sabmon, who swept it daily with a besom of mummy's hair, till it shone immaculate as polished ivory both within and without.
Despite his remoteness and reclusion, and the hardships that attended a journey to his abode, Sabmon was much consulted by the people of Tasuun, and was even sought by pilgrims from the farther shores of Zothique. However, though not ungracious or inhospitable, he often ignored the queries of his visitors, who, as a rule, wished merely to divine the future or to ask advice concerning the most advantageous government of their affairs. He became more and more taciturn with age, and spoke little with men in his last years. It was said, perhaps not untruly, that he preferred to talk with the murmuring palms about his well, or the wandering stars that went over his hermitage.
In the summer of Sabmon's ninety-third year, there came to him the youth Amalzain, his great-nephew, and the son of a niece that Sabmon had loved dearly in days before his retirement to a gymnosophic seclusion. Amalzain, who had spent all of his one-and-twenty years in the upland home of his parents, was on his way to Miraab, the capital of Tasuun, where he would serve as a cup-bearer to Famorgh the king. This post, obtained for him by influential friends of his father, was much coveted among the youth of the land, and would lead to high advancement if he were fortunate enough to win the king's favor. In accord with his mother's wish, he had come to visit Sabmon and to ask the counsel of the sage regarding various problems of worldly conduct.
Sabmon, whose eyes were undimmed by age and astronomy and much poring over volumes of archaic ciphers, was pleased with Amalzain and found in the boy something of his mother's beauty. And for this reason he gave freely of his hoarded wisdom; and, after uttering many profound and pertinent maxims, he said to Amalzain:
"It is indeed well that you have come to me: for, innocent of the world's turpitude, you fare to a city of strange sins and strange witcheries and sorceries. There are numerous evils in Miraab. Its women are witches and harlots, and their beauty is a foulness wherein the young, the strong, the valiant, are limed and taken."
Then, ere Amalzain departed, Sabmon gave to him a small amulet of silver, graven curiously with the migniard skeleton of a girl. And Sabmon said:
"I counsel you to wear this amulet at all times henceforward. It contains
a pinch of ashes from the pyre of Yos Ebni, sage and archimage, who won supremacy over men and demons in elder years by defying all mortal temptation and putting down the insubordination of the flesh. There is a virtue in these ashes, and they will protect you from such evils as were overcome by Yos Ebni. And yet, peradventure, there are ills and enchantments in Miraab from which the amulet can not defend you. In such case you must return to me. I shall watch over you carefully, and shall know all that occurs to you in Miraab: for I have long since become the owner of certain rare faculties of sight and hearing whose exercise is not debarred or limited by mere distance."
Amalzain, being ignorant of the matters at which Sabmon hinted, was somewhat bewildered by this peroration. But he received the amulet gratefully. Then, bidding Sabmon a reverential farewell, he resumed his journey to Miraab, wondering much as to the fortune that would befall him in that sinful and many-legended city.
Famorgh, who had grown old and senile amid his debaucheries, was the ruler of an aging, semi-desert land; and his court was a place of farsought luxury, of obliquitous refinement and corruption. The youth Amalzain, accustomed only to the simple manners, the rude virtues and vices of country-dwelling folk, was dazzled at first by the sybaritic life around him. But a certain innate strength of character, fortified by the moral teachings of his parents and the precepts of his great-uncle, Sabmon, preserved him from any grave errors or lapses.
The Ultimate Weird Tales Collection - 133 stories - Clark Ashton Smith (Trilogus Classics) Page 188