by Anne Perry
“No idea. Stole them, I expect,” Augustus said tersely. “Hardly matters now. Thank you for coming yourself, Superintendent. It is good to know the police are not as incompetent as some of our most lurid and ill-informed newspapers would have us believe.” He pursed his lips. “Now, if you will excuse me, I have an appointment this evening. Good day to you.”
Pitt opened his mouth to protest further, but Augustus had already reached for the bell rope to summon the butler to show Pitt out, and there was nothing more he could say. Augustus was obviously unprepared to discuss the matter any further.
“Good evening, Mr. FitzJames,” Pitt replied, and had to leave as the butler opened the door and smiled at him.
12
Pitt returned home late and tired, but it was the weariness of victory, even if there were still aspects of the case which puzzled him profoundly and which he feared he would now never resolve. It was already dark and the gas lamps were haloed with mist. There was a damp in the air, and a smell of rotting leaves, turned earth and the suggestion of the first frost.
He opened his front door and as soon as he came in the hallway he saw Charlotte at the top of the stairs. She was dressed in a very plain skirt and blouse, looking almost dowdy, and her hair was coming out of its pins. She came down so quickly he was afraid she was going to slip and fall.
“What is it?” he asked, seeing the eagerness in her face. “What’s happened?”
“Thomas.” She took a deep breath. She was too full of her own news to notice that he also had something urgent to say. “Thomas, I did a little investigating myself. It was all quite safe….”
The very fact that she mentioned safety told him immediately that it was not.
“What?” he demanded, facing her when she was on the bottom step. “What did you do? I assume Emily was with you?”
“Yes.” She sounded relieved, as if that were a good thing, something in mitigation. “And Tallulah FitzJames. Listen to me first, then be furious afterwards if you must, but I found out something really important, and terrible.”
“So did I,” he retorted. “I discovered who killed Nora Gough, and why, and obtained a confession. Now, what did you discover?”
She was startled.
“Who?” she demanded. “Who, Thomas?”
“Another prostitute. A woman named Ella Baker.” He outlined how they had assumed it was a man because of the coat, and how she had been able to disappear without anyone’s seeing her. They were still standing in the hall at the bottom of the stairs.
“Why?” she asked, her face reflecting none of the sense of victory he expected.
“Because Nora took the man she was going to marry, her escape from the life she had. And maybe she even loved him as well.” He put his hands up and touched her shoulders, holding her gently. “I’m sorry if I spoiled your news. I know you want to investigate for my sake, and I am not ungrateful.” He bent to kiss her, but she pulled away, frowning.
“Why did she kill Ada McKinley?”
“She denies it,” he replied, aware as he said it of the weight of dissatisfaction heavy inside him. It was a thin victory, and the substance of it seemed weaker every hour he thought of it.
“Why?” she asked. “That doesn’t make any sense, Thomas. They can’t hang her twice!” Her face was very pale, even in the glow of the gaslight from the hall chandelier. “Or three times.”
“No, of course they can’t,” he agreed. “What do you mean ‘three times’? There were only two murders.”
“No there weren’t.” Her voice was barely audible. “That’s what I was going to tell you that we found out. There was a third, about six years ago … a young girl, just a beginner. She had only been on the streets for a week or two. She was killed in Mile End, exactly the same way as the others … the garter, the fingers and toes, the cross-buttoned boots, even the water … everything. They never found who did it.”
He was stunned. For long seconds he stood motionless, as if he had not truly understood what she had said, and yet it filled his mind. Another crime, six years ago, in Mile End. It had to be the same person. Hadn’t it? There could not possibly be two … three people who would commit exactly the same gruesome, senseless murder, three people unconnected? And who was the first victim? Why had he not heard of her? Why had Ewart not known, and told him?
“I’m sorry,” Charlotte said very quietly. “It doesn’t help, does it?”
He focused his eyes again, looking at her.
“Who was she? Do you know anything about her?”
“No. Only that she was new on the streets. I didn’t learn her name.”
His mind was still whirling.
“Couldn’t Ella Baker have killed her too?” Charlotte asked. “Maybe she tried to take something from her? Did she say why she wanted to implicate Finlay?”
“No.” He turned and walked towards the parlor. He was suddenly cold standing in the hall, and very tired. He wanted to sit down as close to the fire as he could.
She followed him and sat opposite, in her usual chair.
The fire was burning a little low. He put more coal on it, banking it high and prodding it with the poker to make it burn up more rapidly.
“No,” he went on. “She denied it. Claimed she had never heard of the FitzJameses, and Augustus said he had never heard of her.” He sat back in his chair again. The flames were mounting in the fireplace as the new coal caught, the heat growing, tingling the skin. “And Ewart doesn’t care,” he added. “He’s so damned glad it’s over, without having to arrest FitzJames, he doesn’t want to know anything more about it.”
“And Mr. Cornwallis?”
“I haven’t seen him yet. It was late by the time I’d been to the FitzJameses’. I’ll tell him in the morning. And speak to Ella Baker again. Perhaps I’d better find out about the other crime first. Six years ago?”
“Yes, about that.”
He sighed.
“Would you like a cup of tea?” she asked. “Or cocoa?”
“Yes … yes please.” He left her to decide which to bring, and sat hunched in his chair in the slowly increasing warmth while the fire strengthened and flames leaped up the chimney.
In the morning he was in the bitter chill of Newgate asking to see Ella Baker, memories of Costigan’s face, white and frightened, filling his mind. Of all the duties he ever had to perform, this was perhaps the worst. It was a different kind of pain from that of going to tell the relatives of a victim. That was appalling, but it was a cleaner thing. It would eventually heal. This wrenched him in a way that was always sickeningly real and new. Time did not dull it or inure him in any measure at all.
Ella was sitting in her cell, still dressed in her own clothes, although they were not particularly different from prison garb. He had arrested her before she was dressed for work.
“What you want?” she said dully when she saw him. “Come ter gloat, ’ave you?”
“No.” He closed the cell door behind him. He looked at her pale face, hollow hopeless eyes and the glory of hair over her shoulders. Curiously, although he had seen both Ada and Nora, and seen their broken hands, their dead faces, disfigured in the last struggle, all he could see now was Ella and her despair. “I have no pleasure in it,” he told her. “A certain relief because it’s over, but that’s all.”
“So wot yer come for?” she said, still half disbelievingly, although something in his eyes, or his voice, touched her.
“Tell me about the first one, Ella,” he replied. “What did she do to you? She was only young, a beginner. Why did you kill her?”
She stared at him with total incomprehension.
“Yer mad, you are! I dunno wot yer talkin’ abaht! I ’it Nora, then we fought an’ I throttled ’er. I never broke ’er fingers ner toes, ner chucked water over ’er, ner did up ’er boots! I never touched Ada McKinley. I never ’eard of ’er till she were killed. An’ as fer another, I dunno wot yer on abaht. There weren’t no other, far as I knowed.”
&
nbsp; “About six years ago, in Mile End,” he elaborated.
“Six year ago!” She was incredulous, then she started to laugh, a high, harsh sound, full of pain, dark with fear beyond control. “Six year ago I were in Manchester. Married an’ went up there. Me ’usband died. I come ome an’ took ter the streets. On’y way ter keep a roof over me ’ead, ’ceptin’ the match factory. ’Ad a cousin ’oo died o’ phossie jaw. Ter ’ell wi’ that. Sooner be ’anged.” Suddenly tears filled her eyes. “Jus’ as well, eh?”
Pitt ached to be able to say something to comfort her. He felt the terrors closing around her, the darkness from which there was no escape, but there was nothing. Pity was no use now and to talk of hope was a mockery.
He smiled in answer to her bitter humor. There was some courage in it. He could admire that.
“What was your husband’s name?” he asked.
“Joe Baker … Joseph. You gonna check on me?” She sniffed. “A good man, Joe were. Drunk too much, but ’e weren’t bad. Never ’it me, jus’ fell over ’isself. Stupid sod!”
“What did he do?”
“ ’E worked the canals till ’e ’ad an accident an’ drowned. Drunk again, I s’pose.”
“I’m sorry,” Pitt said quietly. He meant it.
She shrugged. “Don’ matter now.”
Pitt went from Newgate to the Mile End police station and asked to see the most senior officer present who had been there over six years. He was shown, by a somewhat puzzled young sergeant, up to the cramped office of Inspector Forrest, a lean man with receding black hair and sad, dark eyes.
“Superintendent Pitt,” he said with surprise, rising to his feet. “Good morning, sir. What can we do for you?”
“Good morning, Inspector.” Pitt closed the door behind him and took the proffered seat. “I understand you were here in Mile End six years ago?”
“Yes. I see in the newspapers you got our murderer.” Forrest sat down behind his desk. “Well done. Damn sight more than we ever managed. Mind, I was only a sergeant then.”
“So you did have one exactly the same?” Pitt found it difficult to keep the anger out of his voice.
“Yes. Far as I can tell,” Forrest agreed, sitting forward in his chair. “Right down to the last detail. Weren’t much in the papers about ours, but I’ll remember it for the rest of my life. Poor little thing. Can’t ’ave been more than fifteen or sixteen. Pretty, they say, before he did that to her.”
“She,” Pitt corrected.
“Oh.” Forrest shook his head. “Yes … she. Sorry, I just had it fixed in my mind all these years that it was a man. Looked like a crime rooted in sex to me, the kind of perverted sex of a man that has to hurt and humiliate before he can get any pleasure. Sort of person who has to have power over someone, see them totally helpless. Evil. Still can’t believe it was a woman. Though, s’pose it must be, if she confessed.”
“No, she didn’t confess, except to the last one, Nora Gough. In fact, she said she was in Manchester six years ago.”
Forrest’s eyes widened. “Well, it has to have been the same person. Even in London, sink that it is, we can’t have two lunatics going around doing that to women.”
“Why didn’t you tell me about your case?” Pitt asked, trying not to sound accusatory, and failing.
“Me?” Forrest looked at him with surprise. “Why didn’t I tell you?”
“Yes. For heaven’s sake, it might have helped us! We should at least have known! We could have found out what they had in common and who might have known all three.”
“I didn’t tell you because … Didn’t Inspector Ewart tell you? He was on the case!”
Pitt froze.
“I took it for granted that he’d have told you,” Forrest said reasonably. “You saying he didn’t?” There was disbelief in his face and in his voice. He was watching Pitt as if he could scarcely believe him.
Pitt could scarcely believe it himself. Images of Ewart filled his mind, memories of his anger, his misery, the fear in him.
But there was no point in lying. The truth was obvious anyway.
“No, he never mentioned it.”
Now it was Forrest’s turn to sit in silence.
“Do you know Ella Baker?” Pitt asked him. “Or know of her? Have you ever heard her name?”
Forrest looked blank. “No. And I know most of the women on the streets around here. But I’ll ask Dawkins. He’s been here for years and he knows ’em all.” He rose to his feet and went out, excusing himself, and returned a few minutes later with a large, elderly sergeant with gray hair. “Dawkins, have you ever heard of a woman, a tart around here, called Ella Baker?” He turned to Pitt. “What did she look like, sir?”
“Tall, ordinary sort of face,” Pitt answered. “But very beautiful fair hair, thick and wavy.”
Dawkins thought carefully for a moment, then shook his head. “No sir. Nearest to that description is Lottie Bridger, an’ she died o’ the pox sometime early this year.”
“You’re absolutely sure, Dawkins?” Forrest urged.
“Yes sir. Never ’eard the name Ella Baker, an’ never ’ad a girl on the streets ’round ’ere like you said.”
“Thank you, Dawkins,” Forrest dismissed him. “That’s all.”
“Yes sir. Thank you, sir.” Dawkins left, looking puzzled, closing the door behind him with a sharp click.
“What does that mean?” Forrest regarded Pitt with open confusion. “Are we saying as this woman didn’t do our killing then?”
“I don’t know what we’re saying,” Pitt confessed. “Have you got records of this case I can look at?”
“Course. I’ll have them sent for.” Forrest excused himself again, and it was a long, frustrating quarter of an hour before he returned with a slim folder of papers. “This is it, sir. Isn’t a lot.”
“Thank you.” Pitt took it, opened it and read. Forrest was right; there was very little indeed, but the details were the same as in the deaths of Ada McKinley and Nora Gough. It was all set out clinically, unemotionally, in fine copperplate handwriting. The name of the victim had an air of unreality: Mary Smith. Was that really her name? Or did they simply not know what to call her? She was new in the area, new to prostitution. There was nothing else said about her, no place of origin, no family mentioned, no possessions listed.
Pitt read carefully from the description of objects found on the premises. No mention was made of anything which could be called a clue. Certainly there was nothing belonging to Finlay FitzJames, or any other gentleman.
He read the statements of witnesses, but they conveyed little. They had seen men come and go, but what else were they to expect in the room of a prostitute. There were no personal details, only that they were fairly young.
It was all insubstantial. No wonder the officer in charge had failed to find the killer. And the officers were Constable Trask, and Constable Porter, with Ewart the inspector in charge. The surgeon who had examined the body both at the scene of the crime and later was Lennox.
Why had neither of them mentioned it to Pitt? He could think of no justifiable answer.
“I don’t remember this in the papers,” he said to Forrest, who had sat silent throughout, his face furrowed with anxiety.
“It wasn’t in,” he replied. “Only ’er death, that’s all. None o’ the details. You know how it is: keep it back, might help to trap someone. They knew something, let something slip….”
“Yes, I know,” Pitt agreed, but the answer troubled him deeply. It made inescapable the darkest fears in his mind.
When he faced Ewart with it in his office in Whitechapel two hours later, Ewart stared at him blankly, his face stunned, eyes as if mesmerized.
“Well?” Pitt demanded. “For God’s sake, man, why didn’t you tell me about the first case?”
“We didn’t solve it,” Ewart said desperately. “There wasn’t anything in it that could have helped.”
“Don’t be ridiculous!” Pitt turned on his heel and walked over t
o the window, then swung around and stared back at Ewart. “You can’t know whether it would have helped or not! Why would you conceal it?”
“Because it only obscures the present.” Ewart’s voice was rising too. “There’s nothing to say it was the same person. It was Mile End, and six years ago. People copy crimes, especially mad people, wicked, stupid people who read about something and it sits in their brains, and they-”
“What newspapers?” Pitt asked curtly. “Most of those details were never released to the papers, which you know as well as I do. I never heard of the case, neither had any of the other people here working on this one. Nobody in Whitechapel connected it with the first one-but you must have. And Lennox!”
“Well, they weren’t related, were they?” Ewart said with triumph of logic. “Are you saying now that you aren’t sure it was Ella Baker who killed the Gough woman?”
“No I’m not.” Pitt swung around and gazed out of the window again, at the gray buildings and the darkening October sky. “She confessed to it. And I found her hair in Nora’s bed, long fair hair. Nora must have pulled it out when they struggled.”
“So what’s the matter?” Ewart demanded with growing confidence. “I was right. The two cases are unconnected.”
“How do you know that Ella Baker didn’t kill the first girl, Mary Smith, or whatever her name really was?”
“I don’t know. Maybe she did. It hardly matters. We can’t prove the first one was her, and she’ll hang for this one anyhow.”
“And she says she’s never heard of Finlay FitzJames,” Pitt added.
Ewart hesitated. “She’s lying,” he said after a moment.
“And Augustus FitzJames says he’s never heard of her, either,” Pitt went on.
Ewart said nothing. He drew in his breath, and then let it out again silently.
“Was there anything at the scene of the first murder to incriminate Finlay?” Pitt asked curtly.
Ewart looked straight back at him. “No, of course not. If there had been I’d have mentioned it. That would have been relevant. We never had any idea who did it. There was nothing to go on … nothing at all.”